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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Still Ill
Non classifié
2 639
Piano & claviers
Piano seul
2 150
Piano, Voix et Guitare
997
Piano, Voix
923
Piano Facile
637
Instruments en Do
163
Orgue
124
Accompagnement Piano
63
1 Piano, 4 mains
62
Piano grosses notes
53
Accordéon
27
Piano Trio: piano, violon, violoncelle
27
2 Pianos, 4 mains
20
Piano (partie séparée)
15
Piano Quatuor: piano, 2 violons, violoncelle
9
Ligne De Mélodie, Piano
4
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
1 Piano, 6 mains
1
Instrument seul et Orgue
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
481
Ligne De Mélodie, (Paroles) et Accords
243
Paroles et Accords
178
Guitare
167
Ukulele
137
Basse electrique
113
Guitare (partie séparée)
22
Dulcimer
16
Piano, Guitare (duo)
13
2 Guitares (duo)
8
Mandoline
8
Banjo
5
4 Guitares (Quatuor)
4
Guitare Pedal Steel
4
3 Guitares (trio)
4
Ukulele Baryton
3
Dobro
2
Guitare Tab, Voix, Basse, Batterie
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
972
Chorale 3 parties
365
Chorale 2 parties
251
Chorale TTBB
239
Pack Instrumental pour Chorale
141
Chorale SSAA
129
Voix seule
73
Chorale Unison
66
Voix duo, Piano
51
Chorale
37
Voix duo
25
Voix haute
14
Voix Soprano, Piano
12
Voix moyenne, Piano
12
Voix basse, Piano
11
Voix Alto, Piano
7
Voix Baryton, Piano
7
Chorale SSATTB
6
Voix Tenor, Piano
5
Chorale SSAATTBB
4
Voix basse
2
Chorale SSATB
1
Chorale SSAATB
1
Voix Tenor
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Chorale, Orgue
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
+ 24 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
268
Flûte traversière et Piano
202
Flûte, Hautbois, Clarinette, Basson
164
Clarinette
145
Flûte traversière
145
Saxophone (partie séparée)
143
Clarinette et Piano
141
Saxophone Alto et Piano
135
Hautbois, Piano (duo)
116
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
2 Flûtes traversières (duo)
94
Quatuor de Clarinettes: 4 clarinettes
90
Saxophone
85
Saxophone Tenor et Piano
81
2 Saxophones (duo)
77
Saxophone Soprano et Piano
70
Saxophone Alto
65
Saxophone Tenor
59
Quatuor de Flûtes : 4 flûtes
55
Quintette de Saxophone: 5 saxophones
54
2 Clarinettes (duo)
48
3 Saxophones (trio)
45
3 Clarinettes (trio)
42
Hautbois (partie séparée)
41
Clarinette (partie séparée)
38
Ensemble de Clarinettes
35
Trio de Flûtes: 3 flûtes
33
Flute (partie séparée)
31
Ensemble de Flûtes
30
Quintette de Clarinettes: 5 clarinettes
25
Flûte, Clarinette et Basson
24
Ensemble de saxophones
24
Flûte, Clarinette (duo)
24
Saxophone Baryton, Piano
23
2 Clarinettes, Basson
20
Flûte et Guitare
19
Flûte, Hautbois, Basson
19
Flûte, Hautbois, Clarinette (trio)
19
Clarinette, Violon (duo)
17
Saxophone, Clarinette (duo)
16
Flûte, Violon et Violoncelle
16
Hautbois, Clarinette, Basson (trio d'anches)
15
2 Hautbois (duo)
15
Cor anglais, Piano
14
Flûte à bec Soprano
12
Flûte, Violon
12
Quatuor de Flûtes à bec
12
Hautbois, Basson (duo)
11
Clarinette, Trompette (duo)
11
Clarinette Basse, Piano
11
Quintette de Flûte : 5 flûtes
10
Clarinette, Violoncelle (duo)
10
Flûte à bec Alto
9
Flûte à bec Alto, Piano
8
Flûte, Saxophone (duo)
7
Flûte à Bec
7
Hautbois
7
Flûte, Violoncelle, Piano (trio)
7
Clarinette, Guitare (duo)
7
Clarinette, Basson (duo)
6
Flûte, Violoncelle
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
2 Flûte à bec (duo)
6
Hautbois, Flûte
6
Ocarina
6
Flûte, Alto (duo)
6
Clarinette, Harpe (duo)
5
Instruments en Mib
5
2 Clarinettes, Piano
5
Hautbois, Violoncelle
5
Flûte, Trompette (duo)
5
Flûte à bec Soprano, Piano
5
Piccolo, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Flûtes traversières, Piano
4
Ensemble à vent
3
2 Hautbois et Basson
3
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Clarinette Basse
3
Saxophone et Guitare
3
Flûte, Hautbois (duo)
3
Flûte à Bec, Piano
3
Flûte, Violon, Piano
3
Saxophone Soprano
2
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
2
Flûte, trombone et piano
2
Harmonica
