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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Spirit Come
Non classifié
1 081
Piano & claviers
Piano seul
349
Piano, Voix
107
Piano, Voix et Guitare
103
Piano Facile
102
Orgue
92
Accompagnement Piano
77
Instruments en Do
50
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
12
Ukulele
10
Basse electrique
3
Mandoline
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Dulcimer
1
Banjo
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
464
Chorale 3 parties
134
Chorale 2 parties
122
Chorale Unison
70
Chorale TTBB
29
Voix duo, Piano
21
Chorale SSAA
21
Voix Tenor, Piano
20
Voix duo
11
Voix Soprano, Piano
9
Voix Alto, Piano
8
Voix seule
6
Voix Soprano
4
Voix Tenor
4
Voix Baryton, Piano
3
Voix haute
3
Chorale
3
Voix basse, Piano
2
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
1
Voix, Guitare
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
54
Flûte traversière
46
2 Saxophones (duo)
45
Clarinette et Piano
41
Saxophone Alto et Piano
38
Hautbois, Piano (duo)
35
Quatuor de Saxophones: 4 saxophones
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Hautbois (partie séparée)
34
Clarinette
32
Saxophone Tenor et Piano
31
Saxophone Alto
29
Flûte, Hautbois, Clarinette, Basson
26
Saxophone Soprano et Piano
25
2 Flûtes traversières (duo)
24
Saxophone (partie séparée)
23
2 Clarinettes (duo)
17
Quintette de Saxophone: 5 saxophones
17
Saxophone Tenor
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Baryton, Piano
14
Flûte, Clarinette (duo)
12
Flûte à bec Soprano
12
Flûte à bec Alto
11
Quatuor de Flûtes : 4 flûtes
9
Cor anglais, Piano
8
2 Hautbois (duo)
6
Ocarina
6
Flûte à Bec
6
Flûte à bec Tenor
6
Flûte, Violon, Piano
5
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette et Basson
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Hautbois
4
Cor Anglais
3
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
3 Saxophones (trio)
3
Clarinette Basse, Piano
3
Harmonica
3
3 Clarinettes (trio)
3
Ensemble de saxophones
2
Saxophone Baryton
2
Ensemble de Flûtes
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Guitare (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Hautbois, Violoncelle et Piano
1
Flute (partie séparée)
1
Saxophone, Clarinette (duo)
1
Saxophone
1
Flûte à bec Alto, Piano
1
Clarinette (partie séparée)
1
Flûte, Hautbois, Violon
1
Hautbois, violon (duo)
1
Flûte, Alto et Piano
1
Cornemuse
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Clarinette et Alto
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
Flûte, Violoncelle
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violon (duo)
1
Hautbois et alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Alto (duo)
1
Ensemble de Clarinettes
1
Clarinette, trompette et piano
1
Flûte et Guitare
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trompette
36
Trompette, Piano
35
Trombone et Piano
31
Trombone
26
Cor et Piano
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Cor
18
Tuba
18
2 Trompettes (duo)
13
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Trombone (duo)
9
2 Cors (duo)
9
2 Trombones (duo)
8
Cor anglais, Piano
8
Trompette, Cor (duo)
7
Quatuor de Cuivres
7
Trio de Cuivres
5
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trombones
3
Cor Anglais
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
Cor, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
Ensemble de Trombones
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
+ 31 instrumentations
Retracter
Cordes
Violon et Piano
97
Quatuor à cordes: 2 violons, alto, violoncelle
96
Violoncelle, Piano
53
Alto, Piano
51
Violon
50
Violoncelle
47
Alto seul
37
2 Violons (duo)
30
Harpe
29
Contre Basse
29
2 Violoncelles (duo)
17
Violon, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
10
2 Altos (duo)
10
Piano Trio: Violon, Alto, Piano
9
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Harpes (duo)
5
Violon (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
3
Harpe, Flûte (duo)
3
Violon, Basson (duo)
3
Contrebasse (partie séparée)
3
2 Contrebasses (duo)
2
Harpe et Piano
2
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
4 Violoncelles
1
Alto et Harpe
1
Alto, Violoncelle (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
204
Orchestre
34
Cloches
34
Orchestre à Cordes
23
Ensemble de cuivres
13
Jazz combo
10
Orchestre de chambre
7
Fanfare
6
Marimba
5
Percussion (partie séparée)
4
Ensemble Jazz
3
Percussion
1
2 Xylophones
1
2 Marimbas
1
Ensemble de Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Batterie
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Spirit Come
Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Just A Closer Walk With Thee for String Quartet or Wind Quartet (Mixed Quartet, Double Reed Quartet,
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Orchestre de chambre
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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Just A Closer Walk With Thee f
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.530757 Composed by Traditional. Arranged by Daniel Kelley. Gospel,Sacred,Spiritual,Standards. Score and parts. 30 ...
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Chamber Orchestra - Level 3 - SKU: A0.530757 Composed by Traditional. Arranged by Daniel Kelley. Gospel,Sacred,Spiritual,Standards. Score and parts. 30 pages. Last Resort Music Publishing #6065337. Published by Last Resort Music Publishing (A0.530757). JUST A CLOSER WALK WITH THEE is a traditional gospel song which has been performed and recorded by literally hundreds of artists. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you.An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Set of 11 Parts plus ScorePart 1 Flute or Oboe or ViolinPart 1 Clarinet in BbPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 ViolaPart 3 Violin Part 3 Clarinet in BbPart 3 English Horn or French Horn in FPart 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C)
$9.95
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Arizona Centennial Overture - Chamber Orchestra Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
Becoming • Instrument Backing score and Parts for Solo and SAB
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Orchestre de chambre
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FACILE
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C
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C
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Becoming • Instrument Bac
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Shining Sharon Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1164772 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Contemporary,Spiritual. Score and pa...
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Chamber Orchestra - Level 2 - SKU: A0.1164772 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Contemporary,Spiritual. Score and parts. 14 pages. Shining Sharon Music #765106. Published by Shining Sharon Music (A0.1164772). Line upon line, precept on precept, we learn and grow, sometimes at an alarming rate, other times at a snail's pace. As we are each individuals, this is wholly appropriate. The goal for each of us, for everything that we learn, is to use it to love God, love ourselves and prepare to meet God –– to BECOME –– hourly, daily, weekly, yearly, as we learn and grow in life and through Eternity. Think of the possibilities! With God, nothing is impossible!Orchestra parts consist of: Full Score, Flute, Oboe, Viola, Acoustic Bass).
$50.00
TRANSFORMATION SYMPHONY
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Orchestre de chambre
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AVANCÉ
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Sara Bongo
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TRANSFORMATION SYMPHONY
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1014368 Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and parts. 183 pages...
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Chamber Orchestra - Level 5 - SKU: A0.1014368 Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and parts. 183 pages. Sara Bongo #6237381. Published by Sara Bongo (A0.1014368). Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofiev’s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.)Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed.
$200.00
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