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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scale
Non classifié
1 309
Piano & claviers
Piano seul
1 018
Piano Facile
327
Piano, Voix
106
Accompagnement Piano
49
Piano, Voix et Guitare
39
Instruments en Do
33
1 Piano, 4 mains
25
Orgue
20
Piano Trio: piano, violon, violoncelle
8
Accordéon
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
4
1 Piano, 6 mains
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Tous Les Instruments
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 207
Guitare
167
Basse electrique
119
Ukulele
23
Mandoline
16
2 Guitares (duo)
11
Banjo
8
Ensemble de guitares
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
4
Dulcimer
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Dobro
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
95
Chorale Unison
24
Chorale 3 parties
12
Chorale TTBB
11
Chorale 2 parties
8
Pack Instrumental pour Chorale
5
Voix Alto, Piano
3
Chorale
3
Chorale SSAA
3
Voix seule
3
Voix basse, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
Clarinette
188
Flûte traversière
178
Flûte à Bec
135
Hautbois
132
Saxophone
103
Saxophone Alto
49
Flûte traversière et Piano
41
Saxophone Tenor
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Clarinettes: 4 clarinettes
28
Clarinette et Piano
22
Quatuor de Saxophones: 4 saxophones
21
Harmonica
19
2 Flûtes traversières (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Clarinette, Trompette (duo)
15
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Saxophone (partie séparée)
14
2 Saxophones (duo)
14
Ensemble de Clarinettes
12
2 Clarinettes (duo)
11
3 Clarinettes (trio)
10
Quintette de Saxophone: 5 saxophones
9
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
8
Saxophone Soprano et Piano
6
Flûte, Clarinette (duo)
5
Flûte à bec Soprano
5
Trio de Flûtes: 3 flûtes
5
2 Hautbois (duo)
5
2 Flûte à bec (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Ensemble de Flûtes
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto
3
Flûte, Saxophone (duo)
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Clarinette, Violon (duo)
3
Ensemble à vent
3
Hautbois, Flûte
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Ensemble de saxophones
3
Flûte, Hautbois (duo)
2
Saxophone, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Clarinette Basse
2
Instruments en Mib
2
Flûte, Alto (duo)
2
Cor Anglais
2
Flûte, Trompette (duo)
2
Clarinette, Contrebasse (duo)
2
Piccolo
2
Clarinette Basse, Piano
2
Saxophone Soprano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Flute (partie séparée)
1
Flûte, Tuba (duo)
1
Clarinette et Alto
1
2 Clarinettes, Basson
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Hautbois, violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Cors Anglais Et Pianoforte
1
+ 75 instrumentations
Retracter
Cuivres
Trompette
58
Trombone
40
Cor
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone (partie séparée)
12
Trombone et Piano
12
Cor et Piano
10
Trompette (partie séparée)
10
Tuba
9
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Bass Clef Instruments
5
2 Tubas (duo)
5
Quatuor de Cuivres
4
2 Cors (duo)
4
2 Trombones (duo)
4
Tuba et Piano
3
Euphonium, Tuba (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
3
2 Trompettes (duo)
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
Trompette, Violoncelle (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trompette, violon (duo)
2
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
+ 39 instrumentations
Retracter
Cordes
Violon
427
Violoncelle
374
Alto seul
329
Violon et Piano
79
Quatuor à cordes: 2 violons, alto, violoncelle
77
Contre Basse
71
Harpe
63
Alto, Piano
21
Violoncelle, Piano
14
Violon (partie séparée)
14
Alto (partie séparée)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
11
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
Violoncelle (partie séparée)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
2 Harpes (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Harpe, Voix
1
4 Contrebasses
1
2 Contrebasses (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
324
Orchestre à Cordes
123
Orchestre
73
Ensemble Jazz
67
Ensemble de cuivres
27
Orchestre de chambre
22
Cloches
12
Jazz combo
8
Ensemble de Percussions
8
Fanfare
5
Vibraphone
4
Percussion
3
Marimba
2
Ensemble d'École
2
Batterie (partie séparée)
2
Xylophone
2
Piano et Orchestre
1
2 Marimbas
1
Batterie
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
9
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Scale
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
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1
Syzygy | Ethereal Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Fiona Cork
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N/A
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Syzygy | Ethereal Chamber Orch
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Fiona Cork
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World....
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Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
THE PRINCE and the FIREBIRD for Baritone and instruments.
