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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pat\'s Song
Non classifié
552
Piano & claviers
Piano, Voix
515
Piano seul
433
Piano Facile
282
Piano, Voix et Guitare
118
Piano grosses notes
83
Instruments en Do
77
Orgue
21
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
7
Accompagnement Piano
7
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
42
Guitare
29
Ukulele
15
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
11
2 Guitares (duo)
3
Dulcimer
2
Paroles et Accords
2
Mandoline
2
Banjo
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
199
Chorale 3 parties
92
Chorale 2 parties
57
Chorale TTBB
49
Chorale SSAA
38
Chorale Unison
32
Voix Soprano, Piano
16
Voix duo
6
Voix duo, Piano
5
Voix seule
4
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Chorale
1
Voix Tenor
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
Voix Moyenne
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quintette de Saxophone: 5 saxophones
60
Flûte traversière et Piano
52
Quatuor de Saxophones: 4 saxophones
44
Flûte, Hautbois, Clarinette, Basson
41
Hautbois (partie séparée)
38
Saxophone Alto et Piano
37
Saxophone (partie séparée)
36
Clarinette et Piano
32
Hautbois, Piano (duo)
30
Flûte traversière
23
Quatuor de Clarinettes: 4 clarinettes
21
Saxophone Tenor et Piano
20
Saxophone Alto
20
Clarinette
18
Saxophone Tenor
17
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
16
Saxophone Soprano et Piano
12
2 Saxophones (duo)
12
Clarinette (partie séparée)
8
Ensemble de Clarinettes
7
Ensemble de Flûtes
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Flûte et Guitare
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Flûte, Violon, Piano
3
Hautbois
3
3 Saxophones (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette et Basson
2
Cor anglais, Piano
2
Flûte, Violon
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
Clarinette Basse
2
Flûte à bec Alto
2
Harmonica
2
Hautbois, Clarinette (duo)
2
Flûte, Alto (duo)
1
Saxophone
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Clarinette, Violoncelle (duo)
1
Hautbois, violon (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Harpe (duo)
1
Cornemuse
1
Hautbois, Basson (duo)
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
Flute, harpe et violon
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
36
Trompette, Piano
29
Cor et Piano
27
Trombone et Piano
24
Quatuor de Cuivres
18
Trombone
17
Tuba et Piano
15
Trombone (partie séparée)
10
Trompette (partie séparée)
8
Tuba
8
Ensemble de Trombones
6
Tuba (partie séparée)
5
2 Euphoniums et 2 Tubas
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
4
Cor
4
2 Trompettes (duo)
3
Cor (partie séparée)
3
3 Trombones (trio)
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trombone basse
1
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Saxophone (duo)
1
2 Trombones, Piano
1
Trompette, Trombone (duo)
1
Ensemble de Tubas
1
Trompette et Guitare
1
2 Cors (duo)
1
Cor Anglais
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
67
Violoncelle, Piano
47
Harpe
44
Alto, Piano
38
Violon
34
Violon, Violoncelle (duo)
25
Violoncelle
19
Contrebasse, Piano (duo)
19
2 Violons (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
13
Alto seul
13
Trio à cordes
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
7
Contrebasse (partie séparée)
7
Contre Basse
7
Violon, Alto (duo)
6
2 Altos (duo)
6
Harpe, Flûte (duo)
5
Violon (partie séparée)
5
Piano Trio: Violon, Alto, Piano
5
Ensemble d'Altos
4
Violon, Guitare (duo)
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
4 Violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
183
Orchestre
57
Orchestre à Cordes
45
Cloches
34
Ensemble de cuivres
19
Orchestre de chambre
14
Ensemble Jazz
12
Fanfare
11
Percussion (partie séparée)
9
Batterie
7
Ensemble de Percussions
5
Marimba
2
Vibraphone et Marimba
1
Vibraphone
1
Timbales (partie séparée)
1
Jazz combo
1
+ 11 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Crtitères actifs :
Pat\'s Song
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
<
1
Lynne's Largo
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Bruce J
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Lynne's Largo
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In His Name Music/SESAC
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.938092 Composed by Bruce J. Patterson. Baroque,Contemporary,Film/TV,Wedding. Score and parts. 13 pages. In His Nam...
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Chamber Orchestra - Level 4 - SKU: A0.938092 Composed by Bruce J. Patterson. Baroque,Contemporary,Film/TV,Wedding. Score and parts. 13 pages. In His Name Music/SESAC #49227. Published by In His Name Music/SESAC (A0.938092). Lynne’s Largo is from my Classical Works project written for my lovely wife, Lynne. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473.
$6.99
Three Australian Folk Songs
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00
God Bless The U.S.A.
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Orchestre de chambre
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INTERMÉDIAIRE
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Country
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Lee Greenwood
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Dean Mounts
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God Bless The U.S.A.
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Mounts Mounts
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.868511 By Lee Greenwood. By Lee Greenwood. Arranged by Dean Mounts. Country. Score and parts. 25 pages. Mounts Mou...
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Chamber Orchestra - Level 3 - SKU: A0.868511 By Lee Greenwood. By Lee Greenwood. Arranged by Dean Mounts. Country. Score and parts. 25 pages. Mounts Mounts #3582783. Published by Mounts Mounts (A0.868511). Scored for small orchestra, This popular patriotic song is done for a male vocalist. suitable for any and all patriotic occasions. Playing time - 3:10.
$30.00
Be Thou My Vision
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Orchestre de chambre
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FACILE
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Celtique/Irlandais
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
America the Beautiful - String Quartet or Group Score and Parts PDF
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Orchestre de chambre
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FACILE
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Patriotique
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - String
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages...
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Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
"On the beaches of Tijuana"
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Luis Carlos Diaz
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Luis Carlos Diaz
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}p { margin-bottom: 0.1in
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"On the beaches of Tijuan
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azdi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
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Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
When She Loved Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sarah McLachlan
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,C...
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Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Metamorphosis for solo flute,
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383...
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Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
America
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Orchestre de chambre
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DÉBUTANT
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American Patriotic Song
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Dan Severino
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America
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864725 Composed by American Patriotic Song. Arranged by Dan Severino. Children,Holiday,Instructional,Patriotic,Sta...
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Chamber Orchestra - Level 1 - SKU: A0.864725 Composed by American Patriotic Song. Arranged by Dan Severino. Children,Holiday,Instructional,Patriotic,Standards. Score and parts. 5 pages. Piano Teacher Press #48769. Published by Piano Teacher Press (A0.864725). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an elementary arrangement of the America. Great for performance for our national holidays and recitals.
$3.99
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Overture to "A Lucky Star
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
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Pat\'s Song
