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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
THREE MINUTES
Non classifié
859
Piano & claviers
Piano seul
202
Orgue
45
Piano, Voix
33
Piano Facile
11
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
5
Orgue, Trompette (duo)
3
1 Piano, 4 mains
3
Clavecin
2
Instruments en Do
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
9
2 Guitares (duo)
3
Guitare, Quatuor à cordes
2
Guitare notes et tablatures
1
Ukulele
1
Voix
Chorale SATB
116
Chorale 3 parties
115
Chorale 2 parties
14
Chorale SSAA
13
Chorale TTBB
11
Voix Soprano, Piano
9
Chorale Unison
8
Chorale
7
Voix Tenor, Piano
7
Voix Baryton, Piano
4
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix haute
1
Chorale SSATB
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
402
Saxophone, Clarinette (duo)
225
2 Clarinettes (duo)
176
Clarinette, Violon (duo)
147
2 Flûtes traversières (duo)
139
Clarinette, Trompette (duo)
129
Flûte, Clarinette (duo)
88
2 Hautbois (duo)
79
Clarinette et Alto
76
Hautbois, Basson (duo)
75
Hautbois, Clarinette (duo)
75
Flûte, Saxophone (duo)
74
Flûte, Violon
71
Hautbois, Flûte
68
Flûte, Alto (duo)
63
Flûte, Trompette (duo)
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Clarinettes: 4 clarinettes
34
Flûte traversière et Piano
30
Clarinette et Piano
29
Clarinette
28
Quatuor de Saxophones: 4 saxophones
27
Saxophone Alto et Piano
25
Trio de Flûtes: 3 flûtes
24
3 Clarinettes (trio)
22
Hautbois, Piano (duo)
22
Saxophone (partie séparée)
20
Flûte traversière
20
Flûte à bec Soprano
18
Cor Anglais
15
Saxophone Alto
14
Hautbois (partie séparée)
14
Saxophone Tenor et Piano
14
3 Saxophones (trio)
13
Saxophone Soprano et Piano
13
Saxophone Tenor
10
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Flûtes : 4 flûtes
10
3 Flûtes à bec (trio)
7
Cor anglais, Piano
5
Quintette de Saxophone: 5 saxophones
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble de Flûtes
4
Flûte, Clarinette, Piano (trio)
3
Clarinette, Violoncelle (duo)
3
Ensemble de Clarinettes
3
Flûte, Violoncelle
3
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Clarinette (partie séparée)
2
Clarinette, Trombone (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois (duo)
2
Flûte à bec Alto, Piano
1
Ensemble de saxophones
1
Flute (partie séparée)
1
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flute, harpe et violon
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson et Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, violon (duo)
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Hautbois, Orgue
1
Clarinette Basse, Piano
1
Flûte, alto et harpe
1
+ 72 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
157
2 Trombones (duo)
76
Trompette, Trombone (duo)
74
2 Trompettes (duo)
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trombone et Piano
30
Trompette, Piano
17
Euphonium, Piano (duo)
17
Trompette
16
Trombone
16
Cor Anglais
15
Trompette (partie séparée)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de cuivres: 4 trombones
11
Ensemble de Trombones
10
Tuba et Piano
9
Euphonium
9
Cor et Piano
8
3 Trompettes (trio)
5
Cor anglais, Piano
5
3 Trombones (trio)
4
Trombone (partie séparée)
4
2 Cors (duo)
4
Trombone basse
3
Quatuor de Cuivres
3
Tuba
3
Trombone basse et Piano
2
Cor
2
Trio de Cuivres
2
4 Tubas
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
3 Euphoniums
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor (partie séparée)
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
+ 37 instrumentations
Retracter
Cordes
Violon, Alto (duo)
80
Violon, Violoncelle (duo)
76
2 Altos (duo)
73
2 Violons (duo)
70
2 Violoncelles (duo)
70
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
42
Violoncelle, Piano
36
Alto, Piano
30
Violon
24
Violoncelle
22
Trio à cordes: 3 violins
14
Alto seul
14
Harpe
12
Trio à Cordes: violon, alto, violoncelle
11
Violon (partie séparée)
8
Alto (partie séparée)
5
Trio à Cordes: 3 violoncelles
4
Contre Basse
4
4 Violoncelles
3
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orchestre
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Harpe et Piano
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre
65
Orchestre d'harmonie
44
Orchestre à Cordes
37
Orchestre de chambre
29
Ensemble de cuivres
25
Cloches
21
Ensemble de Percussions
8
Ensemble Jazz
2
Percussion (partie séparée)
2
Timbales (partie séparée)
1
Orchestre, Violon
1
Piano et Orchestre
1
Percussion
1
Vibraphone
1
Fanfare
1
+ 10 instrumentations
Retracter
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
THREE MINUTES
Orchestre de chambre
Partitions à imprimer
29 partitions trouvées
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1
26
Three Haiku and a Poem (Parts only)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the...
