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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
TEC Music
Non classifié
1 400
Piano & claviers
Piano seul
1 362
Piano Facile
678
Piano, Voix
312
Orgue
212
Piano, Voix et Guitare
121
Accompagnement Piano
28
1 Piano, 4 mains
23
Instruments en Do
22
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
12
Accordéon
11
Orgue, Piano (duo)
5
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
1 Piano, 6 mains
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
577
Guitare
248
Basse electrique
59
Mandoline
23
Ukulele
22
Banjo
22
Ligne De Mélodie, (Paroles) et Accords
15
Paroles et Accords
12
Ensemble de guitares
10
2 Guitares (duo)
10
4 Guitares (Quatuor)
7
Dulcimer
6
Guitare Pedal Steel
3
3 Guitares (trio)
2
Guitare (partie séparée)
2
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Luth
1
Piano, Guitare (duo)
1
2 Ukuleles
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
417
Chorale 3 parties
100
Chorale 2 parties
90
Voix seule
66
Chorale Unison
55
Voix duo, Piano
29
Voix Soprano, Piano
22
Voix duo
20
Chorale TTBB
18
Voix haute
18
Chorale SSAA
14
Chorale
8
Voix moyenne, Piano
7
Voix Baryton, Piano
7
Voix Soprano
3
Voix basse, Piano
3
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix basse
1
Chorale SSATB
1
Voix Tenor
1
+ 19 instrumentations
Retracter
Vents
Clarinette
179
Flûte traversière
126
Clarinette et Piano
124
Flûte traversière et Piano
120
Hautbois, Piano (duo)
100
2 Flûtes traversières (duo)
88
Saxophone Alto et Piano
79
Quatuor de Saxophones: 4 saxophones
77
Saxophone Soprano et Piano
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Saxophone Alto
57
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Tenor et Piano
51
Hautbois
49
Saxophone
48
Saxophone Tenor
47
Saxophone Baryton, Piano
45
Quintette de Saxophone: 5 saxophones
45
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
37
Saxophone (partie séparée)
36
Saxophone Soprano
33
Saxophone Baryton
32
2 Saxophones (duo)
28
Hautbois (partie séparée)
17
Clarinette (partie séparée)
16
Flûte à bec Alto
16
Flûte à bec Soprano
16
3 Saxophones (trio)
16
Flûte, Trombone (duo)
11
Quatuor de Flûtes : 4 flûtes
11
2 Hautbois (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Trio de Flûtes: 3 flûtes
9
Harmonica
9
Ensemble de Clarinettes
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Hautbois, Basson (duo)
8
Flûte, Clarinette (duo)
7
Cor anglais, Piano
7
Clarinette, Basson (duo)
7
Clarinette Basse, Piano
6
Flute (partie séparée)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle
6
Hautbois, Violoncelle
5
Ensemble de Flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte à bec Tenor
5
Flûte, Violon, Piano
5
Quintette de Flûte : 5 flûtes
5
Flûte à Bec
5
Hautbois, Clarinette (duo)
4
3 Clarinettes (trio)
4
Ensemble à vent
4
3 Flûtes à bec (trio)
3
Flûte, Alto (duo)
3
2 Clarinettes, Piano
3
Flûte, Violon
3
Flûte, Hautbois (duo)
3
Ocarina
3
Clarinette, Violon (duo)
3
Hautbois, Basson et Piano
3
Flûte, Alto et Violoncelle
2
Ensemble de saxophones
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Saxophone, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Flûte de Pan
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flûte, alto et harpe
1
Flûte traversière, Orchestre
1
Flûte, Basson et Piano
1
Flûte irlandaise
1
Instruments en Mib
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
Clarinette et Alto
1
Flûte, Violoncelle, Guitare
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
Ensemble de Hautbois
1
Hautbois et alto (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois et Cor anglais
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Basse continue
1
Hautbois, violon (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Contrebasse (duo)
1
+ 94 instrumentations
Retracter
Cuivres
Trompette
122
Trombone et Piano
90
Trompette, Piano
75
Trombone
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
73
Tuba
73
Cor et Piano
71
Cor
71
Tuba et Piano
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trombone (partie séparée)
