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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Bass
Non classifié
5 296
Piano & claviers
Piano seul
366
Piano, Voix
298
Piano Facile
207
Piano, Voix et Guitare
163
Instruments en Do
149
Accompagnement Piano
50
Accordéon
28
1 Piano, 4 mains
21
Orgue
20
2 Pianos, 4 mains
3
Clavecin
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
2 Accordéons
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Basse electrique
632
Guitare notes et tablatures
86
Guitare
55
Ligne De Mélodie, (Paroles) et Accords
54
Paroles et Accords
13
Ukulele
8
4 Guitares (Quatuor)
7
Ensemble de guitares
5
Guitare (partie séparée)
4
3 Guitares (trio)
4
Basse électrique (partie séparée)
3
Mandoline
2
2 Dulcimers (duo)
2
Dulcimer
2
2 Guitares (duo)
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 087
Voix seule
510
Chorale 3 parties
366
Chorale TTBB
302
Chorale 2 parties
296
Chorale SSAA
229
Pack Instrumental pour Chorale
168
Voix duo, Piano
165
Voix basse, Piano
65
Chorale
53
Voix duo
37
Chorale Unison
35
Voix basse
8
Voix Soprano, Piano
8
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Voix Alto, Piano
4
Voix haute
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 21 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
696
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
625
Quatuor de Clarinettes: 4 clarinettes
229
Hautbois, Basson (duo)
113
Ensemble de Clarinettes
76
Ensemble de Flûtes
75
2 Clarinettes (duo)
69
Clarinette Basse, Piano
67
Quintette de Clarinettes: 5 clarinettes
64
Clarinette, Basson (duo)
59
Quintette de Saxophone: 5 saxophones
51
2 Flûte à bec (duo)
37
Clarinette (partie séparée)
37
Ensemble de saxophones
35
Hautbois, Piano (duo)
34
Flûte, Clarinette et Basson
34
Quatuor de Saxophones: 4 saxophones
33
Saxophone Alto et Piano
31
Quatuor de Flûtes : 4 flûtes
31
Ensemble De Flûte à bec
29
Hautbois, Clarinette, Basson (trio d'anches)
26
3 Clarinettes (trio)
25
Clarinette
23
Flûte traversière et Piano
21
Clarinette et Piano
19
Saxophone Tenor et Piano
18
Flûte traversière
17
Flûte à Bec
17
2 Flûtes traversières (duo)
16
Saxophone Alto
15
Flûte, Basson et Piano
15
2 Saxophones (duo)
14
Saxophone (partie séparée)
14
Flûte, Hautbois, Basson
12
Quatuor de Flûtes à bec
10
Saxophone Tenor
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
7
Clarinette Basse
7
Clarinette, Basson, Piano (trio)
6
2 Clarinettes, Piano
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Flute (partie séparée)
5
Flûte, Clarinette (duo)
5
3 Flûtes à bec (trio)
5
2 Hautbois (duo)
5
Flûte et Guitare
4
Saxophone Soprano
4
Saxophone Soprano et Piano
4
Hautbois
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
2 Clarinettes, Basson
3
Flûte à bec Tenor
3
Saxophone et Harpe
3
Ensemble à vent
3
Clarinette, Harpe (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Instruments en Mib
2
Flûte à bec Alto
2
Flûte à bec Soprano, Piano
2
Hautbois, Harpe
2
3 Saxophones (trio)
2
Clarinette, Contrebasse (duo)
2
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Flûte à bec Soprano
2
Flûte, Violon
2
Hautbois, Violoncelle
1
2 Flûtes à bec, Guitare
1
Saxophone Baryton, Piano
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Hautbois, Flûte
1
Saxophone Baryton
1
Piccolo
1
Clarinette et Alto
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orchestre
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Cor Anglais
1
Saxophone, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
+ 84 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de cuivres: 4 trombones
65
Tuba et Piano
46
Bass Clef Instruments
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone et Piano
30
Trombone
24
Trombone (partie séparée)
21
Euphonium
19
Trompette
17
2 Trombones (duo)
13
2 Cors (duo)
12
Tuba
10
Euphonium, Piano (duo)
10
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
9
Quatuor de Cuivres
8
Trombone basse
8
Cor et Piano
7
Trompette, Piano
7
Cor
6
Trombone basse et Piano
6
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
5
Trio de Cuivres
4
2 Trompettes (duo)
4
Tuba (partie séparée)
3
Instruments en Sib
2
Trompette, Saxophone (duo)
2
Trompette, Harpe
2
Trompette, Basson (duo)
2
Cor et Harpe
2
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
Cor Anglais
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
+ 37 instrumentations
Retracter
Cordes
Contre Basse
264
Contrebasse, Piano (duo)
215
Quintette à cordes: 2 violons, alto, violoncelle, basse
200
Quatuor à cordes: 2 violons, alto, violoncelle
186
Contrebasse (partie séparée)
125
2 Contrebasses (duo)
40
Violon
38
Violoncelle
33
Violon et Piano
31
Violon, Basson (duo)
30
Harpe
30
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Contrebasse (duo)
23
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
18
Trio à Cordes: 2 violons, violoncelle
15
Alto seul
14
Alto, Piano
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
2 Violons (duo)
8
Violon (partie séparée)
8
Flûte, Contrebasse (duo)
7
2 Harpes (duo)
5
4 Contrebasses
5
Alto et Basson
5
Violon, Alto (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
2
Trio à cordes
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
4 Violoncelles
2
Harpe, Voix
2
Alto, Violoncelle (duo)
1
3 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Basse continue
1
Trio à cordes: 3 violins
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
747
Orchestre
256
Orchestre à Cordes
212
Ensemble Jazz
169
Ensemble de cuivres
133
Orchestre de chambre
102
Cloches
96
Jazz combo
81
Fanfare
81
Batterie
31
Ensemble de Percussions
20
Percussion (partie séparée)
6
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Instrumentation Flexible
3
Big band
2
Quintette à Vent
2
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 16 instrumentations
Retracter
Autres
Papeterie
5
Théorie de la musique
2
Formation musicale - Solfège
2
Instruments
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORCHESTRE
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
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Sing Bass
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Double Bass Concerto
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Orchestre de chambre
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chambe...
