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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Serenade | Schubert | Lead Sheet | C
Sheetmusicplus
Non classifié
5 272
Piano & claviers
Instruments en Do
11 434
Piano, Voix
10 913
Piano Facile
2 578
Piano seul
1 827
Piano, Voix et Guitare
1 220
Piano (partie séparée)
170
Orgue
123
Piano Trio: piano, violon, violoncelle
50
1 Piano, 4 mains
49
Accompagnement Piano
44
Accordéon
30
Clavecin
11
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Fake Book
2
Accordéon, Piano
2
Tous Les Instruments
1
Piano grosses notes
1
Accordéon et Orchestre
1
2 Accordéons
1
+ 20 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8 544
Guitare
748
Guitare notes et tablatures
741
Guitare (partie séparée)
342
Ukulele
161
Paroles et Accords
119
Piano, Guitare (duo)
47
Dulcimer
24
2 Guitares (duo)
21
4 Guitares (Quatuor)
20
Basse electrique
16
Ensemble de Ukulélés
11
Banjo
10
Mandoline
9
3 Guitares (trio)
8
Ensemble de guitares
6
2 Ukuleles
3
Guitare, Violon, Violoncelle (trio)
2
Guitare, Quatuor à cordes
1
+ 14 instrumentations
Retracter
Voix
Voix seule
416
Chorale SATB
374
Chorale Unison
340
Chorale 2 parties
255
Chorale 3 parties
189
Chorale SSAA
148
Chorale TTBB
85
Chorale
67
Voix duo
22
Voix moyenne, Piano
18
Voix, Guitare
17
Voix duo, Piano
14
Voix haute
13
Voix basse, Piano
12
Voix Tenor, Piano
10
Voix Alto, Piano
8
Voix Soprano, Piano
6
Voix Baryton, Piano
5
Voix haute, Piano
4
Voix Moyenne
4
Voix Mezzo-Soprano, Piano
4
Chorale SSAB a cappella
3
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
937
Flûte traversière et Piano
272
Instruments en Mib
231
Saxophone Alto
201
Flûte traversière
177
Saxophone Tenor
175
Clarinette
174
Saxophone Alto et Piano
172
Clarinette et Piano
152
Saxophone Tenor et Piano
144
Flute (partie séparée)
118
Hautbois, Piano (duo)
105
Clarinette (partie séparée)
71
Hautbois (partie séparée)
64
Quatuor de Saxophones: 4 saxophones
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Saxophone Soprano et Piano
46
Flûte, Hautbois, Clarinette, Basson
45
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
Flûte, Violon, Piano
30
Saxophone
28
Saxophone et Piano
27
Ensemble de Flûtes
27
Quintette de Saxophone: 5 saxophones
25
2 Clarinettes (duo)
25
Quatuor de Flûtes : 4 flûtes
21
Saxophone Baryton, Piano
20
Flûte et Guitare
19
3 Saxophones (trio)
16
Trio de Flûtes: 3 flûtes
14
Clarinette, Trompette (duo)
13
Hautbois
13
3 Clarinettes (trio)
13
Flûte, Clarinette (duo)
12
Cor anglais, Piano
12
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Guitare (duo)
11
Harmonica
10
Ensemble de Clarinettes
10
Flûte, Violon
10
Clarinette, Violoncelle (duo)
8
2 Flûte à bec (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette Basse, Piano
8
Flûte à bec Soprano
7
Flûte, Violoncelle
7
Ensemble de saxophones
7
Flûte à bec Alto
6
Clarinette, Basson (duo)
5
Flûte, Clarinette et Basson
5
Hautbois, Basson (duo)
5
2 Saxophones, Piano
4
Flûte à Bec
4
Clarinette, Harpe (duo)
4
2 Hautbois (duo)
4
Cor Anglais
4
Saxophone Soprano
4
Hautbois, Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Guitare
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Ocarina
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Guitare
2
Hautbois, Flûte
2
Flûte à bec Tenor
2
Saxophone Baryton
2
Piccolo
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
Saxophone, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Ensemble à vent
2
Flûte, Hautbois, Violon
2
Flute, alto, violoncelle et guitare
1
Melodica
1
Flûte, Trombone (duo)
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violon, Piano
1
Flûte traversière, Orchestre
1
Clarinette, Alto et Piano (trio)
1
Flûte et Quatuor à Cordes
1
Piccolo, Piano
1
Flûte, trombone et piano
