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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ravel
Non classifié
982
Piano & claviers
Piano seul
762
Piano, Voix
381
Piano, Voix et Guitare
182
Piano Facile
99
Instruments en Do
27
Orgue
18
1 Piano, 4 mains
17
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
9
Piano grosses notes
7
Accompagnement Piano
7
Accordéon
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
106
Guitare
56
Ligne De Mélodie, (Paroles) et Accords
52
Paroles et Accords
28
Basse electrique
22
Ukulele
14
2 Guitares (duo)
8
Banjo
7
4 Guitares (Quatuor)
6
Dulcimer
4
Dobro
2
Mandoline
2
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Voix seule
214
Chorale SATB
188
Chorale 3 parties
57
Chorale 2 parties
31
Chorale TTBB
29
Chorale Unison
17
Voix moyenne, Piano
10
Voix Soprano, Piano
10
Chorale SSAA
9
Voix haute
9
Chorale
6
Voix basse, Piano
6
Pack Instrumental pour Chorale
5
Voix Baryton, Piano
5
Voix Alto, Piano
3
Voix duo
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
2
Voix duo, Piano
2
Voix Tenor
2
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
69
Quatuor de Clarinettes: 4 clarinettes
50
Flûte traversière et Piano
49
Saxophone Alto et Piano
41
Quintette de Clarinettes: 5 clarinettes
37
Quatuor de Flûtes : 4 flûtes
35
2 Saxophones (duo)
32
Flûte, Hautbois, Clarinette, Basson
31
Flûte traversière
31
Clarinette et Piano
30
Clarinette
27
Quintette de Flûte : 5 flûtes
26
Hautbois, Piano (duo)
26
2 Flûtes traversières, Piano
26
Ensemble de saxophones
26
Saxophone Soprano et Piano
23
Ensemble de Clarinettes
22
Clarinette (partie séparée)
21
Quintette de Saxophone: 5 saxophones
21
Saxophone (partie séparée)
21
2 Clarinettes (duo)
19
2 Flûtes traversières (duo)
19
Saxophone
17
Saxophone Alto
16
Ensemble de Flûtes
13
2 Flûte à bec (duo)
11
Saxophone Tenor et Piano
11
Hautbois (partie séparée)
10
Flûte, Clarinette (duo)
10
Flute (partie séparée)
9
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
8
Saxophone Tenor
8
Hautbois
7
Cor anglais, Piano
7
Saxophone Baryton, Piano
6
Clarinette, Trompette (duo)
6
Flûte et Guitare
6
Flûte à Bec
6
Flûte, Clarinette, Piano (trio)
6
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
2 Hautbois (duo)
5
3 Clarinettes (trio)
5
Clarinette Basse, Piano
5
Saxophone et Harpe
5
Flûte à bec Soprano
4
Quatuor de Flûtes à bec
4
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte, Saxophone (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Violon
3
Clarinette, Harpe (duo)
3
Flûte à bec Tenor
3
Instruments en Mib
2
Saxophone Soprano
2
Clarinette et Alto
2
Clarinette, Basson, Piano (trio)
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
3 Saxophones (trio)
2
Flûte, Basson et Piano
2
Clarinette Basse
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Harpe
2
2 Saxophones, Piano
2
Flûte, Trombone (duo)
1
3 Hautbois
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Flûte
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
Saxophone et Guitare
1
Hautbois, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Saxophone, Basson (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes à bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Piano
1
Piccolo
1
Harmonica
1
Ensemble De Flûte à bec
1
Saxophone Baryton
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Basson et Piano
1
+ 94 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trompette, Piano
26
Ensemble de Trombones
25
Trombone (partie séparée)
24
Trombone et Piano
24
Trompette
19
Cor
17
Quatuor de cuivres: 4 trombones
15
Cor et Piano
13
Tuba (partie séparée)
11
Trompette (partie séparée)
10
Tuba
10
Trombone
9
Tuba et Piano
9
3 Trompettes (trio)
8
Cor (partie séparée)
8
2 Trompettes (duo)
7
Cor anglais, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Saxophone (duo)
7
Quatuor de Cuivres
6
Trompette, Trombone (duo)
6
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
6
Instruments en Sib
5
Euphonium
5
2 Trombones (duo)
5
Cor et Harpe
4
Bass Clef Instruments
4
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
3
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Trombone, Piano
2
Trompette, Harpe
2
Trombone, Tuba (duo)
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Ensemble de Cors
1
Instruments en Fa
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Cor, Tuba (duo)
1
Trombone basse
1
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
Trombone, Cor (duo)
1
2 Tubas (duo)
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
71
Violon
60
Violoncelle, Piano
36
Alto, Piano
32
Harpe
29
Alto seul
29
Violoncelle
25
2 Harpes (duo)
23
Violon (partie séparée)
15
Violon, Violoncelle (duo)
13
2 Violons (duo)
12
Quatuor à cordes : 4 altos
11
Contrebasse, Piano (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
4 Violoncelles
8
Violon, Alto (duo)
7
Contre Basse
7
2 Violoncelles (duo)
7
Violoncelle (partie séparée)
6
2 Altos (duo)
5
Harpe, Violon (duo)
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Flûte (duo)
4
Alto (partie séparée)
3
Harpe, Violoncelle (duo)
3
Harpe, Quatuor à cordes
3
Alto et Harpe
3
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
Ensemble d'Altos
1
3 Contrebasses
