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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Set You Free
Non classifié
491
Piano & claviers
Piano seul
75
Orgue
55
Piano, Voix
32
Piano, Voix et Guitare
32
Piano Facile
30
Instruments en Do
12
1 Piano, 4 mains
6
Orgue, Piano (duo)
5
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
6
Paroles et Accords
6
Mandoline
4
Ukulele
4
Basse electrique
4
2 Guitares (duo)
2
3 Guitares (trio)
2
Ensemble de Ukulélés
1
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale 3 parties
21
Chorale 2 parties
12
Chorale TTBB
12
Pack Instrumental pour Chorale
9
Chorale Unison
4
Chorale SSAA
3
Voix haute
2
Voix duo
2
Voix duo, Piano
2
Voix Tenor, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
45
Ensemble de saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Saxophones: 4 saxophones
26
Ensemble de Clarinettes
23
Saxophone Alto et Piano
18
Saxophone Tenor
16
Saxophone Alto
15
Clarinette
13
Clarinette et Piano
13
3 Saxophones (trio)
12
Saxophone Tenor et Piano
11
2 Saxophones (duo)
10
Hautbois, Piano (duo)
10
Ensemble de Flûtes
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Flûte : 5 flûtes
9
Flûte traversière et Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
8
Hautbois, Flûte
7
Flûte traversière
7
Ocarina
6
Trio de Flûtes: 3 flûtes
6
Quatuor de Flûtes : 4 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
2 Flûtes traversières (duo)
4
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Harmonica
4
Flûte, Violon, Piano
3
Saxophone Soprano
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois
2
Clarinette, Trompette (duo)
2
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Flûte à bec Alto
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Ensemble de Hautbois
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte irlandaise
1
2 Hautbois (duo)
1
Flûte, Alto (duo)
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Basson (duo)
1
+ 52 instrumentations
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Cuivres
Ensemble de Trompettes
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de cuivres: 4 trombones
15
Trombone
13
Ensemble de Trombones
13
Trompette
11
Trombone et Piano
9
Cor
9
Cor et Piano
8
Trompette, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
5
Euphonium
4
Quatuor de Cuivres
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Tuba et Piano
2
Trio de Cuivres
2
3 Trombones (trio)
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
3 Cors (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
15
Violon
13
Ensemble de Violons
10
Ensemble d'Altos
10
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
8
Alto, Piano
8
Violoncelle, Contrebasse (duo)
6
Violoncelle, Piano
6
Alto seul
5
2 Violons (duo)
3
Quatuor à cordes: 4 violons
2
Contre Basse
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Quatuor à cordes : 4 altos
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre
30
Orchestre à Cordes
22
Ensemble de cuivres
13
Ensemble Jazz
9
Orchestre de chambre
9
Batterie
9
Jazz combo
6
Cloches
4
Ensemble de Percussions
1
Xylophone, Piano
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
Set You Free
Orchestre de chambre
Partitions à imprimer
9 partitions trouvées
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Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Over The Rainbow (from The Wizard Of Oz)
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3...
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Chamber Orchestra - Level 3 - SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
Let It Go
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Rock
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Idina Menzel
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Demetrio Bonvecchio
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Let It Go
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500730 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Demetrio Bonvecchio. Film/TV,Pop,...
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Chamber Orchestra - Level 4 - SKU: A0.1500730 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Demetrio Bonvecchio. Film/TV,Pop,Rock. 74 pages. Demetrio Bonvecchio (Db Music) #1076820. Published by Demetrio Bonvecchio (Db Music) (A0.1500730). Let It Go, here arranged for Chamber Orchestra with a Vocal Soloist, is one of the best songs written in later years. Mixing pop/rock elements to classical music, this is a hymn to freedom with joy and determination.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Three Gnossiennes for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Erik Saite
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Andrew Middleton
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Three Gnossiennes for Orchestr
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$29.99
Gnossienne No. 1 for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 for Chamber O
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period....
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Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 30 pages. Andrew Middleton #802300. Published by Andrew Middleton (A0.1203737). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Gnossienne No. 1 for chamber orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
Canticle of Mary
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Orchestre de chambre
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Libby Larsen
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Canticle of Mary
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Oxford University Press Digital
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SheetMusicPlus
Women's voices (SSA chorus) and piano duet (four hands) or chamber orchestra - SKU: OX.9780193707283 Composed by Libby Larsen. Octavo. 24 pages. Oxford ...
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Women's voices (SSA chorus) and piano duet (four hands) or chamber orchestra - SKU: OX.9780193707283 Composed by Libby Larsen. Octavo. 24 pages. Oxford University Press Digital #9780193707283. Published by Oxford University Press Digital (OX.9780193707283). ISBN 9780193707283.For women's voices (SSA) and piano duet (four hands) or chamber orchestra. An unusually joyous setting in which straightforward vocal lines portray Mary's humility, and the accompaniment expresses exuberance and freedom of spirit. This is a strikingly original setting of the Canticle for concert rather than liturgical use. The orchestral accompaniment is available on hire.
$5.95
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Set You Free