1
Flûte, Alto et Piano
1
Clarinette, Violon (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, trompette et piano
1
Hautbois, Violoncelle et Piano
1
Flute, harpe et violon
1
Flûte de Pan
1
Flûte, Hautbois (duo)
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
873
Trompette (partie séparée)
618
Bass Clef Instruments
202
Instruments en Sib
164
Trompette, Piano
130
Cor (partie séparée)
120
Tuba (partie séparée)
116
Trombone et Piano
111
Trombone
103
Trompette
99
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Cor et Piano
57
Cor
32
Tuba et Piano
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Tuba
24
Euphonium, Piano (duo)
17
Quatuor de Cuivres
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
15
Quatuor de cuivres: 4 cors
14
2 Trombones (duo)
12
Trompette, Saxophone (duo)
12
Cor anglais, Piano
12
3 Trombones (trio)
10
3 Tubas (trio)
5
Ensemble de Trombones
5
Trompette, Trombone (duo)
4
Cor, Violoncelle (duo)
4
Cor Anglais
4
2 Cors (duo)
3
Ensemble de Cors
3
Tuba et Orgue
3
3 Trompettes (trio)
3
Cornet A Pistons
3
Trompette, Violoncelle (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Basson (duo)
2
Cor et Basson (duo)
2
Trompette et Guitare
2
Ensemble de Trompettes
2
Trompette, Violoncelle et Piano
2
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, Orgue
1
Trombone basse
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
4 Tubas
1
Ensemble de Tubas
1
3 Cors (trio)
1
Euphonium
1
Trio de Cuivres
1
+ 50 instrumentations
Retracter
Cordes
Violon et Piano
415
Violoncelle, Piano
304
Contrebasse (partie séparée)
213
Quatuor à cordes: 2 violons, alto, violoncelle
210
Violon
189
Alto, Piano
167
Violoncelle
128
Alto seul
101
Harpe
90
Violon (partie séparée)
71
Contre Basse
49
Violon, Violoncelle (duo)
47
2 Violons (duo)
32
Alto (partie séparée)
28
Contrebasse, Piano (duo)
27
Trio à Cordes: violon, alto, violoncelle
23
2 Violoncelles (duo)
22
Violoncelle (partie séparée)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Violon, Guitare (duo)
17
Violon, Alto (duo)
16
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
Alto, Violoncelle (duo)
13
Violoncelle , Guitare (duo)
7
Trio à Cordes: 3 violoncelles
7
Alto et Basson
6
Trio à cordes
6
Piano Trio: Violon, Alto, Piano
5
2 Violons, Piano
5
2 Violoncelles, Piano
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Guitare (duo)
4
2 Harpes (duo)
4
4 Violoncelles
4
Harpe, Voix
4
Violon, Basson (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
Violon, Clarinette, Piano (trio)
2
2 Altos, Piano
2
Ensemble de Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 037
Ensemble Jazz
790
Batterie (partie séparée)
172
Jazz combo
151
Orchestre à Cordes
136
Orchestre
96
Fanfare
50
Ensemble de cuivres
36
Orchestre de chambre
29
Percussion (partie séparée)
27
Cloches
25
Batterie
20
Timbales (partie séparée)
9
Big band
8
Ensemble de Percussions
7
Marimba
5
Ensemble d'École
4
Vibraphone
3
Percussion
3
Piano et Orchestre
1
Instrumentation Flexible
1
Marimba et Orgue
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
+ 21 instrumentations
Retracter
Autres
Théorie de la musique
11
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Serenade | Schubert | Lead Sheet | C
SheetMusicPlus
Partitions à imprimer
29 partitions trouvées
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1
26
Ave Maria (Schubert) - in C for voice & orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
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Franz Schubert
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Dico
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Ave Maria
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.843095 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and pa...
