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ACCORDEON
ALTO
AUTRES INST…
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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XYLOPHONE
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482
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
105505
PIANO & CLAVIERS
Piano seul
107352
Piano, Voix
55655
Piano, Voix et Guitare
48074
Piano Facile
33228
Orgue
8380
Instruments en Do
7252
Piano grosses notes
5654
Accompagnement Piano
4811
1 Piano, 4 mains
3461
Accordéon
2357
Piano (partie séparée)
1280
Piano Trio: piano, violon, violoncelle
1066
2 Pianos, 4 mains
622
Piano Quatuor: piano, violon, alto, violoncelle
302
Piano Quatuor: piano, 2 violons, violoncelle
277
Orgue, Piano (duo)
228
Piano Quintette: piano, 2 violons, alto, violoncelle
218
Ligne De Mélodie, Piano
185
Orgue, Trompette (duo)
184
Clavecin
135
Clavier
125
1 Piano, 6 mains
97
Accordéon, Voix
78
Instrument seul et Orgue
64
2 Pianos, 8 mains
42
2 Accordéons
28
Ensemble d'Accordéons
21
Orgue, Voix
13
Tous Les Instruments
9
Accordéon, Piano
5
2 Orgues (duo)
4
Accordéon, Corde(s)
3
Accordéon et Orchestre
3
Ensemble de Pianos
2
Concertina
2
3 Pianos
2
Orgue et Orchestre
1
Piano Trio: Instruments de chambre mixtes
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
29318
Ligne De Mélodie, (Paroles) et Accords
27338
Guitare
10388
Paroles et Accords
8601
Ukulele
7318
Basse electrique
5651
Guitare (partie séparée)
1443
2 Guitares (duo)
779
Mandoline
632
Piano, Guitare (duo)
566
Banjo
558
Dulcimer
513
Basse électrique (partie séparée)
333
4 Guitares (Quatuor)
283
Ensemble de guitares
228
3 Guitares (trio)
116
Ensemble de Ukulélés
114
Ukulele Baryton
105
Partitions De Groupes
91
Guitare Pedal Steel
52
2 Dulcimers (duo)
39
Guitare, Violon, Violoncelle (trio)
24
Dobro
21
Mandoline, Guitare (duo)
20
2 Ukuleles
17
Mandoline, Piano (duo)
14
Guitare, Flûte, Clarinette
9
Guitare Tab, Voix, Basse, Batterie
8
Cithare
8
Luth
7
2 Mandolines (duo)
6
3 Dulcimers (trio)
4
Guitare, Orchestre
4
Guitare, Quatuor à cordes
3
Bouzouki
2
Orchestre à Plectres
1
2 Guitares et Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
39288
Chorale 3 parties
14168
Chorale 2 parties
10148
Chorale TTBB
7317
Chorale Unison
5116
Chorale SSAA
3896
Voix duo, Piano
2793
Chorale
2570
Voix seule
2526
Voix duo
1161
Voix Soprano, Piano
871
Voix haute
796
Voix Alto, Piano
588
Voix Tenor, Piano
558
Voix Baryton, Piano
375
Voix moyenne, Piano
219
Voix basse, Piano
157
Voix Tenor
118
Chorale SSATB
115
Chorale SSAATTBB
115
Voix, Guitare
87
Voix Mezzo-Soprano, Piano
59
Voix Soprano
54
Chorale SSATTB
49
Soli, choeur mixte et accompagnement
40
Chorale SSAB a cappella
38
Voix basse
38
Chorale SSAB, Piano
28
Chorale SSATBB
23
Voix Baryton
18
Voix haute, Piano
17
Chorale SSAATB
16
Chorale, Orgue
12
Chorale SATBB
10
Voix Moyenne
9
Male Voice
8
Chorale SAATB A Cappella
7
Voix Soprano, Orchestre
6
Chorale SATTB
4
Chorale SATTBB A Cappella
4
Voix (avec Boîtes d'Accords)
3
Paroles Seulement
2
Voix duo, Orgue
1
Chorale SATTBB, Clavier
1
Chorale SSAATB A Cappella
1
Voix d'Enfants
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
11259
Flûte traversière
9824
Flûte traversière et Piano
8919
Clarinette
8493
Quatuor de Saxophones: 4 saxophones
7016
Saxophone Alto
6558
Clarinette et Piano
6057
Saxophone Tenor
5739
Saxophone
5434
Clarinette (partie séparée)
5119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5061
Hautbois, Piano (duo)
4851
Flûte, Hautbois, Clarinette, Basson
4835
Saxophone Alto et Piano
4576
2 Saxophones (duo)
4532
Quatuor de Clarinettes: 4 clarinettes
3908
2 Flûtes traversières (duo)
3746
Saxophone Tenor et Piano
3417
Hautbois (partie séparée)
3145
2 Clarinettes (duo)
3126
Flute (partie séparée)
2422