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Alan Edgar
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THE PRINCE and the FIREBIRD fo
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Alan Edgar Ted Moon
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted ...
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Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
Amigos
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Orchestre de chambre
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FACILE
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Matthew Sear
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Matthew Sear
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Amigos
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Matthew Seat
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1399456 By Matthew Sear. By Matthew Sear. Arranged by Matthew Sear. 21st Century,Broadway,Children,Mariachi,Musica...
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Chamber Orchestra - Level 2 - SKU: A0.1399456 By Matthew Sear. By Matthew Sear. Arranged by Matthew Sear. 21st Century,Broadway,Children,Mariachi,Musical/Show,Pop. 74 pages. Matthew Seat #982745. Published by Matthew Seat (A0.1399456). Amigos is a large scale work about friendship and overcoming adveristy. Written in a a style that alludes to flamecnco and the sounds of Disney's Encanto, it includes parts for chiildren whop have had only a term's tuition, as well as parts written for an advanced house band.The piece is lively, interactive and lots of fun!
$9.99
Overture from The Magic Flute, KV. 620
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Jack Chao Heng Zhang
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Overture from The Magic Flute,
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Jack Chao Heng Zhang
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,St...
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Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work.
$18.99
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Eintritt (No.1 from Waldenscenen) arr. for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert Schumann
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Travis Freshner
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Eintritt
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tfresh productions
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.883445 Composed by Robert Schumann. Arranged by Travis Freshner. Romantic Period,Standards. Score and parts. 23 pa...
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Chamber Orchestra - Level 3 - SKU: A0.883445 Composed by Robert Schumann. Arranged by Travis Freshner. Romantic Period,Standards. Score and parts. 23 pages. Tfresh productions #3087965. Published by tfresh productions (A0.883445). Originally one of a set of nine short piano pieces composed by Robert Schumann, this has been expertly orchestrated/arranged for chamber orchestra (1 flute, 1 oboe, 1 bassoon, 1 clarinet, 2 horns, full strings).Score and parts are created on 9x12 pages. If you wish to print on 8.5x11, be sure to check scale to fit page size in your printer options.VideoScore available here:https://www.youtube.com/watch?v=WQKmeua-6os
$25.00
Prayer for Democracy
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Atwell
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Prayer for Democracy
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Bob Atwell Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.980530 Composed by Bob Atwell. 20th Century,Contemporary. Score and parts. 48 pages. Bob Atwell Music #6221349. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.980530 Composed by Bob Atwell. 20th Century,Contemporary. Score and parts. 48 pages. Bob Atwell Music #6221349. Published by Bob Atwell Music (A0.980530). A work for Trumpet and Strings. This piece is a Theme and Variations where each variation uses a different musical scale and style to reflect the diversity in a functioning democracy.
$12.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Theme and Variations for Er Hu and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Theme and Variations for Er Hu
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published b...
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Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published by Gary Friedman (A0.889885). Theme and Variations for Er Hu and Orchestra The er hu is a two-string Chinese violin, which I heard during a visit to China in August 2006. I liked the bold tone very much and decided to compose a piece for it. The theme and ending are written in Chinese style using the pentatonic or five-tone scale. The six variations move into Western harmonies and a variety of rhythms. The world premier was held on February 10, 2008. Matt Springer was soloist with the San Francisco Civic Symphony. The second performance by Matt was with the San Francisco Composers Chamber Orchestra on June 7, 2008, John Kendall Bailey, conductor.. The audio clip is a recording of that performance. Duration: About 11 minutes Year: 2007.
$40.00
Concertino for Flute and Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Flute and Strin
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Publ...
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Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
＜EZ Clarinet/Woodwind Sextet＞Sakura★Hira-jyoushi
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Orchestre de chambre
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DÉBUTANT
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Tsuyoshi Yoroiguma
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＜EZ Clarinet/Woodwind Sex
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.711280 Composed by (Japanese Traditional Song). Arranged by Tsuyoshi Yoroiguma. Classical,Instructional,Standards,...