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Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
Three Haiku and a Poem - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Igor Korneitchouk
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Three Haiku and a Poem - Score
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
Clarinet Quintet: Solo Clarinet with String Quartet in three movements
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Orchestre de chambre
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Contemporain
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Walter Scholtes
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also good teaching pieces
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Clarinet Quintet: Solo Clarine
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SCHOLTES EDITIONS
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SheetMusicPlus
Chamber Orchestra - SKU: A0.922171 Composed by Walter Scholtes. Contemporary. Score and parts. 49 pages. SCHOLTES EDITIONS #6716171. Published by SCHOLT...
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Chamber Orchestra - SKU: A0.922171 Composed by Walter Scholtes. Contemporary. Score and parts. 49 pages. SCHOLTES EDITIONS #6716171. Published by SCHOLTES EDITIONS (A0.922171). The work is very accessible for young advancing students in addition to mature players. Traditional harmonies and lovely tuneful melodies; also good teaching pieces. Medium difficulty. Melodic structures are very appealing for concerts in many settings: great for many venues and occasions. The three movements can be played individually, and the complete work is about 11 1/2 minutes.
$24.95
Connemara, for Chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Kari Cruver Medina
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Connemara, for Chamber orchest
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Kari Medina Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1272920 Composed by Kari Cruver Medina. 21st Century,Celtic,Chamber,Classical,Contemporary,Irish. Score and Parts....
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Chamber Orchestra - Level 3 - SKU: A0.1272920 Composed by Kari Cruver Medina. 21st Century,Celtic,Chamber,Classical,Contemporary,Irish. Score and Parts. 36 pages. Kari Medina Music #865106. Published by Kari Medina Music (A0.1272920). A gentle folk ballad inspired by the stunning vistas  and breathtaking landscapes of Ireland’s West Country, Connemara. Tonal and accessible, this simple, winsome piece is three minutes of peace and beauty.Instumentation: Flute, Oboe, Clarinet, Glockenspiel, Piano, Violin I, Violin II, Viola, Cello, ContrabassParts and  Full Score includedTime is approx. 3 min.
$19.99
A View For The Ages
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Willings
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A View For The Ages
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Daniel Willings
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1300788 Composed by Daniel Willings. Classical,Film/TV,Historic,Video Game. Score and Parts. 11 pages. Daniel Will...
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Chamber Orchestra - Level 4 - SKU: A0.1300788 Composed by Daniel Willings. Classical,Film/TV,Historic,Video Game. Score and Parts. 11 pages. Daniel Willings #890503. Published by Daniel Willings (A0.1300788). An beautiful orchestral piece, containing strings (including harp), woodwind and piano. This piece is just over three minutes long.If you need separate sheet music for each part, contact me at @danielwillings.music (https://www.instagram.com/danielwillings.music/).
$10.00
In the flurry of a snowfall - String orchestra version (everything included)
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Nicholas Palmer
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In the flurry of a snowfall -
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Nicholas D Palmer
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.782716 Composed by Nicholas Palmer. Christmas. Score and parts. 24 pages. Nicholas D Palmer #3223433. Published by...
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Chamber Orchestra - Level 3 - SKU: A0.782716 Composed by Nicholas Palmer. Christmas. Score and parts. 24 pages. Nicholas D Palmer #3223433. Published by Nicholas D Palmer (A0.782716). In the flurry of a snowfall is three minutes of colorful delight for chorus and string orchestra, suited for your holiday pops concert. This is the conductor's full score. Be sure to download the parts file as well. A piano vocal score is also available separately.The text is: VERSE 1
$50.00
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
DANCE SYMPHONY - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ron Levy
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DANCE SYMPHONY - Score Only
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Thinkling Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1024007 Composed by Ron Levy. 20th Century,Baroque,Contemporary. Score and parts. 70 pages. Thinkling Music #62082...
