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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song For No One
Non classifié
764
Piano & claviers
Piano, Voix
408
Piano seul
253
Piano Facile
136
Piano, Voix et Guitare
128
Instruments en Do
57
Accompagnement Piano
44
Orgue
16
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
Ukulele
8
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Dulcimer
4
Paroles et Accords
3
Mandoline
2
2 Dulcimers (duo)
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
139
Chorale 3 parties
67
Voix seule
46
Chorale TTBB
40
Chorale 2 parties
40
Voix Baryton, Piano
29
Chorale SSAA
19
Chorale Unison
14
Voix haute
10
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix Tenor, Piano
1
Voix Tenor
1
Voix Alto, Piano
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
79
Saxophone Alto et Piano
69
Saxophone Alto
66
2 Saxophones (duo)
62
Saxophone Tenor
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quintette de Saxophone: 5 saxophones
48
Saxophone (partie séparée)
46
Flûte traversière et Piano
38
Saxophone Tenor et Piano
37
Saxophone Soprano et Piano
37
3 Saxophones (trio)
32
Saxophone
30
Clarinette et Piano
29
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Baryton, Piano
25
Hautbois, Piano (duo)
25
Flûte, Hautbois, Clarinette, Basson
24
Saxophone, Clarinette (duo)
20
Clarinette
16
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
15
Clarinette, Violon (duo)
14
Flûte, Clarinette (duo)
13
Flûte traversière
13
Cor anglais, Piano
10
Clarinette, Trompette (duo)
10
Hautbois, Basson (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
7
Ensemble de Clarinettes
7
Clarinette et Alto
7
Clarinette Basse, Piano
7
Hautbois (partie séparée)
7
3 Clarinettes (trio)
7
Flûte, Violon
7
Quintette de Flûte : 5 flûtes
6
Ensemble de saxophones
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Flûte
6
Ocarina
5
Flûte, Alto (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
4
2 Hautbois (duo)
4
Ensemble de Flûtes
3
Flûte, Violon, Piano
3
Cor Anglais
3
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Clarinette, Harpe (duo)
2
Clarinette (partie séparée)
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Saxophone Soprano
2
Clarinette, Violoncelle (duo)
2
3 Hautbois
2
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Harmonica
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Piccolo, Piano
1
Hautbois et alto (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone et Piano
64
Trombone
43
Cor et Piano
22
Trompette
21
Quatuor de cuivres: 4 trombones
20
Trompette, Trombone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
18
Trombone (partie séparée)
16
Trompette, Piano
16
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
15
Cor anglais, Piano
10
2 Trombones (duo)
10
Ensemble de Trombones
6
Tuba et Piano
6
2 Trompettes (duo)
5
Trompette, Cor (duo)
4
Tuba
4
2 Cors (duo)
3
Cor Anglais
3
Tuba et Orgue
3
Cor
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Trio de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
4 Tubas
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
+ 36 instrumentations
Retracter
Cordes
Harpe
121
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
57
Violon
54
Violoncelle, Piano
51
Violoncelle
37
Alto, Piano
30
Violon, Violoncelle (duo)
23
Trio à Cordes: 2 violons, violoncelle
19
Trio à Cordes: violon, alto, violoncelle
18
Violon, Alto (duo)
15
2 Violons (duo)
14
Alto seul
10
2 Violoncelles (duo)
8
4 Violoncelles
6
2 Altos (duo)
5
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
2 Harpes (duo)
3
5 Harpes
2
Ensemble de Violons
2
3 Harpes
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
101
Ensemble de cuivres
71
Orchestre
56
Orchestre à Cordes
46
Batterie
26
Ensemble Jazz
26
Orchestre de chambre
15
Jazz combo
6
Cloches
3
Fanfare
2
Marimba
2
Ensemble de Percussions
2
Percussion (partie séparée)
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Song For No One
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
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1
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Galadriel's Song of Eldamar, Orchestral Version
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Orchestre de chambre
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DÉBUTANT
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Charles McCreery
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Galadriel's Song of Eldamar, O
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St Maur Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music...
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Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Morning Mood, from Peer Gynt Suite No. 1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Dico
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Morning Mood, from Peer Gynt S
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dic...
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Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dico #6502567. Published by Dico (A0.843028). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings
$22.00
Morning Mood, from Peer Gynt Suite No. 1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Various
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Dico
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Morning Mood, from Peer Gynt S
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.513327 By Various. By Edvard Grieg. Arranged by Dico. Romantic Period,Wedding. Score and Parts. 46 pages. Dico Fer...
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Chamber Orchestra - Level 4 - SKU: A0.513327 By Various. By Edvard Grieg. Arranged by Dico. Romantic Period,Wedding. Score and Parts. 46 pages. Dico Ferreira #124094. Published by Dico Ferreira (A0.513327). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings
$22.00
Pomp And Circumstance No. 1 (trio)
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Orchestre de chambre
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FACILE
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Classique
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Edward Elgar
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Dico
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Pomp And Circumstance No. 1
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.843117 Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087....
