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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing A Song Of Song
Non classifié
4 677
Piano & claviers
Piano seul
2 232
Piano, Voix
1 699
Piano Facile
1 432
Piano, Voix et Guitare
918
Instruments en Do
604
Accompagnement Piano
164
Orgue
131
1 Piano, 4 mains
70
Piano grosses notes
45
Piano Trio: piano, violon, violoncelle
33
Piano Quatuor: piano, violon, alto, violoncelle
15
Accordéon
12
Piano Quintette: piano, 2 violons, alto, violoncelle
11
2 Pianos, 4 mains
11
Piano Quatuor: piano, 2 violons, violoncelle
10
2 Pianos, 8 mains
3
Instrument seul et Orgue
2
2 Accordéons
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
+ 18 instrumentations
Retracter
Guitares
Ukulele
444
Guitare notes et tablatures
213
Guitare
211
Ligne De Mélodie, (Paroles) et Accords
156
Basse electrique
94
Paroles et Accords
22
Dulcimer
20
Mandoline
17
2 Guitares (duo)
13
Banjo
12
4 Guitares (Quatuor)
8
Piano, Guitare (duo)
7
2 Ukuleles
2
Ukulele Baryton
2
Ensemble de guitares
2
3 Guitares (trio)
2
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 959
Chorale 3 parties
957
Chorale 2 parties
725
Chorale TTBB
465
Chorale SSAA
407
Chorale Unison
364
Voix duo, Piano
108
Voix Alto, Piano
80
Voix Soprano, Piano
69
Voix Baryton, Piano
63
Voix Tenor, Piano
60
Voix seule
49
Voix duo
47
Voix haute
38
Voix Tenor
36
Voix Soprano
28
Chorale
23
Voix moyenne, Piano
22
Voix basse, Piano
16
Pack Instrumental pour Chorale
15
Chorale SSATTB
5
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
3
Chorale SSATB
2
Voix, Guitare
1
Chorale SSAB, Piano
1
Voix duo, Orgue
1
Voix basse
1
Chorale SATBB
1
Chorale SSAB a cappella
1
+ 25 instrumentations
Retracter
Vents
Saxophone Alto
271
Flûte traversière
258
Flûte traversière et Piano
249
Quatuor de Saxophones: 4 saxophones
236
2 Saxophones (duo)
232
Clarinette et Piano
222
Flûte, Hautbois, Clarinette, Basson
210
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
207
Saxophone Alto et Piano
202
Saxophone Tenor
200
Hautbois, Piano (duo)
198
Clarinette
180
Saxophone (partie séparée)
127
2 Flûtes traversières (duo)
125
Saxophone Tenor et Piano
113
Quintette de Saxophone: 5 saxophones
111
2 Clarinettes (duo)
110
Quatuor de Clarinettes: 4 clarinettes
109
Hautbois (partie séparée)
94
Saxophone Soprano et Piano
89
Saxophone, Clarinette (duo)
82
Saxophone Baryton, Piano
65
Clarinette, Violon (duo)
61
Hautbois, Basson (duo)
58
2 Hautbois (duo)
54
Flûte, Clarinette (duo)
50
Hautbois
49
Saxophone Soprano
47
Ensemble de Clarinettes
46
Clarinette, Trompette (duo)
44
Quatuor de Flûtes : 4 flûtes
42
Flûte à bec Soprano
37
Hautbois, Clarinette (duo)
37
Flûte, Violon
35
Clarinette et Alto
34
Ensemble de saxophones
32
Quintette de Clarinettes: 5 clarinettes
31
Hautbois, Flûte
29
Flûte, Saxophone (duo)
28
Flûte et Guitare
28
Cor Anglais
27
Flûte, Trompette (duo)
26
Ensemble De Flûte à bec
26
3 Saxophones (trio)
26
3 Clarinettes (trio)
26
2 Flûte à bec (duo)
24
Clarinette Basse, Piano
24
Ensemble de Flûtes
23
Flûte, Alto (duo)
23
Cor anglais, Piano
22
Hautbois, Violoncelle
22
Clarinette, Basson (duo)
20
Trio de Flûtes: 3 flûtes
19
Flûte, Violon, Piano
18
Clarinette, Guitare (duo)
17
Saxophone
17
Flûte à Bec
16
Flûte à bec Alto
14
Flûte, Violoncelle
13
Ocarina
13
Saxophone Baryton
12
Flûte, Trombone (duo)
12
Quintette de Flûte : 5 flûtes
12
Clarinette, Violoncelle (duo)
11
Harmonica
10
Flûte à bec Tenor
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Hautbois (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
6
Flûte irlandaise
6
Quatuor de Flûtes à bec
6
Hautbois et alto (duo)
6
Cor anglais, Guitare (duo)
5
Flûte, Basson et Piano
5
Hautbois, violon (duo)
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Basson
4
Flute (partie séparée)
4
Clarinette (partie séparée)
4
Clarinette, Harpe (duo)
