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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stro\\\\
Non classifié
2 385
Piano & claviers
Piano seul
3 400
Piano, Voix
3 025
Piano, Voix et Guitare
956
Piano Facile
515
Instruments en Do
146
Orgue
117
Accordéon
81
1 Piano, 4 mains
75
Piano grosses notes
44
Piano (partie séparée)
38
2 Pianos, 4 mains
23
Accompagnement Piano
21
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Ligne De Mélodie, Piano
3
Clavecin
3
Orgue, Piano (duo)
3
Clavier
2
Instrument seul et Orgue
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
381
Ligne De Mélodie, (Paroles) et Accords
252
Guitare
214
Paroles et Accords
82
Basse electrique
79
Ukulele
74
Guitare (partie séparée)
47
2 Guitares (duo)
18
4 Guitares (Quatuor)
10
Banjo
9
Mandoline
9
Dulcimer
8
3 Guitares (trio)
7
Piano, Guitare (duo)
3
Ensemble de guitares
2
Ukulele Baryton
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 754
Chorale 3 parties
381
Voix haute
218
Chorale TTBB
188
Chorale 2 parties
171
Pack Instrumental pour Chorale
110
Chorale SSAA
108
Chorale Unison
78
Chorale
59
Voix seule
57
Voix duo, Piano
23
Voix duo
19
Voix Soprano, Piano
10
Voix Alto, Piano
10
Voix Baryton, Piano
9
Voix moyenne, Piano
8
Chorale SSAATTBB
6
Voix basse, Piano
5
Chorale SSATTB
4
Voix Soprano
3
Voix Tenor, Piano
3
Voix basse
2
Chorale SSAB a cappella
2
Voix, Guitare
2
Chorale SSAATB
1
Chorale SSATBB
1
Voix Tenor
1
+ 22 instrumentations
Retracter
Vents
Saxophone (partie séparée)
312
Flûte traversière
176
Clarinette (partie séparée)
164
Clarinette
141
Quatuor de Saxophones: 4 saxophones
126
Flûte traversière et Piano
109
Saxophone
105
Saxophone Alto
95
Clarinette et Piano
92
2 Saxophones (duo)
89
Saxophone Tenor
88
Hautbois, Piano (duo)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
Flute (partie séparée)
69
Quatuor de Clarinettes: 4 clarinettes
68
Flûte, Hautbois, Clarinette, Basson
66
Hautbois (partie séparée)
64
Saxophone Alto et Piano
63
2 Clarinettes (duo)
51
Quatuor de Flûtes : 4 flûtes
49
2 Flûtes traversières (duo)
41
Saxophone Soprano et Piano
40
Saxophone Tenor et Piano
39
Quintette de Saxophone: 5 saxophones
36
Saxophone, Clarinette (duo)
34
Flûte à Bec
31
Hautbois
26
Clarinette, Violon (duo)
25
3 Clarinettes (trio)
23
Flûte, Clarinette (duo)
21
Saxophone Baryton, Piano
19
Instruments en Mib
19
Cor anglais, Piano
18
Ensemble de Clarinettes
18
2 Hautbois (duo)
18
Quintette de Clarinettes: 5 clarinettes
17
Clarinette, Trompette (duo)
17
Ensemble de saxophones
17
Trio de Flûtes: 3 flûtes
16
Flûte, Violon
15
Flûte, Trompette (duo)
15
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
13
Hautbois, Basson (duo)
12
Flûte, Saxophone (duo)
12
Flûte et Guitare
11
Hautbois, Flûte
10
Clarinette et Alto
10
3 Saxophones (trio)
9
Quatuor de Flûtes à bec
9
Saxophone Soprano
8
Clarinette Basse, Piano
7
Harmonica
6
Flûte, Alto (duo)
6
Flûte, Hautbois (duo)
5
2 Flûte à bec (duo)
5
Ocarina
4
Saxophone, Violon (duo)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Trompette (duo)
4
Clarinette, Basson (duo)
4
Hautbois, violon (duo)
4
Quintette de Flûte : 5 flûtes
3
Flûte, Violon, Piano
3
Piccolo
3
Saxophone Baryton
3
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
3 Hautbois
2
Flûte, Violoncelle
2
Flûte, Clarinette et Basson
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Flûte à bec, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Saxophone et Guitare
1
Cornemuse
1
2 Clarinettes, Basson
1
5 Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
293
Trompette (partie séparée)
242
Trompette
236
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Cor (partie séparée)
99
Trombone
93
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Trombone et Piano
75
Trompette, Piano
69
Tuba (partie séparée)
65
Cor
62
Tuba
51
Cor et Piano
43
Ensemble de Trombones
42
2 Trombones (duo)
29
2 Trompettes (duo)
29
Trompette, Saxophone (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Quatuor de Cuivres
19
Instruments en Sib
19
Euphonium
18
Cor anglais, Piano
18
Bass Clef Instruments
16
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Euphonium, Piano (duo)
14
2 Cors (duo)
13
Trompette, Trombone (duo)
12
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
9
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
4
2 Euphoniums et 2 Tubas
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Trombone basse
3
Tuba et Orgue
2
Trio de Cuivres
2
Cor, Violoncelle (duo)
2
Cor Anglais
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Tuba ou Euphonium ou Saxhorn
2
Trombone, Orgue
1
2 Cors, Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Violoncelle et Piano
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Tubas
1
Instruments en Fa
1
Cornet et orchestre
1
3 Euphoniums
1
3 Cors (trio)
1
Ensemble de Cors
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
417
Violon
191
Violon et Piano
143
Violoncelle
140
Alto seul
106
Violon (partie séparée)
98