27
Trompette (partie séparée)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
2 Trompettes (duo)
18
2 Trombones (duo)
15
2 Cors (duo)
12
Cor (partie séparée)
10
Quatuor de Cuivres
10
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
8
2 Tubas (duo)
7
Cor anglais, Piano
7
Quatuor de cuivres: 4 trombones
7
Euphonium
7
Ensemble de Trombones
7
Tuba (partie séparée)
6
Trombone basse
6
Cor, Violoncelle (duo)
5
Bass Clef Instruments
4
Trompette, Saxophone (duo)
3
4 Tubas
3
Trompette, Tuba (duo)
3
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
Tuba et Orgue
2
Trio de Cuivres
2
Quatuor de cuivres: 4 cors
2
Cor, Tuba (duo)
2
Trombone, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Trombone basse et Piano
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
3 Trompettes (trio)
1
Clarinette, Cor (duo)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle (duo)
1
Cornet A Pistons
1
Cor et Basson (duo)
1
Trombone et orchestre
1
Trompette, Cor (duo)
1
Instruments en Sib
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
255
Violon
237
Violon et Piano
155
Violoncelle, Piano
131
Violoncelle
125
Alto, Piano
103
Harpe
88
Alto seul
88
Trio à Cordes: violon, alto, violoncelle
64
Contre Basse
56
Contrebasse, Piano (duo)
48
Violon, Violoncelle (duo)
47
Violon (partie séparée)
42
2 Violons (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violoncelles (duo)
18
Contrebasse (partie séparée)
18
Alto (partie séparée)
16
Violon, Alto (duo)
15
2 Altos (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Alto, Violoncelle (duo)
9
Violoncelle (partie séparée)
8
Piano Trio: Violon, Alto, Piano
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Basson (duo)
5
Alto et Basson
5
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
4
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
4
2 Harpes (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Harpe, Quatuor à cordes
3
Violoncelle, Orgue
3
Alto, Guitare (duo)
3
4 Violoncelles
2
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Clarinette, Piano (trio)
2
2 Violoncelles, Piano
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
2 Violons, Piano
1
Alto et orchestre
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
2 Altos, Piano
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
532
Orchestre à Cordes
232
Cloches
65
Orchestre
61
Batterie
45
Ensemble Jazz
42
Ensemble de cuivres
26
Orchestre de chambre
21
Marimba
14
Fanfare
13
Percussion (partie séparée)
11
Ensemble de Percussions
11
Percussion
8
Vibraphone
7
Jazz combo
6
Batterie (partie séparée)
5
Ensemble d'École
4
Caisse Claire
4
Xylophone, Piano
3
Xylophone
2
Bongos
2
Orchestre, Violon
2
Piano et Orchestre
2
Timbales
1
Vibraphone et Marimba
1
Marimba ou Xylophone et Piano
1
Xylophone ou Marimba ou Vibraphone
1
Bodhran
1
Conga
1
2 Marimbas
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
13
Théorie de la musique
3
Instruments
ACCORDEON
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BALALAIKA
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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1
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Orchestre de chambre
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FACILE
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Béla Ugró
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Chamber Music with Percussion
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Bela Ugro
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #95836...
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Chamber Orchestra - Level 2 - SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
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Orchestre de chambre
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FACILE
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Béla Ugró
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Chamber Music with Percussion
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Bela Ugro
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. B...