4
2 Clarinettes, Piano
3
Clarinette, Trombone (duo)
3
Flûte, Alto et Piano
3
Flûte, Clarinette, Piano (trio)
3
2 Saxophones, Piano
3
2 Flûtes traversières, Piano
3
Hautbois, Guitare (duo)
3
Flute, harpe et violon
3
Saxophone et Orgue
2
5 Flûtes à bec
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Basson, Piano (trio)
2
Piccolo, Piano
2
Hautbois, Basson et Piano
2
Saxophone et Guitare
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûtes à bec, Piano
1
Clarinette, Contrebasse (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Harpe
1
Clarinette, Orgue
1
Clarinette Basse
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Flûte de Pan
1
2 Flûtes à bec, Guitare
1
Ensemble à vent
1
Flûte, Hautbois, Violon
1
Hautbois, Violoncelle et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violon, Piano
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
251
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
220
Quatuor de Cuivres : 2 trompettes, trombone, tuba
187
Trompette, Piano
186
Trombone
175
Trombone et Piano
170
Cor et Piano
143
Cor
106
Tuba et Piano
101
Tuba
69
Quatuor de Cuivres
65
Trompette, Saxophone (duo)
59
2 Trombones (duo)
51
2 Trompettes (duo)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Trompette, Trombone (duo)
35
2 Cors (duo)
32
Euphonium, Piano (duo)
31
Trompette (partie séparée)
28
Cor Anglais
27
Quatuor de cuivres: 4 trombones
26
Cor anglais, Piano
22
Trio de Cuivres
16
Euphonium
12
2 Tubas (duo)
11
Ensemble de Trombones
9
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
7
Ensemble de Trompettes
6
Cor anglais, Guitare (duo)
5
Trombone (partie séparée)
5
2 Euphoniums et 2 Tubas
4
Tuba et Orgue
3
4 Tubas
3
3 Trompettes (trio)
3
Trompette, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
Trombone, Cor (duo)
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
Bass Clef Instruments
2
Ensemble de Cors
2
Trompette et Guitare
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
Trompette, violon (duo)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone, Piano
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
717
Violon
344
Violon et Piano
332
Violoncelle
266
Violoncelle, Piano
241
Alto, Piano
217
Violon, Violoncelle (duo)
167
Alto seul
154
Harpe
135
Trio à Cordes: 2 violons, violoncelle
112
2 Violons (duo)
100
Trio à Cordes: violon, alto, violoncelle
82
Contrebasse, Piano (duo)
77
Quintette à cordes: 2 violons, alto, violoncelle, basse
77
Contre Basse
76
2 Violoncelles (duo)
67
Violon, Alto (duo)
59
2 Altos (duo)
57
Alto (partie séparée)
36
Violon, Basson (duo)
18
Violon (partie séparée)
16
Piano Trio: Violon, Alto, Piano
14
4 Violoncelles
13
Alto, Violoncelle (duo)
12
Trio à cordes: 3 violins
10
Trio à Cordes: 2 violons, alto
9
Harpe, Flûte (duo)
9
Violon, Guitare (duo)
8
Harpe, Voix
8
Ensemble de Violons
7
Contrebasse (partie séparée)
7
Violoncelle , Guitare (duo)
7
2 Harpes (duo)
7
2 Contrebasses (duo)
6
Ensemble d'Altos
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
2 Violons, Piano
4
Violon, Clarinette, Piano (trio)
3
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Autoharp
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
Flûte, Contrebasse (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
4 Harpes
1
Violon, Tuba (duo)
1
Violoncelle (partie séparée)
1
Alto, Orgue
1
Violoncelle, Orgue
1
Violoncelle, Basse continue
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
715
Ensemble de cuivres
199
Orchestre
191
Ensemble Jazz
159
Cloches
156
Orchestre à Cordes
151
Batterie
106
Orchestre de chambre
57
Jazz combo
39
Fanfare
37
Ensemble de Percussions
13
Percussion (partie séparée)
7
Vibraphone
7
Marimba
5
Xylophone
4
Xylophone, Piano
3
Percussion
1
Instrumentation Flexible
1
Batterie (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Sing A Song Of Song
Orchestre de chambre