2
3 Hautbois
2
Flûte à bec Tenor
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Cors Anglais Et Pianoforte
1
Flûte, Alto et Violoncelle
1
2 Flûtes à bec, Piano
1
Saxophone et violoncelle
1
Hautbois, Guitare (duo)
1
Saxophone Baryton
1
Flûte, Basson et Piano
1
Hautbois, violon (duo)
1
Clarinette, trompette et piano
1
Flûte, Harpe et Violoncelle
1
Ensemble De Flûte à bec
1
5 Flûtes à bec
1
Hautbois et alto (duo)
1
4 Hautbois
1
Clarinette, Orchestre
1
Clarinette, Orgue
1
Flûte irlandaise
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone, Basson (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
+ 115 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Trompette
153
Quatuor de Cuivres : 2 trompettes, trombone, tuba
143
Trombone
120
Trompette (partie séparée)
115
Trombone et Piano
104
Trompette, Piano
104
Trombone (partie séparée)
103
Cor et Piano
72
Cor
60
Quatuor de Cuivres
53
Quatuor de cuivres: 4 trombones
41
2 Trompettes (duo)
40
2 Trombones (duo)
34
Ensemble de Trompettes
30
Cor (partie séparée)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Euphonium, Piano (duo)
26
Ensemble de Trombones
21
Quatuor de cuivres: 4 cors
18
Tuba (partie séparée)
18
Tuba
16
Tuba et Piano
16
Trio de Cuivres
15
2 Cors (duo)
15
Cor anglais, Piano
14
Trompette, Saxophone (duo)
14
Trompette, Trombone (duo)
12
4 Tubas
7
Euphonium, Tuba (duo)
7
2 Tubas (duo)
7
3 Trombones (trio)
7
Ensemble de Cors
7
2 Euphoniums et 2 Tubas
7
Instruments en Sib
6
Bass Clef Instruments
6
Euphonium
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 trompettes
5
3 Trompettes (trio)
4
Tuba et Orgue
4
Cor, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
3
Trompette, Basson (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Tuba (duo)
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors Anglais Et Pianoforte
1
Trompette et Guitare
1
Trompette, Violoncelle (duo)
1
Trompette, Violoncelle et Piano
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Instruments en Fa
1
Trombone, Violon (duo)
1
Cor et Basson (duo)
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
Trombone basse
1
Clarinette, Cor (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
489
Violon et Piano
223
Violoncelle, Piano
159
Alto, Piano
133
Violon
118
Violoncelle
103
Harpe
97
Violon, Violoncelle (duo)
78
2 Violons (duo)
76
Trio à Cordes: violon, alto, violoncelle
71
Alto seul
63
2 Violoncelles (duo)
46
Violon (partie séparée)
40
Contrebasse (partie séparée)
35
Violon, Alto (duo)
30
Contrebasse, Piano (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Trio à Cordes: 2 violons, violoncelle
25
Alto (partie séparée)
22
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Violoncelle (partie séparée)
15
2 Altos (duo)
15
Contre Basse
14
Violon, Guitare (duo)
13
2 Harpes (duo)
13
Harpe, Flûte (duo)
13
Piano Trio: Violon, Alto, Piano
11
Trio à Cordes: 3 violoncelles
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
5
2 Violons, Piano
4
Trio à cordes
4
Alto, Guitare (duo)
4
Harpe, Voix
4
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
3
Violon, Basson (duo)
3
Trio à cordes: 3 altos
3
Ensemble d'Altos
3
Ensemble de Violons
3
Violoncelle, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Basson
2
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Harpe (partie séparée)
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
538
Fanfare
300
Ensemble Jazz
229
Orchestre
205
Cloches
169
Orchestre à Cordes
166
Ensemble de cuivres
113
Orchestre de chambre
78
Batterie
60
Ensemble de Percussions
34
Jazz combo
29
Batterie (partie séparée)
19
Percussion (partie séparée)
19
Marimba
10
Vibraphone
8
Percussion
8
Timbales (partie séparée)
3
Xylophone
2
Piano et Orchestre
2
Instrumentation Flexible
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Xylophone, Piano
1
Timbales
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Ensemble d'École
1
Xylophone (partie séparée)
1
Marimba, Piano (duo)
1
+ 23 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