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
$16.99
Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887...
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Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Christmas Carol Sing-Along, for chamber orchestra and audience
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bob Delfausse
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Christmas Carol Sing-Along, fo
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766984 Arranged by Bob Delfausse. Christian,Contemporary. Score and parts. 159 pages. Robert Delfausse #5322729. P...
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Chamber Orchestra - Level 4 - SKU: A0.766984 Arranged by Bob Delfausse. Christian,Contemporary. Score and parts. 159 pages. Robert Delfausse #5322729. Published by Robert Delfausse (A0.766984). This is an arrangement of ten Christmas Carols, asking the audience to sing a specified number of verses of each (between two and five), and providing a rich orchestral accompaniment throughout, with introductions and interludes as well as original accompaniment textures. It works best with the lyrics projected on overheard screens as the music progresses.The orchestra has five-parts strings, piano, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone), and percussion. Level: advanced intermediate. Duration: 17 minutes, 22 seconds.
$20.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meist
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditi...
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Chamber Orchestra - Level 5 - SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 58 pages. Matthew Toogood #698220. Published by Matthew Toogood (A0.1094114). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' endeavours to maintain the original sound and intention of the full orchestra but executed by an ensemble of 13 solo players. The arrangement is designed to pair with Wagner's original Siegfried Idyll using the same instrumentation. String parts are as close as possible to the original, thus can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) PARTS ONLY!! - score sold separately. A transposed Trumpet part in Bb is included. Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
$50.00
Vivaldi - Bassoon Concerto in A minor RV 499 for Bassoon, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Bassoon Concerto in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.518562 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 76 pages. Santino Cara #12...
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Chamber Orchestra - Level 4 - SKU: A0.518562 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 76 pages. Santino Cara #129267. Published by Santino Cara (A0.518562). Complete score and parts of the Bassoon Concerto RV 499 for Bassoon, Strings and Cembalo. Composed in Venice in 1723 by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2002 by Santino Cara. 3 Movements: 1. Allegro, 2. Largo, 3. Allegro Single PDF file with: Complete score of the concerto with separate parts for Bassoon, Violins 1 and Violins 2, Cellos with Solo cello, Double basses, Harpsichord.
$18.80
Vivaldi - Bassoon Concerto in A minor RV 500 for Bassoon, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - Bassoon Concerto in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.900660 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 75 pages. Santino ...
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Chamber Orchestra - Level 4 - SKU: A0.900660 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 75 pages. Santino Cara #506940. Published by Santino Cara (A0.900660). Complete score and Parts of the Bassoon Concerto in A minor RV 500 for Bassoon, Strings and Cembalo. Composed in Venice in 1730 by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2019 by Santino Cara. 3 Movements: 1. Allegro non molto, 2. Largo, 3. Allegro. Single PDF file with: Complete score of the concerto and separate parts for Bassoon, Violins 1 and Violins 2, Cellos with solo cello, Double basses, Harpsichord.
$19.00
Hark! The Herald Angels Sing - Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Wesley, Felix Mendelss
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John Groves
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Hark! The Herald Angels Sing -
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.783901 Composed by Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by John Groves. Christmas,Praise & Worshi...
