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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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FORMATION MUSI…
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PIANO & CLAVIERS
Piano, Voix et Guitare
2432
Piano seul
1900
Piano, Voix
872
Piano Facile
712
Piano grosses notes
265
Instruments en Do
171
1 Piano, 4 mains
111
Orgue
48
Accompagnement Piano
38
Piano (partie séparée)
35
Instrument seul et Orgue
11
Accordéon
9
Ligne De Mélodie, Piano
9
2 Pianos, 4 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon, Voix
3
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
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Clavier
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Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
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GUITARES
Guitare notes et tablatures
1728
Ligne De Mélodie, (Paroles) et Accords
1126
Ukulele
337
Basse electrique
283
Paroles et Accords
277
Guitare
243
Guitare (partie séparée)
51
Banjo
29
Basse électrique (partie séparée)
20
2 Guitares (duo)
18
Mandoline
11
Dulcimer
8
Piano, Guitare (duo)
7
2 Dulcimers (duo)
6
Dobro
5
Ensemble de guitares
5
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Partitions De Groupes
2
3 Guitares (trio)
1
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VOIX
Chorale SATB
540
Chorale 3 parties
288
Chorale 2 parties
152
Chorale TTBB
130
Voix, Guitare
73
Chorale SSAA
71
Chorale
69
Voix seule
34
Chorale Unison
21
Voix duo, Piano
13
Voix haute
8
Voix Alto, Piano
5
Voix Soprano, Piano
4
Voix Baryton, Piano
4
Voix basse, Piano
3
Chorale SSATTB
2
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Voix haute, Piano
1
Chorale SSATBB
1
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VENTS
Saxophone (partie séparée)
332
Saxophone Tenor
310
Clarinette
202
Saxophone Alto
199
Flûte traversière
190
Saxophone
164
Clarinette (partie séparée)
101
Quatuor de Saxophones: 4 saxophones
83
2 Saxophones (duo)
75
Flûte traversière et Piano
63
Flute (partie séparée)
52
Quatuor de Clarinettes: 4 clarinettes
50
2 Clarinettes (duo)
47
Hautbois, Piano (duo)
43
2 Flûtes traversières (duo)
42
Clarinette et Piano
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte, Hautbois, Clarinette, Basson
39
Hautbois (partie séparée)
37
Saxophone Alto et Piano
34
Saxophone Tenor et Piano
30
Saxophone, Clarinette (duo)
28
Clarinette, Violon (duo)
24
Quatuor de Flûtes : 4 flûtes
24
Clarinette, Trompette (duo)
23
Instruments en Mib
20
3 Saxophones (trio)
20
Flûte, Clarinette (duo)
19
2 Hautbois (duo)
18
Quintette de Saxophone: 5 saxophones
17
Hautbois, Basson (duo)
17
Flûte, Violon
15
Saxophone Soprano et Piano
15
Flûte et Guitare
15
Hautbois, Flûte
14
Hautbois, Clarinette (duo)
13
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Alto (duo)
12
Ensemble de Clarinettes
12
3 Clarinettes (trio)
11
Saxophone Baryton, Piano
11
Flûte, Trompette (duo)
11
2 Flûte à bec (duo)
11
Flûte, Saxophone (duo)
10
Clarinette et Alto
10
Ensemble de saxophones
10
Hautbois
9
Cor anglais, Piano
9
Clarinette, Guitare (duo)
9
Trio de Flûtes: 3 flûtes
8
Ensemble de Flûtes
8
Harmonica
8
Clarinette, Basson (duo)
7
Ocarina
6
Flûte à Bec
6
Clarinette, Violoncelle (duo)
5
Hautbois, Guitare (duo)
5
Flûte à bec Soprano, Piano
5
Saxophone Soprano
5
Clarinette Basse
5
Clarinette Basse, Piano
5
Flûte, Hautbois, Basson
3
Cor Anglais
3
Flûte, Violoncelle
3
Flûte à bec Alto, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois (duo)
3
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
3 Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Flûte irlandaise
2
Saxophone Baryton
2
Flûte, Violon et Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violoncelle
2
Quatuor de Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte, trombone et piano
2
Flute, harpe et violon
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
2 Saxophones, Piano
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, trompette et piano
1
Hautbois, violon (duo)
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
Cornemuse
1
Flûte à Bec, Piano
1
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CUIVRES
Trompette (partie séparée)
239
Trompette
218
Trombone
200
Trombone (partie séparée)
200
Cor
141
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
126
Cor (partie séparée)
51
Trombone et Piano
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette, Piano
37
Tuba (partie séparée)
36
Bass Clef Instruments
31
Cor et Piano
28
Tuba
26
Trompette, Saxophone (duo)
25
Instruments en Sib
24
2 Trombones (duo)
22
2 Trompettes (duo)
18
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Tuba et Piano
13
Quatuor de cuivres: 4 trombones
10
Euphonium, Piano (duo)
10
Cor anglais, Piano
9
2 Cors (duo)
9
Quatuor de Cuivres
5
Trompette, Cor (duo)
5
Tuba ou Euphonium ou Saxhorn
4
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Trombones (trio)
3
Trompette, Basson (duo)
3
Cor Anglais
3
Euphonium
3
Cor, Violoncelle (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Trombone, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Cor, Tuba (duo)
2
Ensemble de Trombones
2
2 Tubas (duo)
2
Trombone basse et Piano
2
Ensemble de Cors
2
Trompette, Violoncelle (duo)
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Instruments en Fa
1
Cor et Basson (duo)
1
Ensemble de Trompettes
1
Instrumentations suivantes
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CORDES
Violon
203
Violoncelle
189
Quatuor à cordes: 2 violons, alto, violoncelle
182
Alto seul
163
Harpe
105
Violon et Piano
86
Contrebasse (partie séparée)
73
Alto, Piano
57
Violoncelle, Piano
56
Violon, Violoncelle (duo)
55
2 Violoncelles (duo)
48
Violon (partie séparée)
46
2 Violons (duo)
41
Violon, Alto (duo)
35
Alto (partie séparée)
25
2 Altos (duo)
22
Violoncelle (partie séparée)
20
Trio à Cordes: violon, alto, violoncelle
17
Trio à Cordes: 2 violons, violoncelle
16
Alto, Violoncelle (duo)
15
Violoncelle , Guitare (duo)
13
Contre Basse
13
Contrebasse, Piano (duo)
12
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Harpes (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Trio à cordes: 3 altos
3
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Trio à cordes
2
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
640
Batterie
204
Ensemble Jazz
191
Fanfare
153
Orchestre à Cordes
122
Orchestre
118
Batterie (partie séparée)
118
Percussion (partie séparée)
58
Jazz combo
42
Cloches
40
Ensemble de cuivres
31
Percussion
26
Ensemble de Percussions
26
Orchestre de chambre
13
Marimba
11
Vibraphone
7
Timbales (partie séparée)
6
Caisse Claire
5
Xylophone
4
Vibraphone (partie séparée)
2
Timbales
2
Marimba, Piano (duo)
1
Xylophone (partie séparée)
1
Big band
1
2 Marimbas
1
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
Ensemble d'École
1
Voix et Orchestre
1
Bodhran
1
Instrumentations suivantes
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AUTRES
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Orchestre de chambre
Partitions à imprimer
13 partitions trouvées
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1
Beer Barrel Polka (roll Out The Barrel)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.909389 By Bobby Vinton. By J…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.909389 By Bobby Vinton. By Jaromir Vejvoda, Lew Brown, Vasek Zeman, and Vladimir A. Timm. Arranged by Shay Hovell. Contemporary. Score and Parts. 9 pages. Hauteville Publishing #6865373. Published by Hauteville Publishing (A0.909389). 2 pianos 4 hands- upbeat version with some twists- intermediate.
$8.00
7.22 €
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Orchestre de chambre
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Bobby Vinton
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Shay Hovell
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Beer Barrel Polka
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Hauteville Publishing
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SheetMusicPlus
Cimarron (roll On)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768168 Composed by Johnny Bo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768168 Composed by Johnny Bond. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5899847. Published by Craig Duncan Music (A0.768168). Western Swing style arrangement for String Quartet, String Trio or String Orchestra with optional lead sheet and Piano part.
