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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take the \\\\\\\\\\\\\\
Non classifié
3 608
Piano & claviers
Piano seul
2 484
Piano, Voix
2 016
Piano, Voix et Guitare
734
Piano Facile
593
Instruments en Do
202
Orgue
186
1 Piano, 4 mains
91
Accompagnement Piano
71
Piano grosses notes
52
Piano Trio: piano, violon, violoncelle
47
2 Pianos, 4 mains
27
Piano (partie séparée)
19
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
14
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Clavecin
6
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Ligne De Mélodie, Piano
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
Accordéon, Voix
1
1 Piano, 6 mains
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
310
Ligne De Mélodie, (Paroles) et Accords
245
Guitare
206
Basse electrique
115
Paroles et Accords
92
Ukulele
81
Guitare (partie séparée)
37
Mandoline
23
2 Guitares (duo)
17
Dulcimer
12
4 Guitares (Quatuor)
8
3 Guitares (trio)
8
Piano, Guitare (duo)
7
Banjo
7
Ukulele Baryton
2
Basse électrique (partie séparée)
2
Ensemble de guitares
2
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 355
Chorale Unison
926
Chorale 3 parties
431
Chorale TTBB
264
Chorale 2 parties
231
Chorale SSAA
147
Voix duo, Piano
73
Voix Soprano, Piano
48
Pack Instrumental pour Chorale
27
Voix haute
21
Voix duo
20
Voix seule
18
Chorale
16
Voix Baryton, Piano
13
Voix Alto, Piano
9
Voix Tenor, Piano
6
Soli, choeur mixte et accompagnement
5
Voix Tenor
4
Chorale SSAATTBB
4
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix basse, Piano
3
Chorale SSATB
3
Chorale SSATTB
2
Voix Soprano
2
Voix Baryton
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
+ 24 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
290
Quatuor de Saxophones: 4 saxophones
243
Flûte traversière et Piano
216
Flûte traversière
199
Clarinette
185
Saxophone (partie séparée)
179
2 Saxophones (duo)
179
Flûte, Hautbois, Clarinette, Basson
176
Quintette de Saxophone: 5 saxophones
169
Hautbois, Piano (duo)
162
Clarinette et Piano
157
Saxophone Alto et Piano
140
Saxophone Alto
132
2 Flûtes traversières (duo)
120
Saxophone Tenor
113
Quatuor de Clarinettes: 4 clarinettes
106
2 Clarinettes (duo)
104
Saxophone Tenor et Piano
104
Saxophone
90
Ensemble de saxophones
90
Ensemble de Clarinettes
77
Saxophone Soprano et Piano
75
Hautbois (partie séparée)
67
Saxophone Baryton, Piano
62
Quatuor de Flûtes : 4 flûtes
55
Clarinette (partie séparée)
45
3 Saxophones (trio)
45
Ensemble de Flûtes
42
Saxophone, Clarinette (duo)
39
2 Hautbois (duo)
39
Flûte, Clarinette (duo)
38
3 Clarinettes (trio)
35
Hautbois, Basson (duo)
33
Saxophone Soprano
32
Clarinette, Violon (duo)
31
Flûte et Guitare
29
Trio de Flûtes: 3 flûtes
28
Quintette de Clarinettes: 5 clarinettes
27
2 Flûtes traversières, Piano
26
Flute (partie séparée)
25
Clarinette, Trompette (duo)
24
Hautbois
24
Hautbois, Clarinette (duo)
23
Ensemble De Flûte à bec
23
Cor anglais, Piano
23
Clarinette, Basson (duo)
22
Quintette de Flûte : 5 flûtes
22
Flûte à bec Soprano
20
Saxophone Baryton
19
Clarinette Basse, Piano
19
Flûte, Hautbois, Clarinette (trio)
18
Flûte, Violon
18
Hautbois, Clarinette, Basson (trio d'anches)
16
Flûte, Trompette (duo)
15
Hautbois, Flûte
15
Clarinette et Alto
14
Flûte, Saxophone (duo)
14
Quatuor de Flûtes à bec
14
Flûte, Alto (duo)
14
Flûte à Bec
13
Flûte, Clarinette et Basson
13
Flûte, Hautbois (duo)
13
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Flûte à bec Alto, Piano
11
Flûte à bec Alto
11
Clarinette, Guitare (duo)
10
Flûte, Violon, Piano
10
Cor Anglais
8
2 Flûte à bec (duo)
8
Hautbois, Violoncelle
8
Flûte, Hautbois, Basson
8
Flûte à bec Tenor
6
Harmonica
6
Piccolo
6
Instruments en Mib
5
Flûte, Hautbois, Piano (trio)
5
Piccolo, Piano
5
2 Clarinettes, Piano
4
Saxophone et Guitare
4
Flûte à Bec, Piano
4
5 Flûtes à bec
4
Flute, harpe et violon
3
Saxophone et Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte traversière, Orgue (duo)
3
Flûte, Alto et Piano
3
Cor anglais, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette Basse
