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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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964
Piano, Voix et Guitare
355
Piano Facile
263
Piano, Voix
172
Orgue
85
Instruments en Do
54
2 Pianos, 4 mains
20
1 Piano, 4 mains
18
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
14
Accordéon
13
Piano (partie séparée)
9
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7
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6
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5
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Clavier
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1
2 Pianos, 8 mains
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28
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9
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Voix basse, Piano
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Voix basse
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Saxophone (partie séparée)
106
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
Quatuor de Saxophones: 4 saxophones
96
Flûte traversière et Piano
78
Quatuor de Clarinettes: 4 clarinettes
71
2 Saxophones (duo)
64
Clarinette et Piano
55
Flûte, Hautbois, Clarinette, Basson
55
Flûte traversière
51
Saxophone Alto et Piano
48
Quintette de Saxophone: 5 saxophones
45
Trio de Flûtes: 3 flûtes
44
3 Saxophones (trio)
43
Saxophone Alto
41
2 Flûtes traversières (duo)
40
Hautbois, Piano (duo)
39
Quatuor de Flûtes : 4 flûtes
38
Saxophone Tenor
36
Saxophone Tenor et Piano
35
3 Clarinettes (trio)
34
2 Clarinettes (duo)
28
Ensemble de Clarinettes
27
Clarinette
27
Ensemble de Flûtes
22
Clarinette (partie séparée)
21
Saxophone Soprano et Piano
20
Flûte et Guitare
20
Quintette de Clarinettes: 5 clarinettes
17
Flûte, Clarinette (duo)
17
Flûte, Hautbois, Clarinette (trio)
17
Ensemble de saxophones
16
Saxophone Baryton, Piano
16
Flûte, Clarinette et Basson
15
Flûte, Hautbois, Basson
13
Saxophone, Clarinette (duo)
13
Clarinette Basse, Piano
13
Quintette de Flûte : 5 flûtes
12
Cor anglais, Piano
12
Clarinette, Violon (duo)
11
Quatuor de Flûtes à bec
10
Clarinette, Trompette (duo)
9
2 Clarinettes, Basson
9
Clarinette, Guitare (duo)
9
Hautbois (partie séparée)
9
2 Hautbois (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
2 Flûte à bec (duo)
8
Flûte, Saxophone (duo)
7
Flute (partie séparée)
7
Clarinette, Basson (duo)
6
Clarinette et Alto
6
Hautbois, Basson (duo)
6
5 Flûtes à bec
6
Hautbois, Clarinette (duo)
5
3 Flûtes à bec (trio)
5
Clarinette, Harpe (duo)
4
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Ensemble De Flûte à bec
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Cor anglais, Guitare (duo)
4
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3
Hautbois, Harpe
3
Saxophone et Guitare
3
Flûte à Bec
3
Flûte à bec Alto
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Cor Anglais
2
Harmonica
2
Flûte à Bec, Piano
2
Flûte à bec Soprano
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Saxophone
2
Ocarina
2
Hautbois
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Flûte
2
Clarinette Basse
2
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Flûte, Alto et Piano
1
Flute, harpe et violon
1
Flûte à bec Tenor
1
Piccolo, Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano
1
Saxophone et Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte et Trio à cordes
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
Clarinette, Trombone (duo)
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Piccolo
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Trombone (partie séparée)
89
Trompette (partie séparée)
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trombone et Piano
54
Trompette
54
Trompette, Piano
44
Trombone
35
Tuba et Piano
34
Cor et Piano
27
2 Trompettes (duo)
23
Quatuor de Cuivres
20
2 Trombones (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
17
Trompette, Trombone (duo)
16
Cor
15
2 Cors (duo)
13
Quatuor de cuivres: 4 cors
12
Cor anglais, Piano
12
Quatuor de cuivres: 4 trombones
12
Trompette, Saxophone (duo)
10
Ensemble de Trombones
9
Ensemble de Trompettes
7
Tuba
7
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
5
Ensemble de Cors
5
Tuba (partie séparée)
5
Euphonium, Tuba (duo)
4
Cor (partie séparée)
4
2 Tubas (duo)
4
3 Tubas (trio)
4
Cor anglais, Guitare (duo)
4
Cornet A Pistons
3
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trombone, Orgue
3
Trombone basse et Piano
3
4 Tubas
3
Tuba et Orgue
3
Cor Anglais
2
Trompette, Harpe
2
Cor et Harpe
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Bass Clef Instruments
2
Trio de Cuivres
2
3 Trompettes (trio)
1
Trombone basse
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
290
Violon
130
Violon et Piano
120
Violoncelle, Piano
62
Violoncelle
58
Alto, Piano
57
Harpe
45
Trio à Cordes: violon, alto, violoncelle
43
Violon, Violoncelle (duo)
31
2 Violons (duo)
31
Trio à Cordes: 2 violons, violoncelle
26
Alto seul
25
Violon, Alto (duo)
21
Contrebasse (partie séparée)
21
2 Violoncelles (duo)
18
2 Altos (duo)
18
Contrebasse, Piano (duo)
16
2 Harpes (duo)
14
Violon (partie séparée)
