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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song For My Father
Non classifié
156
Piano & claviers
Piano seul
82
Piano, Voix
52
Instruments en Do
27
Piano, Voix et Guitare
25
Piano Facile
15
Orgue
15
Accompagnement Piano
3
Piano grosses notes
1
2 Pianos, 4 mains
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
19
Basse electrique
8
Guitare notes et tablatures
4
Guitare
3
Ukulele Baryton
2
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
48
Voix Alto, Piano
38
Voix Tenor, Piano
27
Voix Soprano, Piano
26
Chorale 2 parties
17
Voix duo, Piano
12
Voix moyenne, Piano
10
Chorale TTBB
10
Chorale Unison
8
Chorale 3 parties
6
Voix Baryton, Piano
3
Voix basse, Piano
2
Voix haute
2
Chorale SSAA
1
Chorale
1
Voix duo
1
+ 11 instrumentations
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Vents
Saxophone
12
Clarinette et Piano
12
Flûte traversière
10
Flûte traversière et Piano
10
2 Flûtes traversières (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois, Piano (duo)
5
2 Clarinettes (duo)
5
3 Clarinettes (trio)
5
Clarinette
5
2 Saxophones (duo)
5
Clarinette, Basson (duo)
4
Saxophone Alto et Piano
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Saxophones: 4 saxophones
3
Hautbois, Basson (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Harmonica
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
2
2 Clarinettes, Piano
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Saxophone Soprano et Piano
2
Saxophone Tenor et Piano
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Violon (duo)
2
Clarinette, Harpe (duo)
2
2 Flûte à bec (duo)
2
Flûte, Trompette (duo)
2
Saxophone (partie séparée)
2
Flûte, Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Guitare (duo)
1
2 Flûtes traversières, Harpe
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Guitare (duo)
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Violon
1
Ensemble de Clarinettes
1
Flute (partie séparée)
1
Saxophone Tenor
1
+ 42 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
13
Trompette (partie séparée)
10
Trombone (partie séparée)
10
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
2 Cors (duo)
4
Trombone
4
Trombone et Piano
4
Cor et Piano
3
2 Trombones (duo)
3
Euphonium, Piano (duo)
2
3 Trombones (trio)
2
Cor anglais, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
4 Tubas
1
Trompette, Piano
1
Cor anglais, Guitare (duo)
1
+ 12 instrumentations
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Cordes
Violon et Piano
14
Violon, Violoncelle (duo)
7
Violon, Alto (duo)
6
Alto, Piano
6
Harpe
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Harpe, Voix
4
Violoncelle, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
2 Violons, Piano
2
Contrebasse, Piano (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
+ 16 instrumentations
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Orchestre & Percussions
Ensemble Jazz
58
Orchestre d'harmonie
31
Jazz combo
6
Orchestre de chambre
5
Orchestre à Cordes
3
Ensemble de cuivres
3
Orchestre
2
Cloches
1
Batterie (partie séparée)
1
+ 4 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Song For My Father
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Ophelia for string quartet and guitar
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Ophelia for string quartet and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomons #3479241. Published by David Warin Solomons (A0.577982). Based on my song setting of the scene in Shakespeare's play Hamlet in which Ophelia is losing her mind out of grief for her murdered father.
$14.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
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Song For My Father
