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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Red Hot Cha Cha
Non classifié
346
Piano & claviers
Piano seul
95
Piano, Voix et Guitare
59
Accordéon
34
Piano Facile
32
Instruments en Do
28
Piano, Voix
27
Piano (partie séparée)
25
Orgue
17
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Basse electrique
162
Guitare
59
Guitare (partie séparée)
52
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
3
Mandoline
3
4 Guitares (Quatuor)
2
2 Mandolines (duo)
2
Ukulele
2
Paroles et Accords
1
Dulcimer
1
Ensemble de guitares
1
Banjo
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
100
Chorale 3 parties
16
Chorale SSAA
10
Chorale TTBB
10
Chorale SSAATTBB
10
Chorale 2 parties
5
Voix seule
4
Voix Soprano, Piano
4
Chorale Unison
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Chorale SAATB A Cappella
1
+ 12 instrumentations
Retracter
Vents
Saxophone (partie séparée)
134
Saxophone Alto
27
Flûte traversière et Piano
25
Flûte traversière
23
Saxophone Tenor
23
Clarinette
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flute (partie séparée)
16
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
10
Quatuor de Saxophones: 4 saxophones
9
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette et Piano
8
Saxophone Alto et Piano
7
Saxophone Soprano
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
3
Hautbois (partie séparée)
3
Ensemble de Clarinettes
3
Saxophone Soprano et Piano
3
2 Saxophones (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de saxophones
3
Clarinette Basse, Piano
2
Flûte et Guitare
2
Quatuor de Flûtes à bec
2
Clarinette (partie séparée)
2
Cor anglais, Piano
2
Flûte traversière, Orchestre
1
Flûte irlandaise
1
3 Saxophones (trio)
1
Ensemble de Flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes (duo)
1
Flûte, Violon, Piano
1
Flûte traversière, Basse continue
1
+ 37 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
115
Trompette (partie séparée)
84
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor (partie séparée)
15
Tuba (partie séparée)
13
Trombone et Piano
11
Cor et Piano
8
Trompette, Piano
7
Euphonium, Piano (duo)
5
Trombone
5
Tuba et Piano
3
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Quatuor de Cuivres
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
33
Violon
33
Contrebasse (partie séparée)
30
Violoncelle, Piano
24
Violoncelle
23
Alto, Piano
13
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
7
Harpe
6
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
3
Contre Basse
2
Violoncelle, Basse continue
2
Violoncelle , Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
Alto (partie séparée)
2
2 Violons (duo)
2
4 Violoncelles
2
Alto et orchestre
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
350
Batterie
125
Ensemble Jazz
66
Fanfare
59
Orchestre de chambre
28
Batterie (partie séparée)
26
Orchestre
22
Orchestre à Cordes
12
Ensemble de cuivres
9
Jazz combo
6
Percussion (partie séparée)
5
Cloches
2
Orchestre, Violon
2
Percussion
1
Ensemble de Percussions
1
Piano et Orchestre
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Red Hot Cha Cha
Orchestre de chambre
Partitions à imprimer
28 partitions trouvées
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1
26
The Enchanted Garden
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Orchestre de chambre
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra ...
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
Chamber music No.5
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Orchestre de chambre
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AVANCÉ
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Paul Hindemith
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Chamber music No.5
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Schott Music - Digital
#
SheetMusicPlus
1 (auch Picc.) · 1 · Klar. in Es · 1 · Bassklar. · 2 · Kfg. – 1 · 2 · 2 · 1 – Str. (0 · 0 · 0 · 4 · 4) viol...
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1 (auch Picc.) · 1 · Klar. in Es · 1 · Bassklar. · 2 · Kfg. – 1 · 2 · 2 · 1 – Str. (0 · 0 · 0 · 4 · 4) viola and bigger chamber orchestra - difficult - SKU: S9.Q1593 Viola Concerto. Composed by Paul Hindemith. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 36/4. Duration 18 minutes. Schott Music - Digital #Q1593. Published by Schott Music - Digital (S9.Q1593). Der Klavierauszug dient lediglich zu Studienzwecken. Eine öffentliche Aufführung in der Fassung für Bratsche und Klavier ist untersagt.
$23.99
Chamber Music No. 4
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Orchestre de chambre
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AVANCÉ
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Paul Hindemith
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Chamber Music No. 4
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Schott Music - Digital
#
SheetMusicPlus
2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tam...
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2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tamb. o. Schellen) (1 Spieler) – Str. (0 · 0 · 4 · 4 · 4) violin solo and large chamber orchestra - difficult - SKU: S9.Q1575 (Violin Concerto). Composed by Paul Hindemith. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 36/3. Duration 23 minutes. Schott Music - Digital #Q1575. Published by Schott Music - Digital (S9.Q1575). Dieser Klavierauszug dient lediglich Studienzwecken, eine öffentliche Aufführung in der Fassung für Violine und Klavier ist untersagt.
$19.99
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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David Warin Solomons
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Colin Bayliss
#
Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
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David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Concerto
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Orchestre de chambre
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Jaromir Dadak
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Concerto
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Schott Music - Digital
#
SheetMusicPlus
Viola and chamber orchestra - SKU: S9.Q41443 Composed by Jaromir Dadak. This edition: vocal/piano score. Downloadable, Piano reduction. Schott Music - D...