(+)
Chamber Orchestra - Level 3 - SKU: A0.843095 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 35 pages. Dico #6606211. Published by Dico (A0.843095). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Schubert) - in C for voice & orchestra INSTRUMENTATION:Voice | Fl | Ob | Hrn 1, 2 | Pno | Str
$20.00
Ave Maria (Schubert) - in C for voice & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
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Dico
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orchestra
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Ave Maria
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1093328 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and p...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1093328 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 35 pages. Dico Ferreira #697402. Published by Dico Ferreira (A0.1093328). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Schubert) - in C for solo & orchestra. INSTRUMENTATION:Score | Voice | Fl | Ob | Hrn 1, 2 | Pno | Str
$20.00
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
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Orchestre de chambre
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AVANCÉ
#
Contemporain
#
Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
Brahms-Serenade No.1,Op.11,for Winds and Strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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MSM
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Brahms-Serenade No.1,Op.11,for
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Open Cloud
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.674523 Composed by Johannes Brahms. Arranged by MSM. Classical,Romantic Period. Score and Parts. 404 pages. Open C...
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Chamber Orchestra - Level 3 - SKU: A0.674523 Composed by Johannes Brahms. Arranged by MSM. Classical,Romantic Period. Score and Parts. 404 pages. Open Cloud #6256741. Published by Open Cloud (A0.674523). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Brahms (Johannes Brahms), 1833-1897,for Winds and Strings, published by More Sheet Music Press.
$30.99
Schubert-Symphony No.9(The Great),D.944 No.1,for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
#
Classique
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Franz Schubert
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MSM
#
Schubert-Symphony No.9(The Gre
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Open Cloud
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.674525 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 322 pages. Open Cl...
(+)
Chamber Orchestra - Level 3 - SKU: A0.674525 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 322 pages. Open Cloud #6258677. Published by Open Cloud (A0.674525). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Orchestra,published by More Sheet Music Press.
$45.99
Schubert-Symphony No.9(The Great),D.944 No.4,for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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MSM
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Schubert-Symphony No.9(The Gre
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Open Cloud
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.674528 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 372 pages. Open Cl...
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Chamber Orchestra - Level 3 - SKU: A0.674528 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 372 pages. Open Cloud #6258689. Published by Open Cloud (A0.674528). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Orchestra,published by More Sheet Music Press.
$45.99
Schubert-Symphony No.9(The Great),D.944 No.3,for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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MSM
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Schubert-Symphony No.9(The Gre
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Open Cloud
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.674527 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 156 pages. Open Cl...
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Chamber Orchestra - Level 3 - SKU: A0.674527 Composed by Franz Schubert. Arranged by MSM. Classical,Romantic Period. Score and Parts. 156 pages. Open Cloud #6258687. Published by Open Cloud (A0.674527). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Schubert (Franz Seraphicus Peter Schubert), 1797-1828, for Orchestra,published by More Sheet Music Press.
$18.99
Schubert-Symphony No.9(The Great),D.944 No.2,for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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MSM
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Schubert-Symphony No.9(The Gre
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SheetMusicPlus
Composed by Franz Schubert (1797-1828). Arranged by MSM. Classical, Romantic Period. Score and parts. 158 pages. Open Cloud #6258681. Published by Ope...
