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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So
Sheetmusicplus
Non classifié
5 633
Piano & claviers
Piano seul
3 970
Piano, Voix
1 494
Piano Facile
1 470
Piano, Voix et Guitare
970
Instruments en Do
476
Orgue
204
1 Piano, 4 mains
150
Accompagnement Piano
108
Piano grosses notes
46
Piano Trio: piano, violon, violoncelle
44
2 Pianos, 4 mains
40
Clavecin
29
Piano (partie séparée)
22
Piano Quatuor: piano, violon, alto, violoncelle
18
Accordéon
15
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
5
2 Pianos, 8 mains
2
Clavier
2
Ensemble d'Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
460
Guitare
344
Ligne De Mélodie, (Paroles) et Accords
254
Ukulele
136
Piano, Guitare (duo)
126
Paroles et Accords
104
Basse electrique
88
Guitare (partie séparée)
44
2 Guitares (duo)
34
4 Guitares (Quatuor)
26
Mandoline
21
3 Guitares (trio)
17
Banjo
17
Dulcimer
8
Ensemble de guitares
7
Guitare, Violon, Violoncelle (trio)
2
Ukulele Baryton
2
Mandoline, Piano (duo)
2
Guitare Pedal Steel
1
Guitare, Flûte, Clarinette
1
Dobro
1
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
Ensemble de Ukulélés
1
2 Ukuleles
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 490
Chorale 3 parties
437
Chorale 2 parties
279
Chorale TTBB
249
Chorale SSAA
172
Chorale Unison
146
Pack Instrumental pour Chorale
54
Voix duo, Piano
40
Voix Soprano, Piano
37
Voix seule
33
Voix haute
31
Voix Alto, Piano
29
Voix duo
28
Chorale
25
Voix Baryton, Piano
24
Voix basse, Piano
19
Voix Tenor, Piano
14
Voix moyenne, Piano
8
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
5
Voix Tenor
4
Chorale SSATTB
3
Chorale SSATB
3
Soli, choeur mixte et accompagnement
2
Chorale SSAATB
2
Voix basse
2
Voix Soprano
2
Chorale SSAB, Piano
1
Voix (avec Boîtes d'Accords)
1
Voix, Guitare
1
Chorale SSAB a cappella
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
456
Clarinette et Piano
389
Hautbois, Piano (duo)
361
Quatuor de Saxophones: 4 saxophones
319
Flûte traversière
311
Clarinette
310
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
289
2 Saxophones (duo)
270
Saxophone Alto et Piano
263
Saxophone (partie séparée)
248
Saxophone Tenor et Piano
237
Saxophone Alto
218
Flûte, Hautbois, Clarinette, Basson
216
Quatuor de Clarinettes: 4 clarinettes
190
Quintette de Saxophone: 5 saxophones
188
Saxophone Tenor
187
2 Clarinettes (duo)
185
2 Flûtes traversières (duo)
155
Hautbois (partie séparée)
146
Flûte, Clarinette (duo)
97
Flûte irlandaise
82
Ensemble de Clarinettes
81
3 Saxophones (trio)
81
Ensemble de saxophones
77
Quatuor de Flûtes : 4 flûtes
76
Clarinette, Violon (duo)
76
Saxophone Soprano et Piano
69
Ensemble de Flûtes
64
3 Clarinettes (trio)
63
Flûte, Violon
62
Trio de Flûtes: 3 flûtes
57
Saxophone Baryton, Piano
54
2 Hautbois (duo)
49
Flûte à bec Soprano
46
Flûte et Guitare
42
Quintette de Clarinettes: 5 clarinettes
41
Hautbois
40
Cor anglais, Piano
37
Clarinette Basse, Piano
33
Saxophone, Clarinette (duo)
31
2 Flûte à bec (duo)
30
Quintette de Flûte : 5 flûtes
28
Saxophone Soprano
28
Quatuor de Flûtes à bec
25
Clarinette (partie séparée)
25
Ocarina
24
Flûte à bec Alto
24
Hautbois, Basson (duo)
23
Clarinette, Basson (duo)
22
Flute (partie séparée)
22
Hautbois, Clarinette (duo)
21
Clarinette, Guitare (duo)
21
Harmonica
19
Flûte, Violon, Piano
18
Clarinette, Trompette (duo)
17
Flûte, Violoncelle
16
Cor Anglais
15
Flûte à Bec
15
Clarinette et Alto
14
Clarinette, Violoncelle (duo)
12
Hautbois, Flûte
12
Flûte, Saxophone (duo)
12
3 Hautbois
12
Flûte, Alto (duo)
11
4 Hautbois
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Trompette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Hautbois (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Hautbois, Guitare (duo)
8
Instruments en Mib
8
3 Flûtes à bec (trio)
8
5 Flûtes à bec
6
Hautbois, Violoncelle
6
Flûte, Hautbois, Basson
6
Saxophone Baryton
6
Flûte, Violon et Violoncelle
6
Clarinette, Harpe (duo)
6
Ensemble De Flûte à bec
5
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto, Piano
5
Flûte, Clarinette, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Piano (trio)
4
Saxophone
4
2 Saxophones, Piano
4
Flûte, Trombone (duo)
3
Hautbois, violon (duo)
3
Piccolo, Piano
3
Saxophone et Guitare
3
Hautbois et alto (duo)
