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6
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22
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3
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97
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Clarinette
78
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51
Hautbois, Piano (duo)
49
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39
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39
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38
2 Flûtes traversières (duo)
36
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30
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22
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5 Flûtes à bec
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113
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108
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81
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64
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39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Trombone (partie séparée)
34
Cor
23
Trombone et Piano
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Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
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Cor (partie séparée)
15
Cor et Piano
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Tuba
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Tuba et Piano
14
Cor anglais, Piano
11
2 Trompettes (duo)
10
2 Trombones (duo)
10
Quatuor de cuivres: 4 trompettes
9
Cor Anglais
7
Euphonium
6
Quatuor de cuivres: 4 cors
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Tuba (partie séparée)
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Trompette, Trombone (duo)
6
Trio de Cuivres
5
3 Trombones (trio)
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Ensemble de Cors
5
Trompette, Cor (duo)
4
Ensemble de Trompettes
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Ensemble de Trombones
4
Euphonium, Piano (duo)
4
4 Tubas
3
2 Cors (duo)
2
Tuba et Orgue
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Trombone basse et Piano
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Trompette, Saxophone (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Tubas (trio)
2
2 Tubas (duo)
2
3 Cors (trio)
2
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
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Tuba ou Euphonium ou Saxhorn
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
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Trombone, Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
275
Violon et Piano
241
Alto, Piano
228
Violoncelle, Piano
219
Violoncelle
151
Violon
145
Alto seul
117
Harpe
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto (partie séparée)
27
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
24
2 Violons (duo)
23
Violon, Violoncelle (duo)
20
Violon (partie séparée)
18
Contre Basse
17
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
12
Violon, Alto (duo)
9
Quatuor à cordes : 4 altos
9
Harpe et mandoline
9
Alto, Violoncelle (duo)
8
2 Altos (duo)
7
4 Violoncelles
7
Trio à cordes: 3 violins
6
Violoncelle (partie séparée)
6
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Harpe et Piano
2
4 Contrebasses
2
Alto et Harpe
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Harpe (partie séparée)
1
Harpe, Violon, Violoncelle
1
Alto, Orgue
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
234
Orchestre à Cordes
125
Orchestre
75
Ensemble Jazz
51
Batterie
41
Ensemble de cuivres
40
Cloches
34
Fanfare
29
Orchestre de chambre
24
Jazz combo
21
Batterie (partie séparée)
19
Percussion (partie séparée)
17
Ensemble de Percussions
8
Percussion
5
Marimba
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone
1
Xylophone, Piano
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.12 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
53.75 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Carol of the Bells (Hear them Ring) - Strings and piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Le…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6050829. Published by Connie Boss (A0.801497). This arrangement contains all new lyrics as the original lyrics have copyright on them. The melody does not, so we get to keep the same melody, while I have added an intro and have parts for strings that differ some from the original. Verse 1 of the lyrics are about the birth of Jesus. Verse 2 of the lyrics reflects caroling as it contain titles and lines from other public domain songs. I think you will enjoy these new lyrics almost as much as the original, especially if wanting to be more about His birth. cdboss@cvalley.net. Lyrics below:
$5.50
4.93 €
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Orchestre de chambre
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Into the Dancesness for Euphonium and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1297771 Composed by William …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #887746. Published by William Pagan-Perez (A0.1297771). The word Dancesness doesn't exist but I use it to describe an extasis during a dance. This is a single-movement piece for Euphonium Solo with a Chamber Orchestra accompaniment.
$25.00
22.4 €
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Orchestre de chambre
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William Pagan-Perez
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Into the Dancesness for Euphonium and Chamber Orchestra
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William Pagan-Perez
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Chamber Orchestra (Individual Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229830 Composed by Peter Il…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229830 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. 19th Century,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 19 pages. Sheet Music To Play Editions #825587. Published by Sheet Music To Play Editions (A0.1229830). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
8.95 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Chamber Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Chamber Orchestra (Full Score) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229831 Composed by Peter Il…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229831 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultural,Romantic Period,World. 11 pages. Sheet Music To Play Editions #825589. Published by Sheet Music To Play Editions (A0.1229831). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
8.95 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Chamber Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
The Gifted Home - Full Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. By Daniel Scheufler. Arranged by Götz Bergmann. Christian,Film/TV,Pop. 28 pages. Musikschule Goldenes Lamm #915354. Published by Musikschule Goldenes Lamm (A0.1327407). THE GIFTED HOME. Arrangement for Chamber Orchestra plus Piano & Guitar. With Individual Parts. Enjoy it!This file does contain Full Score and Individual Parts for Oboe, Harp, Percussion, Guitar, Piano, Violin I, Violin II, Viola, Cello and Double Bass.
