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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rather Be - Vibes
Non classifié
297
Piano & claviers
Piano seul
211
Piano, Voix
128
Piano, Voix et Guitare
51
Piano Facile
34
Instruments en Do
16
Orgue
10
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
2
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Clavier
1
2 Pianos, 4 mains
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
31
Guitare
25
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Banjo
5
Basse electrique
4
4 Guitares (Quatuor)
4
Mandoline
3
Dulcimer
3
Paroles et Accords
2
Mandoline, Guitare (duo)
2
2 Guitares (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
84
Chorale 3 parties
25
Chorale TTBB
16
Chorale SSAA
13
Pack Instrumental pour Chorale
5
Chorale 2 parties
4
Chorale Unison
4
Chorale
2
Voix Baryton, Piano
2
Voix duo
1
Voix Tenor
1
Chorale SSAATTBB
1
Chorale SSAB a cappella
1
Voix Soprano, Piano
1
Voix haute
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
32
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette et Piano
20
Quatuor de Saxophones: 4 saxophones
18
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
Cor anglais, Piano
12
Saxophone Alto et Piano
12
Saxophone Baryton, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette Basse, Piano
10
Clarinette
10
2 Clarinettes (duo)
10
Ensemble de Flûtes
8
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto
7
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte traversière
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Hautbois (partie séparée)
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette (duo)
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Instruments en Mib
1
Flûte, Trompette (duo)
1
Flûte, Violon, Piano
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Clarinette (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Hautbois, Basson (duo)
1
+ 43 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Euphonium, Piano (duo)
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor anglais, Piano
12
Cor et Piano
12
Trompette, Piano
9
Trompette (partie séparée)
8
Trompette
8
Trombone (partie séparée)
6
Cor
6
Tuba et Piano
4
Ensemble de Trombones
4
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Trombone
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Tuba
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
Instruments en Sib
1
Euphonium
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
25
Violon
19
Violoncelle, Piano
16
Alto, Piano
15
Violoncelle
13
Harpe
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
4
Alto (partie séparée)
4
2 Violons (duo)
4
4 Violoncelles
2
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
2 Violoncelles (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
2 Altos (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
50
Ensemble Jazz
22
Orchestre à Cordes
21
Orchestre
17
Ensemble de cuivres
10
Fanfare
8
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
4
Vibraphone
3
Batterie
3
Marimba
1
Piano et Orchestre
1
Jazz combo
1
Orchestre, Violon
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Rather Be - Vibes
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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1
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Concerto Grosso Opus 6 No 1 HWV 319
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Orchestre de chambre
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AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HW
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
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