Partitions Numériques de SIGNAL pour Orchestre de chambre

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 47

PIANO & CLAVIERS

Piano seul 24
Instruments en Do 13
Piano, Voix et Guitare 12
Orgue 3
Piano Facile 3

Orgue, Trompette (duo) 1
Piano Trio: piano, violon, violoncelle 1
Piano, Voix 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano seul 24 Instruments en Do 13 Piano, Voix et Guitare 12 Orgue 3 Piano Facile 3

Orgue, Trompette (duo) 1 Piano Trio: piano, violon, violoncelle 1 Piano, Voix 1 Piano Quatuor: piano, violon, alto, violoncelle 1

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GUITARES

Guitare notes et tablatures 7
Ligne De Mélodie, (Paroles) et Accords 5
Guitare 1
Ukulele 1
4 Guitares (Quatuor) 1
Guitare notes et tablatures 7 Ligne De Mélodie, (Paroles) et Accords 5 Guitare 1 Ukulele 1 4 Guitares (Quatuor) 1

VOIX

Chorale SATB 14
Chorale Unison 2
Chorale 2 parties 1
Voix duo, Piano 1
Chorale SATB 14 Chorale Unison 2 Chorale 2 parties 1 Voix duo, Piano 1

VENTS

Flûte, Hautbois, Clarinette, Basson 3
Clarinette et Piano 3
Saxophone Baryton, Piano 2
Saxophone Alto et Piano 2
Ensemble de Clarinettes 2

Flûte traversière et Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Saxophone (partie séparée) 1
2 Flûte à bec (duo) 1
Saxophone Soprano et Piano 1
Cor anglais, Piano 1
2 Flûtes traversières (duo) 1
Clarinette 1
Hautbois 1
Flûte traversière 1
Quatuor de Saxophones: 4 saxophones 1
Saxophone Tenor et Piano 1
2 Clarinettes (duo) 1
Flûte, Hautbois, Clarinette, Basson 3 Clarinette et Piano 3 Saxophone Baryton, Piano 2 Saxophone Alto et Piano 2 Ensemble de Clarinettes 2

Flûte traversière et Piano 2 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2 Saxophone (partie séparée) 1 2 Flûte à bec (duo) 1 Saxophone Soprano et Piano 1 Cor anglais, Piano 1 2 Flûtes traversières (duo) 1 Clarinette 1 Hautbois 1 Flûte traversière 1 Quatuor de Saxophones: 4 saxophones 1 Saxophone Tenor et Piano 1 2 Clarinettes (duo) 1

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CUIVRES

Trompette 4
Ensemble de Trompettes 2
Quatuor de Cuivres 2
Trompette, Piano 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Cor et Piano 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Ensemble de Cors 1
Euphonium, Piano (duo) 1
Cor anglais, Piano 1
Tuba 1
Trombone et Piano 1
Quatuor de cuivres: 4 trombones 1
Tuba et Orgue 1
Trompette 4 Ensemble de Trompettes 2 Quatuor de Cuivres 2 Trompette, Piano 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 3
2 Violons (duo) 3
Alto, Piano 2
Violon (partie séparée) 2
Violon et Piano 2

Violoncelle, Piano 2
Trio à Cordes: violon, alto, violoncelle 1
Contrebasse (partie séparée) 1
Violon 1
Violon, Guitare (duo) 1
Alto (partie séparée) 1
Violoncelle (partie séparée) 1
Violoncelle , Guitare (duo) 1
Quatuor à cordes: 2 violons, alto, violoncelle 3 2 Violons (duo) 3 Alto, Piano 2 Violon (partie séparée) 2 Violon et Piano 2

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 97
Orchestre 7
Ensemble de cuivres 4
Batterie 3
Ensemble de Percussions 3

Orchestre à Cordes 3
Orchestre de chambre 3

Jazz combo 2
Fanfare 2
Ensemble Jazz 1
Percussion 1
Orchestre d'harmonie 97 Orchestre 7 Ensemble de cuivres 4 Batterie 3 Ensemble de Percussions 3 Orchestre à Cordes 3 Orchestre de chambre 3

Jazz combo 2 Fanfare 2 Ensemble Jazz 1 Percussion 1

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AUTRES

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SIGNAL

Orchestre de chambre

Partitions à imprimer

3 partitions trouvées

One Second to the Future - Guitar Orchestra

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille Â â€¢ â€œOne Second to the Futureâ€ is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system. Â â€¢ The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics. Â â€¢ The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with â€œCâ€ as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad. Â Â â€¢ At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away. Â â€¢ The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides. Â â€¢ Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark â€œslow motion.â€ At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement. Â Technical RequirementsÂ â€¢ Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound.Â â€¢ A standard guitar delay and distortion pedal for electric guitar parts one and two is required.Â â€¢ Glass and metal guitar slides are required. Â Â To download the fixed audio tracks, go here:Â https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracksÂ For fixed audio track information and information, contact me at:info@brentrobitaille.com.

$75.00 68.79 € #Orchestre de chambre #Brent C Robitaille #One Second to the Future - Guitar Orchestra #Brent C Robitaille #SheetMusicPlus

Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.

$16.95 15.55 € #Orchestre de chambre #Carson Cooman #Symphony No. 2, "Litanies of Love and Rain" #Musik Fabrik Music Publishing #SheetMusicPlus

Mysteries of the Macabre

Orchestre de chambre

Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download…(+)

Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English â€¢ German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the â€œSecret Political Policeâ€ which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate â€“ however more accurate â€“ continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) Â· 1 Â· 1 (auch BaÃŸklar.) Â· 1 (auch Kontrafag.) â€“ 1 Â· 1 Â· 1 (ad lib. auch KontrabaÃŸpos.) Â· 0 â€“ P.S. (kl. Tr. Â· gr. Tr. Â· Tomt. Â· 4 Bong. Â· hg. Beck. Â· Beckenpaar Â· 4 Tempelbl. Â· Schellentr. Â· Crot. Â· Kast. Â· Tamt. Â· Glspl. Â· Mar. Â· Guero Â· Lotosfl. Â· 1 Blatt festes Pack-papier Â· Signalpf. Â· Trillerpf. Â· Woodbl.) â€“ Klav. (auch Cel.) Â· Mand. â€“ Str. (1 Â· 1 Â· 1 Â· 1 Â· 1).

$27.99 25.67 € #Orchestre de chambre #Gyorgy Ligeti #Mysteries of the Macabre #Schott Music - Digital #SheetMusicPlus