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Viola and chamber orchestra - SKU: S9.Q41443 Composed by Jaromir Dadak. This edition: vocal/piano score. Downloadable, Piano reduction. Schott Music - Digital #Q41443. Published by Schott Music - Digital (S9.Q41443).
$11.99
Revelation of New Life
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Orchestre de chambre
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INTERMÉDIAIRE
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Bertold Hummel
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Revelation of New Life
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Schott Music - Digital
#
SheetMusicPlus
0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - interm...
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0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - SKU: S9.Q24032 Advent Cantata for alto solo, miced choir and chamber orchestra. Composed by Bertold Hummel. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 8. Duration 20 minutes. Schott Music - Digital #Q24032. Published by Schott Music - Digital (S9.Q24032). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.
$15.99
Fantasia bucolica
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bertold Hummel
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Fantasia bucolica
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and ...
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1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and chamber orchestra - intermediate to advanced - SKU: S9.Q47336 For viola and chamber orchestra. Composed by Bertold Hummel. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Op. 13f. Duration 6 minutes. Schott Music - Digital #Q47336. Published by Schott Music - Digital (S9.Q47336). The Fantasia bucolica for viola and chamber orchestra Op. 13f (original title: Fantasy in D) was composed in 1956 in response to a commission from the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden and was featured in a recording produced for SWF in Freiburg in the same year, performed by this orchestra and the soloist Hans Hasselmann and conducted by Willi Stech. The brief concert piece begins with a dreamy introduction by the solo viola which leads into a virtuoso central section before concluding with intimations of the initial section. A striking feature of this early work is the diverse employment of the percussion section in the orchestral instrumentation. Martin Hummel.
$12.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Concerto
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Orchestre de chambre
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AVANCÉ
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Werner Egk
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Concerto
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficu...
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1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficult - SKU: S9.Q16479 Composed by Werner Egk. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q16479. Published by Schott Music - Digital (S9.Q16479). The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for chamber orchestra, ensembles and soloists, as for example in Hindemith's chamber music pieces, Weill's Concerto for Violin and Woodwind, Berg's Chamber Concerto, and the Concerto and Capriccio by Stravinsky.
$46.99
Aveux Non Avenus (2020) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
Double Bass Concerto
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Orchestre de chambre
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chambe...
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
$16.99
Requiem
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Orchestre de chambre
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Hans Werner Henze
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Piano solo, concert trumpet and chamber orchestra - SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This edition: study sc...
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Piano solo, concert trumpet and chamber orchestra - SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 70 minutes. Schott Music - Digital #Q3049. Published by Schott Music - Digital (S9.Q3049). Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) * 1 * Engl. Hr. * 1 (auch Es-Klar.) * Bassklar. (auch Kb.-Klar.) * Sopransax. (auch Altsax. u. Baritonsax.) * 1 (auch Kfg.) - 2 * 2 * 2 Basstrp. * 1 * Basspos. (auch Kb.-Pos.) * 0 - P. S. (Trgl. * 3 hg. Beck. * Beckenpaar * 3 Tamt. * Tamb. * 3 Tomt. * Ruhrtr. * gr. Tr. [m. u. o. Beck.] * gr. Tr. * Donnerblech * Woodbl. * Tempelbl. * Matraca * Rute * Peitsche * Guiro * Ratsche * Mar. * Kast. * Flex. * Handgl. * Fingerzimb. * Trinidad Steel Drum * Rohrengl. * Glsp. * Vibr. * Marimba) (3 Spieler) - Hfe. * Cel. - Str. (4 * 0 * 3 * 3 * 1) Die geistlichen Konzerte konnen auch einzeln aufgefuhrt werden. The movements can also be played in any desired combination.Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 1 · Engl. Hr. · 1 (auch Es-Klar.) · Bassklar. (auch Kb.-Klar.) · Sopransax. (auch Altsax. u. Baritonsax.) · 1 (auch Kfg.) - 2 · 2 · 2 Basstrp. · 1 · Basspos. (auch Kb.-Pos.) · 0 - P. S. (Trgl. · 3 hg. Beck. · Beckenpaar · 3 Tamt. · Tamb. · 3 Tomt. · Rührtr. · gr. Tr. [m. u. o. Beck.] · gr. Tr. · Donnerblech · Woodbl. · Tempelbl. · Matraca · Rute · Peitsche · Guiro · Ratsche · Mar. · Kast. · Flex. · Handgl. · Fingerzimb. · Trinidad Steel Drum · Röhrengl. · Glsp. · Vibr. · Marimba) (3 Spieler) - Hfe. · Cel. - Str. (4 · 0 · 3 · 3 · 1) Die geistlichen Konzerte können auch einzeln aufgeführt werden. The movements can also be played in any desired combination.
$55.99
Scherzo
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Orchestre de chambre
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AVANCÉ
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck...
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
Triple Concerto
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Orchestre de chambre
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AVANCÉ
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Olli Mustonen
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Triple Concerto
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Schott Music - Digital
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SheetMusicPlus
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction wit...