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Flûte, Contrebasse (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
456
Orchestre à Cordes
122
Orchestre
79
Cloches
22
Orchestre de chambre
22
Ensemble de cuivres
20
Ensemble Jazz
14
Percussion (partie séparée)
12
Ensemble de Percussions
9
Batterie
7
Timbales (partie séparée)
5
Percussion
3
Instrumentation Flexible
3
Jazz combo
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Batterie (partie séparée)
1
Caisse Claire
1
Xylophone, Piano
1
Fanfare
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Ravel
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
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1
Ravel, Pavane pour une infante défunte, Cello et Orchestre
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Peyber A
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Ravel, Pavane pour une infante
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Peyber Medina
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.866908 Composed by Maurice Ravel. Arranged by Peyber A. Medina H. 20th Century,Concert,World. Score and parts. 54 ...
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Chamber Orchestra - Level 4 - SKU: A0.866908 Composed by Maurice Ravel. Arranged by Peyber A. Medina H. 20th Century,Concert,World. Score and parts. 54 pages. Peyber Medina #4719669. Published by Peyber Medina (A0.866908). This is a beautiful reorchestration from the famous Pavane Pour Une Infante Défunte by Maurice Ravel, specially adapted for violoncello and small orchestra by Peyber A. Medina H. for his friend, world-class violoncellist Maestro William Molina Cestari.
$55.00
The Traveler
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Timothy Lee Miller
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The Traveler
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TLM Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Music Publishing #...
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Chamber Orchestra - Level 4 - SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Music Publishing #623857. Published by TLM Music Publishing (A0.1018258). Commissioned by the University of St. Andrews (Scotland) New Music Ensemble, this work moves at a quick pace and chronicles the experience of traveling.
$49.99
Guitar Concerto　"Traveling with guitar" op.131
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Kohei KONDO
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Guitar Concerto　"T
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Kohei KONDO
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.885972 Composed by Kohei KONDO. 20th Century,Contemporary. Score and parts. 54 pages. Kohei KONDO #37797. Publishe...
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Chamber Orchestra - Level 5 - SKU: A0.885972 Composed by Kohei KONDO. 20th Century,Contemporary. Score and parts. 54 pages. Kohei KONDO #37797. Published by Kohei KONDO (A0.885972). Composed by Japanese composer Kohei KONDOGuitar Concerto　Traveling with guitar op.131 Solo guitar and chamber orchestra Premired on Feb.13.2013 in Tokyo at Owada sakura hall Guitar: Gaku YAMADA JSCM Youth Chamber Orchestra conducted by Masataka MATSUO. https://youtu.be/girIuOX7Qw8The 3rd movement can be performed as an independent solo piece.
$8.00
Travel Music
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Orchestre de chambre
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AVANCÉ
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Film/TV
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Danny Elfman
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Patrick Sheehan
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rock selections
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Travel Music
#
Patrick Sheehan
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1258596 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV. Score and Parts. 35 pages. Patrick...
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Chamber Orchestra - Level 5 - SKU: A0.1258596 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV. Score and Parts. 35 pages. Patrick Sheehan #851854. Published by Patrick Sheehan (A0.1258596). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Harp, Piano, Violin 1A, Violin 1B, Violin 2A, Violin 2B, Viola, Violoncello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Metamorphosis
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. P...
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Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
Cinq Mèlodies Populaires Greques (Orchestral Version)
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Orchestre de chambre
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Contemporain
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Maurice Ravel
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Alessandro Cadario
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Cinq Mèlodies Populaire
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Alessandro Cadario
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1452839 Composed by Maurice Ravel. Arranged by Alessandro Cadario. 20th Century. 91 pages. Alessandro Cadario #1032123. Publ...