14
Trio à cordes: 3 violins
14
Alto (partie séparée)
13
Trio à Cordes: 3 violoncelles
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
4 Violoncelles
9
Contre Basse
8
Trio à Cordes: 2 violons, alto
7
Violon, Guitare (duo)
7
Harpe, Flûte (duo)
6
Quatuor à cordes: 4 violons
5
Violoncelle (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
5
Alto et Harpe
3
Violoncelle, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Violoncelle, Orchestre
2
Violoncelle, Orgue
2
Alto, Orgue
2
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
2 Violons, Piano
2
Ensemble de Violons
2
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Voix
1
2 Contrebasses (duo)
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
557
Orchestre à Cordes
200
Orchestre
159
Ensemble de cuivres
88
Ensemble Jazz
86
Orchestre de chambre
56
Cloches
55
Jazz combo
18
Batterie (partie séparée)
17
Percussion (partie séparée)
15
Ensemble de Percussions
9
Marimba
7
Vibraphone
7
Batterie
6
Fanfare
5
Timbales (partie séparée)
4
Orchestre, Violon
3
Piano et Orchestre
3
Xylophone, Piano
2
Percussion
1
Timbales
1
Marimba, Piano (duo)
1
2 Xylophones
1
Big band
1
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AUTRES
Formation musicale - Solfège
1
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Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.17 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Enter The Third Reich (Chamber Orchestra Version)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100190 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100190 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 23 pages. Exultet Music #704073. Published by Exultet Music (A0.1100190). Powerful and dramatic piece of when the Nazi's started their horrific regime and tried to conquer the world. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola and Cello.
$12.99
11.88 €
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Orchestre de chambre
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Stephen DeCesare
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Stephen DeCesare
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Enter The Third Reich
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Exultet Music
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.85 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Trilogy for Chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1363990 By Myrto A.Kostaropo…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1363990 By Myrto A.Kostaropoulou. By Myrto A.Kostaropoulou. 21st Century. 83 pages. Myrto A.Kostaropoulou #948312. Published by Myrto A.Kostaropoulou (A0.1363990). Trilogy for Chamber orchestra consists of six parts organized as three couples, i.e. first is Ades (1. Pluto, 2. Charon), second is Phaethon (3. Orion Nebula, 4. The Sun) and third is Prometheus (5. The Moon, 6. Earth). Written basically for woodwinds and string orchestra (1st couple), the chamber orchestra also contains in the second part Wind chimes, Glockenspiel, and in the third part a Mariba, a Drum set,and a Gong. It is a journey from the necrosis of Ades to the polemic return to our planet, earth.
$50.00
45.71 €
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Orchestre de chambre
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Myrto A
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Trilogy for Chamber orchestra - Score Only
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Myrto A.Kostaropoulou
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.52 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey As…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
31.95 €
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Orchestre de chambre
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Jamey Aston
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Far and Away: Concerto for Oboe and String Orchestra in A flat Major
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Montana Knites Publishing
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SheetMusicPlus
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey As…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
31.95 €
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Orchestre de chambre
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Jamey Aston
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Far and Away: Concerto for Oboe and String Orchestra in A flat Major
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Montana Knites Publishing
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SheetMusicPlus
Come Along With Us
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1503446 Composed by Leos Janacek. Arra…
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Chamber Orchestra - Digital Download SKU: A0.1503446 Composed by Leos Janacek. Arranged by Harry Rees. 20th Century,Classical. 21 pages. Harry Rees #1078894. Published by Harry Rees (A0.1503446). Come Along With Us is the third movement of Leoš Janáček's cycle On an Overgrown Path, and has been arranged here for a medium-sized sinfonietta orchestra.
