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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Renaissance piece for Lute
Sheetmusicplus
Non classifié
83
Piano & claviers
Piano seul
8
Piano, Voix
4
Instruments en Do
3
Orgue
1
Piano, Voix et Guitare
1
Guitares
Guitare
19
Ukulele
17
Guitare notes et tablatures
6
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Ukulele Baryton
2
Luth
1
Ensemble de guitares
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
3
Chorale Unison
1
Chorale SATB
1
Vents
Flûte, Hautbois, Clarinette, Basson
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Ensemble De Flûte à bec
19
Quatuor de Flûtes : 4 flûtes
13
Ensemble de Flûtes
12
Flûte traversière
10
Flûte traversière et Piano
10
2 Flûtes traversières (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte et Guitare
6
Quatuor de Saxophones: 4 saxophones
5
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
4
Flûte, Hautbois (duo)
3
Flûte, Hautbois, Piano (trio)
2
2 Flûte à bec (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Trombone (duo)
2
Clarinette et Piano
2
Quatuor de Flûtes à bec
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violoncelle
2
Flûte à bec Soprano, Piano
2
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
2 Clarinettes (duo)
1
Flûte, Saxophone (duo)
1
Ensemble de Clarinettes
1
Clarinette
1
Saxophone Baryton, Piano
1
Flute, harpe et violon
1
Saxophone Alto et Piano
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte, Violon, Piano
1
Hautbois, Basson et Piano
1
Saxophone Soprano et Piano
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
2
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
Cor et Piano
1
Trompette
1
Trombone et Piano
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon et Piano
8
Violoncelle, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon (partie séparée)
2
Violon
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto seul
1
Flûte, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
Harpe
1
Harpe, Flûte (duo)
1
Contre Basse
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
3
Orchestre d'harmonie
3
Orchestre de chambre
2
Cloches
1
Ensemble de cuivres
1
Autres
Instruments
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
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SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Renaissance piece for Lute
SheetMusicPlus
Partitions à imprimer
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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
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Renaissance piece for Lute
