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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Promise of Ages
Non classifié
435
Piano & claviers
Piano seul
236
Piano, Voix
73
Piano Facile
56
Accompagnement Piano
52
Piano, Voix et Guitare
41
Orgue
12
Piano Trio: piano, violon, violoncelle
10
Instruments en Do
9
Piano grosses notes
8
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
8
Ukulele
2
Mandoline
2
Basse electrique
1
Dulcimer
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
273
Pack Instrumental pour Chorale
96
Chorale 3 parties
39
Chorale Unison
32
Chorale TTBB
27
Chorale 2 parties
24
Voix Tenor, Piano
18
Chorale SSAA
10
Voix Soprano, Piano
9
Voix Alto, Piano
7
Voix Tenor
5
Voix duo, Piano
4
Voix seule
4
Voix duo
3
Voix haute
1
Voix Soprano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Quatuor de Saxophones: 4 saxophones
40
Flûte, Hautbois, Clarinette, Basson
37
2 Saxophones (duo)
32
Quintette de Saxophone: 5 saxophones
32
Hautbois, Piano (duo)
28
Flûte traversière et Piano
27
Clarinette et Piano
21
Flûte traversière
20
Saxophone Alto et Piano
18
Clarinette
17
Saxophone Alto
16
Saxophone Tenor et Piano
16
2 Clarinettes (duo)
15
Saxophone Tenor
15
2 Flûtes traversières (duo)
14
Saxophone (partie séparée)
13
2 Hautbois (duo)
12
Clarinette (partie séparée)
11
Hautbois (partie séparée)
11
Saxophone Soprano et Piano
11
Hautbois
10
Saxophone Baryton, Piano
9
Saxophone Soprano
8
Saxophone Baryton
8
Flute (partie séparée)
7
Hautbois, Clarinette (duo)
7
Flûte, Clarinette et Basson
6
2 Flûte à bec (duo)
6
Flûte, Clarinette (duo)
6
3 Clarinettes (trio)
6
Flûte, Hautbois (duo)
5
3 Saxophones (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette, Violon (duo)
4
Flûte, Violoncelle
3
Ensemble de saxophones
3
Clarinette, Basson (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Violon
3
Flûte à bec Tenor
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violoncelle
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto
2
Flûte à bec Soprano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto (duo)
2
Ensemble de Flûtes
2
Hautbois, violon (duo)
2
Hautbois et alto (duo)
2
Flûte, Basson et Piano
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
+ 55 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette, Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette
19
Trombone et Piano
18
Cor
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor et Piano
15
Tuba
14
2 Cors (duo)
13
2 Trompettes (duo)
13
2 Trombones (duo)
13
Tuba et Piano
11
Trombone
10
Trompette (partie séparée)
8
Quatuor de Cuivres
8
Trompette, Trombone (duo)
8
Cor (partie séparée)
6
Trombone (partie séparée)
6
2 Tubas (duo)
6
Trompette, Tuba (duo)
3
Euphonium, Piano (duo)
3
Trompette, Cor (duo)
2
Trompette, Violoncelle et Piano
2
Trombone, Tuba (duo)
2
Tuba (partie séparée)
2
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violoncelle, Piano
24
Alto, Piano
22
Violoncelle
18
Violon, Violoncelle (duo)
17
Alto seul
16
2 Violoncelles (duo)
16
Violon
16
2 Violons (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
11
Contre Basse
10
Harpe
9
Trio à Cordes: 2 violons, violoncelle
9
Contrebasse, Piano (duo)
8
Violon (partie séparée)
6
2 Contrebasses (duo)
6
Violon, Basson (duo)
5
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Orchestre
40
Cloches
32
Orchestre à Cordes
16
Ensemble Jazz
11
Percussion (partie séparée)
9
Orchestre de chambre
6
Jazz combo
3
Batterie
3
Ensemble de cuivres
2
Fanfare
2
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Promise of Ages
Orchestre de chambre
Partitions à imprimer
6 partitions trouvées
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op.5 no.4 - Promise of Love
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Orchestre de chambre
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FACILE
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Deniz Inan
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Deniz Inan
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op.5 no.4 - Promise of Love
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Deniz Inan
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.518358 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,Wo...
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Chamber Orchestra - Level 2 - SKU: A0.518358 By Deniz Inan. By Deniz Inan. Arranged by Deniz Inan. Classical,Film/TV,Multicultural,Video Game,Wedding,World. Score and parts. 14 pages. Deniz Inan #129052. Published by Deniz Inan (A0.518358). Composition for piano and violin and orchestra Album: Op.5 - Maybe you Website: www.deniz-inan.com.
$5.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Hosanna (Full Score & Parts)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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C
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Hosanna
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Shining Sharon Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.886616 Composed by C. Michael Perry. Sacred. Score and Parts. 18 pages. Shining Sharon Music #2885151. Published b...
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Chamber Orchestra - Level 3 - SKU: A0.886616 Composed by C. Michael Perry. Sacred. Score and Parts. 18 pages. Shining Sharon Music #2885151. Published by Shining Sharon Music (A0.886616). Music and Lyrics by C. Michael PerryAfter His resurrection he told his disciples about visiting other sheep -- not of this fold. That He is the God and Savior of all the Earth is indisputable. That the Earth groaned at his death is undeniable. That he continues to teach and save -- well that is the promise of His resurrection. Inspired by the verse in scripture, 3 Nephi: 11.This package is an add-on to the Choir Package and contains the Piano part with choir and solo instruments, and the parts for the solo instruments of Violin and Oboe. For performance rights the Choir Package must be purchased separately.The attached demo from the Finale file is without vocals. The vocals are played by choir aaahs with the piano, oboe and violin being played by those instruments.
$10.00
Ever Forward
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Orchestre de chambre
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INTERMÉDIAIRE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contempora...
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Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
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Promise of Ages