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Chamber Orchestra - SKU: A0.1452839 Composed by Maurice Ravel. Arranged by Alessandro Cadario. 20th Century. 91 pages. Alessandro Cadario #1032123. Published by Alessandro Cadario (A0.1452839). This new score is an instrumental version of Cinq Mèlodies Populaires Greques that contains a critical edition of Ravel's orchestration of numbers 1 and 5 and includes the missing numbers 2,3,4 with a colorful new orchestration by Alessandro Cadario. SCORE (A3) + PARTS (B4).
$90.00
Gaspard de la Nuit (2019) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Gaspard de la Nuit
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas Oboe Lee #4335039. Published by Thomas Oboe Lee (A0.869594). I have always admired Ravel's Gaspard de la Nuit for solo piano. When I found the poems by Aloysius Bertrand that inspired his work, I immediately thought instead of tone poems like Ravel's I would do the right thing and set the poems to music. My work for soprano and string quartet is also titled Gaspard de la Nuit, albeit sung ... in French, of course. I chose five from a huge collection of fantastic, macabre and bizarre scenarios.1. À Monsieur David, Statuaire2. Scarbo I3. Le Cheval Mort4. Odine5. Scarbo IIAudio link: https://thomasoboelee.bandcamp.com/album/gaspard-de-la-nuit-2019-for-soprano-and-string-quartetVideo link: https://youtu.be/QbM6HHDk-DQ
$9.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Bolero for Recorder and Strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Maurice Ravel
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Hugo Wanner
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Bolero for Recorder and String
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Hugo Wanner Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.898170 Composed by Maurice Ravel. Arranged by Hugo Wanner. 20th Century,Concert,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 3 - SKU: A0.898170 Composed by Maurice Ravel. Arranged by Hugo Wanner. 20th Century,Concert,Standards. Score and parts. 30 pages. Hugo Wanner Music #6230427. Published by Hugo Wanner Music (A0.898170). This is an arrangement for recorder, two violins or one violin and one viola, and cello.
$24.95
Bolero for Flute and Strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Maurice Ravel
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Hugo Wanner
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Bolero for Flute and Strings
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Hugo Wanner Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.898169 Composed by Maurice Ravel. Arranged by Hugo Wanner. 20th Century. Score and parts. 30 pages. Hugo Wanner Mu...
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Chamber Orchestra - Level 3 - SKU: A0.898169 Composed by Maurice Ravel. Arranged by Hugo Wanner. 20th Century. Score and parts. 30 pages. Hugo Wanner Music #6230435. Published by Hugo Wanner Music (A0.898169). This is an arrangement for flute, two violins or one violin and one viola, and cello.
$24.95
Solace, for Chamber Orchestra (Full Score) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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Nicholas Hersh
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Solace, for Chamber Orchestra
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Nicholas Hersh
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1369411 Composed by Scott Joplin. Arranged by Nicholas Hersh. 20th Century,Film/TV,Ragtime,Video Game. 15 pages. N...
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Chamber Orchestra - Level 4 - SKU: A0.1369411 Composed by Scott Joplin. Arranged by Nicholas Hersh. 20th Century,Film/TV,Ragtime,Video Game. 15 pages. Nicholas Hersh #953770. Published by Nicholas Hersh (A0.1369411). Featured in the 1973 film The Sting and the 2013 video game title Bioshock: Infinite, Scott Joplin's 1909 Solace, A Mexican Serenade uses a classic habanera rhythm to underpin a nostalgic, wistful atmosphere. This orchestration for small chamber orchestra takes inspiration from Ravel to showcase Joplin's inventive melodism in vivid technicolor.THIS IS THE SCORE ONLY. Set of parts available here: https://www.sheetmusicdirect.com/en-US/se/ID_No/1468449/Product.aspxFormatted for 8.5 x 11 paper—print double sided.
$25.00
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Solace, for Chamber Orchestra (Set of Parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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Nicholas Hersh
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Solace, for Chamber Orchestra
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Nicholas Hersh
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1369425 Composed by Scott Joplin. Arranged by Nicholas Hersh. 20th Century,Film/TV,Ragtime,Video Game. 32 pages. N...
