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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
See the light
Non classifié
593
Piano & claviers
Piano seul
434
Piano, Voix
286
Piano Facile
170
Piano, Voix et Guitare
146
Instruments en Do
54
1 Piano, 4 mains
26
Orgue
20
Piano Trio: piano, violon, violoncelle
15
Piano grosses notes
12
Accompagnement Piano
9
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Ukulele
49
Guitare notes et tablatures
46
Guitare
41
Ligne De Mélodie, (Paroles) et Accords
32
Paroles et Accords
18
Basse electrique
15
4 Guitares (Quatuor)
3
Banjo
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
265
Chorale 3 parties
67
Chorale 2 parties
38
Chorale SSAA
25
Chorale TTBB
25
Voix duo, Piano
16
Chorale Unison
15
Voix Alto, Piano
11
Chorale
11
Voix Soprano, Piano
7
Pack Instrumental pour Chorale
6
Voix haute
3
Voix duo
2
Voix Baryton, Piano
1
Voix seule
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Clarinette et Piano
85
Flûte traversière et Piano
67
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Hautbois, Piano (duo)
59
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
58
Flûte, Hautbois, Clarinette, Basson
52
Clarinette
51
Saxophone Alto
48
Quintette de Saxophone: 5 saxophones
45
Saxophone Tenor
39
Saxophone Alto et Piano
35
2 Flûtes traversières (duo)
34
Saxophone (partie séparée)
33
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
30
2 Saxophones (duo)
28
Hautbois (partie séparée)
25
Saxophone Baryton, Piano
25
2 Clarinettes (duo)
18
Hautbois, Basson (duo)
15
Hautbois
15
Flûte, Clarinette (duo)
14
Saxophone
13
Ensemble de Clarinettes
13
Hautbois, Violoncelle
12
Saxophone Soprano
11
2 Hautbois (duo)
11
3 Saxophones (trio)
10
Hautbois, Clarinette (duo)
10
Saxophone Baryton
10
3 Clarinettes (trio)
10
Flûte, Violon, Piano
9
Clarinette, Basson (duo)
9
Flûte, Violon
8
Flûte à Bec
8
Ensemble de Flûtes
8
Clarinette, Violoncelle (duo)
8
Flûte, Hautbois (duo)
8
Clarinette, Violon (duo)
8
Flûte, Violoncelle
7
Flûte, Basson et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Alto (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, violon (duo)
6
Hautbois et alto (duo)
5
Flûte et Guitare
5
Cor anglais, Piano
5
Harmonica
4
Instruments en Mib
3
Flûte, Alto et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble de saxophones
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette et Alto
3
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violon, Piano
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Flûte à bec Soprano
1
2 Hautbois, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Cor Anglais
1
Piccolo, Piano
1
+ 78 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone
51
Trompette
50
Trombone et Piano
46
Trompette, Piano
42
Cor
40
Cor et Piano
34
Tuba et Piano
30
Tuba
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de Cuivres
12
2 Trombones (duo)
11
2 Trompettes (duo)
11
2 Cors (duo)
11
Trompette (partie séparée)
11
Trompette, Trombone (duo)
11
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 cors
5
Cor anglais, Piano
5
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
4
Cor et Basson (duo)
4
Trompette, Cor (duo)
4
Trio de Cuivres
4
Bass Clef Instruments
3
Instruments en Sib
3
2 Tubas (duo)
3
Trompette, Tuba (duo)
3
Tuba et Orgue
2
Trompette, Basson (duo)
2
Euphonium
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
Trompette, Violoncelle (duo)
2
Trompette, Harpe
1
Cor et Harpe
1
Tuba (partie séparée)
1
2 Euphoniums (duo)
1
2 Cors, Piano
1
Cor (partie séparée)
1
3 Cors (trio)
1
Trompette, Saxophone (duo)
1
Trompette, Trombone, Piano
1
Cor, Violoncelle (duo)
1
Ensemble de Trompettes
1
Instruments en Fa
1
Cor Anglais
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Violon et Piano
85
Violon
72
Alto, Piano
67
Violoncelle
62
Violoncelle, Piano
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
47
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
32
Contrebasse, Piano (duo)
28
Violon, Violoncelle (duo)
27
Contre Basse
26
2 Violoncelles (duo)
18
Violon, Alto (duo)
16
2 Altos (duo)
15
Harpe
14
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Violon, Basson (duo)
8
Alto et Basson
8
Violon, Guitare (duo)
7
Alto, Violoncelle (duo)
7
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
6
2 Contrebasses (duo)
4
Harpe, Flûte (duo)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Voix
3
Violoncelle (partie séparée)
3
Contrebasse (partie séparée)
2
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Orchestre à Cordes
54
Orchestre
36
Ensemble Jazz
22
Cloches
18
Ensemble de cuivres
15
Orchestre de chambre
9
Jazz combo
9
Ensemble de Percussions
6
Xylophone
5
Marimba
5
Fanfare
4
Batterie
2
Batterie (partie séparée)
2
Xylophone, Piano
2
Orchestre, Violon
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Instruments
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BALALAIKA
BANJO
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
See the light
Orchestre de chambre
Partitions à imprimer
9 partitions trouvées
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1
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
I See The Light
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Orchestre de chambre
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INTERMÉDIAIRE
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Alan Menken and Glenn Slater
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David RodrÃguez
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I See The Light
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David Rodram
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1311520 Composed by Alan Menken and Glenn Slater. Arranged by David RodrÃguez. Children,Film/TV,Pop,Singer/Song...
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Chamber Orchestra - Level 3 - SKU: A0.1311520 Composed by Alan Menken and Glenn Slater. Arranged by David RodrÃguez. Children,Film/TV,Pop,Singer/Songwriter,Wedding. 42 pages. David Rodram #900525. Published by David Rodram (A0.1311520).
$65.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #...
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Chamber Orchestra - Level 4 - SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #...
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Chamber Orchestra - Level 4 - SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Rejoice (2018) (Soloist & Orch.)
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Orchestre de chambre
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INTERMÉDIAIRE
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Ric Flauding
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Rejoice
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Denise Lea Flauding
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.867964 Composed by Ric Flauding. 20th Century,Celtic,Film/TV,Spiritual,Wedding. Score and parts. 70 pages. Denise ...
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Chamber Orchestra - Level 3 - SKU: A0.867964 Composed by Ric Flauding. 20th Century,Celtic,Film/TV,Spiritual,Wedding. Score and parts. 70 pages. Denise Lea Flauding #3560641. Published by Denise Lea Flauding (A0.867964). New expanded orchestra version as recorded by Ric Flauding. On Spotify, Apple Music and others. Has a great Harp solo! In the Celtic style based on Psalm 33. Makes a great encore piece, or light classical number, great for a church service. Includes an additional Rhythm Section part with the melody so any C soloist can play. Also includes optional parts (Cello soloist / C instrument-treble clef-melody / C instrument-alto clef-melody). The orchestra track is available from Flauding Music (see contact below). Duration: 3:40.flaudingmusic.com
$45.00
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 188 pages. Bennett A Rabiega #863240. Published by Bennett A Rabiega (A0.1288209). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and a reduced orchestration for a C Instrument, a B-flat instrument, piano, acoustic guitar, bass guitar, and drums. A full orchestration of the piece is also available, as is the vocal score with piano accompaniment. This reduced score contains the vocal score and individual instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$149.95
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
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