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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Put It On
Sheetmusicplus
Non classifié
424
Piano & claviers
Piano seul
168
Piano, Voix
60
Piano, Voix et Guitare
54
Accordéon
52
Piano Facile
28
Instruments en Do
18
Orgue
15
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
+ 8 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
34
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Piano, Guitare (duo)
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
28
Chorale 2 parties
28
Chorale TTBB
22
Voix duo, Piano
9
Chorale Unison
9
Chorale SSAA
6
Voix Alto, Piano
4
Voix duo
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSAB, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
24
Hautbois, Piano (duo)
21
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière
19
Clarinette et Piano
14
Saxophone Tenor et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette
12
Saxophone Alto et Piano
12
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
9
3 Saxophones (trio)
9
2 Flûtes traversières (duo)
8
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
Saxophone Alto
5
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble de Flûtes
4
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Saxophone Tenor
3
2 Saxophones (duo)
3
Quatuor de Flûtes : 4 flûtes
2
3 Clarinettes (trio)
2
Saxophone Soprano
2
Saxophone Baryton
2
Hautbois
2
2 Clarinettes (duo)
2
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
Flûte, Violon
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
Ensemble de Clarinettes
1
Harmonica
1
Saxophone
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse
1
Quintette de Clarinettes: 5 clarinettes
1
+ 37 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
10
Trombone et Piano
9
Trombone
8
Trompette, Piano
7
Euphonium, Piano (duo)
7
Cor
6
Tuba et Piano
5
Tuba
5
Ensemble de Trompettes
4
Cor anglais, Piano
4
Quatuor de Cuivres
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
34
Violon
28
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
20
Violoncelle, Piano
18
Harpe
16
Alto, Piano
13
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
6
Violon, Alto (duo)
5
Contre Basse
4
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
2 Altos (duo)
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
29
Ensemble Jazz
21
Orchestre à Cordes
18
Ensemble de cuivres
14
Orchestre de chambre
12
Cloches
7
Fanfare
5
Jazz combo
4
Ensemble de Percussions
3
Xylophone
2
Piano et Orchestre
1
Batterie
1
Orchestre, Violon
1
Marimba
1
+ 10 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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MANDOLINE
MARIMBA
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METHODE : TECHNIQUES
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OPERA
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SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
When You Say Nothing At All
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Orchestre de chambre
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INTERMÉDIAIRE
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Country
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Keith Whitley
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Stephen M
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Appassionato
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Orchestre de chambre
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagin...
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Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
THE CASTLE-BUILDER
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lauren Bernofsky
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Lauren Bernofsky
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voice and violin
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THE CASTLE-BUILDER
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Lauren Bernofsky
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1475373 Composed by Lauren Bernofsky. Arranged by Lauren Bernofsky. 21st Century,Classical,Holiday. 39 pages. Laur...
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Chamber Orchestra - Level 4 - SKU: A0.1475373 Composed by Lauren Bernofsky. Arranged by Lauren Bernofsky. 21st Century,Classical,Holiday. 39 pages. Lauren Bernofsky #1052945. Published by Lauren Bernofsky (A0.1475373). This lovely, lyrical setting of the Longfellow poem is easy to put together and gives the soloists gorgeous, memorable melodies. Originally scored for mezzo soprano, cornet, and piano, it has been arranged, at the request of performers, for voice and horn; voice and violin; and, here, voice, cornet, and chamber orchestra. The cornet part may also be played on B-flat trumpet.
$55.00
Clouds
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Dorothy Harwood
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Clouds
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Dorothy Harwood
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.926689 Composed by Dorothy Harwood. Contemporary. Score and parts. 36 pages. Dorothy Harwood #1989645. Published b...
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Chamber Orchestra - Level 3 - SKU: A0.926689 Composed by Dorothy Harwood. Contemporary. Score and parts. 36 pages. Dorothy Harwood #1989645. Published by Dorothy Harwood (A0.926689). Clouds is one of my favorite pieces of music from the collection Kitten Cupcake Adventure. Scored for flute and string orchestra. The lilting melodies are sure to please. You will be transported from fluffy clouds to roaring winds and back to sunshine in approximately 3 and 1/2 minutes. Try this music and put a smile on your face and your audience. When printing please use Landscape mode so it will be easier to read. 2016 Chamber Music Contest Entry.
$24.95
Haydn's Clock Symphony (slow mvt) amateur orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Pam Moutoussi
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Haydn's Clock Symphony
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Pamela Moutoussi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.847041 Composed by Franz Joseph Haydn. Arranged by Pam Moutoussi. Classical,Concert,Graduation,Standards. Score an...
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Chamber Orchestra - Level 4 - SKU: A0.847041 Composed by Franz Joseph Haydn. Arranged by Pam Moutoussi. Classical,Concert,Graduation,Standards. Score and parts. 66 pages. Pamela Moutoussi #3627131. Published by Pamela Moutoussi (A0.847041). This arrangement was intended for a local Youth Orchestra, but keeps quite faithfully to the original spirit. Haydn's original parts can be added if required, as it is in the same key and time. The original oboe part is divided between the clarinets and flute. The upper bassoon part has been put on the clarinet and the trumpet changed to a Bflat instrument. The string parts are more challenging but all should be playable for an intermediate/upper intermediate group.
$17.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Va...
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Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
BH009REC - Recorder Quartet Songs, Book 9 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH009REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Peve...
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Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Pevenage #3011781. Published by Carl Van Pevenage (A0.921169). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 081 Pop song: Joy at workChansonnette 082 Romantic sing: A love journeyChansonnette 083 WintertimeChansonnette 084 Rain puddle danceChansonnette 084b A variation on chansonnette 084Chansonnette 085 EchoChansonnette 086 Jumping jackChansonnette 087 PassionChansonnette 088 Pop Song: Free runningChansonnette 089 Romantic song: Breakfast of bred, eggs and your smileChansonnette 090 Looking forward to see you
$9.95
BH010REC - Recorder Quartet Songs, Book 10 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH010REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921170 Composed by Carl Van Pevenage. Baroque,Classical,Folk,Pop. Score and parts. 92 pages. Carl Van Pevenage #30...
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Chamber Orchestra - Level 3 - SKU: A0.921170 Composed by Carl Van Pevenage. Baroque,Classical,Folk,Pop. Score and parts. 92 pages. Carl Van Pevenage #3011783. Published by Carl Van Pevenage (A0.921170). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 091 Romantic song: Natural BeautyChansonnette 092 Romantic song: One day we had a dreamChansonnette 093 Little sunny girlChansonnette 094 ViolenceChansonnette 095 He fain would acceptChansonnette 095b A variation on Chansonnette 095Chansonnette 096 Fourty times MozartChansonnette 097 A penny for your thoughtsChansonnette 098 Where are we nowChansonnette 099 Folk song: the little gentle rascalChansonnette 100 The most beautiful chorale
$9.95
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