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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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Non classifié
1645
PIANO & CLAVIERS
Piano seul
120
Instruments en Do
117
Piano Facile
88
Piano, Voix
56
Piano, Voix et Guitare
44
Accompagnement Piano
19
1 Piano, 4 mains
6
Orgue
4
Accordéon
4
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Accordéons
1
Clavecin
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GUITARES
Basse electrique
98
Guitare notes et tablatures
23
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
14
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2
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2
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2
4 Guitares (Quatuor)
2
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Chorale SATB
256
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114
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104
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97
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87
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35
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19
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9
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7
Pack Instrumental pour Chorale
6
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3
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2
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2
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1
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1
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1
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1
Voix Alto, Piano
1
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1
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1
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1
Voix Baryton, Piano
1
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Flûte, Hautbois, Clarinette, Basson
285
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240
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83
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61
Quintette de Saxophone: 5 saxophones
34
2 Clarinettes (duo)
34
Clarinette Basse, Piano
28
Quintette de Clarinettes: 5 clarinettes
28
Ensemble de Flûtes
24
Ensemble De Flûte à bec
23
Ensemble de Clarinettes
23
Clarinette, Basson (duo)
20
Ensemble de saxophones
13
Flûte traversière
12
Saxophone Alto
11
Clarinette
11
Hautbois, Piano (duo)
11
Quatuor de Saxophones: 4 saxophones
10
3 Clarinettes (trio)
9
Flûte traversière et Piano
9
Flûte à Bec
8
Saxophone Tenor
8
Clarinette et Piano
8
2 Saxophones (duo)
7
Saxophone Alto et Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Basson et Piano
5
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5
Flûte, Hautbois, Basson
4
Hautbois
4
Quintette de Flûte : 5 flûtes
4
2 Flûte à bec (duo)
4
Saxophone Tenor et Piano
4
Saxophone Soprano
4
Clarinette, Guitare (duo)
3
Saxophone (partie séparée)
3
Saxophone et Harpe
2
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
2
Flûte, Clarinette (duo)
2
Flûte et Guitare
2
Clarinette, Violon (duo)
2
Quatuor de Flûtes à bec
2
Clarinette Basse
2
Hautbois, Basson et Piano
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Flûte, Violon
2
Clarinette, Basson, Piano (trio)
2
Flûte, Alto (duo)
1
Piccolo
1
2 Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone Baryton, Piano
1
2 Clarinettes, Basson
1
Flûte, Trompette (duo)
1
3 Saxophones (trio)
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
2 Flûtes traversières (duo)
1
Hautbois, Violoncelle
1
Ensemble à vent
1
2 Flûtes à bec, Guitare
1
Hautbois, Flûte
1
Clarinette (partie séparée)
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Piano
1
Hautbois, Harpe
1
Flûte à bec Tenor
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de cuivres: 4 trombones
17
Tuba et Piano
16
Trompette
13
Trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Cor
5
Tuba
5
Quatuor de Cuivres
5
Cor et Piano
4
Trompette, Piano
3
2 Trombones (duo)
3
Euphonium
3
Trompette, Saxophone (duo)
2
Trompette (partie séparée)
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
2
2 Cors (duo)
1
Trombone (partie séparée)
1
Trompette, Harpe
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
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CORDES
Contrebasse, Piano (duo)
86
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Contre Basse
83
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon
19
Violon, Basson (duo)
18
Violoncelle
15
Contrebasse (partie séparée)
11
Violoncelle, Piano
10
Violon et Piano
10
Trio à Cordes: violon, alto, violoncelle
9
2 Contrebasses (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Alto, Piano
8
Harpe
7
Alto seul
6
Violon, Violoncelle (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon (partie séparée)
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon (duo)
1
2 Violons (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
4 Contrebasses
1
Flûte, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
115
Ensemble de cuivres
62
Orchestre
53
Orchestre à Cordes
31
Ensemble Jazz
22
Jazz combo
21
Cloches
15
Orchestre de chambre
14
Batterie
9
Ensemble de Percussions
5
Fanfare
3
Percussion (partie séparée)
1
Xylophone, Piano
1
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AUTRES
Vous avez sélectionné:
Sing A Song - Electric Bass
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
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1
Impressions of a Song
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1009777 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1009777 Composed by Claude Debussy. Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 44 pages. TreyD Music & Media, LLC #28403. Published by TreyD Music & Media, LLC (A0.1009777). An impressionistic ode to the need to sing. A solo horn is the featured crooner, who gets significant support from the harp. The strings, flute, oboe, clarinet, and bassoon add their support. The atmosphere brings up contemplative remembrances.
