English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rhythm of the Night
Non classifié
225
Piano & claviers
Piano seul
113
Piano grosses notes
94
Orgue
31
Piano Facile
19
Piano, Voix
16
Piano, Voix et Guitare
15
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano (partie séparée)
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
6
Ukulele
6
Guitare (partie séparée)
5
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
1
Ensemble de guitares
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
10
Chorale Unison
6
Chorale TTBB
6
Chorale 2 parties
5
Pack Instrumental pour Chorale
2
Chorale SSAA
2
Voix Soprano, Piano
1
Chorale
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
35
Quatuor de Saxophones: 4 saxophones
21
3 Saxophones (trio)
16
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone (partie séparée)
15
2 Flûtes traversières (duo)
15
Saxophone Alto
11
Quatuor de Flûtes : 4 flûtes
11
Quintette de Clarinettes: 5 clarinettes
9
Flûte traversière
9
2 Flûte à bec (duo)
9
2 Clarinettes (duo)
9
Saxophone, Clarinette (duo)
9
Hautbois (partie séparée)
9
Saxophone Tenor
9
Flûte traversière et Piano
9
Flûte, Clarinette (duo)
8
2 Hautbois (duo)
8
Hautbois, Basson (duo)
6
Clarinette (partie séparée)
6
Hautbois, Clarinette (duo)
6
Clarinette
6
Clarinette, Violon (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Hautbois, Piano (duo)
5
Clarinette et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quintette de Saxophone: 5 saxophones
5
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Tenor et Piano
4
Flûte, Hautbois, Basson
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Piano (trio)
4
Saxophone Alto et Piano
4
Quatuor de Flûtes à bec
4
Ensemble de saxophones
3
Clarinette et Alto
3
Flûte à bec Soprano
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Clarinette, Harpe (duo)
2
Saxophone Baryton, Piano
2
Flute (partie séparée)
2
Hautbois, Harpe
2
Flûte, Violon
2
Ocarina
2
Ensemble de Flûtes
2
3 Flûtes à bec (trio)
2
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
Saxophone Soprano et Piano
2
5 Flûtes à bec
1
Saxophone et Harpe
1
Flûte et Guitare
1
Flûte à bec Alto
1
Quintette de Flûte : 5 flûtes
1
Cor anglais, Piano
1
+ 57 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
17
Trombone (partie séparée)
16
Cor
9
Trompette
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone
8
Cor et Piano
6
Trombone et Piano
4
Trompette, Saxophone (duo)
4
Trompette, Piano
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor (partie séparée)
3
Tuba et Piano
3
Tuba (partie séparée)
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
Tuba
2
2 Tubas (duo)
1
Ensemble de Trompettes
1
Trompette, Harpe
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
Cor et Harpe
1
Cor anglais, Piano
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
27
Violon
17
Violoncelle
13
2 Altos (duo)
10
2 Violoncelles (duo)
10
2 Violons (duo)
10
Alto, Piano
8
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Alto seul
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
6
Violon, Alto (duo)
6
Violon (partie séparée)
5
Trio à Cordes: violon, alto, violoncelle
5
4 Violoncelles
5
Quatuor à cordes: 4 violons
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Harpe
4
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
120
Orchestre
34
Fanfare
29
Ensemble Jazz
23
Orchestre à Cordes
9
Orchestre de chambre
8
Ensemble de cuivres
7
Cloches
6
Ensemble de Percussions
4
Batterie (partie séparée)
4
Jazz combo
3
Percussion (partie séparée)
2
Marimba
2
Batterie
1
+ 9 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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PUNK
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Vous avez sélectionné:
Rhythm of the Night
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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1
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
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Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.8 €
#
Orchestre de chambre
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for chamber orchestra
#
David Warin Solomons
#
SheetMusicPlus
O Holy Night
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310441 By Moses Sun. By Ado…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310441 By Moses Sun. By Adolphe-Charles Adam and John Sullivan Dwight. Arranged by Moses Sun. Christmas,Holiday,Praise & Worship,Rock,Sacred. 47 pages. MSUNMUSIC #899502. Published by MSUNMUSIC (A0.1310441). NOTE: this arrangement includes WAV files of stems for optional synth parts not in the original recording and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!a different take on a traditional Christmas carol classic, with a more poweful rock ballad edge and sweeping strings.Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- solo female (powerful pop alto/mezzo)- SAT chorus- rhythm section (suggested: piano, electric guitar, bass, drums, B3 organ - includes just one master rhythm chart for all).
$59.99
55.21 €
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Orchestre de chambre
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Moses Sun
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Moses Sun
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O Holy Night
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MSUNMUSIC
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
#
SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.27 €
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Orchestre de chambre
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Antillas
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
39.57 €
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Orchestre de chambre
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Blooper 6 for Woodwinds and Strings
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1163446 Composed by Cristian…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1163446 Composed by Cristiano Vecchi. Chamber,Contemporary,Film/TV,Thriller,Video Game. Score and Parts. 19 pages. Cristiano Vecchi #763785. Published by Cristiano Vecchi (A0.1163446). Bloopers is a series of short pieces composed with the MikroKanon App and arranged for traditional instruments. Blooper 6 (Virgo) is a nightly, wienerisch waltz with unquiet, temperamental changes in allure and expression. The rhythm pattern used to develop the counterpoint is 6+5+5+4+4+3+3+2+2+1+1+1 (random). Duration: 50. SCORE and PARTS.
$5.99
5.51 €
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Orchestre de chambre
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Cristiano Vecchi
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Blooper 6 for Woodwinds and Strings
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Cristiano Vecchi
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SheetMusicPlus
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