Saxophone Soprano et Piano
2118
Quintette de Saxophone: 5 saxophones
2094
Quatuor de Flûtes : 4 flûtes
1970
3 Saxophones (trio)
1629
3 Clarinettes (trio)
1579
Flûte, Clarinette (duo)
1401
Ensemble de Clarinettes
1205
Hautbois
1133
Trio de Flûtes: 3 flûtes
1073
Saxophone Baryton, Piano
992
Ensemble de Flûtes
951
Flûte à Bec
933
Quintette de Clarinettes: 5 clarinettes
915
Flûte et Guitare
880
2 Hautbois (duo)
849
Ensemble de saxophones
839
2 Flûte à bec (duo)
669
Cor anglais, Piano
656
Hautbois, Basson (duo)
653
Clarinette, Violon (duo)
650
Flûte à bec Soprano
647
Saxophone Soprano
630
Flûte, Violon
593
Harmonica
572
Saxophone, Clarinette (duo)
550
Hautbois, Clarinette (duo)
547
Instruments en Mib
543
Ocarina
539
Flûte, Hautbois, Clarinette (trio)
453
Flûte à bec Alto
423
Flûte, Clarinette et Basson
393
Quatuor de Flûtes à bec
367
Clarinette Basse, Piano
362
Flûte, Violoncelle
358
Clarinette, Basson (duo)
351
Quintette de Flûte : 5 flûtes
332
Flûte, Hautbois (duo)
323
Clarinette, Guitare (duo)
310
Flûte, Hautbois, Basson
308
Clarinette, Trompette (duo)
305
Hautbois, Flûte
302
Flûte, Alto (duo)
272
Hautbois, Clarinette, Basson (trio d'anches)
267
Clarinette et Alto
261
Saxophone Baryton
233
Clarinette, Violoncelle (duo)
229
Flûte, Saxophone (duo)
228
Clarinette, Harpe (duo)
225
Flûte, Trompette (duo)
220
Flûte, Clarinette, Piano (trio)
214
Cor Anglais
210
Flûte, Violon et Violoncelle
206
Flûte, Violoncelle, Piano (trio)
205
Flûte, Violon, Piano
197
Hautbois, Violoncelle
162
2 Flûtes traversières, Piano
156
Piccolo
139
Flûte à bec Alto, Piano
138
Clarinette Basse
136
Flûte à bec Soprano, Piano
132
Ensemble De Flûte à bec
129
2 Saxophones, Piano
129
3 Flûtes à bec (trio)
126
3 Hautbois
125
Hautbois, violon (duo)
110
Flûte, Hautbois, Violon
106
Flûte irlandaise
103
Flûte, Clarinette, Violon (trio)
102
2 Clarinettes, Piano
101
Flûte à bec Tenor
98
Saxophone et Guitare
97
Hautbois, Guitare (duo)
95
Flûte, Basson et Piano
95
Flûte, Trombone (duo)
94
5 Flûtes à bec
89
Saxophone et Piano
85
Clarinette, Violoncelle, Piano (trio)
80
Hautbois et alto (duo)
75
Flûte à Bec, Piano
75
Flute, harpe et violon
74
Cor anglais, Guitare (duo)
73
2 Clarinettes, Basson
67
Flûte, Harpe et Violoncelle
67
Piccolo, Piano
65
Clarinette, Trombone (duo)
62
Cornemuse
61
Saxophone et Orgue
51
4 Hautbois
50
Flûte, Alto et Piano
49
Flûte, Clarinette, Cor, Basson (Quartet)
48
Flûte, Hautbois, Piano (trio)
45
Flûte, Violon, Violoncelle et Piano
44
Saxophone, Violon (duo)
41
Saxophone et Harpe
36
Hautbois, Harpe
35
Flûte traversière, Orgue (duo)
34
Clarinette, Basson, Piano (trio)
33
Hautbois, Trompette (duo)
31
Flûte, trombone et piano
30
Hautbois, trombone (duo)
30
Clarinette, Tuba
29
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
27
Flûte et Trio à cordes
27
Clarinette, Alto et Piano (trio)
25
Flûte, Tuba (duo)
24
Ensemble à vent
21
Flûte, Violoncelle, Guitare
20
Hautbois, Violoncelle et Piano
19
Hautbois, Basson et Piano
18
Flûte à bec, Guitare (duo)
18
2 Cors Anglais Et Pianoforte
18
Clarinette, trompette et piano
18
Saxophone, Basson (duo)
16
Hautbois, Clarinette et Piano (Trio)
14
Clarinette, Orgue
14
Flûte à bec Alto, Basse continue
14
Clarinette, Contrebasse (duo)
13
Hautbois, Violon, Piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Flûte, alto et harpe
12
Saxophone et violoncelle
11
Flute, Cor (duo)
11
Ensemble de Hautbois
11
2 Hautbois, Piano
10
Flûte, Violon, Guitare
10
Flûte traversière, Basse continue
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
9
Harmonica, Piano
9
2 Flûtes à bec, Piano
9
Clarinette, Orchestre
7
2 Harmonicas
6
Flûte et Quatuor à Cordes
6
Flûte de Pan
6
2 Flûtes traversières, Guitare
6
Flûte à bec, Harpe
5
Cor anglais et Harpe (duo)
5
Flûte traversière, Orchestre
5
Melodica
4
