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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Concert No. 3
Non classifié
363
Piano & claviers
Piano seul
767
Piano Facile
69
Piano, Voix
22
1 Piano, 4 mains
14
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano, Voix et Guitare
7
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
7
Piano, Guitare (duo)
7
Guitare notes et tablatures
3
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Basse electrique
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale 3 parties
51
Chorale SATB
17
Voix Soprano, Piano
8
Voix haute
6
Voix Baryton, Piano
3
Chorale 2 parties
3
Voix duo, Piano
3
Chorale SSAA
1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale TTBB
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
123
Clarinette et Piano
115
Hautbois, Piano (duo)
91
Saxophone Alto et Piano
82
Saxophone Soprano et Piano
54
Saxophone Tenor et Piano
51
Cor anglais, Piano
38
Saxophone Baryton, Piano
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières (duo)
21
3 Saxophones (trio)
20
Clarinette Basse, Piano
18
2 Saxophones (duo)
17
2 Clarinettes (duo)
13
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Clarinettes: 4 clarinettes
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Clarinettes
8
Flûte, Hautbois, Clarinette (trio)
6
Clarinette (partie séparée)
6
Hautbois
6
Flûte traversière
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto
5
Flûte, Violon, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Clarinettes (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes, Piano
4
Hautbois (partie séparée)
4
2 Hautbois (duo)
4
Saxophone Tenor
3
Saxophone (partie séparée)
3
Piccolo, Piano
3
2 Flûtes traversières, Piano
3
Quintette de Saxophone: 5 saxophones
3
2 Saxophones, Piano
2
Clarinette, Violon (duo)
2
Flûte, trombone et piano
2
Flûte, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de saxophones
2
2 Flûte à bec (duo)
2
Flûte et Guitare
2
Saxophone
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Ensemble de Flûtes
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Clarinette Basse
1
Flûte à Bec, Piano
1
3 Hautbois
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Tenor
1
+ 58 instrumentations
Retracter
Cuivres
Cor et Piano
63
Trombone et Piano
58
Trompette, Piano
50
Cor anglais, Piano
38
Euphonium, Piano (duo)
36
Trompette
23
Tuba et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
8
Trombone
6
2 Trombones (duo)
5
Trompette (partie séparée)
4
Cor
4
Trombone basse et Piano
4
2 Cors (duo)
4
Tuba et Orgue
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba (partie séparée)
2
2 Euphoniums (duo)
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor (partie séparée)
2
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
189
Violoncelle, Piano
130
Alto, Piano
94
Violon
35
Quatuor à cordes: 2 violons, alto, violoncelle
31
Harpe
22
2 Violons (duo)
18
Contrebasse, Piano (duo)
16
Violoncelle
14
Alto seul
11
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Violons, Piano
4
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Alto (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
74
Orchestre
72
Orchestre à Cordes
30
Orchestre de chambre
13
Cloches
8
Ensemble Jazz
5
Percussion (partie séparée)
4
Piano et Orchestre
3
Ensemble de cuivres
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Vous avez sélectionné:
Piano Concert No. 3
Orchestre de chambre
Partitions à imprimer
13 partitions trouvées
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1
Piano Concerto No. 6, Full Score Only - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland...
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Chamber Orchestra - Level 4 - SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland #910235. Published by James Nathaniel Holland (A0.1321776). FULL SCORE (Only, In Concert Pitch)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.95
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Bach - Piano Concerto No.7 in G minor BWV 1058 for Piano solo and String Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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II
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Bach - Piano Concerto No.7 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. Santino Cara #941...
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Chamber Orchestra - Level 4 - SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. Santino Cara #941197. Published by Santino Cara (A0.1356525). Complete score and parts of the Piano Concerto No.8 in G minor BWV 1058 for Piano concertato and Strings. Arranged for harpsichord in 1738 by Bach himself, from the previous concerto in A minor for solo violin, strings and continuo BWV 1041. Rewritten and elaborated for Piano and String orchestra in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro moderato, 2. Andante, 3. Allegro assai.Instrumentations: Piano concertato, Violins I. & II., Violas, Violoncellos, Double Basses.