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2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction with solo parts. Violin Library. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q6420. Published by Schott Music - Digital (S9.Q6420). Mustonen is one of the composing piano virtuosos of the young generation. What is remarkable in his works is that he does not give priority to 'his instrument'. He has composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar which refers to the history of his home country Finland. In his 'Triple Concerto', the three highly virtuoso solo violins compete with a colourfully orchestrated string orchestra. As a special feature, timpani and triangle are used in an effective and sophisticated way. We now publish the piano score of this frequently performed work. Even this chamber music version reveals the spirited and simply beautiful music of Mustonen.
$40.99
Poème
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Orchestre de chambre
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AVANCÉ
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Karel Husa
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Poème
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Schott Music - Digital
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SheetMusicPlus
0 · 1 · 0 · 0 - 1 · 0 · 0 · 0 - Klav. - Str. viola and chamber orchestra - difficult - SKU: S9.Q5678 Composed by Karel Husa. This edit...
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0 · 1 · 0 · 0 - 1 · 0 · 0 · 0 - Klav. - Str. viola and chamber orchestra - difficult - SKU: S9.Q5678 Composed by Karel Husa. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Duration 13 minutes. Schott Music - Digital #Q5678. Published by Schott Music - Digital (S9.Q5678).
$17.99
Capriccio
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Orchestre de chambre
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Friedrich Zehm
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Capriccio
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - S. (Trgl. · 2 hg. Beck. · Hi-Hat · Tamb. · 3 Tomt. · kl. Tr. · gr. Tr. · Xyl. [oder Marim...
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1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - S. (Trgl. · 2 hg. Beck. · Hi-Hat · Tamb. · 3 Tomt. · kl. Tr. · gr. Tr. · Xyl. [oder Marimba]) (2 Spieler) - Str. percussion solo and chamber orchestra - SKU: S9.Q342 Composed by Friedrich Zehm. This edition: piano reduction with solo part. A battere. Downloadable, Piano reduction with solo part. Duration 16 minutes. Schott Music - Digital #Q342. Published by Schott Music - Digital (S9.Q342).
$21.99
Kleines Konzert
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Orchestre de chambre
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Helmut Degen
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Kleines Konzert
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Schott Music - Digital
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SheetMusicPlus
Fl. · Ob. - Hr. - Vl. · Va. · Vc. · Kb. violin and chamber orchestra - SKU: S9.Q2270 Composed by Helmut Degen. This edition: piano reduction...
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Fl. · Ob. - Hr. - Vl. · Va. · Vc. · Kb. violin and chamber orchestra - SKU: S9.Q2270 Composed by Helmut Degen. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Schott Music - Digital #Q2270. Published by Schott Music - Digital (S9.Q2270).
$22.99
Serenade d minor
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Orchestre de chambre
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Mario Castelnuovo-Tedesco
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Serenade d minor
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · Beck. · Tamb. · kl. Tr.) - Str. guitar and chamber orchestra - SKU: S9.Q4913 C...
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1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · Beck. · Tamb. · kl. Tr.) - Str. guitar and chamber orchestra - SKU: S9.Q4913 Composed by Mario Castelnuovo-Tedesco. This edition: piano reduction with solo part. Guitar Archive. Downloadable, Piano reduction with solo part. Op. 118. Schott Music - Digital #Q4913. Published by Schott Music - Digital (S9.Q4913). Key: D minor.
$18.99
Cello Concerto
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Orchestre de chambre
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AVANCÉ
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Ernst Toch
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Cello Concerto
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt.) (1 Spieler) - Str. cello and chamber orchestra - difficult - SKU: S9.Q...
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1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt.) (1 Spieler) - Str. cello and chamber orchestra - difficult - SKU: S9.Q1597 Composed by Ernst Toch. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 35. Duration 25 minutes. Schott Music - Digital #Q1597. Published by Schott Music - Digital (S9.Q1597).
$29.99
Violin Concerto
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Orchestre de chambre
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Wolfgang Fortner
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 2 - 2 · 1 · 0 · 0 - P. S. (kl. Tr. · gr. Tr. m. Beck.) (2 ì Spieler) - Str. violin and large chamber orchestra - SKU: S9...
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1 · 1 · 2 · 2 - 2 · 1 · 0 · 0 - P. S. (kl. Tr. · gr. Tr. m. Beck.) (2 ì Spieler) - Str. violin and large chamber orchestra - SKU: S9.Q22670 Composed by Wolfgang Fortner. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 23 minutes. Schott Music - Digital #Q22670. Published by Schott Music - Digital (S9.Q22670).
$40.99
Ein Totentanz
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Orchestre de chambre
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Aribert Reimann
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Ein Totentanz
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - Hfe. · Cemb. - Str. Baritone and Chamber Orchestra - SKU: S9.Q276 Suite. Composed by Aribert...
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1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - Hfe. · Cemb. - Str. Baritone and Chamber Orchestra - SKU: S9.Q276 Suite. Composed by Aribert Reimann. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 15 minutes. Schott Music - Digital #Q276. Published by Schott Music - Digital (S9.Q276).
$19.99
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