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Composed by Franz Schubert (1797-1828). Arranged by MSM. Classical, Romantic Period. Score and parts. 158 pages. Open Cloud #6258681. Published by Open Cloud
$18.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Chamber Music No. 1
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Orchestre de chambre
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Contemporain
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Paul Hindemith
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Giselher Schubert
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Chamber Music No. 1
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SheetMusicPlus
Flute, clarinet, bassoon, trumpet, percussion, accordion, piano, 2 violins, viola, cello, double bass - Composed by Paul Hindemith (1895-1963). Arra...
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Flute, clarinet, bassoon, trumpet, percussion, accordion, piano, 2 violins, viola, cello, double bass - Composed by Paul Hindemith (1895-1963). Arranged by Giselher Schubert. This edition: study score. Ernst Eulenburg - Kammermusik - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 24/1. Schott Music - Digital #Q21212. Published by Schott Music - Digital
$18.99
Holy Holy Holy - NICAEA - Hymn Setting for Congregation and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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John Bacchus Dykes
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Andrew Duncan
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Holy Holy Holy - NICAEA - Hymn
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Andrew Duncan
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 31 pages. Andrew Duncan #3222163. Published by Andrew Duncan (A0.764316). The traditional hymn NICAEA - Holy Holy Holy is arranged for congregation, orchestra, and worship band (piano and/or guitar). Intended for use in worship services, this arrangement can also be presented by choir and orchestra as an anthem. Stanza 1 is in B-flat major, stanzas 2-3 are in C, and stanza 4 is in D major. Orchestra instrumentation: 2 flutes, 1 oboe, 2 B-flat clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, violin 1 and 2, viola, cello, bass, timpani and percussion (lead sheet for band: piano, guitars, bass, drums, organ, vocalists/choir/congregation).PDF file includes the full score, individual parts for all instruments, and a lead sheet.Written for worship services at Cedar Springs Presbyterian Church in Knoxville, Tennessee.
$39.99
Cimarron (roll On)
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Johnny Bond
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Craig Duncan
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Cimarron
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Craig Duncan Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768168 Composed by Johnny Bond. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Mu...
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Chamber Orchestra - Level 3 - SKU: A0.768168 Composed by Johnny Bond. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5899847. Published by Craig Duncan Music (A0.768168). Western Swing style arrangement for String Quartet, String Trio or String Orchestra with optional lead sheet and Piano part.
$12.99
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Chamber Music No. 7
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 7
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo-Orgel, kl. Flöte, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), 2 Fagotte, Horn (in F), Trompete (in C, Posaune, Violoncelli, KontrabÃ...
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Solo-Orgel, kl. Flöte, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), 2 Fagotte, Horn (in F), Trompete (in C, Posaune, Violoncelli, Kontrabässe organ and chamber orchestra - SKU: S9.Q21371 For organ and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/2. Ernst Eulenburg & Co. GmbH - Digital #Q21371. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21371). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. But the title is misleading: The individual pieces actually have concertante soloistic features instead of submitting to chamber music traditions. Chamber Music No. 7 is centred on the organ. Written for the broadcaster Frankfurter Sender, the work took then virulent music recording and broadcasting problems on the radio into account in its instrumentation for chamber music and the elaboration of the musical setting. The scores are based on Vol. IV/3 (PHA 403) of the Hindemith Complete Edition, edited by Giselher Schubert.
$17.99
Chamber Music No. 6
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 6
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, ...
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Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.
$16.99
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by A...
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Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
When A Child Is Born (Soleado) - Full Score
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Orchestre de chambre
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Noël
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Andrea Bocelli
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Audrey Snyder
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Concert
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When A Child Is Born
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Andrea Bocelli. By Zacar and Fred Jacobson. Arranged by Audrey Snyder. Chamber ensemble. Christmas; Concert; Holiday. Full score. 10 pages. Duration 2:40. Pu...
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By Andrea Bocelli. By Zacar and Fred Jacobson. Arranged by Audrey Snyder. Chamber ensemble. Christmas; Concert; Holiday. Full score. 10 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music
$7.00
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