Partitions à imprimer
57 partitions trouvées
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1
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51
IAN BUTTERWORTH Suite: Sing a Song of Sixpence for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Ian Butterworth
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IAN BUTTERWORTH Suite: Sing a
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.963763 Composed by Ian Butterworth. Contemporary. Score and Parts. 73 pages. Ian Butterworth #6195357. Published b...
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Chamber Orchestra - Level 3 - SKU: A0.963763 Composed by Ian Butterworth. Contemporary. Score and Parts. 73 pages. Ian Butterworth #6195357. Published by Ian Butterworth (A0.963763). A suite of four well known tunes lasting 8 mins approx. (Sing a Song of Sixpence, Barbara Allen, The Skye Boat Song and Pop goes the Weasel). The orchestration (Str+1.2.0.2:2.0.0.0) is similar to many 18thC symphonies and the suite is a suitable contrast in a concert programme. A version of the suite for string orchestra is also available. Copying of individual string parts for sole use by the purchaser is permitted.
$15.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
BH009REC - Recorder Quartet Songs, Book 9 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH009REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Peve...
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Chamber Orchestra - Level 3 - SKU: A0.921169 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 97 pages. Carl Van Pevenage #3011781. Published by Carl Van Pevenage (A0.921169). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 081 Pop song: Joy at workChansonnette 082 Romantic sing: A love journeyChansonnette 083 WintertimeChansonnette 084 Rain puddle danceChansonnette 084b A variation on chansonnette 084Chansonnette 085 EchoChansonnette 086 Jumping jackChansonnette 087 PassionChansonnette 088 Pop Song: Free runningChansonnette 089 Romantic song: Breakfast of bred, eggs and your smileChansonnette 090 Looking forward to see you
$9.95
Galadriel's Song of Eldamar, Orchestral Version
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Orchestre de chambre
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DÉBUTANT
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Charles McCreery
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Galadriel's Song of Eldamar, O
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St Maur Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music...
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Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
BH016REC - Recorder Quartet Songs, Book 16 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH016REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921198 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 100 pages. Carl V...
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Chamber Orchestra - Level 3 - SKU: A0.921198 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 100 pages. Carl Van Pevenage #4324593. Published by Carl Van Pevenage (A0.921198). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 151 Dance of the flutesChansonnette 152 Wild beast Chansonnette 153 Pop Song: Loosing grip Chansonnette 154 Romantic song: Italian wine and sunflowers Chansonnette 155 Folk dance: Some good laughs Chansonnette 156 Swinging song: Happy times Chansonnette 157 Honey-sweet Chansonnette 158 Romantic song: Imagine believing Chansonnette 159 Folk song: A strange middle age square dance Chansonnette 160 Pastorale: Disharmony with nature.
$9.95
BH012REC - Recorder Quartet Songs, Book 12 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH012REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pev...