Still Ill
Orchestre de chambre
Partitions à imprimer
78 partitions trouvées
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76
Still, Still, Still
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Evelyn R
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Evelyn Larter Music
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Still, Still, Still
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Evelyn R Larter
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.749832 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score an...
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Chamber Orchestra - Level 4 - SKU: A0.749832 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 15 pages. Evelyn R Larter #3630123. Published by Evelyn R Larter (A0.749832). This is the beautiful Austrian carol arranged for clarinet solo, string quartet and piano in slow Jazz ballad style. It is from a set of international carols commissioned by clarinetist Lydia Calhoun for her CD, Carols for the King from Around the World, released in 2015. For more advanced performers, this perennial favorite is suitable for Christmas concerts and church preludes or offertories; it can be taken at either a moderate or a slower tempo, and is around 5 minutes in length. The clarinet solo version may be found in volume two of my two volume collection of carols for clarinet and piano, also titled Carols For The King From Around The World. The string parts are of moderate difficulty and may be purchased separately. See also the full score for cello, string quartet and piano, and for cello solo and piano. All these versions are available at Sheet Music Press, and more carols from the set will be made available in due course. For more information on my music, please visit www.evelynlartermusic.com or my Facebook page for Evelyn Larter Music.
$10.99
Nearer, Still Nearer and Here I Am, Lord
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Dan Schutte, Leila N
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Alva J
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Nearer, Still Nearer and Here
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simple000
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.917143 Composed by Dan Schutte, Leila N. Morris. Arranged by Alva J. Lee. Praise & Worship,Sacred,Spiritual. Score...
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Chamber Orchestra - Level 2 - SKU: A0.917143 Composed by Dan Schutte, Leila N. Morris. Arranged by Alva J. Lee. Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Simple000 #4735987. Published by simple000 (A0.917143). Nearer, Still Nearer and Here I Am, Lord
$6.99
Silent Night / Stille Nacht (Chamber Orchestra+Solo Vocal, Score and Parts)
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Jan Angermüller
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Silent Night / Stille Nacht
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Elbsound.studio
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1178349 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standar...
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Chamber Orchestra - Level 3 - SKU: A0.1178349 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 42 pages. Elbsound.studio #744899. Published by Elbsound.studio (A0.1178349). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocals (or solo instrument). The melody spans one and a half octaves (C4 to G5) and is singable by baritone, tenor, (high) alto and sopran registers or most solo instruments. The key moves from C to D major. Playback (without solo): https://www.youtube.com/watch?v=YQQhgYMrcEA Can be played both by professional orchestras and school orchestras. Also available for full orchestra. Instrumentation: 2 Flutes, 1 Oboe, 1 Bassoon, 1 Horn, Harp (or Piano), String Orchestra, Glockenspiel, Tubular Bells (optional), Vocal or Solo Instrument Duration: 4m00s Includes score and parts.The score is also available separately.