Violoncelle, Piano
88
Alto, Piano
88
Contrebasse (partie séparée)
80
Violon, Violoncelle (duo)
80
Trio à Cordes: violon, alto, violoncelle
68
Harpe
56
Alto (partie séparée)
51
2 Violons (duo)
47
2 Violoncelles (duo)
28
Violoncelle (partie séparée)
27
Violon, Alto (duo)
27
2 Altos (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contre Basse
18
Trio à Cordes: 2 violons, violoncelle
15
Contrebasse, Piano (duo)
13
4 Violoncelles
11
Piano Trio: Violon, Alto, Piano
10
Alto, Violoncelle (duo)
9
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
4
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Violon, Basson (duo)
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons et Basse continue
1
Harpe, Trombone (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 733
Orchestre
241
Orchestre à Cordes
215
Ensemble Jazz
214
Fanfare
182
Batterie
107
Ensemble de cuivres
99
Percussion (partie séparée)
89
Orchestre de chambre
71
Cloches
63
Jazz combo
40
Timbales (partie séparée)
31
Batterie (partie séparée)
29
Ensemble de Percussions
23
Percussion
20
Marimba
8
Caisse Claire
6
Instrumentation Flexible
3
Vibraphone
3
Big band
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Bongos
1
2 Xylophones
1
3 Percussions
1
Xylophone
1
Bodhran
1
Ensemble d'École
1
Conga
1
+ 25 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Stro\\\\
Orchestre de chambre
Partitions à imprimer
71 partitions trouvées
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1
26
51
Maestro
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Hans Zimmer
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Dico
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Maestro
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.505419 By Hans Zimmer. By Hans Zimmer. Arranged by Dico. Film/TV,Wedding. Score and parts. 33 pages. Dico Ferreira...
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Chamber Orchestra - Level 4 - SKU: A0.505419 By Hans Zimmer. By Hans Zimmer. Arranged by Dico. Film/TV,Wedding. Score and parts. 33 pages. Dico Ferreira #117068. Published by Dico Ferreira (A0.505419). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MAESTRO:- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Flugelhorn (Trumpet | Clarinet | Sop sax | Alto sax | Tenor sax | Horn in F)- Drum Set- Piano- Violin- Cello
$49.99
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Orchestre de chambre
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AVANCÉ
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Classique
#
Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
#
W.A.Mozart - O Isis und Osiris
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Arcadia Verlag
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
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Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Il Maestro
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stefano Fabrizio Sacchi
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Il Maestro
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Stefano Sacchi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.962256 Composed by Stefano Fabrizio Sacchi. Concert,Film/TV. Score and parts. 59 pages. Stefano Sacchi #6093389. P...
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Chamber Orchestra - Level 4 - SKU: A0.962256 Composed by Stefano Fabrizio Sacchi. Concert,Film/TV. Score and parts. 59 pages. Stefano Sacchi #6093389. Published by Stefano Sacchi (A0.962256). For Piano, Violin and String Orchestra.Score and Parts included.Composed and Orchestrated by Stefano Fabrizio Sacchi.Duration: c.a. 5 MinutesDifficulty level: Intermediate-AdvancedChamber Orchestra
$30.00
Concertino for Horn in D and Alto Trombone
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Orchestre de chambre
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Classique
#
Michael Haydn
#
Angus Armstrong
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Concertino for Horn in D and A
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Angus Armstrong
#
SheetMusicPlus
Composed by Michael Haydn (1737-1806). Arranged by Angus Armstrong. Classical Period. Score, Set of Parts. 68 pages. Published by Angus Armstrong (S0.19393). - ...
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Composed by Michael Haydn (1737-1806). Arranged by Angus Armstrong. Classical Period. Score, Set of Parts. 68 pages. Published by Angus Armstrong (S0.19393). - Score,Set of Parts - Classical Period - Angus Armstrong
$75.00
Porch
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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Isaiah Castro
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Porch
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Maestro Castro Publishing
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1355953 Composed by Alan Silvestri. Arranged by Isaiah Castro. 21st Century,Classical,Film/TV. 9 pages. Maestro Ca...
