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ACCORDEON
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Non classifié
1391
PIANO & CLAVIERS
Piano seul
836
Piano, Voix
388
Piano Facile
262
Piano, Voix et Guitare
201
Instruments en Do
118
Orgue
41
1 Piano, 4 mains
28
Accompagnement Piano
18
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
Orgue, Piano (duo)
2
Accordéon
2
1 Piano, 6 mains
2
Piano grosses notes
1
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GUITARES
Guitare
53
Guitare notes et tablatures
44
Ligne De Mélodie, (Paroles) et Accords
32
Ukulele
27
Basse electrique
6
2 Guitares (duo)
4
Guitare (partie séparée)
4
Dulcimer
3
Paroles et Accords
3
Piano, Guitare (duo)
3
Banjo
3
Mandoline
3
4 Guitares (Quatuor)
2
Guitare, Orchestre
1
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VOIX
Chorale SATB
670
Chorale 3 parties
251
Chorale 2 parties
146
Chorale TTBB
99
Chorale Unison
89
Chorale SSAA
66
Voix Alto, Piano
30
Voix Soprano, Piano
30
Voix seule
25
Voix Baryton, Piano
22
Voix Tenor, Piano
22
Voix duo, Piano
21
Pack Instrumental pour Chorale
9
Voix basse, Piano
8
Voix duo
7
Voix haute
6
Chorale
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix Tenor
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
78
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Saxophone Alto
62
Quatuor de Clarinettes: 4 clarinettes
60
Flûte traversière
59
Clarinette et Piano
56
Hautbois, Piano (duo)
55
Quatuor de Saxophones: 4 saxophones
55
Saxophone Alto et Piano
55
Flûte, Hautbois, Clarinette, Basson
52
Hautbois (partie séparée)
37
Clarinette
37
Saxophone (partie séparée)
35
Saxophone Tenor et Piano
35
2 Saxophones (duo)
32
Saxophone Soprano et Piano
32
Quintette de Saxophone: 5 saxophones
30
2 Flûtes traversières (duo)
29
2 Clarinettes (duo)
27
Saxophone Tenor
24
Quatuor de Flûtes : 4 flûtes
16
Ensemble de Flûtes
15
2 Hautbois (duo)
14
Flûte, Clarinette (duo)
13
Saxophone Baryton, Piano
13
Flûte, Trombone (duo)
10
Clarinette Basse, Piano
10
Ensemble de Clarinettes
10
Hautbois, Clarinette (duo)
9
Ensemble de saxophones
9
Clarinette, Basson (duo)
8
Cor anglais, Piano
8
Flûte, Violon, Piano
8
Flûte, Hautbois (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte et Guitare
6
Clarinette, Violon (duo)
5
3 Saxophones (trio)
5
3 Clarinettes (trio)
5
Hautbois
5
Quintette de Flûte : 5 flûtes
5
Ocarina
4
Flûte à bec Soprano
4
Trio de Flûtes: 3 flûtes
4
2 Saxophones, Piano
3
Flute (partie séparée)
3
Clarinette, Violoncelle (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Harmonica
3
Flûte, Clarinette, Piano (trio)
3
Flûte irlandaise
3
Flûte, Violon
3
Saxophone Soprano
3
Clarinette, Harpe (duo)
2
Cor Anglais
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Basson et Piano
2
Flûte, Alto (duo)
2
Flûte, Saxophone (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette et Alto
2
Hautbois, violon (duo)
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
Saxophone Baryton
1
Flûte, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Ensemble De Flûte à bec
1
2 Flûtes à bec, Piano
1
Hautbois, Harpe
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Hautbois, Basson et Piano
1
Flûte, Clarinette et Basson
1
Saxophone
1
2 Clarinettes, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois et alto (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
73
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette
52
Trombone et Piano
51
Cor
41
Trompette, Piano
41
Cor et Piano
39
Trombone
35
Tuba et Piano
22
Tuba
22
2 Trompettes (duo)
18
Euphonium, Piano (duo)
17
Trompette (partie séparée)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trombone (partie séparée)
15
2 Trombones (duo)
12
2 Cors (duo)
11
2 Tubas (duo)
10
Trompette, Trombone (duo)
9
Cor anglais, Piano
8
Ensemble de Trombones
6
Trio de Cuivres
5
Quatuor de Cuivres
5
Trombone, Tuba (duo)
4
Trompette, Saxophone (duo)
4
Trompette, Tuba (duo)
4
Ensemble de Trompettes
4
Trompette, Cor (duo)
4
Instruments en Sib
2
Cor Anglais
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone et orchestre
2
Euphonium
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Ensemble de Tubas
1
4 Tubas
1
2 Euphoniums (duo)
1
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
219
Violon et Piano
125
Violon
83
Violoncelle
80
Alto, Piano
53
Violoncelle, Piano
53
Trio à Cordes: violon, alto, violoncelle
44
Violon, Violoncelle (duo)
39
Harpe
37
Alto seul
36
2 Violons (duo)
29
Trio à Cordes: 2 violons, violoncelle
26
Violon, Alto (duo)
22
Contre Basse
18
2 Altos (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Violoncelles (duo)