2
2 Clarinettes, Basson
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Basson et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ocarina
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Trombone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, trombone et piano
1
Clarinette, Orgue
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
+ 102 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
304
Quatuor de Cuivres : 2 trompettes, trombone, tuba
175
Trompette
171
Trombone et Piano
141
Trompette, Piano
131
Trombone (partie séparée)
126
Trombone
112
Trompette (partie séparée)
111
Cor et Piano
100
Cor
97
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
Quatuor de Cuivres
67
Tuba et Piano
59
2 Trombones (duo)
53
Tuba
52
Ensemble de Trompettes
50
2 Trompettes (duo)
44
Ensemble de Trombones
39
Euphonium, Piano (duo)
36
2 Cors (duo)
28
Quatuor de cuivres: 4 trombones
28
Trompette, Saxophone (duo)
27
Cor (partie séparée)
27
Trompette, Trombone (duo)
26
Cor anglais, Piano
23
Tuba (partie séparée)
22
Quatuor de cuivres: 4 cors
18
Trompette, Cor (duo)
13
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trompettes
11
Trio de Cuivres
10
Euphonium
10
Ensemble de Cors
9
Cor Anglais
8
2 Tubas (duo)
8
Instruments en Sib
7
Cor, Violoncelle (duo)
6
Bass Clef Instruments
5
Trombone basse
5
4 Tubas
5
3 Trompettes (trio)
5
Trombone, Cor (duo)
4
Trombone basse et Piano
4
Cor et Basson (duo)
3
Trompette, Basson (duo)
3
Trompette et Guitare
3
Cor anglais, Guitare (duo)
2
2 Euphoniums (duo)
2
Trombone, Orgue
2
Trombone et orchestre
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Tuba (duo)
1
Cor et Orgue
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Tuba et Orgue
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
741
Violon et Piano
312
Violon
226
Violoncelle, Piano
198
Trio à Cordes: violon, alto, violoncelle
182
Harpe
182
Alto, Piano
171
Violoncelle
143
Violon, Violoncelle (duo)
126
2 Violons (duo)
104
Alto seul
100
Quintette à cordes: 2 violons, alto, violoncelle, basse
59
Violon (partie séparée)
59
Violon, Alto (duo)
58
2 Violoncelles (duo)
57
Contrebasse, Piano (duo)
54
Alto (partie séparée)
51
Contrebasse (partie séparée)
46
Trio à Cordes: 2 violons, violoncelle
45
2 Altos (duo)
42
Contre Basse
38
Alto, Violoncelle (duo)
20
4 Violoncelles
15
Quatuor à cordes: 4 violons
15
Violon, Guitare (duo)
13
Ensemble de Violons
12
Ensemble d'Altos
12
Trio à Cordes: 2 violons, alto
12
Violoncelle (partie séparée)
12
Trio à cordes: 3 altos
11
Piano Trio: Violon, Alto, Piano
11
Alto et Basson
8
Violoncelle , Guitare (duo)
8
Harpe, Flûte (duo)
7
Trio à cordes: 3 violins
7
Violon, Basson (duo)
7
Harpe, Voix
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Contrebasses (duo)
3
Harpe, Violon (duo)
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
2
Violoncelle, Orgue
2
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
Violoncelle, Contrebasse (duo)
2
Violon, Orgue
2
Alto, Guitare (duo)
2
2 Violons, Piano
1
Trio à cordes
1
Alto, Orgue
1
Autoharp
1
Harpe et mandoline
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 307
Orchestre à Cordes
352
Orchestre
347
Ensemble Jazz
310
Ensemble de cuivres
174
Batterie
141
Cloches
134
Fanfare
92
Orchestre de chambre
76
Jazz combo
64
Ensemble de Percussions
27
Percussion (partie séparée)
27
Batterie (partie séparée)
23
Xylophone, Piano
10
Marimba
9
Percussion
5
Xylophone
5
Vibraphone
4
Cajon
2
Vibraphone (partie séparée)
1
Marimba, Piano (duo)
1
Caisse Claire
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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TROMBONE
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Orchestre de chambre
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When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
ATON part 17-Interlude and Chorus of the Liberals
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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ATON part 17-Interlude and Cho
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617...
