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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Composer Man
Non classifié
3 021
Piano & claviers
Piano seul
2 069
Piano Facile
490
Orgue
428
Piano, Voix
382
Piano, Voix et Guitare
138
1 Piano, 4 mains
64
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
51
2 Pianos, 4 mains
48
Orgue, Piano (duo)
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Accompagnement Piano
8
Accordéon
8
Clavecin
6
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare
238
Guitare notes et tablatures
112
Ukulele
68
2 Guitares (duo)
58
Ligne De Mélodie, (Paroles) et Accords
26
Mandoline
19
Piano, Guitare (duo)
17
4 Guitares (Quatuor)
12
Basse electrique
8
Guitare, Violon, Violoncelle (trio)
8
3 Guitares (trio)
7
Mandoline, Guitare (duo)
5
Dulcimer
3
2 Ukuleles
1
Guitare, Quatuor à cordes
1
Banjo
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Luth
1
Orchestre à Plectres
1
Ukulele Baryton
1
Ensemble de guitares
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
676
Chorale 3 parties
114
Chorale 2 parties
57
Voix Soprano, Piano
54
Chorale Unison
49
Voix Baryton, Piano
41
Voix Alto, Piano
41
Chorale TTBB
36
Voix Tenor, Piano
33
Voix moyenne, Piano
25
Chorale SSAA
25
Voix haute
25
Voix duo
19
Voix duo, Piano
12
Voix Mezzo-Soprano, Piano
9
Voix seule
7
Chorale SSAATTBB
7
Chorale SSATTB
5
Voix Soprano
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Voix Tenor
3
Voix basse
2
Chorale SSAB a cappella
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
673
Clarinette et Piano
447
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
347
Hautbois, Piano (duo)
339
Saxophone Alto et Piano
279
Quatuor de Saxophones: 4 saxophones
235
Quatuor de Clarinettes: 4 clarinettes
158
Quintette de Saxophone: 5 saxophones
151
Saxophone Soprano et Piano
143
Flûte, Hautbois, Clarinette, Basson
141
2 Saxophones (duo)
129
2 Flûtes traversières (duo)
127
Saxophone Tenor et Piano
125
Quatuor de Flûtes : 4 flûtes
106
Clarinette
99
Ensemble de saxophones
95
Cor anglais, Piano
87
Ensemble de Clarinettes
85
2 Clarinettes (duo)
73
Flûte traversière
70
Saxophone Baryton, Piano
60
Quintette de Clarinettes: 5 clarinettes
60
Quintette de Flûte : 5 flûtes
53
3 Saxophones (trio)
50
Saxophone Alto
50
Ensemble de Flûtes
46
Hautbois (partie séparée)
33
3 Clarinettes (trio)
31
Saxophone, Clarinette (duo)
29
Clarinette Basse, Piano
29
Flûte et Guitare
27
Saxophone Tenor
26
Clarinette, Guitare (duo)
26
2 Flûte à bec (duo)
25
Clarinette, Violon (duo)
24
Flûte, Clarinette (duo)
24
Flûte à bec Soprano
24
Hautbois, Basson (duo)
22
2 Hautbois (duo)
21
Saxophone (partie séparée)
20
Clarinette, Basson (duo)
18
Clarinette, Trompette (duo)
15
Flûte, Violon
15
Quatuor de Flûtes à bec
14
Trio de Flûtes: 3 flûtes
14
Flûte à bec Alto
12
Flûte, Saxophone (duo)
12
Hautbois, Clarinette (duo)
12
Flute (partie séparée)
11
Piccolo, Piano
10
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Flûte
10
Clarinette et Alto
10
Hautbois
9
Flûte, Alto (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Trompette (duo)
8
2 Flûtes traversières, Piano
8
Cor Anglais
8
Flûte à bec, Guitare (duo)
8
Flûte, Violoncelle
7
5 Flûtes à bec
7
Saxophone Baryton
7
Ensemble De Flûte à bec
7
Flûte à Bec
7
2 Clarinettes, Piano
6
Flûte à bec Alto, Piano
6
3 Flûtes à bec (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano, Piano
6
Flûte, Violon, Piano
6
Saxophone Soprano
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Piccolo
5
Harmonica
4
Flûte à bec Tenor
4
Flûte à Bec, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
2 Cors Anglais Et Pianoforte
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone
3
Flûte, Hautbois (duo)
3
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Saxophone et Orgue
2
Ocarina
2
Hautbois, Harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
366
Quatuor de Cuivres : 2 trompettes, trombone, tuba
241
Trombone et Piano
217
Trompette, Piano
191
Cor et Piano
160
Trompette
122
Cor anglais, Piano
87
Euphonium, Piano (duo)
84
Ensemble de Trombones
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Tuba et Piano
62
Trombone
52
Quatuor de cuivres: 4 trombones
50
Quatuor de Cuivres
48
Ensemble de Trompettes
45
2 Cors (duo)
36
2 Trombones (duo)
34
Cor
34
2 Trompettes (duo)
33
Tuba
29
Trompette, Trombone (duo)
25
Quatuor de cuivres: 4 cors
24
Trompette, Saxophone (duo)