$59.99
Requiem
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Orchestre de chambre
#
Harald Weiss
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Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Richard Decker
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Quiet Times - Solo Flugelhorn
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Charles Decker Music Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker M...
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Chamber Orchestra - Level 4 - SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
Still, Still, Still (with Brahms' Lullaby) - Full Score
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Orchestre de chambre
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Noël
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Phillip Keveren
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Christmas
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Still, Still, Still
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music...
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Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music
$7.00
You're Still The One
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Orchestre de chambre
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FACILE
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Shania Twain
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Marcos Cohen
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You're Still The One
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Tritonus
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1302245 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Marcos Cohen. Classical,Contempor...
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Chamber Orchestra - Level 2 - SKU: A0.1302245 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Marcos Cohen. Classical,Contemporary,Country,Pop,Wedding. Score and Parts. 33 pages. Tritonus #891850. Published by Tritonus (A0.1302245). Arrangement for orchestra.
$49.99
To Come To A Place That Is Still - Score
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Orchestre de chambre
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AVANCÉ
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James F
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To Come To A Place That Is Sti
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WayWordBound
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. ...
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Chamber Orchestra - Level 5 - SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. Published by WayWordBound (A0.729582). For Chamber Orchestra, Alternative Notation Used, Score in C, 1 Flute, 2 Oboes, 1 Clarinet, 2 Bassoons, 2 French Horns, 1 Trumpet, 1 Percussion (Tympani), Strings (66442).
$30.00
Into the Stillness - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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David Lantz and Words by Susan
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Into the Stillness - Score Onl
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. Lantz Choral Publi...
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Chamber Orchestra - Level 3 - SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. Lantz Choral Publications #887864. Published by Lantz Choral Publications (A0.1401322). 8.5 x 14 score-only version (no parts included) of the SAB anthem with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SAB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SAB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Into the Stillness
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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David Lantz and Words by Susan
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Into the Stillness
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297890 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. L...
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Chamber Orchestra - Level 3 - SKU: A0.1297890 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. Lantz Choral Publications #887862. Published by Lantz Choral Publications (A0.1297890). Chamber orchestration accompaniment for use with the SAB octavo with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SAB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough coopies of the octavo for your chorus Octavo is available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.Instrumentation:SAB (for reference only)Piano (for reference only) Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (1 player)Glockenspiel (1 player)Percussion (1 or 2 players)Violin IViolin IIViola CelloContrabassNOTE: Larger 8.5 x 14 score is available separetely at Sheet Music Direct and Sheet Music Plus.
$60.00
Into the Stillness
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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David Lantz and Words by Susan
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Into the Stillness
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1297246 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. L...
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Chamber Orchestra - Level 3 - SKU: A0.1297246 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. Lantz Choral Publications #887320. Published by Lantz Choral Publications (A0.1297246). Chamber orchestration accompaniment for use with the SATB octavo with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough coopies of the octavo for your chorus Octavo is available at Sheet Music Direct and Sheet Music Plus.Instrumentation:SATB (for reference only)Piano (for reference only) Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (1 player)Glockenspiel (1 player)Percussion (1 or 2 players)Violin IViolin IIViola CelloContrabassNOTE: Larger 8.5 x 14 score is available separetely at Sheet Music Direct and Sheet Music Plus.
$60.00
Rush: Time Stand Still - chamber ensemble (Transcribed Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
$8.97
Stille Nacht (Silent Night)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Marco Simoncini
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Marco Simoncini
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Stille Nacht
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MaestroSimoncini
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1140435 By Marco Simoncini. By Franz Xaver Gruber. Arranged by Marco Simoncini. Christian,Christmas,Praise & Worsh...
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Chamber Orchestra - Level 2 - SKU: A0.1140435 By Marco Simoncini. By Franz Xaver Gruber. Arranged by Marco Simoncini. Christian,Christmas,Praise & Worship,Religious,Traditional. Score and Parts. 12 pages. MaestroSimoncini #740685. Published by MaestroSimoncini (A0.1140435). An easy setting for mixed choir, flute, bassoon and strings where the choir is minimal and the strings are easy but beautiful.