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Chamber Orchestra - Level 3 - SKU: A0.1355953 Composed by Alan Silvestri. Arranged by Isaiah Castro. 21st Century,Classical,Film/TV. 9 pages. Maestro Castro Publishing #940676. Published by Maestro Castro Publishing (A0.1355953). PORCH from Avengers: Infinity WarComposed by ALAN SILVESTRITranscribed by Isaiah CastroInstrumentationTimpaniStringsPage size: 9 x 12.
$70.00
Bewitched
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Laufey
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Isaiah Castro
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Bewitched
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Maestro Castro Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1491806 By Laufey. By Laufey and Spencer Stewart. Arranged by Isaiah Castro. 21st Century,Classical,Jazz,Pop,Singe...
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Chamber Orchestra - Level 4 - SKU: A0.1491806 By Laufey. By Laufey and Spencer Stewart. Arranged by Isaiah Castro. 21st Century,Classical,Jazz,Pop,Singer/Songwriter. 50 pages. Maestro Castro Publishing #1068486. Published by Maestro Castro Publishing (A0.1491806). Transcription of Laufey's orchestration Bewitched.Instrumentation:FluteOboeClarinet in B-flatBassoon2 Horns in FHarpCelestaSolo VoiceAcoustic GuitarStrings.
$115.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
We Are The World
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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USA For Africa
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Silvestro Sabatelli
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We Are The World
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Silvestro Sabatelli
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1144039 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. Christmas,Multic...
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Chamber Orchestra - Level 4 - SKU: A0.1144039 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. Christmas,Multicultural,Pop,Praise & Worship,Rock,World. Score and parts. 30 pages. Silvestro Sabatelli #744347. Published by Silvestro Sabatelli (A0.1144039). Arrangement for voice (lead voice), flute, clarinet, strings ensemble and rhythm section. Arrangiamento per voce (lead voice), flauto, clarinetto, ensemble di archi e sezione ritmica.
$100.00
Ave Maria - Giulio Caccini
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Orchestre de chambre
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INTERMÉDIAIRE
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Giulio Caccini
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Silvestro Sabatelli
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Ave Maria - Giulio Caccini
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Silvestro Sabatelli
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.925509 Composed by Giulio Caccini. Arranged by Silvestro Sabatelli. Baroque,Contemporary,Holiday,Standards,Wedding...
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Chamber Orchestra - Level 3 - SKU: A0.925509 Composed by Giulio Caccini. Arranged by Silvestro Sabatelli. Baroque,Contemporary,Holiday,Standards,Wedding. Score and parts. 12 pages. Silvestro Sabatelli #6871583. Published by Silvestro Sabatelli (A0.925509). Arrangement for mezzo-soprano and strings quartet (two violins, viola and cello).Arrangiamento per mezzo-soprano e quartetto d'archi (due violini, viola e violoncello).
$10.00
We Are The World
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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USA For Africa
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Silvestro Sabatelli
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We Are The World
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Silvestro Sabatelli
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1299140 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. 20th Century,Adv...
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Chamber Orchestra - Level 4 - SKU: A0.1299140 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Silvestro Sabatelli. 20th Century,Advent,Christmas,Pop,Praise & Worship. Score and Parts. 30 pages. Silvestro Sabatelli #744344. Published by Silvestro Sabatelli (A0.1299140). Arrangement for voice (lead voice), flute, clarinet, strings ensemble and rhythm section. Arrangiamento per voce (lead voice), flauto, clarinetto, ensemble di archi e sezione ritmica.
$100.00
Vivaldi - 10 Concertos (Book 2) for Violin solo, Strings and Cembalo - Scores and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santin...
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Chamber Orchestra - Level 4 - SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santino Cara #818968. Published by Santino Cara (A0.1222699). Complete scores and parts of 10 Concertos - Book 2 - for Violin solo, Strings and Cembalo. Composed in Venice between 1717 and 1730 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel.Concertos:11 - Violin Concerto in E minor RV 27312 - Violin Concerto in E minor RV 27813 - Violin Concerto in G minor RV 32314 - Violin Concerto in A major RV 34015 - Violin Concerto in A major RV 35216 - Violin Concerto in B flat major RV 36417 - Violin Concerto in B flat major RV 36718 - Violin Concerto in B flat major RV 37519 - Violin Concerto in B minor RV 38620 - Violin Concerto in B minor RV 388Other works by Vivaldi for Violin, Strings and Harpsichord:Vivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores andVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, strings and HarpsichordVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
Vivaldi - 10 Concertos (Book 1) for Violin solo, Strings and Cembalo - Scores and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santin...