$35.00
32 €
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Orchestre de chambre
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Claude Debussy
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Trey Demmond
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Impressions of a Song
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TreyD Music & Media, LLC
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SheetMusicPlus
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Quintet for Bassoon and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.36 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Double Bass Concerto
Orchestre de chambre
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4…
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - Digital Download SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
$16.99
15.53 €
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Orchestre de chambre
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditio…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
17.82 €
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Orchestre de chambre
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Suomi Music
#
SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditio…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
17.82 €
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Orchestre de chambre
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Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Suomi Music
#
SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.85 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
E Piu Ti Penso - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567344 Composed by Elio Cesa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567344 Composed by Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Pop,Wedding. Score and parts. 24 pages. FRC Music #176753. Published by FRC Music (A0.567344). TITLE E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version DESCRIPTION E Più Ti Penso (The more I think of you in English), alternatively titled E Più Ti Penso (from Once Upon a Time in America) is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015). INSTRUMENTS Piano Accompaniment, Oboe, Horn in F, Violin, Viola, Cello, Double Bass, Timpani, Percussion Ensemble, 1Ob.4Hn.Timp.Perc:Cyms.M.T.Hp.Pft.Str. FORMAT Score ONLY.
$29.99
27.42 €
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Orchestre de chambre
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Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol
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Flavio Regis Cunha
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E Piu Ti Penso - Score Only
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FRC Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.37 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Press Play
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till Mac…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
23.77 €
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Orchestre de chambre
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.5 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
We'll Meet Again
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1449786 Composed by Hughie C…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1449786 Composed by Hughie Charles and Ross Parker. Arranged by John Langley / Studio Orchestrations. 20th Century,Historic,Standards. 75 pages. Www.studio-orchestrations.com #1029550. Published by www.studio-orchestrations.com (A0.1449786). We'll Meet Again is a 1939 song by English singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with servicemen going off to fight as well as their families and loved ones.This version is in D Major, written for solo vocal (mezzo soprano) and chamber orchestra with optional rhythm section.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets2 Bassoons3 HornsAcoustic guitar (Optional)Upright bassDrum kitPianoSolo vocalistStringsCheck out other available arrrangements by John Langley and Paul Campbell at www.studio-orchestrations.com via links on this page or via the website.
$120.00
109.71 €
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Orchestre de chambre
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Hughie Charles and Ross Parker
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We'll Meet Again
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www.studio-orchestrations.com
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SheetMusicPlus
Brother Sun, Sister Moon
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750983 Composed by Donovan. …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750983 Composed by Donovan. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5889411. Published by BJE Music (A0.750983). Brother Sun, Sister Moon (Italian: Fratello Sole, Sorella Luna) is a 1972 film directed by Franco Zeffirelli and starring Graham Faulkner and Judi Bowker. The film is an examination of the life of Saint Francis of Assisi.The romantic soundtrack was by Riz Ortolani with songs by the Scottish singer-songwriter Donovan'This arrangement of the title song Brother Sun, Sister Moon by Donovan is for a Small Chamber Orchestra: Flute, Oboe, 2 Bb Clarinets, Bassoon, 2 Horns in F, Glockenspiel, Timpani, Drum Set, and Strings ...
$40.00
36.57 €
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Orchestre de chambre
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Donovan
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Brendan Elliget MAGA 537
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Brother Sun, Sister Moon
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BJE Music
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SheetMusicPlus
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