2 Flûtes, 2 Clarinettes (Quatuor)
4
2 Flûtes traversières, Harpe
3
Clarinette, Saxophone, Piano
3
Flûte, Alto et Violoncelle
3
2 Hautbois et Basson
3
2 Hautbois et Cor anglais
3
Flûte à bec Soprano, Basse continue
2
Saxophone, Tuba (duo)
2
2 Flûtes à bec, Guitare
2
3 Flûtes à bec, Piano
1
2 Flûtes, Basse continue
1
Hautbois, Orgue
1
Flûte, Guitare, Piano
1
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois et Orchestre
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
8466
Trompette (partie séparée)
7368
Trombone (partie séparée)
7158
Trombone
6824
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6361
Trompette, Piano
4524
Cor
4269
Trombone et Piano
4077
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3470
Cor et Piano
2907
Cor (partie séparée)
2766
Tuba (partie séparée)
1729
Tuba
1705
2 Trompettes (duo)
1677
2 Trombones (duo)
1572
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1456
Quatuor de Cuivres
1400
Tuba et Piano
1266
Trompette, Trombone (duo)
886
Quatuor de cuivres: 4 trombones
799
2 Cors (duo)
771
Euphonium
675
Bass Clef Instruments
659
Cor anglais, Piano
656
Euphonium, Piano (duo)
637
Quatuor de cuivres: 4 cors
621
Instruments en Sib
537
Trompette, Saxophone (duo)
452
Trompette, Cor (duo)
437
2 Euphoniums et 2 Tubas
381
Ensemble de Trombones
369
3 Trombones (trio)
291
Trio de Cuivres
279
2 Tubas (duo)
264
Cor Anglais
210
Ensemble de Trompettes
198
4 Tubas
189
Ensemble de Cors
171
3 Trompettes (trio)
144
Quatuor de cuivres: 4 trompettes
138
Tuba ou Euphonium ou Saxhorn
126
Tuba et Orgue
122
Trompette, Tuba (duo)
108
Quatuor de cuivres: 2 trompettes, 2 trombones
92
Trombone, Tuba (duo)
92
Euphonium, Tuba (duo)
84
Cornet A Pistons
75
Cor anglais, Guitare (duo)
73
Trombone basse et Piano
72
Cor, Violoncelle (duo)
70
Instruments en Fa
69
Trompette, violon (duo)
66
2 Trompettes, Clavier (piano ou orgue)
62
Trompette, Violoncelle (duo)
61
Trombone basse
60
Trombone, Cor (duo)
60
Trompette, Basson (duo)
57
Cor, Tuba (duo)
52
Trombone, Violon (duo)
50
Cor et Harpe
46
3 Cors (trio)
46
Trombone, Orgue
43
2 Euphoniums (duo)
42
Trombone, violoncelle (duo)
40
Trompette, Harpe
33
Trompette, Trombone, Piano
32
Trompette, Violoncelle et Piano
29
Cor et Basson (duo)
29
Clarinette, Cor (duo)
22
3 Tubas (trio)
18
2 Cors Anglais Et Pianoforte
18
2 Trombones, Piano
17
Ensemble de Tubas
16
Cor et Orgue
16
Trompette et Guitare
15
Cor, Trompette, Trombone (trio)
13
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
10
3 Euphoniums
10
2 Cors, Piano
9
Trombone, Alto (duo)
8
Cornet et Piano
8
Cor, Orchestre
7
Trombone et orchestre
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
4 Euphoniums
6
Trompette, Orchestre
6
Cor anglais et Harpe (duo)
5
G Instruments
4
Bugle
3
Euphonium (partie séparée)
3
Cornet et orchestre
2
Trompette, Euphonium (duo)
2
Cor, Violoncelle et Piano
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18028
Violon et Piano
10912
Violon
10807
Violoncelle
7639
Violoncelle, Piano
6941
Harpe
6001
Alto seul
5878
Alto, Piano
5290
Violon (partie séparée)
3837
Violon, Violoncelle (duo)
3542
2 Violons (duo)
3239
Trio à Cordes: violon, alto, violoncelle
2681
Contrebasse (partie séparée)
2670
2 Violoncelles (duo)
2219
Alto (partie séparée)
1918
Violon, Alto (duo)
1694
Quintette à cordes: 2 violons, alto, violoncelle, basse
1457
Contre Basse
1373
Violoncelle (partie séparée)
1368
2 Altos (duo)
1307
Contrebasse, Piano (duo)
1160
Trio à Cordes: 2 violons, violoncelle
1049
Alto, Violoncelle (duo)
758
Trio à cordes: 3 violins
580
2 Harpes (duo)
562
4 Violoncelles
554
Piano Trio: Violon, Alto, Piano
551
Harpe, Flûte (duo)
527
Violon, Guitare (duo)
434
Trio à Cordes: 3 violoncelles
332
Harpe, Violon (duo)
318
Quatuor à cordes: 4 violons
282
Violoncelle , Guitare (duo)
268