14
Contrebasse, Piano (duo)
10
Trio à cordes: 3 violins
10
Violon (partie séparée)
6
2 Contrebasses (duo)
6
Alto, Violoncelle (duo)
6
Alto (partie séparée)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
4 Violoncelles
4
Harpe, Voix
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
Ensemble de Violons
3
Violoncelle, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle (partie séparée)
3
4 Contrebasses
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Harpe, Violon (duo)
2
Ensemble d'Altos
1
2 Violoncelles, Piano
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
366
Orchestre à Cordes
118
Orchestre
117
Cloches
72
Ensemble de cuivres
65
Ensemble Jazz
45
Fanfare
34
Orchestre de chambre
33
Jazz combo
12
Ensemble de Percussions
9
Batterie (partie séparée)
3
2 Xylophones
2
Vibraphone
2
Xylophone, Piano
2
2 Marimbas
1
Marimba
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Xylophone
1
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Sing-a-ling-a-ling
Orchestre de chambre
Partitions à imprimer
33 partitions trouvées
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A Celebration Miniature! (for String Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.998363 Composed by Aaron Fon…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.998363 Composed by Aaron Fonzi. 20th Century,Contemporary,Standards. Score and parts. 19 pages. Aaron Fonzi #6091271. Published by Aaron Fonzi (A0.998363). A Celebration Miniature is an ode to all of the incredible people who get up and work with young peopleevery day to share the joy, passion and truth of music education. Thank you for keeping the arts thriving inour schools and giving the next generationan opportunity to experience the thrill of music making! Composed in an overture style, the piece begins with a powerful introductory statement pedaling onBb major. After the introduction, the second theme is introduced by the violin 1 section. The B sectionbegins at Rehearsal B, featuring a light, legato approach. The piece picks back up at Rehearsal C with another rousing statement of the first theme, and propels itself to a thrilling close with a restatement of the introduction. Have fun! I hope you enjoy playing and rehearsing this piece as much as I did writing it, and you are certain to have something to celebrate after a performance of this piece!
$20.00
18.29 €
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Orchestre de chambre
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Aaron Fonzi
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A Celebration Miniature!
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Aaron Fonzi
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SheetMusicPlus
Hark! the Herald Angels Sing (Chamber Orch. and Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1388587 By Rick Barnes. By C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1388587 By Rick Barnes. By Charles Wesley, Felix Mendelssohn-Bartholdy. Arranged by Rick Barnes. Christian,Christmas,Contemporary,Holiday,Sacred. 32 pages. Rick Barnes Music #972089. Published by Rick Barnes Music (A0.1388587). This contemporary setting to Charles Wesley's treasured hymn features a meditative vocal line and swelling orchestra while staying true to the original MENDELSSOHN tune. Your congregation can enjoy this musical meditation during a Sunday offering, Lessons & Carols service, or other special Christmas service!
$49.99
45.73 €
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Orchestre de chambre
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Rick Barnes
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Rick Barnes
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Hark! the Herald Angels Sing
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Rick Barnes Music
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SheetMusicPlus
Hark The Herald Angels Sing
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.732093 Composed by Felix Bar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.732093 Composed by Felix Bartholdy Mendelssohn. Arranged by Thomas Quigley. Christian,Christmas,Concert. Score and parts. 44 pages. Thomas Quigley #4849935. Published by Thomas Quigley (A0.732093). A great carol, skillfully presented with appealing rhythms, compelling harmonies and accessible part-writing. An ideal item with which to impress at a Christmas concert it is colorfully orchestrated, interesting to perform and a joy to hear. Highly recommended for student, amateur or professional orchestras!. .