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Chamber Orchestra - Level 1 - SKU: A0.711280 Composed by (Japanese Traditional Song). Arranged by Tsuyoshi Yoroiguma. Classical,Instructional,Standards,World. Score and parts. 6 pages. Tsuyoshi Yoroiguma #4360227. Published by Tsuyoshi Yoroiguma (A0.711280). Welcome to TOKYO 2020 Olympic Games !Sakura(Cherry blossom) is a Japanese traditional song.And Hira-jyoushi is a name of basic tuning of Koto.Koto is a Japanese traditional instrument with 13 strings.In the beginning each player sound Hira-jyoushi scale, and song of Sakura start.This is good for school band or music class education.All players use this score.(no part sheet included)Instrumentation:6 Bb Clarinets or 4 Clarinets / Alto Sax / Tenor SaxPlaying time is 2min 05sec.PDF file includes 6 pages(3pages×2) of score.
$8.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Triunfo, op. 23 - for clarinet and strings
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Orchestre de chambre
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Contemporain
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Carlos Eduardo Amaral
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Triunfo, op. 23 - for clarinet
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Carlos Eduardo Amaral
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1020659 Composed by Carlos Eduardo Amaral. Contemporary. Score and parts. 15 pages. Carlos Eduardo Amaral #4996511. Publishe...
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Chamber Orchestra - SKU: A0.1020659 Composed by Carlos Eduardo Amaral. Contemporary. Score and parts. 15 pages. Carlos Eduardo Amaral #4996511. Published by Carlos Eduardo Amaral (A0.1020659). A piece based on a Brazilian North-eastern modal scale for soloist clarinet and string orchestra.
$10.00
Things Five for Oboe and String Quartet 1st movement
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Orchestre de chambre
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Contemporain
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Rob J Kennedy
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Things Five for Oboe and Strin
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Rob J Kennedy
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1020018 Composed by Rob J Kennedy. Contemporary. Score and parts. 6 pages. Rob J Kennedy #6239517. Published by Rob J Kenned...
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Chamber Orchestra - SKU: A0.1020018 Composed by Rob J Kennedy. Contemporary. Score and parts. 6 pages. Rob J Kennedy #6239517. Published by Rob J Kennedy (A0.1020018). This music is for the group that like to experiment with music.It is a quintet, written for Oboe and String Quartet. It is in a pentatonic scale. It is mostly in 5/4, in phrases of five bars and follows the theme of five things all the way through it's five short movements.
$4.99
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Orchestraining No. 4 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
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Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
Orchestraining No. 2 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
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Orchestraining No. 2 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
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Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
Carol of the Drum
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Eric Benjamin
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Eric Benjamin
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Carol of the Drum
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Eric Benjamin
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1302129 By Eric Benjamin. By Katherine K. Davis. Arranged by Eric Benjamin. 20th Century,Children,Christmas,Classi...
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Chamber Orchestra - Level 4 - SKU: A0.1302129 By Eric Benjamin. By Katherine K. Davis. Arranged by Eric Benjamin. 20th Century,Children,Christmas,Classical,Holiday. Score and Parts. 46 pages. Eric Benjamin #891730. Published by Eric Benjamin (A0.1302129). The Little Drummer Boy plays a duombeck and produces rhythms that are decidedly more Middle Eastern in this arrangement of the popular classic. Arranged for two part treble choir and chamber orchestra (2222.000 harp or kbd, perc and strings), the melody and harmony are the same, but the setting references Levantine scales and even quotes Arabian Dance from Nutcracker and Scheherazade.
$75.00
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Kuhlau: Sonatina Op 55, No. 1
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Orchestre de chambre
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FACILE
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Classique
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Friedrich Kuhlau
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Joshua Feltman
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Kuhlau: Sonatina Op 55, No. 1
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.921864 Composed by Friedrich Kuhlau. Arranged by Joshua Feltman. Classical. Score and parts. 23 pages. Ryan Blauve...
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Chamber Orchestra - Level 2 - SKU: A0.921864 Composed by Friedrich Kuhlau. Arranged by Joshua Feltman. Classical. Score and parts. 23 pages. Ryan Blauvelt #3519241. Published by Ryan Blauvelt (A0.921864). The sweet and joyful character of this Kuhlau Sonatina has made it the most popular of his piano works.Classical sonatas normally have three parts or movements: fast-slow-fast. However, this sonatina has only 2 movements, fast and faster. The energetic second movement is short but it packs a punch. The main theme is danceable and very articulated, but it also contains a more lyrical section, brilliant chromatic scales, and a dramatic grand finale.This arrangement features one pianist in a quasi-concerto format. The six Sonatinas, Op. 55, were published in Copenhagen in 1823 and, like the other sonatinas, were designed for teaching purposes or otherwise for the amateur market.
$20.00
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