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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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Non classifié
824
PIANO & CLAVIERS
Piano seul
580
Piano, Voix
443
Piano, Voix et Guitare
273
Piano Facile
242
Instruments en Do
59
Orgue
56
Piano grosses notes
48
Accompagnement Piano
21
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
84
Guitare
48
Basse electrique
19
Ligne De Mélodie, (Paroles) et Accords
19
2 Guitares (duo)
15
Ukulele
8
Dulcimer
5
Banjo
4
Piano, Guitare (duo)
2
Paroles et Accords
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
294
Chorale 3 parties
135
Chorale 2 parties
86
Chorale Unison
56
Chorale TTBB
49
Chorale SSAA
40
Voix Alto, Piano
24
Voix duo
17
Voix duo, Piano
16
Voix Soprano, Piano
12
Voix seule
10
Voix moyenne, Piano
8
Voix haute
6
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Pack Instrumental pour Chorale
3
Voix basse, Piano
2
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
Chorale
1
Instrumentations suivantes
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VENTS
Flûte traversière
64
Flûte traversière et Piano
57
Quatuor de Saxophones: 4 saxophones
51
Clarinette et Piano
50
Saxophone
49
Clarinette
41
Flûte, Hautbois, Clarinette, Basson
39
Saxophone Alto et Piano
37
Hautbois, Piano (duo)
36
2 Saxophones (duo)
34
Saxophone (partie séparée)
34
Ensemble de saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Saxophone Alto
30
Saxophone Tenor et Piano
27
2 Flûtes traversières (duo)
27
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Tenor
25
Hautbois (partie séparée)
22
2 Clarinettes (duo)
21
Clarinette (partie séparée)
20
Quintette de Saxophone: 5 saxophones
19
3 Clarinettes (trio)
16
Quatuor de Flûtes : 4 flûtes
16
3 Saxophones (trio)
12
Ensemble de Clarinettes
11
Saxophone Soprano et Piano
10
Flute (partie séparée)
10
Saxophone Baryton, Piano
9
Trio de Flûtes: 3 flûtes
8
Clarinette, Harpe (duo)
7
Saxophone, Clarinette (duo)
7
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de Flûtes
5
Hautbois, Flûte
5
Flûte et Guitare
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette, Trompette (duo)
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
Flûte, Clarinette (duo)
4
2 Hautbois (duo)
4
Hautbois, Basson (duo)
3
Harmonica
3
Hautbois, Clarinette (duo)
3
2 Flûte à bec (duo)
3
Hautbois
3
Ocarina
2
Flûte, Saxophone (duo)
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
Flûte, Violon
2
Flûte, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte à bec Alto
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
Piccolo, Piano
1
Saxophone Soprano
1
3 Hautbois
1
Flûte à Bec, Piano
1
Flûte à bec Tenor
1
Saxophone et Harpe
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Harpe et Violoncelle
1
Saxophone Baryton
1
Flûte, Clarinette et Basson
1
Hautbois, Harpe
1
Flûte traversière, Orchestre
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trompette
53
Trombone
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette, Piano
31
Trombone et Piano
31
Cor et Piano
29
Trompette (partie séparée)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Quatuor de Cuivres
23
Tuba et Piano
20
2 Trompettes (duo)
15
Trombone (partie séparée)
14
Cor (partie séparée)
10
Tuba
9
2 Trombones (duo)
9
Cor
8
Trompette, Trombone (duo)
6
Euphonium, Piano (duo)
5
Cor anglais, Piano
4
Trompette, Saxophone (duo)
4
Tuba (partie séparée)
4
Trio de Cuivres
4
Ensemble de Trombones
4
2 Cors (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
Bugle
2
Quatuor de cuivres: 4 cors
2
Euphonium (partie séparée)
2
Ensemble de Trompettes
2
Ensemble de Cors
1
Trompette, Trombone, Piano
1
2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
Trompette, Harpe
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
122
Violon et Piano
81
Violon
65
Violoncelle, Piano
64
Violoncelle
49
Alto, Piano
46
Harpe
42
Trio à Cordes: violon, alto, violoncelle
28
Alto seul
25
Violon, Violoncelle (duo)
23
2 Violons (duo)
22
Contrebasse, Piano (duo)
17
2 Violoncelles (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
8
Contrebasse (partie séparée)
8
Contre Basse
8
Violon, Alto (duo)
6
2 Altos (duo)
6
2 Harpes (duo)
6
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
5
Violon (partie séparée)
5
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Ensemble d'Altos
2
4 Violoncelles
2
Ensemble de Violons
2
Violon, Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
328
Orchestre
54
Orchestre à Cordes
39
Ensemble de cuivres
30
Batterie
23
Ensemble Jazz
18
Orchestre de chambre
12
Cloches
11
Percussion (partie séparée)
7
Fanfare
5
Jazz combo
5
Percussion
3
Vibraphone
3
Timbales
1
Marimba
1
Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Rain Song
Orchestre de chambre
Partitions à imprimer
12 partitions trouvées
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BH009REC - Recorder Quartet Songs, Book 9 (>70 pages)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921169 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Pevenage #3011781. Published by Carl Van Pevenage (A0.921169). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 081 Pop song: Joy at workChansonnette 082 Romantic sing: A love journeyChansonnette 083 WintertimeChansonnette 084 Rain puddle danceChansonnette 084b A variation on chansonnette 084Chansonnette 085 EchoChansonnette 086 Jumping jackChansonnette 087 PassionChansonnette 088 Pop Song: Free runningChansonnette 089 Romantic song: Breakfast of bred, eggs and your smileChansonnette 090 Looking forward to see you
$9.95
9.1 €
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Orchestre de chambre
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Carl Van Pevenage
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BH009REC - Recorder Quartet Songs, Book 9
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Carl Van Pevenage