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Chamber Orchestra - Level 2 - SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. Bela Ugro #958370. Published by Bela Ugro (A0.1373894). Explore the rhythmic wonders of percussion chamber music with Chamber Music with Percussion in School II. - ÃœtÅ‘s Kamarazene az Iskolában II., an exciting music sheet collection crafted by the talented composer Béla Ugró. Specifically designed for school ensembles, this collection presents an array of engaging pieces meticulously curated to inspire and challenge budding percussionists with a total of 107 pages.Content:Drumset Duo: ROLLEREK FUNKY DRUMMERS BUMERÃNG BLUES DRUMMERS PICTURES Percussion Ensemble: AFRIKAI TÃNC JEGES LABIRINTUS Parade: BOSSA NOVA (Percussion Quintet) With a diverse selection ranging from dynamic drumset duos to intricate percussion ensemble pieces and vibrant parade compositions, this collection provides students with an immersive musical experience that fosters teamwork, creativity, and technical proficiency. Chamber Music with Percussion in School II. offers an enriching journey for both performers and audiences, encouraging exploration and expression through the captivating world of percussion chamber music.Keywords:Percussion Chamber MusicBéla Ugró CompositionsSchool Ensemble MusicDrumset Duo PiecesPercussion Ensemble RepertoireEducational Music SheetsRhythmic ChallengesCreative Percussion ArrangementsVibrant Parade CompositionsSchool Music CurriculumPercussion TechniquesEnsemble Performance MusicPercussion Education ResourcesStudent Percussion RepertoireCollaborative Percussion Music.
$20.00
Adagio for English Horn & orchestra- Song for Ueli Steck
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Chesky
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Adagio for English Horn &
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Pamaluc Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.882398 Composed by David Chesky. Contemporary. Score and parts. 80 pages. Pamaluc Music #3543811. Published by Pam...
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Chamber Orchestra - Level 4 - SKU: A0.882398 Composed by David Chesky. Contemporary. Score and parts. 80 pages. Pamaluc Music #3543811. Published by Pamaluc Music (A0.882398). A ten minute beautiful adagio for English Horn and string orchestra dedicated to the great Swiss mountain climber Ueli Steck.strings, 1perc, I harp, English Horn Soloist.
$40.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Three Miniatures for Chamber Orchestra
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Orchestre de chambre
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Methodes
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Richard E Brown
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Three Miniatures for Chamber O
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Dacker Music
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SheetMusicPlus
Composed by Richard E Brown. Contemporary Classical, Repertoire, Technique Training. Score, Set of Parts. 49 pages. Published by Dacker Music (S0.186999). - Sco...
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Composed by Richard E Brown. Contemporary Classical, Repertoire, Technique Training. Score, Set of Parts. 49 pages. Published by Dacker Music (S0.186999). - Score,Set of Parts - Contemporary Classical,Repertoire,Technique Training - Dacker Music
$35.00
Fantasia bucolica
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bertold Hummel
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Fantasia bucolica
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and ...
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1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and chamber orchestra - intermediate to advanced - SKU: S9.Q47336 For viola and chamber orchestra. Composed by Bertold Hummel. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Op. 13f. Duration 6 minutes. Schott Music - Digital #Q47336. Published by Schott Music - Digital (S9.Q47336). The Fantasia bucolica for viola and chamber orchestra Op. 13f (original title: Fantasy in D) was composed in 1956 in response to a commission from the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden and was featured in a recording produced for SWF in Freiburg in the same year, performed by this orchestra and the soloist Hans Hasselmann and conducted by Willi Stech. The brief concert piece begins with a dreamy introduction by the solo viola which leads into a virtuoso central section before concluding with intimations of the initial section. A striking feature of this early work is the diverse employment of the percussion section in the orchestral instrumentation. Martin Hummel.
$12.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Madrigal
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Orchestre de chambre
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Contemporain
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None
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Calvin Holt
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Madrigal
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Music Science Tech
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1003330 Composed by None. Arranged by Calvin Holt. Contemporary. Score and Parts. 28 pages. Music Science Tech #6036687. Pub...
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Chamber Orchestra - SKU: A0.1003330 Composed by None. Arranged by Calvin Holt. Contemporary. Score and Parts. 28 pages. Music Science Tech #6036687. Published by Music Science Tech (A0.1003330). Point of interestsThe classical composition original part retro music have a now new integrate sound the old segregate concept retro movement style was modernized to enhance music to popular dimension dept, length, height.
$4.99
Serenade for flute, horn and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and o
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 3...
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Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
Silent Durations XXII (Parts) (a Zen experience)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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Silent Durations XXII
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake ...