3
Clarinette, Trombone (duo)
2
Hautbois, Harpe
2
Flûte, Alto et Piano
2
Flute, harpe et violon
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Tenor
2
Flûte traversière, Basse continue
2
Hautbois, Basson et Piano
2
Ensemble à vent
2
2 Clarinettes, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte et Trio à cordes
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone, Violon (duo)
2
Flûte à bec, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, trombone et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Clarinette, Tuba
1
Clarinette, Orgue
1
2 Flûtes traversières, Piano
1
Saxophone et Piano
1
2 Hautbois, Piano
1
Clarinette Basse
1
Saxophone et Orgue
1
Flûte à bec, Harpe
1
Cor anglais et Harpe (duo)
1
Harmonica, Piano
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Harpe et Violoncelle
1
Flûte et Quatuor à Cordes
1
Cornemuse
1
+ 124 instrumentations
Retracter
Cuivres
Trompette
353
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
311
Trombone et Piano
275
Trombone
224
Trompette, Piano
198
Quatuor de Cuivres : 2 trompettes, trombone, tuba
171
Cor
137
Trompette (partie séparée)
137
Trombone (partie séparée)
132
Cor et Piano
127
Quatuor de Cuivres
104
Tuba
72
2 Trombones (duo)
68
2 Trompettes (duo)
66
Tuba et Piano
61
Euphonium, Piano (duo)
45
2 Cors (duo)
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor anglais, Piano
37
Trompette, Trombone (duo)
36
Trompette, Saxophone (duo)
33
Ensemble de Trombones
30
2 Tubas (duo)
28
Quatuor de cuivres: 4 trombones
27
Cor (partie séparée)
25
Ensemble de Trompettes
23
Euphonium
19
Tuba (partie séparée)
18
Cor Anglais
15
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
13
Quatuor de cuivres: 4 trompettes
12
Bass Clef Instruments
11
Trio de Cuivres
9
3 Trompettes (trio)
8
Trompette, Cor (duo)
8
2 Euphoniums et 2 Tubas
8
3 Trombones (trio)
8
4 Tubas
7
Trombone, Tuba (duo)
6
Tuba et Orgue
5
Trompette, Tuba (duo)
5
Trombone, Cor (duo)
5
Cor, Tuba (duo)
4
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
3
Instruments en Sib
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Violoncelle et Piano
2
Trombone et orchestre
2
3 Tubas (trio)
2
Trompette, violon (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette et Guitare
2
3 Cors (trio)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Cornet et orchestre
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Instruments en Fa
1
Cor, Trompette, Trombone (trio)
1
Trombone basse
1
Cor anglais et Harpe (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
923
Violon et Piano
498
Violon
459
Alto, Piano
343
Violoncelle
341
Violoncelle, Piano
334
Harpe
284
2 Violons (duo)
203
Alto seul
191
Violon, Violoncelle (duo)
180
Trio à Cordes: violon, alto, violoncelle
136
2 Harpes (duo)
126
Quintette à cordes: 2 violons, alto, violoncelle, basse
110
2 Violoncelles (duo)
93
Violon, Alto (duo)
84
Contre Basse
79
Trio à Cordes: 2 violons, violoncelle
68
Alto (partie séparée)
67
2 Altos (duo)
61
Contrebasse, Piano (duo)
51
Contrebasse (partie séparée)
41
Trio à cordes: 3 violins
39
Violon (partie séparée)
39
2 Contrebasses (duo)
25
Trio à Cordes: 3 violoncelles
23
Alto, Violoncelle (duo)
21
4 Violoncelles
21
Trio à cordes: 3 altos
20
Harpe, Flûte (duo)
18
Quatuor à cordes: 4 violons
17
Violon, Guitare (duo)
15
Violoncelle , Guitare (duo)
15
Violoncelle (partie séparée)
13
Ensemble de Violons
12
Quatuor à cordes : 4 altos
11
Ensemble d'Altos
9
Harpe, Voix
9
Violon, Basson (duo)
8
Violoncelle, Contrebasse (duo)
8
Piano Trio: Violon, Alto, Piano
6
Harpe, Violon (duo)
6
Trio à Cordes: 2 violons, alto
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Basse continue
5
Violoncelle, Orgue
5
Violon, Clarinette, Piano (trio)
4
4 Contrebasses
4
Alto, Guitare (duo)
4
4 Harpes
3
Harpe et Piano
3
Ensemble de Violoncelles
3
Flûte, Contrebasse (duo)
2
3 Harpes
2
Alto et Basson
2
3 Contrebasses
2
Autoharp
2
Violon, Tuba (duo)
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 071
Jazz combo
400
Ensemble Jazz
308
Orchestre à Cordes
293
Orchestre
289
Ensemble de cuivres
196
Orchestre de chambre
119
Cloches
104
Batterie
93
Fanfare
87
Ensemble de Percussions
75
Batterie (partie séparée)
33
Marimba
26
Percussion (partie séparée)
11
Vibraphone
9
Xylophone, Piano
3