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SheetMusicPlus
[Karchin] Four Songs on Poems of Seamus Heaney (Orchestral)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953010 Composed by Louis Karchin. Cont…
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Chamber Orchestra - Digital Download SKU: A0.953010 Composed by Louis Karchin. Contemporary. Score and parts. 65 pages. American Composers Alliance Inc. #4632231. Published by American Composers Alliance Inc. (A0.953010). A chamber orchestration of the four songs from Karchin's Ancient Scenes on texts by Seamus Heaney. Includes: Lightenings iv, The Rain Stick, Lightenings i, Settings xxiv.Instrumentation: 2121 - 2211 - 2 perc, hp - soprano solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$36.95
33.8 €
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Orchestre de chambre
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Louis Karchin
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[Karchin] Four Songs on Poems of Seamus Heaney
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American Composers Alliance Inc.
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SheetMusicPlus
Small Train for Piano Quartet or Junior Strings
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Tradition…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
9.14 €
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Orchestre de chambre
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Traditional children's song from Denmark
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Lauri Hämäläinen
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Small Train for Piano Quartet or Junior Strings
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Suomi Music
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SheetMusicPlus
Over The Rainbow
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1126265 By Judy Garland. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1126265 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John C Skillman. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 37 pages. John Curtis Music #726967. Published by John Curtis Music (A0.1126265). This arrangement of Harold Arlen's classic song is an adaptation of Ariana Grande's performance and 2017 single, Somewhere over the rainbow (live From Manchester). The chart features a near-full string section, with Electric bass covering the low end. This version brings back the song's original introduction and uses a combo-style horn section to highlight the gospel and jazz-influenced harmony and phrasing.
$49.99
45.73 €
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Orchestre de chambre
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Judy Garland
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John C Skillman
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Over The Rainbow
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John Curtis Music
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.4 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Song of the Ukraine for Violin & Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1127413 By Trevor Denyer. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1127413 By Trevor Denyer. By Julius Siber. Arranged by Trevor Denyer. 19th Century,Classical. Score and Parts. 26 pages. Trevor Denyer #728039. Published by Trevor Denyer (A0.1127413). A beautiful work by a little-known composer that deserves to be performed more often. Hopefully a good, clear score will help with this.
$20.00
18.29 €
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Orchestre de chambre
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Trevor Denyer
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Trevor Denyer
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Song of the Ukraine for Violin & Orchestra
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Trevor Denyer
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SheetMusicPlus
To Idleness for string quartet and guitar
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576889 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485761. Published by David Warin Solomons (A0.576889). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
10.98 €
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Orchestre de chambre
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David Warin Solomons
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To Idleness for string quartet and guitar
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David Warin Solomons
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SheetMusicPlus
Serenade for Strings
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.984676 Composed by Aleh Ferreira. 20th…
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Chamber Orchestra - Digital Download SKU: A0.984676 Composed by Aleh Ferreira. 20th Century,Latin,Romantic Period. Score and parts. 83 pages. Aleh Ferreira #6622171. Published by Aleh Ferreira (A0.984676). The Serenade for strings by the composer Aleh Ferreira with 6 movements. This song had its first worldwide audition in Ukraine in 2018 conducted by conductor Victoria Zhadko. Full Score including scores for all musical instruments.
$15.90
14.54 €
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Orchestre de chambre
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Aleh Ferreira
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Serenade for Strings
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Aleh Ferreira
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.22 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
42.95 €
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.37 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
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