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Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake Mabry (A0.799391). Silent Durations XXII (a Zen experience) was written for the French saxophone virtuoso, Daniel Kientzy. It features Drake Mabry's usage of silence as a musical architectural device. The solo part for bass saxophone highlights the tonal variations of this instrument in its various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on the same source material. The other works are Concerto for Kientzy and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Silent Durations XXII on other Bb saxophones. The solo part is included with the parts. The duration is 20'40.
$4.99
Mussorgsky: Promenade from Pictures
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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M
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Joshua Feltman
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Mussorgsky: Promenade from Pic
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10 pages. Ryan Bla...
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Chamber Orchestra - Level 3 - SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10 pages. Ryan Blauvelt #3692805. Published by Ryan Blauvelt (A0.921874). Modest Mussorgsky composed Pictures at an Exhibition in honor of his friend and painter, Viktor Hartmann.Each of the movements of Pictures attempts to capture the sketches, watercolors and architectural designs displayed at the Hartmann exhibition. Mussorgsky depicts himself moving from one picture to the next with a musical Promenade.Open your concert with this piece and your audience won't forget it. Hear the large brass sound of the original version through flute and piano in their strongest registers.
$30.00
Concerto for Harp and Strings
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Orchestre de chambre
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Contemporain
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Robert Edward Smith
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Concerto for Harp and Strings
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Chamber Orchestra - SKU: A0.998661 Composed by Robert Edward Smith. Contemporary. Score and parts. 97 pages. ROBERT EDWARD SMITH MUSIC #4795923. Publish...
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Chamber Orchestra - SKU: A0.998661 Composed by Robert Edward Smith. Contemporary. Score and parts. 97 pages. ROBERT EDWARD SMITH MUSIC #4795923. Published by ROBERT EDWARD SMITH MUSIC (A0.998661). Concerto for Harp and Strings is a work of about 17 minutes duration. The musical style is tonal and melodic. It is in three movements: Allegretto, Adagio, and Vivace. The audio sample is the third movement in its entirety. It requires a harpist with advanced technique. The score comes with permission for the purchaser to print the number of string parts necessary for the size of the orchestra at hand.
$40.00
Clair de Lune for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Yongliang Li
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Clair de Lune for Chamber Orch
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Yongliang Li
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1029997 Composed by Claude Debussy. Arranged by Yongliang Li. 20th Century,Film/TV,Musical/Show,Standards. Score a...
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Chamber Orchestra - Level 3 - SKU: A0.1029997 Composed by Claude Debussy. Arranged by Yongliang Li. 20th Century,Film/TV,Musical/Show,Standards. Score and parts. 46 pages. Yongliang Li #5985575. Published by Yongliang Li (A0.1029997). A romantic and dreamy arrangement is Strings, Woodwinds, Harp, Celesta, Cymbals and Vibraphone. The percussion instruments creates a dreamy effect. And there are various bowing technique for strings to create an imagination of twilight. Clair de Lune is one of most famous works from Claude Debussy's Suite Bergamasque. .
$16.99
Regina Coeli (for String Quartet)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Antonio Lotti
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Stephen DeCesare
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Regina Coeli
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.620666 Composed by Antonio Lotti. Arranged by Stephen DeCesare. Christian,Easter,Sacred. Score and parts. 10 pages...
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Chamber Orchestra - Level 2 - SKU: A0.620666 Composed by Antonio Lotti. Arranged by Stephen DeCesare. Christian,Easter,Sacred. Score and parts. 10 pages. Exultet Music #3424945. Published by Exultet Music (A0.620666). The traditional, majestic setting by Antonio Lotti has now been freshly arranged for String Quartet (Violin (2), Viola, Cello) with optional Organ accompaniment (Parts included). Accessible and appropriate for any church setting. Can be used at many times throughout the liturgical year but especially from Holy Saturday through the octave of Pentecost.
$12.99
Beethoven: Symphony #7, Movement 2
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Joshua Feltman
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Beethoven: Symphony #7, Moveme
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921871 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 35 pages. R...
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Chamber Orchestra - Level 3 - SKU: A0.921871 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 35 pages. Ryan Blauvelt #3692797. Published by Ryan Blauvelt (A0.921871). The poignant Funeral March from Beethoven's symphony is a timeless favorite. The arrangement incorporates several different technical levels, making it ideal for the small differentiated classroom music ensemble.
