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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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PIANO & CLAVIERS
Piano seul
212
Piano Facile
94
Piano, Voix
90
Piano, Voix et Guitare
36
Instruments en Do
27
Orgue
24
Accompagnement Piano
16
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
1 Piano, 4 mains
1
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GUITARES
2 Guitares (duo)
10
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
7
Guitare
6
Basse electrique
5
Ukulele
5
Dulcimer
1
Paroles et Accords
1
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VOIX
Chorale SATB
274
Chorale Unison
87
Chorale 3 parties
55
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46
Voix duo, Piano
38
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15
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8
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8
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5
Voix haute
4
Voix Alto, Piano
3
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Voix moyenne, Piano
1
Voix duo
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quintette de Saxophone: 5 saxophones
69
Hautbois, Piano (duo)
43
Quatuor de Saxophones: 4 saxophones
42
2 Saxophones (duo)
42
Flûte traversière et Piano
33
2 Flûtes traversières (duo)
31
Clarinette et Piano
30
Flûte, Hautbois, Clarinette, Basson
28
Flûte traversière
25
Saxophone Alto
24
Clarinette
23
Saxophone Tenor et Piano
20
Saxophone Alto et Piano
19
Flûte, Clarinette (duo)
19
Saxophone Soprano et Piano
18
Saxophone Baryton, Piano
14
2 Clarinettes (duo)
14
Saxophone Tenor
14
Hautbois (partie séparée)
13
Quatuor de Flûtes : 4 flûtes
12
Saxophone (partie séparée)
11
2 Hautbois (duo)
10
Hautbois
9
Hautbois, Basson (duo)
9
Cor anglais, Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Clarinettes
7
3 Saxophones (trio)
7
Saxophone Baryton
6
Saxophone Soprano
6
Clarinette, Violon (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Trompette (duo)
5
Saxophone, Clarinette (duo)
5
3 Clarinettes (trio)
5
Clarinette, Violoncelle (duo)
5
Clarinette, Trompette (duo)
5
Clarinette, Basson (duo)
4
Clarinette et Alto
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Alto
3
Flûte, Violoncelle
3
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2
Flûte, Violon
2
Hautbois, violon (duo)
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
2 Saxophones, Piano
2
Flûte, Saxophone (duo)
2
Clarinette (partie séparée)
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Flûte, Alto (duo)
2
Hautbois et alto (duo)
2
Hautbois, Violoncelle
2
Hautbois, Clarinette (duo)
2
Clarinette, Tuba
1
Flûte à bec Alto, Piano
1
Flûte, Trombone (duo)
1
5 Flûtes à bec
1
Ensemble de Flûtes
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Contrebasse (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Ensemble de saxophones
1
Flûte, Hautbois, Basson
1
Flûte, Tuba (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, trombone (duo)
1
Quatuor de Flûtes à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone
22
Trompette
22
Trombone et Piano
22
Cor et Piano
22
Tuba
17
Tuba et Piano
16
Trompette, Piano
16
Cor
14
2 Trompettes (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Trombone (duo)
12
2 Cors (duo)
10
Quatuor de Cuivres
10
2 Trombones (duo)
10
Trompette, Cor (duo)
9
Cor anglais, Piano
8
Euphonium, Piano (duo)
5
Ensemble de Trombones
5
Trompette, Saxophone (duo)
4
Trio de Cuivres
4
2 Tubas (duo)
4
Ensemble de Trompettes
3
Tuba et Orgue
2
Cor, Violoncelle (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trombones
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 cors
1
Trombone, Violon (duo)
1
Cor (partie séparée)
1
Trompette, Trombone, Piano
1
Tuba (partie séparée)
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
4 Tubas
1
Trombone (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Euphonium
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
50
Violoncelle, Piano
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Alto, Piano
32
Violon, Violoncelle (duo)
29
Violon
28
Violoncelle
27
2 Violons (duo)
26
Violon, Alto (duo)
22
Alto seul
18
Contre Basse
15
Contrebasse, Piano (duo)
13
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
11
Violon, Basson (duo)
6
Harpe
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Piano Trio: Violon, Alto, Piano
4
Ensemble de Violons
4
2 Contrebasses (duo)
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
86
Orchestre
45
Orchestre à Cordes
24
Orchestre de chambre
9
Cloches
8
Batterie
8
Jazz combo
3
Fanfare
3
Xylophone, Piano
2
Ensemble de cuivres
2
Vibraphone et Marimba
2
Ensemble Jazz
2
Percussion (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Spirit Of Life
Orchestre de chambre
Partitions à imprimer
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Wonderful Words of Life