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Chamber Orchestra - Level 4 - SKU: A0.1369425 Composed by Scott Joplin. Arranged by Nicholas Hersh. 20th Century,Film/TV,Ragtime,Video Game. 32 pages. Nicholas Hersh #953764. Published by Nicholas Hersh (A0.1369425). Featured in the 1973 film The Sting and the 2013 video game title Bioshock: Infinite, Scott Joplin's 1909 Solace, A Mexican Serenade uses a classic habanera rhythm to underpin a nostalgic, wistful atmosphere. This orchestration for small chamber orchestra takes inspiration from Ravel to showcase Joplin's inventive melodism in vivid technicolor.THIS IS THE FULL SET OF PARTS, WITHOUT SCORE. Score available here: https://www.sheetmusicdirect.com/en-US/se/ID_No/1468435/Product.aspxFormatted for 8.5 x 11 paper—print single sided for best results.
$125.00
Bolero
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Dico
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Bolero
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.506764 Composed by Maurice Ravel. Arranged by Dico. Romantic Period,Wedding. Score and parts. 87 pages. Dico Ferre...
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Chamber Orchestra - Level 4 - SKU: A0.506764 Composed by Maurice Ravel. Arranged by Dico. Romantic Period,Wedding. Score and parts. 87 pages. Dico Ferreira #118193. Published by Dico Ferreira (A0.506764). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.BOLERO (excerpts) - as this arrangement was commissioned for a wedding ceremony, the group was reduced so that the string section was a quartet, without the violas.INSTRUMENTATION:Flute (piccolo) | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Percussion | Piano | Strings (-viola)
$50.00
Bolero (excerpts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Dico
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Bolero
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.843113 Composed by Maurice Ravel. Arranged by Dico. 20th Century,Romantic Period,Wedding. Score and parts. 87 page...
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Chamber Orchestra - Level 4 - SKU: A0.843113 Composed by Maurice Ravel. Arranged by Dico. 20th Century,Romantic Period,Wedding. Score and parts. 87 pages. Dico #6637143. Published by Dico (A0.843113). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.BOLERO (excerpts) - as this arrangement was commissioned for a wedding ceremony, the group was reduced so that the string section was a quartet, without the violas.INSTRUMENTATION:Flute (piccolo) | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Percussion | Piano | Strings (-viola)
$32.00
Aveux Non Avenus (2020) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Think About That Day - a Christmas Song - Strings with piano with parts
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Orchestre de chambre
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FACILE
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Noël
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Connie Boss
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See lyrics below:
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Think About That Day - a Chris
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Co...
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Chamber Orchestra - Level 2 - SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
Clarinet in the Ages - Score Only
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Orchestre de chambre
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AVANCÉ
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Karol Niklas
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Clarinet in the Ages - Score O
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Karol Niklas
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score and parts. 20 page...
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Chamber Orchestra - Level 5 - SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score and parts. 20 pages. Karol Niklas #686841. Published by Karol Niklas (A0.1082630). It is a piece for clarinet and string orchestra with timpani using various instrumental techniques. It travels through various ages of the music history beginning with impressionism and going as far back as baroque.
$15.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Andante Espressivo - Ernesto NAZARETH - for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Ernesto Nazareth
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Marc GARETTO
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Andante Espressivo - Ernesto N
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.722925 Composed by Ernesto Nazareth. Arranged by Marc GARETTO. 20th Century,Instructional,World. Score and parts. ...
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Chamber Orchestra - Level 3 - SKU: A0.722925 Composed by Ernesto Nazareth. Arranged by Marc GARETTO. 20th Century,Instructional,World. Score and parts. 19 pages. Marc GARETTO - Harmonie Editions #3535675. Published by Marc GARETTO - Harmonie Editions (A0.722925). Composed by Ernesto Nazareth (brazilian composer) in the 1910's, his music will make you travel in South America....
$65.00
East Point Road
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Trey Demmond
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East Point Road
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TreyD Music & Media, LLC
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1009772 Composed by Trey Demmond. 20th Century,Contemporary. Score and parts. 58 pages. TreyD Music & Media, LLC #...
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Chamber Orchestra - Level 4 - SKU: A0.1009772 Composed by Trey Demmond. 20th Century,Contemporary. Score and parts. 58 pages. TreyD Music & Media, LLC #28397. Published by TreyD Music & Media, LLC (A0.1009772). This is part of a series celebrating the wonderful landscapes found on Santa Rosa Island, a part of the Channel Islands National Park located just off the California coast. The easiest way to see the wonderful landscapes of Santa Rosa Island is to travel the East Point Road. It may be an easy journey, but the views are completely amazing!
$35.00
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