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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That Day will Come
Non classifié
261
Piano & claviers
Piano seul
130
Piano, Voix et Guitare
52
Piano, Voix
43
Piano Facile
36
Orgue
17
Instruments en Do
14
Accompagnement Piano
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
5
Basse electrique
3
Ukulele
3
Mandoline
1
3 Guitares (trio)
1
Paroles et Accords
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
86
Chorale 3 parties
25
Chorale 2 parties
17
Chorale TTBB
16
Chorale Unison
9
Chorale SSAA
9
Voix duo, Piano
4
Voix Alto, Piano
3
Voix Baryton, Piano
3
Voix Soprano
2
Voix haute
2
Voix Soprano, Piano
1
Voix basse
1
Voix Tenor, Piano
1
Voix duo
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
27
Hautbois (partie séparée)
21
2 Flûtes traversières (duo)
21
2 Saxophones (duo)
21
Quintette de Saxophone: 5 saxophones
17
Flûte traversière et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière
15
Clarinette
15
Clarinette et Piano
12
Flûte, Hautbois, Clarinette, Basson
11
Saxophone Alto et Piano
9
Saxophone Alto
9
Hautbois, Piano (duo)
9
Ensemble de Clarinettes
8
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
7
Saxophone (partie séparée)
7
Ensemble de saxophones
7
Saxophone Baryton, Piano
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Saxophone Tenor
5
2 Hautbois (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette, Basson (duo)
3
Clarinette Basse, Piano
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo, Piano
1
Flûte, Alto et Piano
1
Quatuor de Flûtes à bec
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone
1
Flûte, trombone et piano
1
+ 43 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trompette
14
Trombone et Piano
12
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trombone
9
Tuba
6
2 Trompettes (duo)
6
Ensemble de Trombones
6
Cor et Piano
6
Tuba et Piano
5
Trio de Cuivres
4
2 Trombones (duo)
4
2 Cors (duo)
4
Ensemble de Trompettes
3
Quatuor de Cuivres
3
2 Tubas (duo)
2
Cor
2
Euphonium, Piano (duo)
2
Trompette (partie séparée)
2
Ensemble de Tubas
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violoncelle
19
Violon et Piano
18
Violon
16
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violoncelle, Piano
12
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
8
Harpe
6
Alto seul
6
Alto, Piano
6
Harpe, Voix
5
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Alto (partie séparée)
3
Violon (partie séparée)
2
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Alto et Harpe
1
2 Harpes (duo)
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre
38
Orchestre à Cordes
17
Ensemble de cuivres
9
Cloches
7
Jazz combo
6
Ensemble Jazz
5
Orchestre de chambre
5
Batterie
3
Ensemble de Percussions
3
Fanfare
3
Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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DIDGERIDOO
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Crtitères actifs :
That Day will Come
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Donde Esta Santa Claus
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Orchestre de chambre
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INTERMÉDIAIRE
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Alvin Greiner, George Scheck,
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holida...
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Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
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That Day will Come