21
Quatuor de cuivres: 4 trompettes
16
Ensemble de Cors
13
2 Tubas (duo)
8
Trompette (partie séparée)
8
Cor Anglais
8
3 Trombones (trio)
8
Trio de Cuivres
7
Trompette, Cor (duo)
6
Euphonium, Tuba (duo)
5
Trombone basse et Piano
5
4 Tubas
5
2 Euphoniums (duo)
5
Trombone basse
5
Trombone, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Cors Anglais Et Pianoforte
3
3 Cors (trio)
3
Trombone et orchestre
3
3 Tubas (trio)
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Tuba et Orgue
3
Trombone (partie séparée)
2
Cor, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Trombone, Orgue
1
Cor et Basson (duo)
1
Cornet et orchestre
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Euphonium
1
+ 52 instrumentations
Retracter
Cordes
Violon et Piano
746
Quatuor à cordes: 2 violons, alto, violoncelle
633
Violoncelle, Piano
396
Alto, Piano
373
Violon
151
Trio à Cordes: violon, alto, violoncelle
96
Violoncelle
83
Violon, Violoncelle (duo)
83
2 Violons (duo)
73
Violon, Guitare (duo)
72
Harpe
66
2 Violoncelles (duo)
49
Contrebasse, Piano (duo)
48
Alto seul
43
2 Altos (duo)
39
Violon, Alto (duo)
39
4 Violoncelles
29
Alto, Guitare (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violoncelle , Guitare (duo)
22
Trio à cordes: 3 violins
20
Trio à Cordes: 2 violons, violoncelle
20
Contre Basse
17
Quatuor à cordes : 4 altos
14
Alto, Violoncelle (duo)
12
Alto (partie séparée)
12
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
10
Ensemble d'Altos
9
Quatuor à cordes: 4 violons
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Flûte (duo)
7
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
7
Harpe, Violon (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
5
2 Contrebasses (duo)
4
Violon (partie séparée)
3
Harpe, Trombone (duo)
3
Ensemble de Violoncelles
3
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
Harpe et Piano
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Alto, Orgue
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Basse continue
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Alto et Harpe
1
Violon, Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
583
Orchestre à Cordes
266
Orchestre
263
Orchestre de chambre
146
Ensemble de cuivres
132
Ensemble Jazz
64
Cloches
46
Jazz combo
29
Fanfare
26
Ensemble de Percussions
22
Marimba
6
Vibraphone
5
Piano et Orchestre
3
Batterie
1
Orchestre, Violon
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Xylophone, Piano
1
Ensemble d'École
1
2 Marimbas
1
+ 15 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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LATIN - BOSSA - WORL…
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METHODE : TECHNIQUES
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OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Orchestre de chambre
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126
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto d...
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Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. ...
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Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Baden-Baden Idyll
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Chris Gordon - Johannes Brahms
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Chris Gordon
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The Baden-Baden Idyll
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Cool Wind Music Digital
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Score and parts. 112 pages. Cool Wind Music Digital #3038341. Published by Cool Wind Music Digital (A0.841253). Full set of parts: Please contact Chris Gordon at cgordoncwm@gmail.com or coolwindmusic@gmail.com for further information..'The Baden-Baden Idyll' is scored for chamber or small orchestra. It requires divisi strings, at least 2 players per part, plus oboe, clarinet in B flat and A, bassoon and french horn in F. I wrote it to 'accompany' a story I have been writing about the French-Spanish opera diva and composer, Pauline Viardot-GarcÃa, and her brilliant circle of musician, artist, and writer friends in Baden-Baden in the 1860s which included Klara Schumann and Johannes Brahms. Pauline first performed Brahms' Alto Rhapsody which gives an indication of how much the composer admired and respected her as a singer.