Trio à cordes
241
2 Contrebasses (duo)
239
Violoncelle, Contrebasse (duo)
188
Harpe (partie séparée)
180
Quatuor à cordes : 4 altos
169
Alto, Guitare (duo)
167
Violon, Basson (duo)
161
Trio à Cordes: 2 violons, alto
156
Trio à cordes: 3 altos
139
2 Violons, Piano
118
Quintette à cordes: 2 violons, 2 altos, violoncelle
90
Alto et Basson
86
Harpe, Violoncelle (duo)
80
Violon, Clarinette, Piano (trio)
71
Harpe et Piano
60
Harpe, Voix
58
Alto et Harpe
55
Quintette à cordes : 2 violons, alto et 2 violoncelles
49
2 Violoncelles, Piano
47
Flûte, Contrebasse (duo)
47
Violoncelle, Orgue
43
4 Contrebasses
43
Harpe, Violon, Violoncelle
42
Ensemble de Violoncelles
39
Ensemble de Violons
36
Violon, Orgue
35
Ensemble d'Altos
31
Violon, Tuba (duo)
31
Violoncelle, Orchestre
26
Harpe et mandoline
23
2 Altos, Piano
19
3 Contrebasses
19
3 Harpes
19
Violon, Basse continue
18
Harpe, Trombone (duo)
14
Violon, Violoncelle, Clarinette
13
Autoharp
11
Violoncelle, Basse continue
10
Violon, Trompette et Piano
7
Alto, Orgue
6
Harpe et Orgue
6
Violon, Contrebasse (duo)
5
Harpe, Quatuor à cordes
4
4 Harpes
4
2 Violons et Basse continue
2
Alto et orchestre
2
Harpe, Orchestre
2
5 Harpes
2
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38539
Orchestre
9890
Orchestre à Cordes
8573
Ensemble Jazz
6165
Batterie
4500
Cloches
4307
Ensemble de cuivres
3795
Percussion (partie séparée)
3625
Fanfare
3223
Orchestre de chambre
2209
Batterie (partie séparée)
2028
Jazz combo
1544
Percussion
895
Ensemble de Percussions
806
Timbales (partie séparée)
593
Marimba
294
Xylophone
275
Vibraphone
222
Timbales
193
Xylophone, Piano
111
Quintette à Vent
109
Caisse Claire
84
Piano et Orchestre
69
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
51
2 Xylophones
51
Orchestre, Violon
34
Big band
28
Instrumentation Flexible
27
Vibraphone (partie séparée)
25
Quintette de Cuivres: autres combinaisons
25
Quatuor à Vent : 4 instruments à vents
22
Ensemble d'École
16
Vibraphone et Marimba
13
3 Marimbas
8
Xylophone ou Marimba ou Vibraphone
7
Xylophone (partie séparée)
6
Trio à Vent: 3 instruments à vents
5
Bongos
4
Voix et Orchestre
3
Marimba, Piano (duo)
3
Bodhran
3
2 Marimbas
3
Cajon
2
Marimba ou Xylophone et Piano
2
3 Percussions
2
Marimba et Orgue
2
Conga
2
Voix Mezzo-Soprano, Orchestre
1
2 Caisses Claires (duo)
1
Marimba, Saxophone (duo)
1
Instrumentations suivantes
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Formation musicale - Solfège
272
Théorie de la musique
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.21 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.04 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.37 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.64 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
27.02 €
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Orchestre de chambre
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
67.55 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
The Bremen Town Musicians for String Quartet and Narrator (score & narration)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873786 Composed by Douglas M…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by Douglas Meyer (A0.873786). The full score that goes with The Bremen Town Musicians for String Quartet and Narrator (narration included) The story of a donkey, a dog, a cat, and a rooster, all past their prime years in life and usefulness on their respective farms, soon to be discarded or mistreated by their masters. One by one they leave their homes and set out together. They decide to go to Bremen, known for its freedom, to live without owners and become Bremen Town Musician. Story by the Brothers Grimm and music a parody on music of Saint-Saens, Liszt, Elgar and many others. Narration included.