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Chamber Orchestra - Level 4 - SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santino Cara #817739. Published by Santino Cara (A0.1221417). Complete scores and parts of 10 Concertos Book1 for Violin solo, Strings and Cembalo. Composed in Venice between 1712 and 1727 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara from the publications of publishers of the Vivaldi period.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel. Concertos:01 - Violin Concerto in C major RV 17002 - Violin Concerto in C major RV 17103 - Violin Concerto in C major RV 17204 - Violin Concerto in C major RV 17705 - Violin Concerto in C minor RV 19906 - Violin Concerto in D major RV 22207 - Violin Concerto in D major RV 23108 - Violin Concerto in D minor RV 243More Vivaldi Works for Violin, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, Strings and CembaloVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
Sama3i El-Layali
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Orchestre de chambre
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INTERMÉDIAIRE
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Maestro Prof
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Sama3i El-Layali
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Emil Khoury
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1009766 Composed by Maestro Prof. Dr. Emil Khoury. Classical,World. Score and parts. 2 pages. Emil Khoury #2028083...
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Chamber Orchestra - Level 3 - SKU: A0.1009766 Composed by Maestro Prof. Dr. Emil Khoury. Classical,World. Score and parts. 2 pages. Emil Khoury #2028083. Published by Emil Khoury (A0.1009766). Sama3i El-Layali (Listening to Nights Music) composed by Maestro Prof. Dr. Emil Khoury. For Middle-Eastern orchestra. The composition is suitable for all kinds of performances, particularly for international music festivals, educational purposes at academic institutions, and so on. The score includes the Tutti part only. 2 pages. Difficulty: Intermediate.
$19.99
Intrada for brass sextet & organ
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Hans-Andre Stamm
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Intrada for brass sextet &
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Hans-Andre Stamm
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.853252 Composed by Hans-Andre Stamm. 20th Century,Concert. Score and parts. 23 pages. Hans-Andre Stamm #6320611. P...
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Chamber Orchestra - Level 4 - SKU: A0.853252 Composed by Hans-Andre Stamm. 20th Century,Concert. Score and parts. 23 pages. Hans-Andre Stamm #6320611. Published by Hans-Andre Stamm (A0.853252). This piece is a perfect opener for ceremonies and concerts. Powerful chord strokes alternative with polyphonic passages, in which the trumpets play repetitive motives.
$15.95
Vivaldi - Violin Concerto No.4 in E minor RV 550 Op.3 for 4 Violins, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.4
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.516975 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 72 pages. Santino Cara #30...
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Chamber Orchestra - Level 3 - SKU: A0.516975 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 72 pages. Santino Cara #3089021. Published by Santino Cara (A0.516975). Complete score and parts of the Violin Concerto No.4 in E minor RV 550 for 4 Violins, Strings and Cembalo of the L'estro armonico Op.3 by Antonio Vivaldi. Reconstructed and elaborated in 2017 in Rome by Santino Cara. With the full score of the concert, they are inserted separately all the instrumental parts including the part for harpsichord. Movements: 1. Andante, 2. Allegro assai, 3. Adagio. 4. Allegro
$19.40
Vivaldi - Violin Concerto No.12 in E major RV 265 Op.3 for Violin solo, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.1
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.516991 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 52 pages. Santino Cara #31...
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Chamber Orchestra - Level 4 - SKU: A0.516991 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 52 pages. Santino Cara #3105997. Published by Santino Cara (A0.516991). Complete score and parts of the Violin Concerto No.12 in E major RV 265 for Violin solo, Strings and Cembalo, reconstructed by Santino Cara from L'Estro armonico Op.3 by Antonio Vivaldi. Movements: 1. Allegro, 2. Largo cantabile, 3. Allegro
$18.40
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 - arr. matching the Requiem KV 626
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship...
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Chamber Orchestra - Level 3 - SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozart’s Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces. This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozart’s last composition.
$59.90
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship...
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Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.
$59.90
Zemira
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jose Mauricio Nunes Garcia
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Steven Nunes
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Zemira
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Nagamon Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamo...
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Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
Visions of Nowhere, op. 10 - Score Only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Peter Le Tissier
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Visions of Nowhere, op. 10 - S
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Peter Le Tissier
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Pet...
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Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
Concerto Grosso in F minor.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
3etr Al-Sharq
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Orchestre de chambre
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Contemporain
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Maestro Prof
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3etr Al-Sharq
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Emil Khoury
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SheetMusicPlus
Composed by Maestro Prof. Dr. Emil Khoury. 20th Century, World. Score, Set of Parts. 4 pages. Published by Emil Khoury (S0.21225). - Score,Set of Parts - 20th C...
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Composed by Maestro Prof. Dr. Emil Khoury. 20th Century, World. Score, Set of Parts. 4 pages. Published by Emil Khoury (S0.21225). - Score,Set of Parts - 20th Century,World - Emil Khoury
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