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CORDES
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Harpe
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Alto seul
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Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
123
Ensemble Jazz
25
Jazz combo
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Batterie
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Fanfare
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Fugue and Divertimento for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Ma…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier MartÃnez Maya. 20th Century,Baroque,Concert,Standards,World. Score and parts. 37 pages. Arte Nova Music Lab #14299. Published by Arte Nova Music Lab (A0.742331). Javier MartÃnez (Pd The Liverpool Institute for Performing Arts, MA Berklee College of Music) is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Ingeson Recording Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 6, Finale 2014, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$30.00
27.49 €
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Orchestre de chambre
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Javier MartÃnez Maya
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Fugue and Divertimento for Chamber Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
43.01 €
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Campana sobre campana (String quartet and clarinet)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.940046 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940046 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 5 pages. César Zumel #6658333. Published by César Zumel (A0.940046). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.9 €
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Orchestre de chambre
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Traditional Spanish Carol
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César Zumel
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Campana sobre campana
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César Zumel
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SheetMusicPlus
Campana sobre campana (String quartet and flute)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.940048 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940048 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 11 pages. César Zumel #6658337. Published by César Zumel (A0.940048). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.9 €
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Orchestre de chambre
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Traditional Spanish Carol
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César Zumel
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Campana sobre campana
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César Zumel
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.3 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
L'Encouragement Op. 34 for guitar and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532644 Composed by F. Sor. A…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532644 Composed by F. Sor. Arranged by Klas Krantz. Classical. Score and Parts. 18 pages. Amadeus Music #6662465. Published by Amadeus Music (A0.532644). Fernando Sor (1778 – 1839) was a Spanish guitarist and composer, born in Barcelona. In Spain he is sometimes known as the Beethoven of the Guitar.
$15.95
14.61 €
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Orchestre de chambre
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F
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Klas Krantz
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L'Encouragement Op. 34 for guitar and string quartet
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Amadeus Music
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SheetMusicPlus
Campana sobre campana (String quartet and oboe)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.940045 Composed by Public do…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.940045 Composed by Public domain spanish traditional carol. Arranged by César Zumel. Christmas. Score and parts. 11 pages. César Zumel #6658097. Published by César Zumel (A0.940045). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.String quartet armony is close to the known armony, with some tuning of modern harmony just to update the sound for XXI century.Very atractive for ensembles that wants perform known carols, easy to engage the public and in some cases to invite the public to sing.
$12.99
11.9 €
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Orchestre de chambre
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Public domain spanish traditional carol
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César Zumel
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Campana sobre campana
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César Zumel
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SheetMusicPlus
Campana sobre campana (String quartet and saxo)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.940047 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940047 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 5 pages. César Zumel #6658335. Published by César Zumel (A0.940047). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.9 €
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Orchestre de chambre
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Traditional Spanish Carol
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César Zumel
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Campana sobre campana
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César Zumel
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SheetMusicPlus
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