$12.99
11.72 €
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Orchestre de chambre
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Johnny Bond
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Craig Duncan
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Cimarron
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Craig Duncan Music
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SheetMusicPlus
Elder Scrolls III Morrowind
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.809317 Composed by Jeremy So…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.809317 Composed by Jeremy Soule. Arranged by Betsuel Uesile Prado e Rodrigo Prado. Contemporary. Score and parts. 16 pages. BETSUEL UESILE DO PRADO #6516893. Published by BETSUEL UESILE DO PRADO (A0.809317).
$36.99
33.37 €
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Orchestre de chambre
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Jeremy Soule
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Elder Scrolls III Morrowind
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
The Girl with the Flaxen Hair
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102927 Composed by Claude D…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102927 Composed by Claude Debussy. Arranged by Ray A. Carroll. Classical. Score and parts. 9 pages. Ray A. Carroll #706240. Published by Ray A. Carroll (A0.1102927).
$2.50
2.26 €
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Orchestre de chambre
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Claude Debussy
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Ray A
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The Girl with the Flaxen Hair
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Ray A. Carroll
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.6 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Till We Meet Again
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1421610 Composed by W.G. Tom…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1421610 Composed by W.G. Tomer & J.E. Rankin. Arranged by Soji Ojeniyi. 19th Century,20th Century,Chamber,Children,Christian. 12 pages. Tinglescroll Publishers #1003013. Published by Tinglescroll Publishers (A0.1421610).
$10.00
9.02 €
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Orchestre de chambre
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W
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Soji Ojeniyi
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Till We Meet Again
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Tinglescroll Publishers
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
72.16 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.02 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. Bela Ugro #958370. Published by Bela Ugro (A0.1373894). Explore the rhythmic wonders of percussion chamber music with Chamber Music with Percussion in School II. - ÃœtÅ‘s Kamarazene az Iskolában II., an exciting music sheet collection crafted by the talented composer Béla Ugró. Specifically designed for school ensembles, this collection presents an array of engaging pieces meticulously curated to inspire and challenge budding percussionists with a total of 107 pages.Content:Drumset Duo: ROLLEREK FUNKY DRUMMERS BUMERÃNG BLUES DRUMMERS PICTURES Percussion Ensemble: AFRIKAI TÃNC JEGES LABIRINTUS Parade: BOSSA NOVA (Percussion Quintet) With a diverse selection ranging from dynamic drumset duos to intricate percussion ensemble pieces and vibrant parade compositions, this collection provides students with an immersive musical experience that fosters teamwork, creativity, and technical proficiency. Chamber Music with Percussion in School II. offers an enriching journey for both performers and audiences, encouraging exploration and expression through the captivating world of percussion chamber music.Keywords:Percussion Chamber MusicBéla Ugró CompositionsSchool Ensemble MusicDrumset Duo PiecesPercussion Ensemble RepertoireEducational Music SheetsRhythmic ChallengesCreative Percussion ArrangementsVibrant Parade CompositionsSchool Music CurriculumPercussion TechniquesEnsemble Performance MusicPercussion Education ResourcesStudent Percussion RepertoireCollaborative Percussion Music.
$20.00
18.04 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
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Bela Ugro
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.36 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.71 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
On the Moors
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.992402 Composed by W. Luke Kelly. 20th…
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Chamber Orchestra - Digital Download SKU: A0.992402 Composed by W. Luke Kelly. 20th Century. Score and parts. 12 pages. W. Luke Kelly #3544071. Published by W. Luke Kelly (A0.992402). This free flowing, beautiful piece, is meant to evoke a walk through green, rolling hills, tall grass, and the warm sun. Allow your ensemble to become expressive, as they learn to follow the conductor in changing tempos, time signatures, and rhythms, and paint a sound picture of a perfect Spring day.
$6.99
6.31 €
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Orchestre de chambre
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W
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On the Moors
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W. Luke Kelly
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SheetMusicPlus
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
Orchestre de chambre
Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. A…
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Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".<br> <br> Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.<br> <br> Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
36.08 €
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Orchestre de chambre
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
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