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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Paul E
Sheetmusicplus
Non classifié
454
Piano & claviers
Piano seul
135
Piano (partie séparée)
82
Piano, Voix
80
Piano Facile
48
Instruments en Do
46
Orgue
39
Piano grosses notes
37
Piano, Voix et Guitare
17
Clavier
13
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
+ 9 instrumentations
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Guitares
Basse électrique (partie séparée)
113
Guitare (partie séparée)
94
Guitare notes et tablatures
17
Guitare
15
Basse electrique
6
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
5
Dobro
1
+ 3 instrumentations
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Voix
Chorale SATB
100
Chorale TTBB
19
Chorale SSAA
12
Chorale 3 parties
11
Chorale Unison
11
Chorale 2 parties
10
Voix Soprano, Piano
2
Chorale SSAB, Piano
2
Voix duo, Piano
2
Voix Tenor, Piano
1
Voix basse
1
Voix moyenne, Piano
1
Voix Tenor
1
Pack Instrumental pour Chorale
1
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 11 instrumentations
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Vents
Saxophone (partie séparée)
2 046
Clarinette (partie séparée)
1 048
Flute (partie séparée)
438
Hautbois (partie séparée)
314
Quatuor de Clarinettes: 4 clarinettes
37
Clarinette
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone et Piano
15
Saxophone Alto et Piano
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto
13
2 Saxophones (duo)
11
2 Flûte à bec (duo)
10
Ensemble de Clarinettes
8
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
7
Saxophone Tenor
7
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
6
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
5
Saxophone Tenor et Piano
5
Clarinette et Piano
5
Flûte traversière et Piano
4
Saxophone Baryton, Piano
3
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
2
Saxophone Soprano et Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Clarinette, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
2 Hautbois (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Clarinettes (trio)
1
Flûte, Violon, Piano
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
3 Hautbois
1
Hautbois, Clarinette (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette et Basson
1
Flûte et Trio à cordes
1
Flûte et Guitare
1
Ensemble de saxophones
1
Cor anglais, Guitare (duo)
1
+ 47 instrumentations
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Cuivres
Trompette (partie séparée)
1 708
Trombone (partie séparée)
1 290
Cor (partie séparée)
412
Tuba (partie séparée)
310
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette, Piano
7
Trompette
6
Cor
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
3
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
1
Cor et Piano
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Tuba
1
Trombone, Tuba (duo)
1
Trombone et Piano
1
2 Cors (duo)
1
Trombone, Cor (duo)
1
Trompette, Tuba (duo)
1
Cor anglais, Piano
1
Trio de Cuivres
1
Trompette, Cor (duo)
1
Cor, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
+ 27 instrumentations
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Cordes
Violon (partie séparée)
243
Contrebasse (partie séparée)
237
Alto (partie séparée)
124
Violoncelle (partie séparée)
94
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violon et Piano
12
Violoncelle
12
Violon
10
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle, Piano
9
Alto, Piano
7
2 Violons (duo)
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
6
Harpe
6
Trio à Cordes: violon, alto, violoncelle
4
Harpe (partie séparée)
4
2 Altos (duo)
3
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
4 Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violoncelle, Orgue
1
Contre Basse
1
2 Contrebasses (duo)
1
Alto seul
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
+ 28 instrumentations
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Orchestre & Percussions
Percussion (partie séparée)
663
Batterie (partie séparée)
246
Timbales (partie séparée)
120
Orchestre d'harmonie
102
Orchestre à Cordes
27
Ensemble Jazz
22
Orchestre
21
Fanfare
20
Ensemble de cuivres
6
Cloches
5
Xylophone (partie séparée)
4
Vibraphone (partie séparée)
3
Percussion
3
Batterie
3
Jazz combo
3
Ensemble de Percussions
2
Orchestre de chambre
2
Vibraphone
1
+ 13 instrumentations
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Paul E
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites fro
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Keith Terrett
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,...
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Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
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