$45.00
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
Ignotis Manibus (The Unseen Hand) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.734876 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 47 pages. Joseph Haspe...
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Chamber Orchestra - Level 4 - SKU: A0.734876 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 47 pages. Joseph Hasper #4281747. Published by Joseph Hasper (A0.734876). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of parts for digital download is available at SMP Press. Printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com .
$5.00
Ignotis Manibus (The Unseen Hand) - complete score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. P...
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Chamber Orchestra - Level 4 - SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. Published by Joseph Hasper (A0.734877). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com.
$65.00
Manha De Carnaval
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Antonio Maria and Luiz Bonfa
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Marek Czekala
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Manha De Carnaval
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1176006 Composed by Antonio Maria and Luiz Bonfa. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Latin,M...
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Chamber Orchestra - Level 4 - SKU: A0.1176006 Composed by Antonio Maria and Luiz Bonfa. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Latin,Musical/Show. Score and parts. 36 pages. Marek Czekala #776132. Published by Marek Czekala (A0.1176006). Manhã de Carnaval (Carnival Morning), often referred to as Black Orpheus, is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. Manhã de Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro by French director Marcel Camus. Orfeu Negro was an international success (winning, for example, an Academy Award in 1960), and brought the song to a large audience. (from Wikipedia).
$49.99
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Song of the Forgotten Rose Tri
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432...
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Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Occhi Neri Valzer / Black Eyes Italian Waltz for mandoline orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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S
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Klas Krantz
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Occhi Neri Valzer / Black Eyes
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Amadeus Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.532452 Composed by S. Cusenza. Arranged by Klas Krantz. 20th Century,Concert,Romantic Period. Score and parts. 10 ...
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Chamber Orchestra - Level 3 - SKU: A0.532452 Composed by S. Cusenza. Arranged by Klas Krantz. 20th Century,Concert,Romantic Period. Score and parts. 10 pages. Amadeus Music #6072931. Published by Amadeus Music (A0.532452). Occhi Neri Valzer (Black Eyes Waltz) was originally written for mandolin orchestra, but it works well for string quartet and guitar too. This arrangement works also well as a string quartet (optional guitar part) S. Cusenza was a italian-amercan composer of the early 20th century.
$8.95
Clarinet Quintet on Hebrew-ish Themes, op. 50
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Orchestre de chambre
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Sam Post
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Clarinet Quintet on Hebrew-ish
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Sam Post, composer/pianist
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SheetMusicPlus
Chamber Orchestra - SKU: A0.947056 Composed by Sam Post. Contemporary,Folk,Jewish,World. Score and parts. 76 pages. Sam Post, composer/pianist #5867863....
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Chamber Orchestra - SKU: A0.947056 Composed by Sam Post. Contemporary,Folk,Jewish,World. Score and parts. 76 pages. Sam Post, composer/pianist #5867863. Published by Sam Post, composer/pianist (A0.947056). A three-movement quintet with a Hebrew(ish) feel and style. The first two movements quote Israeli folk songs. The finale is a Romanian-style dance.
$25.00
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
[Davidson] The Singing Lesson
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Orchestre de chambre
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Matthew Davidson
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[Davidson] The Singing Lesson
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.953030 Composed by Matthew Davidson. Contemporary,Opera. Score and parts. 175 pages. American Composers Alliance Inc. #46346...
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Chamber Orchestra - SKU: A0.953030 Composed by Matthew Davidson. Contemporary,Opera. Score and parts. 175 pages. American Composers Alliance Inc. #4634691. Published by American Composers Alliance Inc. (A0.953030). An opera of three musical short stories in three acts, adapted from the short stories of Katherine Mansfield. Cast for 2 lyric sopranos, 2 dramatic mezzo-sopranos, 1 contralto, 1 tenor buffo, 1 basso buffo, with chamber orchestra of 0101 - 011(btbn)0 - 2 perc, celesta - 1001.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$43.95
Story No. 2, for narrator and chamber orchestra
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Orchestre de chambre
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Contemporain
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Music by Ofer Ben-Amots, Story
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Story No. 2, for narrator and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's...
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Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
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