$10.95
9.86 €
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Orchestre de chambre
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Douglas Meyer
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The Bremen Town Musicians for String Quartet and Narrator
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Douglas Meyer
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.01 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.7 €
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Orchestre de chambre
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Fiona Cork
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N/A
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Syzygy | Ethereal Chamber Orchestra
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Fiona Cork
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SheetMusicPlus
"The Flying Hat" for chamber orchestra (excerpts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagioti…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
18.01 €
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Orchestre de chambre
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Panagiotis Theodossiou
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"The Flying Hat" for chamber orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
"On the beaches of Tijuana"
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Car…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
19.81 €
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Orchestre de chambre
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuana"
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azdi
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SheetMusicPlus
Funeral Anthem
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1022831 Composed by Leif Jac…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1022831 Composed by Leif Jack. 20th Century,Baroque,Contemporary,Romantic Period. Score and parts. 13 pages. Leif Thomas Marken Jack #3432643. Published by Leif Thomas Marken Jack (A0.1022831). An original composition written in a neo-classical style, with figured bass and keyboard accompaniment. This 3-minute work is suitable for many secular, and sacred occasions, as well as many groups. Whether it be another item on a concert programme for the intermediate or professional orchestra or the opening/closing to a funeral, this piece is sure to have the audience deeply moved. One may even find ways to insert this as incidental music for a staged production, or adapt it to the keyboard, if an orchestra isn't viable for the planned event. Professionally recorded by the Okanagan Symphony Youth Orchestra. Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries.
$5.37
4.84 €
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Orchestre de chambre
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Leif Jack
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Funeral Anthem
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Leif Thomas Marken Jack
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.64 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.1 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.2 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
31.51 €
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Orchestre de chambre
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
The Platypus
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moor…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
4.49 €
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Orchestre de chambre
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
17.97 €
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Orchestre de chambre
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530721 Composed by Tradition…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
8.96 €
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Orchestre de chambre
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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I Saw Thee Ships for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
13.55 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Studio at the Post
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
4.52 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County
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Studio at the Post
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SheetMusicPlus
ATON part 17-Interlude and Chorus of the Liberals
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.576199 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617. Published by David Warin Solomons (A0.576199). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 18 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
4.5 €
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Orchestre de chambre
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David Warin Solomons
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ATON part 17-Interlude and Chorus of the Liberals
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David Warin Solomons
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Flute & String Quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 282 pages. Jmsgu3 #5306251. Published by jmsgu3 (A0.551487). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$59.95
53.99 €
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Orchestre de chambre
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Antonio Vivaldi
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James Guthrie, ASCAP
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Op
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Vivaldi: The Four Seasons Complete for Flute & String Quartet
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jmsgu3
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SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Flute & String Quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551459 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551459 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and Parts. 59 pages. Jmsgu3 #5219169. Published by jmsgu3 (A0.551459). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$49.95
44.99 €
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Orchestre de chambre
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Antonio Vivaldi
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James M
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Op
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Vivaldi: Spring from the Four Seasons for Flute & String Quartet
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jmsgu3
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SheetMusicPlus
Dawn in the Room for flute and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578895 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578895 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #1954735. Published by David Warin Solomons (A0.578895). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). The sound sample is an electronic preview. The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html.
$16.00
14.41 €
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Orchestre de chambre
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David Warin Solomons
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Dawn in the Room for flute and strings
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David Warin Solomons
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SheetMusicPlus
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