Partitions Numériques de Reis pour Orchestre de chambre

Reis

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650823 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650823 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711861. Published by theupperstaff (A0.650823).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

#Kreisler, Fritz

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650821 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650821 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711637. Published by theupperstaff (A0.650821).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650827 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650827 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711877. Published by theupperstaff (A0.650827).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Allegretto in the Style of Boccherini
Orchestre de chambre

Chamber Orchestra - Digital Download SKU: A0.650768 Composed by Kreisler, Fritz. Ar…(+)

Chamber Orchestra - Digital Download SKU: A0.650768 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Theupperstaff #6705959. Published by theupperstaff (A0.650768).
$9.99 8.99 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Allegretto in the Style of Boccherini #theupperstaff #SheetMusicPlus

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650819 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650819 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711631. Published by theupperstaff (A0.650819).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Aubade Provencale
Orchestre de chambre

Chamber Orchestra - Digital Download SKU: A0.650788 Composed by Kreisler, Fritz. Ar…(+)

Chamber Orchestra - Digital Download SKU: A0.650788 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Instructional,Romantic Period,Standards. Score and parts. 18 pages. Theupperstaff #6708261. Published by theupperstaff (A0.650788). Arranged for trumpet and string orchestra.
$9.99 8.99 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aubade Provencale #theupperstaff #SheetMusicPlus

Aubade Provencale
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650796 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650796 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Instructional,Romantic Period,Standards. Score and parts. 18 pages. Theupperstaff #6709703. Published by theupperstaff (A0.650796). Arranged for oboe and string orchestra.
$9.99 8.99 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aubade Provencale #theupperstaff #SheetMusicPlus

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650816 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650816 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711399. Published by theupperstaff (A0.650816).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650815 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650815 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711397. Published by theupperstaff (A0.650815).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Aubade Provencale
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650791 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650791 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Instructional,Romantic Period,Standards. Score and parts. 18 pages. Theupperstaff #6708343. Published by theupperstaff (A0.650791). Arranged for bassoon and string orchestra.
$9.99 8.99 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aubade Provencale #theupperstaff #SheetMusicPlus

Andantino
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650764 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650764 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Theupperstaff #6705051. Published by theupperstaff (A0.650764).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Andantino #theupperstaff #SheetMusicPlus

Aucassin and Nicolette
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650824 Composed by Kreisler,…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.650824 Composed by Kreisler, Fritz. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Theupperstaff #6711863. Published by theupperstaff (A0.650824).
$6.99 6.29 € #Orchestre de chambre #Kreisler, Fritz #Nick Lacanski #Aucassin and Nicolette #theupperstaff #SheetMusicPlus

Fugue and Divertimento for Chamber Orchestra
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Ma…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier MartÃnez Maya. 20th Century,Baroque,Concert,Standards,World. Score and parts. 37 pages. Arte Nova Music Lab #14299. Published by Arte Nova Music Lab (A0.742331). Javier MartÃnez (Pd The Liverpool Institute for Performing Arts, MA Berklee College of Music) is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Ingeson Recording Studio, heâ€™s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 6, Finale 2014, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$30.00 26.99 € #Orchestre de chambre #Javier MartÃnez Maya #Fugue and Divertimento for Chamber Orchestra #Arte Nova Music Lab #SheetMusicPlus

Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by ClÃ©men…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by ClÃ©mence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-FÃ©licie-ClÃ©mence de Grandval (1828â€“1907) was born on January 28, 1828 at Saint-RÃ©my-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise AdÃ¨le du Temple de MÃ©siÃ¨res, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-SaÃ«ns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la PÃ©nitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel CarrÃ©, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95 93.51 € #Orchestre de chambre #ClÃ©mence de Grandval #Clémence de Grandval: Ronde de Nuit for orchestra, score and parts #Musik Fabrik Music Publishing #SheetMusicPlus

Clémence de Grandval: Ronde de Nuit for orchestra, score only
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by ClÃ©men…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by ClÃ©mence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-FÃ©licie-ClÃ©mence de Grandval (1828â€“1907) was born on January 28, 1828 at Saint-RÃ©my-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise AdÃ¨le du Temple de MÃ©siÃ¨res, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-SaÃ«ns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la PÃ©nitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel CarrÃ©, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.ï»¿Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95 17.95 € #Orchestre de chambre #ClÃ©mence de Grandval #Clémence de Grandval: Ronde de Nuit for orchestra, score only #Musik Fabrik Music Publishing #SheetMusicPlus

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).