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1427219 Composed by P. P. Bl…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1427219 Composed by P. P. Bliss. Arranged by Hyunsung Lee, Hyunsung Essie Lee. Chamber,Christian,Classical,Praise & Worship,Spiritual. 36 pages. Hyunsung Essie Lee #1007936. Published by Hyunsung Essie Lee (A0.1427219). Lowest Price on ESSIEMUSICDownload only for $12.90 Click HERE!한국분들은 이곳에서 구매하시면 더 저렴합니다. 네이버스토어바로가기This Sheet Music is for the Chamber OrchestraThis edition is basically similar to the original, but has especially arranged for the Chamber Orchestra : Flute, Oboe, Clarinet, Bassoon, Glockenspiel, Triangle, Piano, Violin1, Violin2, Viola, Cello, Double Bass / It can be performed without Glockenspiel, Triangle and Piano.You can listen to the original version of Piano Quintet here ▶️ Click to PlayAvailable on Apple Music (Quintet) ⓒ ESSIEMUSIC. Hyunsung (Essie) Lee. 이현성.
$15.90
14.54 €
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Orchestre de chambre
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P
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Wonderful Words of Life
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Hyunsung Essie Lee
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.56 €
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Orchestre de chambre
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Ever Forward
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber O…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
13.7 €
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Orchestre de chambre
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Trinity Chamber Orchestra of Bethesda, Maryland
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Deep River - Chamber Orchestra - Intermediate
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Concert,Folk,Spiritual,Standards. Score and parts. 18 pages. Chicory Music #2069587. Published by Chicory Music (A0.734287). Deep River is an anonymous spiritual of African American origin. Like all spirituals, it is a song of hope and longing, expressing a desire for peace and freedom in the present and in the afterlife. It is a slow haunting melody filled with emotion and faith and embodying the soul crying out in the universal longing for freedom. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st Violin, 2nd Violin, Viola, Cello, and Double Bass. Performance time is approx. 2 minutes 25 seconds.
$15.99
14.62 €
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Orchestre de chambre
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Traditional African - American Spiritual
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Dennis Ruello
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Deep River - Chamber Orchestra - Intermediate
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Chicory Music
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SheetMusicPlus
Druantia's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Sm…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
9.13 €
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Orchestre de chambre
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.13 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Conversations with Dead People
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1025415 Composed by Jehad Ch…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1025415 Composed by Jehad Choate. Contemporary,Film/TV,Spiritual. Score and parts. 17 pages. Jehad Choate #5327333. Published by Jehad Choate (A0.1025415). Conversations with Dead People positions the mood of what it would feel like to communicate with the loved ones we've lost. It was written in honor of a close friend who's life was cut short too soon. This is the arrangement and instrumentation used for the premiere with the New Score Chamber Orchestra in Orlando, Florida. Examples of this piece can be found on all major streaming platforms. .
$10.00
9.14 €
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Orchestre de chambre
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Jehad Choate
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Conversations with Dead People
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Jehad Choate
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SheetMusicPlus
Becoming • Instrument Backing score and Parts for Solo and SAB
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Micha…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Contemporary,Spiritual. Score and parts. 14 pages. Shining Sharon Music #765106. Published by Shining Sharon Music (A0.1164772). Line upon line, precept on precept, we learn and grow, sometimes at an alarming rate, other times at a snail's pace. As we are each individuals, this is wholly appropriate. The goal for each of us, for everything that we learn, is to use it to love God, love ourselves and prepare to meet God –– to BECOME –– hourly, daily, weekly, yearly, as we learn and grow in life and through Eternity. Think of the possibilities! With God, nothing is impossible!Orchestra parts consist of: Full Score, Flute, Oboe, Viola, Acoustic Bass).
$50.00
45.71 €
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Orchestre de chambre
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C
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C
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Becoming • Instrument Backing score and Parts for Solo and SAB
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Shining Sharon Music
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SheetMusicPlus
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