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Chamber Orchestra - Level 4 - SKU: A0.1024007 Composed by Ron Levy. 20th Century,Baroque,Contemporary. Score and parts. 70 pages. Thinkling Music #6208249. Published by Thinkling Music (A0.1024007). Dance Symphony is a light and charming chamber symphony in three movements. Duration is approximately 14 minutes. The ï¬rst movement is in arch form, with three highly contrasting themes. The second movement is dance-inspired, more a Ländler than a Waltz. The Trio portrays a lone fiddler with a gathering crowd. The third movement begins with a fanfare and ends with whimper, with plenty of action in between. It was originally composed as a wedding processional. The mp3 is of the entire 3-movement work; Movement 2 begins at about 05:00, and Movement 3 at about 10:00.
$25.00
Mysteries of the Macabre
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Orchestre de chambre
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AVANCÉ
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by G...
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99
Vanhal Symphony No.22 in D minor
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Baptist Vanhal
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Ian Butterworth
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Vanhal Symphony No.22 in D min
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075...
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Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075190. Published by Ian Butterworth (A0.1499141). Johann Baptist Vanhal (1739-1813) was born in Bohemia but spent most of his life in Vienna where he was a friend of Haydn and Mozart. He wrote 73 symphonies and Symphony No.22, scored for two oboes, bassoon, two horns and strings, is in three movements. The wind players are tacet in the central movement. The score (24 pages) has been edited for phrasing and bowing and string parts may be copies provided they are for sole use by the purchaser. Duration 14 minutes approx.www.ianbutterworthmusic.co.uk
$17.00
RIGEL Symphony No.4 in C minor Op.12 No.4
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.4 in C minor
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butterworth #1072771...
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Chamber Orchestra - Level 4 - SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butterworth #1072771. Published by Ian Butterworth (A0.1496246). Rigel (1741-1799) was born in Austria but spent most of his life in France. This work is in three movements and is a fine example of the Sturm und Drang movement. The work is scored for two oboes, bassoon, two horns and strings. The score (31 pages) has been edited for bowing and phrasing and the string parts may be copied for the sole use of the purchaser. Duraction 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
RIGEL Symphony No.10 in D minor Op.21 No.2
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.10 in D mino
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129...
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Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129. Published by Ian Butterworth (A0.1496608). Rigel (1741-1799) was born in Germany but spent most of his life in France. This symphony is in three movements and is scored for two oboes, bassoon, two horns and strings. The wind players are tacet in the central movement. The score (18 pages) has been edited for bowing and phrasing and string parts may be copied for sole use by the purchaser. Duration 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
Vanhal Symphony No.7 in C
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Orchestre de chambre
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Classique
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Johann Baptist Vanhal
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Ian Butterworth
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Vanhal Symphony No.7 in C
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1497633 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 106 pages. Ian Butterworth #1074048. Publ...
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Chamber Orchestra - SKU: A0.1497633 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 106 pages. Ian Butterworth #1074048. Published by Ian Butterworth (A0.1497633). Johann Baptist Vanhal (1739-1813) was born in Bohemia but spent most of his life in Vienna where he was a close friend of both Haydn and Mozart. He wrote 73 symphonies and this Symphony No.7, scored for two oboes, bassoon, two horms and strings, is in three movements. The score (32 pages) has been edited for phrasing and bowing and string parts may be copied provided they are for the sole use of the purchaser. Duration 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
Levaithan of the Ancient Deep (Score only)
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Orchestre de chambre
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Contemporain
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Sarah Wallin Huff
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Levaithan of the Ancient Deep
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Novel Soundtrax
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SheetMusicPlus
Chamber Orchestra - SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel ...
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Chamber Orchestra - SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344). Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.
$75.00
Alpenhorn Variety Pack
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Alpenhorn Variety Pack
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published b...
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Chamber Orchestra - Level 4 - SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published by Gary Friedman (A0.889884). This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra. A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages. It was written to celebrate the 75th anniversary of the San Francisco Civic Symphony, the oldest community orchestra on the West Coast. There were three performances in 2006, the anniversary year - two indoor and one outdoor. A piano reduction of the orchestra accompaniment is provided here and is also sold separately with the solo part for $5.00. Duration: 6 or 8 minutes, depending on whether an optional repeat is taken. Year: 2005.
$40.00
Windmill Song (for baritone and orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gary Friedman
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Windmill Song
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary...
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Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Concerto Grosso (2017) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
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Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Cowboy Tales, for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Cowboy Tales, for Chamber Orch
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089...
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Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
Piano Concerto No. 6, Full Score Only - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland...
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Chamber Orchestra - Level 4 - SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland #910235. Published by James Nathaniel Holland (A0.1321776). FULL SCORE (Only, In Concert Pitch)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.95
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THREE MINUTES