$40.00
Beethoven: Symphony #7, Movement 2
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Joshua Feltman
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Beethoven: Symphony #7, Moveme
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921868 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 32 pages. R...
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Chamber Orchestra - Level 3 - SKU: A0.921868 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 32 pages. Ryan Blauvelt #3692791. Published by Ryan Blauvelt (A0.921868). The poignant Funeral March from Beethoven's symphony is a timeless favorite. The arrangement incorporates several different technical levels, making it ideal for the small differentiated classroom music ensemble.
$40.00
Ode to Joy, Beethoven 9th Symphony 4th movement Funky Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Jae H Park
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Ode to Joy, Beethoven 9th Symp
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Jae Park
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.891522 Composed by Ludwig van Beethoven. Arranged by Jae H Park. Contemporary,Easter,Jazz,Praise & Worship,Standar...
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Chamber Orchestra - Level 4 - SKU: A0.891522 Composed by Ludwig van Beethoven. Arranged by Jae H Park. Contemporary,Easter,Jazz,Praise & Worship,Standards. 44 pages. Jae Park #4319855. Published by Jae Park (A0.891522). Azz Style Beethoven Ode to Joy Arrangement. It's for Solo Violin and Chamber Orchestra(Piano, Violin1, 2, Viola, Cello, Double Bass(+Percussion)). This arrangement requires technical practice with some degree. Especially, Solo Violin must be virtuoso player. It's starting with opening melody of Beethoven's 4th movement. After opening, rhythm is suddenly changed by Double Bass and goes into funky jazz style. Your ensemble can enjoy this music with percussion such as Cajón. This piece has a lot of entertainment not only for player but also audience.
$99.99
Concerto for Piccolo Clarinet and Chamber Orchestra
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Orchestre de chambre
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Contemporain
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William Grosvenor Neil
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Concerto for Piccolo Clarinet
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Pub...
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Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
Concertino in C
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jean Baptiste Vanhal
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Tabitha Kierszka
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Concertino in C
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Tabitha Kierszka
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.901017 Composed by Jean Baptiste Vanhal. Arranged by Tabitha Kierszka. Classical,Concert. Score and parts. 32 page...
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Chamber Orchestra - Level 4 - SKU: A0.901017 Composed by Jean Baptiste Vanhal. Arranged by Tabitha Kierszka. Classical,Concert. Score and parts. 32 pages. Tabitha Kierszka #6566841. Published by Tabitha Kierszka (A0.901017). This piano concerto (concertino) by Jean Baptiste Vanhal (1739-1813) is a very charming and lively 'first concerto' for late intermediate pianists as the technical difficulty of the solo part is more or less that of the Mozart Sonata in C (KV545). The key is C major. It has three movements, Allegro moderato, Andante en Finale, which is a theme with 3 variations.The 'orchestra' consists of a viola and a violoncello part. A great student concerto, or a lively piece of chamber music. Total 32 pages, the complete score is provided as well as separate parts for the piano, viola and cello parts. This edition is created from the manuscript version of the piece. The composer provided very few performance markings, all markings in the score were given by the composer.
$5.00
Tchaikovsky: Dance of the Sugar Plum Fairy from the Nutcracker
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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P
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Joshua Feltman
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Tchaikovsky: Dance of the Suga
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.921875 Composed by P. I. Tchaikovsky. Arranged by Joshua Feltman. Christmas,Classical. Score and parts. 17 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.921875 Composed by P. I. Tchaikovsky. Arranged by Joshua Feltman. Christmas,Classical. Score and parts. 17 pages. Ryan Blauvelt #3692809. Published by Ryan Blauvelt (A0.921875). This iconic selection from the Nutcracker is a Christmas favorite. This arrangement features a piano in place of the original celeste and incorporates several different technical levels, making it ideal for the small differentiated high school music ensemble .
$40.00
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Nouveautés
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Compositeurs
Mentions légales
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Version intégrale
TEC Music
