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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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COR
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Pieces Of Me
Non classifié
158
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279
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222
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34
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30
2 Pianos, 4 mains
22
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19
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
2 Pianos, 8 mains
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare
25
Guitare notes et tablatures
9
Piano, Guitare (duo)
7
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4
Mandoline
2
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1
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1
2 Guitares (duo)
1
Ensemble de guitares
1
+ 4 instrumentations
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Voix
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162
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5
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2
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2
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2
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1
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1
Voix duo
1
+ 3 instrumentations
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Clarinette et Piano
16
Flûte traversière et Piano
14
Hautbois, Piano (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Ensemble de Flûtes
9
3 Clarinettes (trio)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Alto et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor et Piano
6
Flûte et Guitare
4
2 Saxophones (duo)
3
3 Saxophones (trio)
3
Clarinette
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Harpe (duo)
2
Saxophone Alto
2
Saxophone Soprano et Piano
2
2 Flûtes traversières (duo)
2
Ensemble de Clarinettes
2
Flûte traversière
2
Quintette de Saxophone: 5 saxophones
1
Hautbois (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Basse continue
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violoncelle (duo)
1
+ 24 instrumentations
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Quatuor de cuivres: 4 trombones
24
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10
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9
Trompette, Piano
5
Cor et Piano
4
Trombone
3
Trompette (partie séparée)
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trio de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
+ 7 instrumentations
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Cordes
Violon et Piano
24
Harpe
15
Quatuor à cordes: 2 violons, alto, violoncelle
13
Alto, Piano
10
Violoncelle, Piano
9
Violoncelle
7
Harpe, Flûte (duo)
6
Violon, Violoncelle (duo)
6
Violon
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
3
2 Violoncelles (duo)
2
Alto (partie séparée)
2
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
Trio à Cordes: 2 violons, alto
1
+ 12 instrumentations
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17
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8
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5
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3
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2
Jazz combo
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Cloches
2
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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TROMBONE
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Vous avez sélectionné:
Pieces Of Me
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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Over The Rainbow (from The Wizard Of Oz)
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3...
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Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Ignaz Moscheles
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Scott Fields Davis
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Isaac Ignaz Moscheles, piano s
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Field...
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Chamber Orchestra - Level 4 - SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Fields Davis #869431. Published by Scott Fields Davis (A0.1277749). Isaac Ignaz Moscheles (1794-1870) was born in Prague. Included in his 142 opus numbers are pieces ranging in instrumentation from solo piano to orchestra. This is an orchestral arrangement of the first movement of his piano sonata in D Major. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.The instruments used are: flutes, oboes, B flat clarinets, bassoons, violin I, violin II, viola, cello, double bass.Approximate performance duration is 12 minutes and 24 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$21.00
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