Xylophone ou Marimba ou Vibraphone
3
Percussion
3
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Xylophones
1
Timbales
1
Ensemble d'École
1
Instrumentation Flexible
1
Cajon
1
Marimba, Piano (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
Quintette à Vent
1
+ 25 instrumentations
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Formation musicale - Solfège
6
Théorie de la musique
1
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101
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
#
Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
When She Loved Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sarah McLachlan
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,C...
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Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Concerto For Clarinet
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Orchestre de chambre
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013...
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Chamber Orchestra - Level 5 - SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
Concerto For Clarinet - Score Only
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Orchestre de chambre
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #98667...
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Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
Dona Nobis Pacem
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Orchestre de chambre
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DÉBUTANT
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Anonymous
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Dan Severio
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Dona Nobis Pacem
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864727 Composed by Anonymous. Arranged by Dan Severio. Children,Instructional,Standards. Score and parts. 5 pages....
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Chamber Orchestra - Level 1 - SKU: A0.864727 Composed by Anonymous. Arranged by Dan Severio. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48771. Published by Piano Teacher Press (A0.864727). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s a very easy elementary arrangement. It gives the beginning student the chance to listen to his musical partner and learn what ensemble playing is all about.
$3.99
America
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Orchestre de chambre
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DÉBUTANT
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American Patriotic Song
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Dan Severino
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America
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864725 Composed by American Patriotic Song. Arranged by Dan Severino. Children,Holiday,Instructional,Patriotic,Sta...
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Chamber Orchestra - Level 1 - SKU: A0.864725 Composed by American Patriotic Song. Arranged by Dan Severino. Children,Holiday,Instructional,Patriotic,Standards. Score and parts. 5 pages. Piano Teacher Press #48769. Published by Piano Teacher Press (A0.864725). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an elementary arrangement of the America. Great for performance for our national holidays and recitals.
$3.99
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Ecossaise by Beethoven
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Orchestre de chambre
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FACILE
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L
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Dan Severino
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Ecossaise by Beethoven
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 ...
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Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48773. Published by Piano Teacher Press (A0.864728). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. An ecossaise is a lively energetic dance Scottish in origin mostly in 2/4 time often known for its quick dynamic contrasts. If both performers project the musical features of an ecossaise, a good performance will result.