$22.40
Bach - Piano Concerto No.8 in D minor BWV 1059 for Piano solo and String Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Johann Sebastian Bach
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Santino Cara
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II
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Bach - Piano Concerto No.8 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Santino Cara #9370...
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Chamber Orchestra - Level 3 - SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Santino Cara #937016. Published by Santino Cara (A0.1352181). Complete score and parts of the Concerto No.8 in D minor BWV 1059 for Piano, Strings and Continuo. Composed by Johann Sebastian Bach. Rewritten and elaborated in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro, 2. Adagio, 3. Presto.Instrumentation: Piano concertato, Violins I. & II., Violas, Violoncellos and Double Basses
$22.40
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Chamber Music No. 4
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Orchestre de chambre
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AVANCÉ
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Paul Hindemith
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Chamber Music No. 4
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Schott Music - Digital
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SheetMusicPlus
2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tam...
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2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tamb. o. Schellen) (1 Spieler) – Str. (0 · 0 · 4 · 4 · 4) violin solo and large chamber orchestra - difficult - SKU: S9.Q1575 (Violin Concerto). Composed by Paul Hindemith. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 36/3. Duration 23 minutes. Schott Music - Digital #Q1575. Published by Schott Music - Digital (S9.Q1575). Dieser Klavierauszug dient lediglich Studienzwecken, eine öffentliche Aufführung in der Fassung für Violine und Klavier ist untersagt.
$19.99
No Puede Ser
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Orchestre de chambre
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INTERMÉDIAIRE
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Pablo Sorozabal
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Elena Ionova
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 Strings
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No Puede Ser
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Elenaviolin
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1380417 Composed by Pablo Sorozabal. Arranged by Elena Ionova. Chamber,Classical,Opera,Romantic Period. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.1380417 Composed by Pablo Sorozabal. Arranged by Elena Ionova. Chamber,Classical,Opera,Romantic Period. Score and parts. 26 pages. Elenaviolin #965192. Published by Elenaviolin (A0.1380417). From La Tabernera del Puerto. Beautiful music for any concert for  Tenor,  Piano  &  Strings.Classical collection are extremely useful for performing musicians.
$25.00
Beethoven: Adagio sostenuto from the Moonlight Sonata for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Adagio sostenuto fr
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.552179 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Classical,Concert,Holiday,Love,Standards,We...
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Chamber Orchestra - Level 3 - SKU: A0.552179 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Classical,Concert,Holiday,Love,Standards,Wedding. Score and parts. 24 pages. Jmsgu3 #6259493. Published by jmsgu3 (A0.552179). Beethoven: Adagio from Sonata Op. 27 No. 2 for Piano Sextet.Duration: 5:30, Score: 9 pages.
$32.95
Cowboy Tales, for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Cowboy Tales, for Chamber Orch
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089...
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Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00
La Califfa
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Orchestre de chambre
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INTERMÉDIAIRE
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Ennio Morricone
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Flavio Regis Cunha
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La Califfa
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instruc...
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Chamber Orchestra - Level 3 - SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instructional,Wedding. Score and Parts. 18 pages. Flavio Regis Cunha #854497. Published by Flavio Regis Cunha (A0.1261422). Are you looking for the perfect piece to add to your school or professional orchestra’s repertoire? Look no further than 'La Califfa (Lady Caliph)' composed by Ennio Morricone and arranged for small orchestra by Flavio Regis Cunha. This timeless classic is sure to be a hit with audiences of all ages. With its lush strings, powerful brass, and stirring rhythm, 'La Califfa (Lady Caliph)' will bring your orchestra to life. Get your copy today and experience the beauty of this timeless masterpiece.INSTRUMENTATIONOBOE (Flute Optional) HORN IN F TRUMPET IN Bb PERCUSSION (vibraphone, optional Glokenspiel) PIANO VIOLIN 1 VIOLIN 2 VIOLA VIOLONCELLO DOUBLE BASS  Intermediate levelFormat: Concert, 9 x 12 inches18 pagesFull Score + Orchestral Parts.
$49.99
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Piano Concert No. 3
