Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song Of Home
Sheetmusicplus
Non classifié
863
Piano & claviers
Piano, Voix
331
Piano seul
311
Piano, Voix et Guitare
174
Instruments en Do
109
Piano Facile
104
Piano grosses notes
29
Orgue
20
Accompagnement Piano
17
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
9
Accordéon
8
Clavier
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Ukulele
24
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
16
Basse electrique
7
Banjo
3
Mandoline
3
2 Guitares (duo)
2
Ukulele Baryton
2
Dulcimer
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
250
Chorale 3 parties
56
Chorale TTBB
49
Chorale 2 parties
42
Chorale Unison
28
Chorale SSAA
22
Voix Soprano, Piano
19
Voix Tenor, Piano
14
Voix Alto, Piano
13
Voix Baryton, Piano
13
Voix duo, Piano
8
Voix duo
6
Voix basse, Piano
2
Voix haute
2
Voix Baryton
1
Voix seule
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
55
Clarinette
47
Clarinette et Piano
47
Hautbois, Piano (duo)
44
Saxophone Alto et Piano
44
Quatuor de Saxophones: 4 saxophones
36
2 Saxophones (duo)
27
Flûte, Hautbois, Clarinette, Basson
25
Flûte traversière
24
Saxophone Tenor et Piano
21
Hautbois (partie séparée)
21
Saxophone Alto
19
2 Flûtes traversières (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone (partie séparée)
18
Saxophone Soprano et Piano
15
Ensemble de Clarinettes
15
Saxophone Tenor
15
Quintette de Saxophone: 5 saxophones
14
Saxophone Baryton, Piano
14
Ensemble de Flûtes
14
Hautbois
13
Quatuor de Flûtes : 4 flûtes
12
3 Clarinettes (trio)
11
Cor anglais, Piano
9
2 Clarinettes (duo)
9
Clarinette Basse, Piano
7
3 Saxophones (trio)
7
2 Flûte à bec (duo)
6
Flûte, Clarinette (duo)
6
2 Hautbois (duo)
5
Flûte à bec Soprano
5
Ensemble de saxophones
4
Clarinette, Violon (duo)
4
Ocarina
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violon, Piano
4
Saxophone Soprano
4
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Harpe et Violoncelle
2
Clarinette, Trompette (duo)
2
Flute, harpe et violon
2
Hautbois, Violon, Piano
2
Clarinette, Guitare (duo)
2
Flûte à bec Alto
2
Flûte, Basson et Piano
2
Flûte à bec Alto, Piano
2
Flûte, Saxophone (duo)
2
Hautbois, Basson (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
Trio de Flûtes: 3 flûtes
2
Flûte, Alto et Piano
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Guitare (duo)
1
Flute (partie séparée)
1
Cor Anglais
1
Flûte et Guitare
1
Piccolo, Piano
1
Flûte, Trompette (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton
1
Harmonica
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
+ 71 instrumentations
Retracter
Cuivres
Trompette, Piano
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trombone et Piano
33
Cor et Piano
33
Trompette
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trombone
16
Quatuor de cuivres: 4 trombones
15
Cor
14
Tuba et Piano
11
Euphonium, Piano (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trompettes (duo)
10
Cor anglais, Piano
9
Tuba
9
2 Trombones (duo)
8
Trombone (partie séparée)
5
Ensemble de Trombones
5
Quatuor de Cuivres
5
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Trompette (partie séparée)
3
Ensemble de Trompettes
3
2 Tubas (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
Cor (partie séparée)
2
Euphonium
2
Trompette, Trombone, Piano
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
Cor Anglais
1
Cornet et orchestre
1
Tuba et Orgue
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
Tuba (partie séparée)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
174
Violon, Violoncelle (duo)
96
Violon et Piano
78
Violon
68
Trio à Cordes: 2 violons, violoncelle
68
Violoncelle, Piano
64
Violoncelle
62
Alto, Piano
56
Harpe
36
Alto seul
29
2 Violoncelles (duo)
26
Trio à Cordes: violon, alto, violoncelle
23
2 Violons (duo)
23
Violon, Alto (duo)
15
Violon, Basson (duo)
11
Alto (partie séparée)
10
Alto, Violoncelle (duo)
9
2 Altos (duo)
7
Contre Basse
7
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
6
Violon (partie séparée)
4
Ensemble de Violons
4
Piano Trio: Violon, Alto, Piano
4
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Ensemble d'Altos
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
Harpe, Violon, Violoncelle
2
2 Harpes (duo)
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
133
Orchestre
37
Orchestre à Cordes
29
Fanfare
27
Batterie
26
Ensemble de cuivres
16
Ensemble Jazz
13
Orchestre de chambre
7
Jazz combo
5
Cloches
5
Ensemble de Percussions
4
Percussion
1
Marimba
1
Percussion (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
345
Partitions Numériques
7
Librairie Musicale
0
Matériel de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Song Of Home
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
<
1
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Thomas Oboe Lee
#
Tantric Psalms
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Thomas Oboe Lee
#
Tantric Psalms
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Hancock Shaker Village
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach and Neth
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein H
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale