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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's All: Score
Non classifié
4 343
Piano & claviers
Piano seul
2 097
Piano, Voix
1 015
Piano Facile
726
Piano, Voix et Guitare
528
Orgue
109
Accompagnement Piano
57
1 Piano, 4 mains
42
Piano Trio: piano, violon, violoncelle
33
Instruments en Do
30
Piano grosses notes
23
Accordéon
21
2 Pianos, 4 mains
20
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
3
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Clavier
2
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
57
Basse electrique
47
Ukulele
43
Guitare notes et tablatures
38
2 Guitares (duo)
26
4 Guitares (Quatuor)
20
3 Guitares (trio)
12
Piano, Guitare (duo)
12
Guitare (partie séparée)
12
Paroles et Accords
11
Ligne De Mélodie, (Paroles) et Accords
9
Banjo
6
Mandoline
6
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
2 Dulcimers (duo)
2
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
288
Chorale 3 parties
82
Chorale 2 parties
78
Chorale Unison
55
Chorale TTBB
32
Voix Tenor, Piano
28
Voix Soprano, Piano
24
Chorale SSAA
19
Voix Alto, Piano
17
Voix Baryton, Piano
16
Voix duo, Piano
12
Voix duo
7
Voix seule
4
Voix basse, Piano
3
Chorale
3
Voix haute
2
Soli, choeur mixte et accompagnement
2
Voix, Guitare
1
Voix Tenor
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
382
Flûte traversière et Piano
340
Clarinette et Piano
301
Hautbois, Piano (duo)
279
2 Flûtes traversières (duo)
237
Saxophone Alto et Piano
232
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
224
2 Clarinettes (duo)
189
Quintette de Saxophone: 5 saxophones
186
Saxophone Tenor et Piano
176
Saxophone Soprano et Piano
151
Quatuor de Saxophones: 4 saxophones
137
Ensemble de saxophones
103
Saxophone Baryton, Piano
98
2 Hautbois (duo)
89
Flûte, Hautbois, Clarinette, Basson
84
Saxophone, Clarinette (duo)
82
Quatuor de Clarinettes: 4 clarinettes
74
Clarinette, Violon (duo)
67
Quatuor de Flûtes : 4 flûtes
55
Quintette de Flûte : 5 flûtes
51
2 Flûte à bec (duo)
51
Saxophone (partie séparée)
50
Ensemble de Clarinettes
49
Clarinette
48
Cor anglais, Piano
47
Flûte, Clarinette (duo)
44
Clarinette Basse, Piano
39
Ensemble de Flûtes
37
Hautbois, Basson (duo)
36
Clarinette, Trompette (duo)
36
Flûte traversière
36
Clarinette et Alto
34
Flûte, Violon
31
Hautbois, Clarinette (duo)
29
Hautbois, Flûte
29
Flûte et Guitare
27
Quintette de Clarinettes: 5 clarinettes
27
Flûte, Alto (duo)
27
Flûte, Saxophone (duo)
25
Hautbois (partie séparée)
25
3 Saxophones (trio)
22
Saxophone Alto
22
Flûte, Trompette (duo)
19
Clarinette (partie séparée)
17
Saxophone Tenor
17
Quatuor de Flûtes à bec
14
3 Clarinettes (trio)
14
Flûte, Clarinette, Piano (trio)
14
Flute (partie séparée)
11
Clarinette, Trombone (duo)
11
Flûte, Hautbois, Piano (trio)
11
Hautbois
10
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Violon et Violoncelle
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, trombone et piano
9
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton
8
Flûte irlandaise
8
Saxophone Soprano
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Ocarina
8
Flûte, Alto et Piano
8
Flûte, Violoncelle
7
Flûte à bec Soprano
7
Hautbois, Guitare (duo)
6
Clarinette, Guitare (duo)
6
Clarinette, Violoncelle (duo)
5
Flûte, Violoncelle, Piano (trio)
5
2 Flûtes traversières, Piano
5
Flûte, Basson et Piano
5
Clarinette, Basson (duo)
4
Clarinette, trompette et piano
4
Flûte à bec Alto
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violoncelle, Guitare
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Piccolo, Piano
3
Flute, harpe et violon
3
Flûte, Violon, Guitare
2
Ensemble De Flûte à bec
2
2 Saxophones, Piano
2
Flûte à bec Alto, Piano
2
3 Flûtes à bec (trio)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Saxophone et Guitare
2
Cor anglais, Guitare (duo)
1
Flûte, Violon, Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
4 Hautbois
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Clarinette, Tuba
1
Harmonica
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Flûte à Bec
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Violon
1
Flûte et Trio à cordes
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
252
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trombone et Piano
239
Trompette, Piano
239
Cor et Piano
234
Tuba et Piano
116
2 Trompettes (duo)
105
2 Trombones (duo)
103
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
Ensemble de Trombones
80
Ensemble de Trompettes
71
Euphonium, Piano (duo)
61
Trompette, Saxophone (duo)
59
Trompette
56
Cor anglais, Piano
47
2 Cors (duo)
45
Trompette, Trombone (duo)
38
Trombone (partie séparée)
37
Trompette (partie séparée)
31
Trombone
25
Quatuor de cuivres: 4 trombones
25
Cor
22
Quatuor de Cuivres
20
Tuba
19
2 Euphoniums (duo)
13
Cor (partie séparée)
12
Tuba (partie séparée)
10
Quatuor de cuivres: 4 trompettes
9
Trio de Cuivres
8
Ensemble de Cors
6
2 Tubas (duo)
6
4 Tubas
5
Quatuor de cuivres: 4 cors
4
3 Trompettes (trio)
3
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
Trombone, Orgue
2
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Cor, Violoncelle et Piano
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Euphoniums
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
686
Violoncelle, Piano
294
Alto, Piano
290
Violon, Violoncelle (duo)
276
Trio à Cordes: violon, alto, violoncelle
274
Violon
219
Violon et Piano
131
2 Violoncelles (duo)
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
118
Contrebasse, Piano (duo)
106
2 Altos (duo)
103
Harpe
99
Violon, Alto (duo)
76
2 Violons (duo)
47
Alto seul
41
Violoncelle
37
Alto (partie séparée)
31
2 Harpes (duo)
30
Ensemble de Violons
26
Violon (partie séparée)
23
Ensemble d'Altos
22
Contre Basse
21
Trio à Cordes: 2 violons, violoncelle
20
Alto, Violoncelle (duo)
19
4 Violoncelles
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Contrebasse (partie séparée)
15
Violon, Basson (duo)
11
Trio à cordes: 3 violins
11
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
6
Quatuor à cordes: 4 violons
6
Trio à Cordes: 3 violoncelles
6
Flûte, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon (duo)
3
2 Violons, Piano
3
4 Contrebasses
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Harpe et Piano
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Violon, Orgue
1
Alto et Basson
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
651
Orchestre à Cordes
368
Orchestre
361
Ensemble Jazz
160
Ensemble de cuivres
149
Cloches
123
Orchestre de chambre
102
Fanfare
39
Ensemble de Percussions
38
Jazz combo
35
Batterie
15
Percussion (partie séparée)
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Batterie (partie séparée)
6
Orchestre, Violon
3
Vibraphone
3
Ensemble d'École
3
Marimba
2
Vibraphone et Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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That's All: Score
Orchestre de chambre
Partitions à imprimer
102 partitions trouvées
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101
Ebb Tide (Full score + vocal score + all parts)
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Orchestre de chambre
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INTERMÉDIAIRE
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Stuart Brown
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Stuart Brown
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Ebb Tide
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1182175 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multic...
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Chamber Orchestra - Level 3 - SKU: A0.1182175 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 91 pages. Stuart Brown Music #781940. Published by Stuart Brown Music (A0.1182175). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the full score and the vocal score are available also as separate items.
$30.00
Ebb Tide (Full score only) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Stuart Brown
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Stuart Brown
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Ebb Tide
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1182181 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multic...
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Chamber Orchestra - Level 3 - SKU: A0.1182181 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 22 pages. Stuart Brown Music #781945. Published by Stuart Brown Music (A0.1182181). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the vocal score and a complete package of score plus all parts are available also as separate items.
$4.00
Ebb Tide (Vocal score only) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Stuart Brown
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Stuart Brown
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Ebb Tide
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1182187 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multic...
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Chamber Orchestra - Level 3 - SKU: A0.1182187 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 14 pages. Stuart Brown Music #781948. Published by Stuart Brown Music (A0.1182187). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the full score and a complete package of score plus all parts are available also as separate items.
$2.60
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on 'Non piu mesta'
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Peri...
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Chamber Orchestra - Level 4 - SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
MOZART-Debbaut: Overture to "Il re pastore" (The Shepherd king) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Robert Debbaut
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MOZART-Debbaut: Overture to &q
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Opera....