$7.00
6.4 €
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Orchestre de chambre
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Leos Janacek
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Harry Rees
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Come Along With Us
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Harry Rees
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SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.57 €
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Orchestre de chambre
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Orchestraining No. 4 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
4.57 €
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Orchestre de chambre
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Orchestraining No. 2 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
4.57 €
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Orchestre de chambre
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Juan Maria Solare
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Orchestraining No. 2 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.57 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.86 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Anto…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
18.28 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit pour Noël
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KVAMusic Edition
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
68.57 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
DANCE SYMPHONY - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024007 Composed by Ron Levy…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024007 Composed by Ron Levy. 20th Century,Baroque,Contemporary. Score and parts. 70 pages. Thinkling Music #6208249. Published by Thinkling Music (A0.1024007). Dance Symphony is a light and charming chamber symphony in three movements. Duration is approximately 14 minutes. The ï¬rst movement is in arch form, with three highly contrasting themes. The second movement is dance-inspired, more a Ländler than a Waltz. The Trio portrays a lone fiddler with a gathering crowd. The third movement begins with a fanfare and ends with whimper, with plenty of action in between. It was originally composed as a wedding processional. The mp3 is of the entire 3-movement work; Movement 2 begins at about 05:00, and Movement 3 at about 10:00.
$25.00
22.86 €
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Orchestre de chambre
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Ron Levy
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DANCE SYMPHONY - Score Only
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Thinkling Music
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SheetMusicPlus
Concerto No.1 for Violin and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Che…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
31.98 €
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Orchestre de chambre
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David Chesky
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Concerto No.1 for Violin and Orchestra
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Pamaluc Music
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.85 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
The Can-Can
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1169774 Composed by Jacques …
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1169774 Composed by Jacques Offenbach. Arranged by Snezana Ivkovic. 19th Century,Classical,Romantic Period. Score and Parts. 9 pages. World Violin Academy #770084. Published by World Violin Academy (A0.1169774). Violin Orchestra Arrangement for Three Violin Sections. Educational violin learning method for violin teachers, students, and self-learners. The orchestra arrangement can be performed as a violin trio, violin duo, or solo violin. The colored scores give visually attractive and easy-to-track musical parts.The violin sections are set by the level of difficulty. The third violin is for the very beginners performing the open strings. The second and first violin is for first-grade students, performing in the first position.
$10.99
10.05 €
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Orchestre de chambre
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Jacques Offenbach
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Snezana Ivkovic
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The Can-Can
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World Violin Academy
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SheetMusicPlus
Bachata Sinfónica (Symphony Bachata) - Baila Conmigo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 pages. Roberto Pálmer Music #927221. Published by Roberto Pálmer Music (A0.1341672). BAILA CONMIGO es el segundo movimiento de la tercera sinfonia del compositor español Roberto Pálmer. Se trata de una pieza única por tratarse de musica original (no es una adaptacion u orquestacion) escrita para orquesta sinfonica, sin letra, sin voz y sin los instrumentos y percusion propios de la bachata. Son los instrumentos de cuerda y viento habituales de la orquesta sinfonica los que realizan la percusion para recrear el ritmo de bachata, de una manera novedosa en la practica instrumental.BAILA CONMIGO is the second movement of the third symphony of the spanish composer Roberto Palmer. it is an unique piece of original music (not an arrangement nor an orchestration) written for symphony orchestra, with no lyrics, no singer and none of the bachata traditional instruments and percussion. Are the strings and winds sections of the orchestra who play their instruments in new different ways to recreate bachata rhythm.Web
$30.00
27.43 €
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Orchestre de chambre
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Roberto Pálmer
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Bachata Sinfónica
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Roberto Pálmer Music
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SheetMusicPlus
Americana Suite for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 126 pages. Sy Brandon #3383909. Published by Sy Brandon (A0.755098). This work consists of three of the movements from the award-winning 2000 composition for string orchestra, New England Time Capsules, that has been expanded for a small chamber orchestra. The first movement is Amerindian Harvest Dance, a colorful and rhythmic movement with some percussive sounds in the strings. The second movement The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement Birth of a Nation uses adaptations of Chester and Yankee Doodle.
$39.99
36.56 €
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Orchestre de chambre
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Sy Brandon
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Americana Suite for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Windmill Song (for baritone and orchestra)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
36.57 €
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Orchestre de chambre
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Gary Friedman
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Windmill Song
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Gary Friedman
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.56 €
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Orchestre de chambre
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.42 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Holiday Medley
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
22.86 €
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Orchestre de chambre
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Traditional
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Peter Tambroni
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Holiday Medley
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Peter Tambroni
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SheetMusicPlus
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