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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ros Stephen
Non classifié
308
Piano & claviers
Piano, Voix
198
Piano seul
184
Piano, Voix et Guitare
26
Piano Facile
16
Piano grosses notes
16
Orgue
12
Piano Quatuor: piano, 2 violons, violoncelle
10
Accompagnement Piano
8
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
2
Accordéon
2
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Guitare
11
Paroles et Accords
8
Ukulele
7
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
1
Mandoline
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale 2 parties
239
Chorale SATB
178
Chorale 3 parties
120
Voix duo, Piano
110
Chorale Unison
59
Voix duo
43
Chorale TTBB
21
Chorale
4
Voix haute
4
Voix moyenne, Piano
3
Voix seule
2
Chorale SSAA
2
Chorale, Orgue
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
+ 10 instrumentations
Retracter
Vents
Saxophone Soprano et Piano
48
Saxophone Tenor et Piano
43
Saxophone Alto et Piano
30
Flûte traversière et Piano
28
Quatuor de Saxophones: 4 saxophones
28
Clarinette et Piano
28
Flûte, Hautbois, Clarinette, Basson
23
Flûte, Clarinette (duo)
17
2 Saxophones (duo)
16
Flûte traversière
9
Ensemble de Clarinettes
8
Hautbois, Piano (duo)
8
Ensemble de Flûtes
5
Saxophone Tenor
5
Clarinette
5
2 Clarinettes (duo)
4
Flûte, Violon, Piano
4
Saxophone Alto
4
Flûte, Clarinette, Piano (trio)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone (partie séparée)
3
Saxophone Baryton, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Baryton
2
Hautbois
2
Saxophone Soprano
2
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Ocarina
1
2 Saxophones, Piano
1
2 Flûtes traversières (duo)
1
Hautbois (partie séparée)
1
Cor anglais, Piano
1
Flûte à bec Soprano
1
Harmonica
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Alto, Piano
1
3 Clarinettes (trio)
1
+ 34 instrumentations
Retracter
Cuivres
Trombone et Piano
45
Trompette, Piano
37
Cor et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trompette, Cor (duo)
16
Trompette
13
2 Trompettes (duo)
7
2 Trombones (duo)
7
Trompette, Trombone (duo)
4
Cor
4
Trombone
4
2 Cors (duo)
4
Tuba
2
4 Tubas
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette (partie séparée)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violoncelle, Piano
30
Violon, Violoncelle (duo)
28
Violon et Piano
27
Alto, Piano
26
Piano Trio: Violon, Alto, Piano
22
Violon
13
Violon, Alto (duo)
11
2 Violoncelles (duo)
8
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Harpe
3
Alto seul
3
2 Violons (duo)
3
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre
20
Ensemble de cuivres
6
Fanfare
5
Orchestre d'harmonie
3
Orchestre de chambre
3
Ensemble Jazz
2
Jazz combo
2
Batterie
2
Xylophone
1
+ 4 instrumentations
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Autres
Instruments
ACCORDEON
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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NOËL
OLD TIME - EARLY ROC…
OPERA
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Ros Stephen
Orchestre de chambre
Partitions à imprimer
3 partitions trouvées
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Ah! May The Red Rose Live Alway, for voice and string quartet
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Orchestre de chambre
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Folklorique/Traditionel
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Stephen Foster
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Gary S
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Ah! May The Red Rose Live Alwa
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Gary Fagin
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SheetMusicPlus
Chamber Orchestra - SKU: A0.917350 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 7 pages. Gary Fagin #4626817. Published...
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Chamber Orchestra - SKU: A0.917350 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 7 pages. Gary Fagin #4626817. Published by Gary Fagin (A0.917350). One of six Stephen Foster arrangements for voice and string quartet.
$10.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Mountains Of The Moon
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Orchestre de chambre
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INTERMÉDIAIRE
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The Grateful Dead
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Lee Johnson
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Mountains Of The Moon
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Con...
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Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
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