$39.00
35.68 €
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Orchestre de chambre
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Felix Bartholdy Mendelssohn
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Thomas Quigley
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Hark The Herald Angels Sing
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Thomas Quigley
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SheetMusicPlus
To Singing
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.788755 Composed by Karl Logu…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.788755 Composed by Karl Logue and George Klawitter. 20th Century,Contemporary. Score and parts. 66 pages. LogueRhythm Productions #3619801. Published by LogueRhythm Productions (A0.788755). Written especially for gay men's chorus, this anthem is a great opener for any GALA Choruses TTBB ensemble. It speaks to the healing power of music, the relationships music can create and the love of chosen families. Available for chamber orchestra, or TTBB w/ piano.Purchase this copy for orchestra parts and conductor scores.
$39.99
36.58 €
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Orchestre de chambre
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Karl Logue and George Klawitter
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To Singing
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LogueRhythm Productions
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.88 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.61 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.74 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
64.03 €
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Orchestre de chambre
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Mermaid in the Jar Full Score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
25.61 €
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Orchestre de chambre
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Rachel J Peters
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Mermaid in the Jar Full Score - Score Only
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Rachel J Peters
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SheetMusicPlus
飛翔河上 Flying on the River
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1019470 Composed by Egon Tse…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1019470 Composed by Egon Tse. Arranged by Egon Tse. Contemporary,Instructional. Score and parts. 9 pages. Egon Tse #5902633. Published by Egon Tse (A0.1019470). This piece music named 飛翔河上Flying on the River is telling a scene of seagulls flying over the river. Using violin, harp and piano to create an environmental feeling.
$6.00
5.49 €
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Orchestre de chambre
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Egon Tse
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Egon Tse
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飛翔河上 Flying on the River
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Egon Tse
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SheetMusicPlus
Shepherds, Run Along/Przybieżeli do Betlejem pasterze (Downloadable Choral Score)
Orchestre de chambre
SSA choir and piano, with optional brass ensemble or chamber orchestra - Medium - Digital …
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SSA choir and piano, with optional brass ensemble or chamber orchestra - Medium - Digital Download SKU: MQ.50-1715-E Composed by Stephen Mager. University of Notre Dame Children's Choir Series. Christmas, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-1715-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1715-E). UPC: 688670517150. English, Polish.A delightful treble setting of a familiar Christmas carol. The piece features a sparkling accompaniment and joyous choral parts. Fun to sing. Equally effective with brass, chamber orchestra, or with solo piano.Brass Ensemble Parts include: Horn in F, 3 Trumpets in C, 3 Trombones, Tuba, Percussion, and Harp.Chamber Orchestra Parts include: 2 Flutes, oboe, English Horn, Bassoon, 2 Horns in F, 2 Trumpets in C, Percussion, Harp, Strings.
$2.25
2.06 €
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Orchestre de chambre
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Stephen Mager
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Shepherds, Run Along/Przybieżeli do Betlejem pasterze
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.22 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.787359 Composed by Greg Bart…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
45.73 €
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Orchestre de chambre
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Greg Bartholomew
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In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Burke & Bagley
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SheetMusicPlus
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
91.47 €
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Orchestre de chambre
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Adrian Gagiu
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.29 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Balloon Ride
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Ale…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
17.37 €
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Orchestre de chambre
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.4 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Reprise: Pure Imagination (at The Gates Of The Factory)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
91.47 €
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Orchestre de chambre
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Anthony Newley and Leslie Bricusse
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
On The road To Mandalay for Baritone and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
64.03 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Baritone and Chamber Orchestra
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PRS&B
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SheetMusicPlus
On The road To Mandalay for Tenor and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
64.03 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Tenor and Chamber Orchestra
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PRS&B
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SheetMusicPlus
Companionship Full Score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and children’s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00
45.74 €
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Orchestre de chambre
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Rachel J Peters
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Companionship Full Score - Score Only
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Rachel J Peters
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.63 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
68.61 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Bartok Rumanian Folk Dances (Reduced orchestra)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.818017 Composed by Bela Bartok. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.818017 Composed by Bela Bartok. Arranged by Matthew Lax. 20th Century,Folk,Romantic Period,World. Score and parts. 70 pages. Matthew Lax #3226571. Published by Matthew Lax (A0.818017). Bartok's famous Rumanian Folk Dances, arranged for slightly smaller orchestra using just one of each wind and playable by single-strings or full section.1 Flute (doubling Piccolo)1 Oboe1 Clarinet (Bb and A)1 Bassoon1 Horn in FString Quintet or String section
$25.00
22.87 €
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Orchestre de chambre
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Bela Bartok
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Matthew Lax
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Bartok Rumanian Folk Dances
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Matthew Lax
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
94.68 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
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