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Chamber Orchestra - Level 4 - SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Opera. 57 pages. ROBERT DEBBAUT #6342173. Published by ROBERT DEBBAUT (A0.939402). This overture would make a lively concert opener for a group with smaller forces, or work just as well with a large string section. In the opera itself (Il re pastore, The Shepherd King; 1775), Mozart's overture  segues directly into the opening scene of Act One. Other Mozart overtures that segue thusly have been arranged with concert endings, such as The Abduction from the Seraglio (arr. Anton Andre) and Idomeneo, King of Crete (arr. Carl Reinecke). Most of the music contained in this arrangement is Mozart's, including the existing material from the original overture, developmental material of that music, and a segment extracted from the opera's final section. The work is about six minutes in length and is scored for one flute, two oboes, two bassoons, two horns in F, two trumpets in C, timpani, and string orchestra. A NotePerformer3 audio file is available from the arranger, as are parts in pdf format. If you purchase, please write to the arranger at debbaut@gmail.com, subject Mozart and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Annie's Song
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Orchestre de chambre
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FACILE
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Rock
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John Denver
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Shay Hovell
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Annie's Song
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Hauteville Publishing
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.909382 By John Denver. By John Denver. Arranged by Shay Hovell. Rock. Score and parts. 17 pages. Hauteville Publis...
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Chamber Orchestra - Level 2 - SKU: A0.909382 By John Denver. By John Denver. Arranged by Shay Hovell. Rock. Score and parts. 17 pages. Hauteville Publishing #3570879. Published by Hauteville Publishing (A0.909382). Students learn to play as a group- price covers all the individual parts and score (mastering timing and volume of their individual part) A basic MIDI keyboard is all that is required of each student/musician. Most arrangements in my keyboard series allow players of different levels to play together. Great source for teachers looking for group lessons. Students who have not enjoyed individual lessons can thrive in the group environment- simple arrangements make for a big group sound.
$12.99
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
The King Shall Come (SCORE AND INSTRUMENT PARTS)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Michael Myrick
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Michael Myrick
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The King Shall Come
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MICHAEL MYRICK
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1268021 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Advent,Christmas,Praise & Worship,Religi...
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Chamber Orchestra - Level 2 - SKU: A0.1268021 By Michael Myrick. By Michael Myrick. Arranged by Michael Myrick. Advent,Christmas,Praise & Worship,Religious,Sacred. Score and Parts. 433 pages. MICHAEL MYRICK #860576. Published by MICHAEL MYRICK (A0.1268021). The King Shall Come is a complete set of nine anthems arranged for use as a Lessons and Carols service, but can also be used individually. The anthems are written and arranged for (S)SATB & treble choir, soloists, piano, organ, handbells and small orchestra. This anthology is arranged so that it can be easily tailored to fit the needs of any church choral situation, large or small, amateur or professional. Suggestions for service format are included to help you customize the service for your choir and congregation. Included with this purchase: Full Conductors Score and Instrument Parts. Choral Octavo sold separately.   Choral Octavo: Follow this link to purchase the Choral Octavo
$200.00
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
Galadriel's Song of Eldamar, Orchestral Version
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Orchestre de chambre
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DÉBUTANT
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Charles McCreery
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Galadriel's Song of Eldamar, O
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St Maur Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music...
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Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
The Pearl (Downloadable Choral Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Howard Goodall
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The Pearl
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet...
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SSA choir and piano or chamber orchestra - Medium - SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0040-E). English.This George Herbert text is set for SSA voices and piano. The text is a veiled description of Herbert’s relationship to God as paramount and beyond price. The pearl is a symbol for something sought but not easily found. The poet describes key pursuits in life (learning, honor, pleasure) and concludes “Yet I love thee.†Again and again the comparison is made between earthly and heavenly things, and the author concludes that the ultimate goal is “to climbe to thee.†There are various solo and small group opportunities marked in the music as well as “tutti choirs†and “massed voices.†Yet the music is not complex and is suitable for a variety of situations and ensembles.
$3.35
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
JESU, JOY OF MAN'S DESIRING - for choir and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Dico
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JESU, JOY OF MAN'S DESIRING -
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.842972 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Christmas,Easter,Sacred,Wedding. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.842972 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 40 pages. Dico #6431895. Published by Dico (A0.842972). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
Jesu, Joy of Man's Desiring - for choir & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Various
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Dico
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Jesu, Joy of Man's Desiring -
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.509062 By Various. By Johann Sebastian Bach. Arranged by Dico. Baroque,Wedding. Score and parts. 40 pages. Dico Fe...
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Chamber Orchestra - Level 4 - SKU: A0.509062 By Various. By Johann Sebastian Bach. Arranged by Dico. Baroque,Wedding. Score and parts. 40 pages. Dico Ferreira #120156. Published by Dico Ferreira (A0.509062). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
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