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Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pevenage #3011789. Published by Carl Van Pevenage (A0.921173). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 111 Folk song: Town partyChansonnette 112 Christmas Chorale: A new star is bornChansonnette 113 Awakening from hibernationChansonnette 114 Folk song: chuckle danceChansonnette 115 Romantic song: HeartacheChansonnette 116 Drinking song: Sparkling aleChansonnette 117 Romantic song: NightfallChansonnette 118 The happy swinging ratterChansonnette 119 The movie trailerChansonnette 120 Blessing in disguise
$9.95
Impressions of a Song
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Trey Demmond
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Impressions of a Song
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TreyD Music & Media, LLC
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1009777 Composed by Claude Debussy. Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 44 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1009777 Composed by Claude Debussy. Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 44 pages. TreyD Music & Media, LLC #28403. Published by TreyD Music & Media, LLC (A0.1009777). An impressionistic ode to the need to sing. A solo horn is the featured crooner, who gets significant support from the harp. The strings, flute, oboe, clarinet, and bassoon add their support. The atmosphere brings up contemplative remembrances.
$35.00
How Can I Keep From Singing - Love - strings, vocal trio and piano
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Orchestre de chambre
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FACILE
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Connie Boss
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How Can I Keep From Singing -
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801225 Arranged by Connie Boss. Holiday,Wedding. Score and parts. 4 pages. Connie Boss #5008377. Published by Conn...
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Chamber Orchestra - Level 2 - SKU: A0.801225 Arranged by Connie Boss. Holiday,Wedding. Score and parts. 4 pages. Connie Boss #5008377. Published by Connie Boss (A0.801225). I have used a part of How can I keep from Singing but added lyrics and melody in other places. I have it in strings and piano. This song is perfect for a wedding, engagement or anniversary song.
$4.99
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Wedding Song (There Is Love)
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Orchestre de chambre
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FACILE
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Paul Stookey
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Karen D
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Wedding Song
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Karen D. Janiszewski
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 page...
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Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 pages. Karen D. Janiszewski #3073563. Published by Karen D. Janiszewski (A0.865412). This arrangement features a vocal soloist and bowed string quartet accompaniment. Beautiful string interludes separate each verse, will likely will take little rehearsal time for everyone to learn and is written in a comfortably singable key of Eb. Full score and individual parts included.
$12.99
[Froom] Amichai Songs (Baritone and Orchestra)
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Orchestre de chambre
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Contemporain
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David Froom
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[Froom] Amichai Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952859 Composed by David Froom. Contemporary. Score and parts. 52 pages. American Composers Alliance Inc. #4625241. Publishe...
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Chamber Orchestra - SKU: A0.952859 Composed by David Froom. Contemporary. Score and parts. 52 pages. American Composers Alliance Inc. #4625241. Published by American Composers Alliance Inc. (A0.952859). Three songs for baritone and orchestra on texts by Yehuda Amichai. Includes: Now when the waters are pressing mightily, In a man's life, The House of Lovers. Instrumentation: 2(2=picc)2(2=EH)2(2=bcl)2(2=cbsn) - 222(2=btbn) - 2perc, pno - baritone solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$26.95
Fields Of Gold
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Orchestre de chambre
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INTERMÉDIAIRE
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Sting
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Gerhard Guter
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Fields Of Gold
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Gerhard Guter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #...
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Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #3244463. Published by Gerhard Guter (A0.844233). Looking for a beautiful piece with a poignant lyric to be sung with a string quartet at a wedding or other celebration of life? Look no further. Fields of Gold is a beautiful ballad treatment of this song from Sting's classic Ten Summoner's Tales album. Though the demo recording features a female voice, this arrangement be performed effectively by a male vocalist as well. Optional multiple-stops are notated so that beginning string players can focus on single note lines exclusively.
$29.99
A Whole New World
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Orchestre de chambre
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AVANCÉ
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Alan Menken and Tim Rice
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Chappell Kingsland
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A Whole New World
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Sho...
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Chamber Orchestra - Level 5 - SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 32 pages. Chappell Kingsland #903696. Published by Chappell Kingsland (A0.1314947). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Duet (one high and one low voice, any type) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the version for a single vocal soloist, or the versions with an instrumental soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by A...
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Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Press Play
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Orchestre de chambre
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AVANCÉ
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn...
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Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik ...
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Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
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