Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing a New Song
Non classifié
1 020
Piano & claviers
Piano seul
427
Piano, Voix
306
Piano, Voix et Guitare
191
Piano Facile
179
Instruments en Do
80
Accompagnement Piano
31
Orgue
22
1 Piano, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
26
Guitare notes et tablatures
23
Guitare
19
Ukulele
12
Paroles et Accords
5
Basse electrique
4
Piano, Guitare (duo)
2
Banjo
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
471
Chorale 3 parties
147
Chorale 2 parties
120
Chorale Unison
84
Chorale TTBB
75
Chorale SSAA
58
Voix duo, Piano
28
Voix Alto, Piano
16
Voix Soprano, Piano
14
Chorale
13
Voix duo
9
Voix Baryton, Piano
9
Voix haute
7
Voix seule
5
Voix Tenor
5
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix Soprano
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Chorale SATBB
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Saxophone Alto et Piano
72
Clarinette et Piano
68
Flûte traversière et Piano
54
Hautbois, Piano (duo)
50
Quatuor de Saxophones: 4 saxophones
49
Saxophone Alto
43
Saxophone Tenor et Piano
41
Clarinette
39
Flûte, Hautbois, Clarinette, Basson
38
Flûte traversière
37
2 Saxophones (duo)
36
Saxophone Soprano et Piano
33
2 Flûtes traversières (duo)
29
2 Clarinettes (duo)
28
Saxophone Baryton, Piano
24
Saxophone Tenor
24
Quatuor de Clarinettes: 4 clarinettes
23
Ensemble de Clarinettes
14
Saxophone (partie séparée)
13
Ensemble de saxophones
12
3 Clarinettes (trio)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Trombone (duo)
10
2 Hautbois (duo)
10
Clarinette Basse, Piano
9
Hautbois
9
Saxophone, Clarinette (duo)
8
Saxophone Soprano
8
Hautbois (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette, Trompette (duo)
6
Ensemble de Flûtes
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
5
Clarinette, Violon (duo)
5
3 Saxophones (trio)
5
Hautbois, Basson (duo)
5
Saxophone Baryton
4
Hautbois, Flûte
3
Trio de Flûtes: 3 flûtes
3
Flûte à Bec
3
Flûte, Hautbois (duo)
3
Clarinette et Alto
3
Cor anglais, Piano
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Flûte, Clarinette et Basson
2
5 Flûtes à bec
2
Clarinette, Guitare (duo)
2
Flûte à bec Soprano
2
Flûte, Violon
2
Harmonica
2
2 Flûtes traversières, Piano
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Guitare
1
3 Hautbois
1
Flûte irlandaise
1
+ 63 instrumentations
Retracter
Cuivres
Trombone et Piano
56
Trompette, Piano
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Trompette
39
Cor et Piano
32
Trombone
23
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba
13
Cor
12
Quatuor de Cuivres
11
2 Trompettes (duo)
10
Euphonium, Piano (duo)
9
Ensemble de Trombones
8
Ensemble de Trompettes
6
2 Trombones (duo)
6
Trompette, Saxophone (duo)
5
2 Cors (duo)
5
2 Tubas (duo)
4
Trompette, Trombone (duo)
4
Tuba et Orgue
3
Euphonium
3
Cor anglais, Piano
3
Ensemble de Cors
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Trombone (partie séparée)
2
Trombone, Tuba (duo)
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette (partie séparée)
1
Cor, Violoncelle (duo)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon et Piano
64
Violoncelle, Piano
59
Violon
47
Alto, Piano
44
Harpe
42
Violoncelle
36
2 Violons (duo)
21
Violon, Violoncelle (duo)
18
Contrebasse, Piano (duo)
17
Alto seul
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violoncelles (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Trio à Cordes: 2 violons, violoncelle
14
2 Altos (duo)
9
Contre Basse
9
Ensemble de Violons
7
Ensemble d'Altos
5
Violon, Alto (duo)
5
Alto (partie séparée)
4
2 Harpes (duo)
4
Violon (partie séparée)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Basse continue
1
4 Harpes
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
165
Orchestre
43
Orchestre à Cordes
33
Cloches
22
Ensemble de cuivres
19
Ensemble Jazz
15
Jazz combo
8
Orchestre de chambre
7
Fanfare
7
Batterie
5
Percussion (partie séparée)
2
Instrumentation Flexible
1
Timbales (partie séparée)
1
Marimba
1
Ensemble de Percussions
1
+ 10 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
647
Partitions Numériques
7
Librairie Musicale
0
Matériel de Musique
204
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sing a New Song
Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
<
1
BH012REC - Recorder Quartet Songs, Book 12 (>70 pages)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
#
BH012REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pev...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pevenage #3011789. Published by Carl Van Pevenage (A0.921173). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 111 Folk song: Town partyChansonnette 112 Christmas Chorale: A new star is bornChansonnette 113 Awakening from hibernationChansonnette 114 Folk song: chuckle danceChansonnette 115 Romantic song: HeartacheChansonnette 116 Drinking song: Sparkling aleChansonnette 117 Romantic song: NightfallChansonnette 118 The happy swinging ratterChansonnette 119 The movie trailerChansonnette 120 Blessing in disguise
$9.95
A Whole New World
#
Orchestre de chambre
#
AVANCÉ
#
Alan Menken and Tim Rice
#
Chappell Kingsland
#
A Whole New World
#
Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Sho...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 32 pages. Chappell Kingsland #903696. Published by Chappell Kingsland (A0.1314947). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Duet (one high and one low voice, any type) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the version for a single vocal soloist, or the versions with an instrumental soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach and Neth
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein H
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Brand New World
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Charles Strouse and Stephen Sc
#
Stephen W
#
Brand New World
#
BurchMusic
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broad...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broadway,Chamber,Musical/Show. 73 pages. BurchMusic #1003494. Published by BurchMusic (A0.1422148). This is an arrangement for a small orchestra of the song Brand New World from the musical Rags. The song tells of the strange new sights and sounds of the lower east side of Manhatten as seen by a mother (Rebecca) and her young son (David), recent immigrants to America. It is scored for flute, clarinet, trumpets 1 & 2, trombone, tuba, drumset, aux. percussion, piano, and string quartet, plus female singer and young boy singer.
$49.99
When She Loved Me
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sarah McLachlan
#
When She Loved Me
#
www.studio-orchestrations.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,C...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sing a New Song 