$3.99
Good night Ladies
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Orchestre de chambre
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DÉBUTANT
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Folk Song
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Dan Severino
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Good night Ladies
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864726 Composed by Folk Song (attributed to Edwin Pearce Christy). Arranged by Dan Severino. Children,Instructiona...
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Chamber Orchestra - Level 1 - SKU: A0.864726 Composed by Folk Song (attributed to Edwin Pearce Christy). Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48775. Published by Piano Teacher Press (A0.864726). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an elementary arrangement of a song associated with the minstrel shows of mid 19th century America, Goodnight Ladies.
$3.99
When Johnny Comes Marching Home
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Orchestre de chambre
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FACILE
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Patrick Gilmore
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Dan Severino
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When Johnny Comes Marching Hom
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6...
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Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48783. Published by Piano Teacher Press (A0.864731). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an early intermediate arrangement originates from the American Civil War. Each performer must learn to be both melodist and accompanist, thus learning one of the major elements of playing in ensemble with other musicians.
$3.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Christmas Suite
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Orchestre de chambre
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Noël
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Bertold Hummel
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Christmas Suite
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - Str. chamber orchestra - SKU: S9.Q6701 For Chamber Orchestra. Composed by Bertold Hummel. This ...
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1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - Str. chamber orchestra - SKU: S9.Q6701 For Chamber Orchestra. Composed by Bertold Hummel. This edition: full score. Concertino. Downloadable, Full score. Op. 13b. Duration 13 minutes. Schott Music - Digital #Q6701. Published by Schott Music - Digital (S9.Q6701). Die Weihnachtliche Suite entstand im Jahr 1950 im Auftrag des Kleinen Orchesters des Südwestfunks Baden-Baden. Mit vitaler Spielfreude und kontrapunktischer Sicherheit werden bekannte Weihnachtslieder kunstvoll miteinander verwoben. So erkennt der Zuhörer im Andante Melodiezeilen von In dulci jubilo und Vom Himmel hoch, im Allegro con brio Vom Himmel hoch und Es ist ein Ros entsprungen, in der Pastorale Vom Himmel hoch, o Englein kommt! und Stille Nacht, im Scherzando Morgen kommt der Weihnachtmann bis die Trompete in der abschließenden Passacaglia feierlich noch einmal Vom Himmel hoch über dem verwoben Stimmensatz intoniert. Ein festliches Stück, das schon so manches Weihnachtsprogramm bereicherte.
$35.99
The Enchanted Garden
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Orchestre de chambre
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra ...
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
Serenade Rondo (2013) for violin solo and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Aveux Non Avenus (2020) for soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas O...
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Chamber Orchestra - Level 4 - SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Consolation, Celebration
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Chicago Chamber Orchestra, Die
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Consolation, Celebration
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classic...
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Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classical,Contemporary. 70 pages. Julian Harvey #1041701. Published by Julian Harvey (A0.1462974). I was asked to compose music for four clarinets and strings by the conductor of the Chicago Chamber Orchestra Dieter Kober, who with his free concerts did so much for music in Chicago. This work is the result. As its title suggests, the piece is divided into two sections: the first elegiac yet calming, the second a celebratory waltz. Consolation, Celebration can be heard on my Centaur label CD Sweet was the Song: Music by Julian Harvey..
$15.00
Overture to The Robbers' Castle
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Orchestre de chambre
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AVANCÉ
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Friedrich Kuhlau
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Overture to The Robbers' Castl
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1452560 Composed by Friedrich Kuhlau. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Classical. 112 pa...
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Chamber Orchestra - Level 5 - SKU: A0.1452560 Composed by Friedrich Kuhlau. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Classical. 112 pages. Trevor Denyer #1031862. Published by Trevor Denyer (A0.1452560). Kuhlau is best known for his piano works, but his orchestral pieces are full of interest, colour and drama. This piece certainly fills those criteria; being the introduction to his opera of the same name. The orchestration, while fairly conventional for the period, makes full use of the forces available to him to fine effect in the five minutes or so that this piece takes to perform.
$35.00
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