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Chamber Orchestra - Level 3 - SKU: A0.783901 Composed by Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by John Groves. Christmas,Praise & Worship,Sacred. Score and parts. 25 pages. John Groves #6610691. Published by John Groves (A0.783901). Hark! The Herald Angels Sing - arranged for Chamber OrchestraScore and Parts included: FluteOboeBb ClarinetBassoonBb TrumpetHorn in FTromboneTubaViolin 1Violin 2ViolaCelloArranged as wind, brass & string small ensemble (12 Parts) chamber orchestra. Feel free to double up parts especially in the string section for richer robust string orchestra configuration.Great for small ensemble use for schools, church, youth orchestras, community musicians, Christmas holiday programing, etc.
$39.99
On Christmas Night All Christians Sing
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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Traditional English Carol
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David Lantz
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On Christmas Night All Christi
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. ...
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Chamber Orchestra - Level 3 - SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
[Davidson] The Singing Lesson
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Orchestre de chambre
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Matthew Davidson
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[Davidson] The Singing Lesson
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.953030 Composed by Matthew Davidson. Contemporary,Opera. Score and parts. 175 pages. American Composers Alliance Inc. #46346...
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Chamber Orchestra - SKU: A0.953030 Composed by Matthew Davidson. Contemporary,Opera. Score and parts. 175 pages. American Composers Alliance Inc. #4634691. Published by American Composers Alliance Inc. (A0.953030). An opera of three musical short stories in three acts, adapted from the short stories of Katherine Mansfield. Cast for 2 lyric sopranos, 2 dramatic mezzo-sopranos, 1 contralto, 1 tenor buffo, 1 basso buffo, with chamber orchestra of 0101 - 011(btbn)0 - 2 perc, celesta - 1001.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$43.95
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
Mozart orchestrated Connell - Cantate KV619 - Double Bass
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Orchestre de chambre
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Classique
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Wolfgang Amadeus Mozart
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Adrian Connell
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Mozart orchestrated Connell -
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Adrian Connell
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SheetMusicPlus
Chamber Orchestra - SKU: A0.823450 Composed by Wolfgang Amadeus Mozart. Arranged by Adrian Connell. Classical. Score and parts. 2 pages. Adrian Connell ...
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Chamber Orchestra - SKU: A0.823450 Composed by Wolfgang Amadeus Mozart. Arranged by Adrian Connell. Classical. Score and parts. 2 pages. Adrian Connell #3219227. Published by Adrian Connell (A0.823450). An orchestration for soprano voice, strings and timpani of Mozart's K619 for a performance by the Bromley Oecumenical Singers in 2003.
$1.99
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - SCORE ONLY - Score Only
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meist
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1094108 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditi...
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Chamber Orchestra - Level 5 - SKU: A0.1094108 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 51 pages. Matthew Toogood #698213. Published by Matthew Toogood (A0.1094108). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' retains the original sound and intention of the full orchestra but for an ensemble of 13 players. String parts are as close as possible to the original, and can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) Score only - parts sold separately ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
$50.00
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 player ensemble - Parts only
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meist
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1092164 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditi...
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Chamber Orchestra - Level 5 - SKU: A0.1092164 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 49 pages. Matthew Toogood #696281. Published by Matthew Toogood (A0.1092164). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' retains the original sound and intention of the full orchestra but for an ensemble of 12 players. String parts are as close as possible to the original, and can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns, Strings (V1, V2, Vla, Vc, DB) Parts only - score sold separately Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 13 player ensemble, with modifications to include a Trumpet and therefore be the same ensemble as Wagner's original Siegfried Idyll.
$50.00
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 players SCORE ONLY - Score Only
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meist
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1094104 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditi...
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Chamber Orchestra - Level 5 - SKU: A0.1094104 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 51 pages. Matthew Toogood #696275. Published by Matthew Toogood (A0.1094104). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' retains the original sound and intention of the full orchestra but for an ensemble of 12 players. String parts are as close as possible to the original, and can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns, Strings (V1, V2, Vla, Vc, DB) SCORE ONLY - parts sold separately The score is designed to be printed as a booklet on double sided A3 sheets of paper. ALSO AVAILABLE is a 13 player ensemble, with modifications to include a Trumpet and therefore be the same ensemble as Wagner's original Siegfried Idyll.
$30.00
Chamber Symphony No.15 for 11 players: flute, oboe, clarinet, bassoon, horn, trumpet, strings
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Orchestre de chambre
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AVANCÉ
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Richard O
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Chamber Symphony No.15 for 11
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I Ching Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1324002 Composed by Richard O. Burdick. Chamber,Classical,New Age. 112 pages. I Ching Music #912190. Published by ...
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Chamber Orchestra - Level 5 - SKU: A0.1324002 Composed by Richard O. Burdick. Chamber,Classical,New Age. 112 pages. I Ching Music #912190. Published by I Ching Music (A0.1324002). A beautiful first movement with a rousing final in this Symphony for 11 players.In Four movements:1. Andante2. Allegro 3. Menuet4. Allegro.
$200.00
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Grillen-Symph
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 ...
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Chamber Orchestra - Level 4 - SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
In Dulci Jubilo - family band
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. ...
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Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
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