$20.00
Stille Betrachtung an einem Herbstabend
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Anton Bruckner
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Peter Le Tissier
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Stille Betrachtung an einem He
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Peter Le Tissier
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1010824 Composed by Anton Bruckner. Arranged by Peter Le Tissier. Romantic Period. Score and parts. 13 pages. Pete...
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Chamber Orchestra - Level 3 - SKU: A0.1010824 Composed by Anton Bruckner. Arranged by Peter Le Tissier. Romantic Period. Score and parts. 13 pages. Peter Le Tissier #2845787. Published by Peter Le Tissier (A0.1010824). An arrangement of Anton Bruckner's eponymous miniature for solo Piano, written for Emma Thanner, a piano pupil of his, in 1863. Lasting roughly 3-4 minutes (depending on Tempo taken), and written for a small ensemble of Strings, Oboe, Clarinet, Bassoon and 2 Horns, this piece fits easily as an interlude into a concert programme.
$2.99
Rush: Bastille Day - chamber ensemble (Transcribed Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
$9.97
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Nearer, My God, to Thee
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Orchestre de chambre
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INTERMÉDIAIRE
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Matthew Still
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Matthew Still
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Nearer, My God, to Thee
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Matthew Still
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1106806 By Matthew Still. By Matthew Still. Arranged by Matthew Still. 20th Century,Chamber,Classical,Religious,Tr...
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Chamber Orchestra - Level 3 - SKU: A0.1106806 By Matthew Still. By Matthew Still. Arranged by Matthew Still. 20th Century,Chamber,Classical,Religious,Traditional. Score and Parts. 23 pages. Matthew Still #709680. Published by Matthew Still (A0.1106806). This is a new orchestral setting of the hymn tune BETHANY by Lowell Mason (Nearer, My God, to Thee), arranged for string quintet, flute/oboe, trumpet, harp, and piano accompaniment.
$5.00
Andante and Allegro for Horn and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Mary Jane Lang
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Andante and Allegro for Horn a
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MaryJaneLang
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #3...
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Chamber Orchestra - Level 5 - SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Children's Carol - Chamber Orchestra by David Catherwood
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Johann Schulz
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David Catherwood
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Children's Carol - Chamber Orc
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Opus 3 Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.739407 Composed by Johann Schulz. Arranged by David Catherwood. Christmas. Score and parts. 18 pages. Opus 3 Music...
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Chamber Orchestra - Level 3 - SKU: A0.739407 Composed by Johann Schulz. Arranged by David Catherwood. Christmas. Score and parts. 18 pages. Opus 3 Music #3228843. Published by Opus 3 Music (A0.739407). This popular carol has been given a fresh new orchestration. Designed to be simple but effective for chamber orchestra it will still workwith as few as 8 players and its inclusion would enhance any carol concert or service.Parts are written for Flutes ( or Oboe) Clarinets, Trumpet, Horn (or Trombone) Violins, (Viola) Cello & Bass(Instruments in brackets - parts are provided but they are not essential)As well as a full score a keyboard/organ part is supplied which can be used if any instruments on the score are unavailable.Useful as a short instrumental piece to provide an interlude or contrast in a Choral Concert or perhaps to cover movement/scene change in a Nativity Play
$15.00
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Scimitars of the Storm
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Orchestre de chambre
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INTERMÉDIAIRE
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Anthony Plominski
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Scimitars of the Storm
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Anthony Plominski
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plomins...
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Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plominski (A0.1459155). This is Scimitars of the Storm, an original orchestral composition made by Anthony Plominski. This piece includes 14 instruments of various types, though it can all be played one intrument, most commonly the piano. This piece has a dramatic, epic, battle sort of theme to it, which the many intruments help create. That epic feel keeps throughout the entire composition, though it still has variety and interesting parts to it. The difficulty of this piece can vary depending on what intrument is performing its part, though there is a decent amount of skill an experience required to play it.Loads of thought and effort went into this composition, despite it only being just over two minutes when correctly played. We hope that you enjoy playing this piece!
$10.00
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