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Chamber Orchestra - Level 2 - SKU: A0.843117 Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087. Published by Dico (A0.843117). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are sextets. Some instruments can be replaced and some arrangements have reductions. These options are provided.POMP AND CIRCUMSTANCE MARCH No. 1 (Trio) - this arrangement was made for a wedding ceremony with a small set. That's why the string section is a quartet without a viola part.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 (bass) | Timpani | Piano | Strings (-viola)
$22.00
Fantazia No. 1 for Trombone or Low Brass Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Eric Burger Music
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Fantazia No. 1 for Trombone or
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Eric Burger Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.508202 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3514821. Published by...
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Chamber Orchestra - Level 3 - SKU: A0.508202 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3514821. Published by Eric Burger Music (A0.508202). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lively work from the great composer William Byrd has great interest and challenges for your group, and will wow your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/DxZR0yjCoJs This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
Fantazia No. 2 For Trombone or Low Brass Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Eric Burger Music
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Fantazia No. 2 For Trombone or
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Eric Burger Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.508203 Arranged by Eric Burger Music. Baroque. Score and parts. 22 pages. Eric Burger Music #3514867. Published by...
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Chamber Orchestra - Level 3 - SKU: A0.508203 Arranged by Eric Burger Music. Baroque. Score and parts. 22 pages. Eric Burger Music #3514867. Published by Eric Burger Music (A0.508203). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lovely work from the great composer William Byrd has great interest and challenges for your group, and will woo your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/OmdmXE5mb7w This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Tigers and Teapots, Vol. 2
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Orchestre de chambre
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INTERMÉDIAIRE
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David Banney
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Bow,
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Tigers and Teapots, Vol. 2
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David Banney
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.878864 Composed by David Banney. Children,Contemporary,Folk,Standards,World. Score and parts. 34 pages. David Bann...
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Chamber Orchestra - Level 3 - SKU: A0.878864 Composed by David Banney. Children,Contemporary,Folk,Standards,World. Score and parts. 34 pages. David Banney #6353811. Published by David Banney (A0.878864). Tigers and Teapots is a collection of children's songs, arranged for unison children's choir and string orchestra. The pieces can be performed in many ways - they can be performed as indicated, for choir and strings, or the vocal lines can be performed by one or more instruments. The CD is available on iTunes: https://music.apple.com/au/album/tigers-and-teapots/1356450586Listen on Spotify: https://open.spotify.com/album/72RmUT63TxOKPAr9tWN6PA?si=y6GRHMWHQD-WIuMac6LeKAVol. 2 contains: Old brass wagon - Apple tree (Moon Apples) - Button - Cockatoo & Bow, wow, wow (Cockatoo and Dog) - Sleep, sleep - We are dancing in the forest (Wolf Dance)As most of the pieces are very short, no separate parts are provided for different sections of the orchestra (with the excpeption of a few longer pieces). This allows children to learn to read from a score, and allows for great flexibility in rehearsals.
$9.99
Tigers and Teapots, Vol. 4
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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David Banney
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Tigers and Teapots, Vol. 4
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David Banney
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.878865 Composed by David Banney. Children,Contemporary,Folk,World. Score and parts. 33 pages. David Banney #635386...
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Chamber Orchestra - Level 4 - SKU: A0.878865 Composed by David Banney. Children,Contemporary,Folk,World. Score and parts. 33 pages. David Banney #6353865. Published by David Banney (A0.878865). Tigers and Teapots is a collection of children's songs, arranged for unison children's choir and string orchestra. The pieces can be performed in many ways - they can be performed as indicated, for choir and strings, or the vocal lines can be performed by one or more instruments. The CD is available on iTunes: https://music.apple.com/au/album/tigers-and-teapots/1356450586Listen on Spotify: https://open.spotify.com/album/72RmUT63TxOKPAr9tWN6PA?si=y6GRHMWHQD-WIuMac6LeKAVol. 4 contains: Maranoa Lullaby - Baa, baa, black sheep - I'm a great big tiger (The Dream of Cowboy Cat) - Agnus Dei - Three Little Ducks - The Birch Tree - Canoe Song.As most of the pieces are very short, no separate parts are provided for different sections of the orchestra (with the excpeption of a few longer pieces). This allows children to learn to read from a score, and allows for great flexibility in rehearsals.
$9.99
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Fields Of Gold
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Orchestre de chambre
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INTERMÉDIAIRE
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Sting
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Gerhard Guter
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Fields Of Gold
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Gerhard Guter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #...
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Chamber Orchestra - Level 3 - SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #3244463. Published by Gerhard Guter (A0.844233). Looking for a beautiful piece with a poignant lyric to be sung with a string quartet at a wedding or other celebration of life? Look no further. Fields of Gold is a beautiful ballad treatment of this song from Sting's classic Ten Summoner's Tales album. Though the demo recording features a female voice, this arrangement be performed effectively by a male vocalist as well. Optional multiple-stops are notated so that beginning string players can focus on single note lines exclusively.
$29.99
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