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Chamber Orchestra - Level 4 - SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617. Published by David Warin Solomons (A0.576199). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 18 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke...
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Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
On The road To Mandalay for Tenor and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Te
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B ...
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Chamber Orchestra - Level 4 - SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
On The road To Mandalay for Baritone and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Ba
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B ...
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Chamber Orchestra - Level 4 - SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
The Monster Takes a Breather
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Orchestre de chambre
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INTERMÉDIAIRE
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Rob J Kennedy
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The Monster Takes a Breather
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Rob J Kennedy
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1343971 By Rob J Kennedy. By Rob J Kennedy. 21st Century,Classical. 2 pages. Rob J Kennedy #929479. Published by R...
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Chamber Orchestra - Level 3 - SKU: A0.1343971 By Rob J Kennedy. By Rob J Kennedy. 21st Century,Classical. 2 pages. Rob J Kennedy #929479. Published by Rob J Kennedy (A0.1343971). From my 2018 album 1950's Sci-Fi Suite. The Monster takes a Breather
$2.00
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
Shall I Compare Thee to a Summer's Day? (Sonnet 18) for Tenor and String Quartet [Score & Parts]
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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Shall I Compare Thee to a Summ
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Richard St. Clair
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.939868 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 14 pages. Richard St. Clair #605...
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Chamber Orchestra - Level 4 - SKU: A0.939868 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 14 pages. Richard St. Clair #6050379. Published by Richard St. Clair (A0.939868). This is a setting of perhaps the most famous of William Shakespeare's Sonnets, no. 18. In gentle tonal harmonies and delicate counterpointing, this chanson takes about 2 minutes to perform.
$12.99
Wedding Song (There Is Love)
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Orchestre de chambre
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FACILE
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Paul Stookey
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Karen D
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Wedding Song
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Karen D. Janiszewski
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 page...
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Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 pages. Karen D. Janiszewski #3073563. Published by Karen D. Janiszewski (A0.865412). This arrangement features a vocal soloist and bowed string quartet accompaniment. Beautiful string interludes separate each verse, will likely will take little rehearsal time for everyone to learn and is written in a comfortably singable key of Eb. Full score and individual parts included.
$12.99
Go The Distance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Michael Bolton
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Demetrio Bonvecchio
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Go The Distance
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages. Demetrio Bonvecchio (Db Music) #1076837. Published by Demetrio Bonvecchio (Db Music) (A0.1500758). Go The Distance, here arranged for Chamber Orchestra, is a song I always wanted to arrange. With it's calming tones and energetic ending is a masterpiece from this memorable soundtrack. The piece ending is taken from the reprise of the song, which gives to it a grandioso ending.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Sir Galahad And The Holy Grail
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Orchestre de chambre
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FACILE
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Contemporain
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Ana Tipton
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Curtis Tipton
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Sir Galahad And The Holy Grail
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #...
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Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
The Winner Takes It All
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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ABBA
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Jayson Ng Zon Guan
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The Winner Takes It All
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Jayson Ng Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.944371 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jayson Ng Zon Guan. Contemporary. Score and part...
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Chamber Orchestra - Level 3 - SKU: A0.944371 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jayson Ng Zon Guan. Contemporary. Score and parts. 36 pages. Jayson Ng Music #6499285. Published by Jayson Ng Music (A0.944371). The winner takes it all (Solo Voice+Piano+String Orchestra).
$30.00
Overture to The Robbers' Castle
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Orchestre de chambre
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AVANCÉ
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Friedrich Kuhlau
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Overture to The Robbers' Castl
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1452560 Composed by Friedrich Kuhlau. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Classical. 112 pa...
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Chamber Orchestra - Level 5 - SKU: A0.1452560 Composed by Friedrich Kuhlau. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Classical. 112 pages. Trevor Denyer #1031862. Published by Trevor Denyer (A0.1452560). Kuhlau is best known for his piano works, but his orchestral pieces are full of interest, colour and drama. This piece certainly fills those criteria; being the introduction to his opera of the same name. The orchestration, while fairly conventional for the period, makes full use of the forces available to him to fine effect in the five minutes or so that this piece takes to perform.
$35.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by A...
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Harpsichord, Violin, Viola, Cello - Intermediate - By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
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