$24.99
22.39 €
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Orchestre de chambre
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MSGL Orchestra
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Götz Bergmann
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Guitar
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The Gifted Home - Full Score
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Musikschule Goldenes Lamm
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.56 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.56 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.56 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.4 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
89.58 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
In Christ Alone
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1035787 By Margaret Becker. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1035787 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Clark Cothern. Celtic,Irish,Praise & Worship,Sacred. Score and parts. 28 pages. Clark Cothern #640944. Published by Clark Cothern (A0.1035787). Maybe your church doesn't have a full complement of orchestral players. If not, here's a tasteful orchestral arrangement of In Christ Alone for a much smaller orchestral ensemble. If no accordionist is available, you can either a) add a keyboard with an accordion sample, b) use the piano and accordion music and play it on piano only.
$49.99
44.78 €
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Orchestre de chambre
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Margaret Becker
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Clark Cothern
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In Christ Alone
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Clark Cothern
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
35.79 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
58.23 €
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Orchestre de chambre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
8.95 €
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Orchestre de chambre
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Adrienne Inglis
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Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Adrienne Inglis
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SheetMusicPlus
Scarborough Affair
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thri…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.
$26.99
24.18 €
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Orchestre de chambre
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Phil Thrift
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Phil Thrift
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Scarborough Affair
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Phil Thrift
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SheetMusicPlus
Mascagni's Intermezzo from Cavalleria Rusticana, for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.766995 Composed by Pietro Ma…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.766995 Composed by Pietro Mascagni. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 21 pages. Robert Delfausse #5324629. Published by Robert Delfausse (A0.766995). I've included seven winds in the arrangement, and they have important melodic roles. Mascagni's original doesn't use the double bass (bass line provided by the harp or organ), so the bass in this arrangement provides the bass line. The piano also has the bass line, as well as the eighth-note harmonic accompaniment. And I changed the chord at the most dramatic point in the piece!. Enjoy! Level: intermediate and above. Duration: 2 minutes, 51 seconds.
$20.00
17.92 €
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Orchestre de chambre
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Pietro Mascagni
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Bob Delfausse
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Mascagni's Intermezzo from Cavalleria Rusticana, for chamber orchestra
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Robert Delfausse
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SheetMusicPlus
Jurassic Park Iii - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1227720 Composed by Donald D…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1227720 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Chamber,Contemporary,Film/TV,Multicultural,World. 10 pages. Sheet Music To Play Editions #823682. Published by Sheet Music To Play Editions (A0.1227720). Jurassic Park (Theme). Arrangement for Chamber Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Instrumentation: Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bassoon 1, 2, French Horn 1, 2, Bb Trumpet 1, 2, Trombone 1, 2, Tuba, Timpani, Glockenspiel, Cymbal, Piano, and StringsFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$29.99
26.87 €
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Orchestre de chambre
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Donald Davis
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César Madeira
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Jurassic Park Iii - Score Only
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Sheet Music To Play Editions
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SheetMusicPlus
Scherzo
Orchestre de chambre
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - Digital Download SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
11.64 €
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Orchestre de chambre
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
Triple Concerto
Orchestre de chambre
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - Digital Down…
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2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - Digital Download SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction with solo parts. Violin Library. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q6420. Published by Schott Music - Digital (S9.Q6420). Mustonen is one of the composing piano virtuosos of the young generation. What is remarkable in his works is that he does not give priority to 'his instrument'. He has composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar which refers to the history of his home country Finland. In his 'Triple Concerto', the three highly virtuoso solo violins compete with a colourfully orchestrated string orchestra. As a special feature, timpani and triangle are used in an effective and sophisticated way. We now publish the piano score of this frequently performed work. Even this chamber music version reveals the spirited and simply beautiful music of Mustonen.
$40.99
36.72 €
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Orchestre de chambre
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Olli Mustonen
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Triple Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto for Solo 2nd Horn in F - Horn & Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1355690 Composed by Antonio …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1355690 Composed by Antonio Rosetti. Arranged by Ediited & transcribed by Susan & Trevor Denyeer. Classical. 90 pages. Trevor Denyer #940283. Published by Trevor Denyer (A0.1355690). Antonio Rosetti wrote a number of delightful concertos for horn. This one for 2nd Horn does not imply any lack of technique, just that players of the day were divided into high and low. This work lies in a comfortable range for most performers of the modern instrument while being suitably challenging to be interesting. The orchestra parts are well written and sound really well.Print the parts double-sided including any title pages and the page turns will work.
$40.00
35.83 €
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Orchestre de chambre
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Antonio Rosetti
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Concerto for Solo 2nd Horn in F - Horn & Orchestra
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Trevor Denyer
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SheetMusicPlus
Spring waltz
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.940573 Composed by Yevhen Ma…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.940573 Composed by Yevhen Martianov. Arranged by Yevhen Martianov. Contemporary,Romantic Period. Score and parts. 20 pages. Yevhen Martianov #3381047. Published by Yevhen Martianov (A0.940573). This is a small classical piece for an extended chamber orchestra, which does include four violins, two violas, two cellos, double bass, and also the reed section - two flutes, oboe and clarinet. The piece is light sounding and is easy for the performance. It would be a nice addition to the teaching repertoire, as well as for the concert repertoire.
$19.99
17.91 €
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Orchestre de chambre
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Yevhen Martianov
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Yevhen Martianov
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two flutes, oboe and clarinet
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Spring waltz
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Yevhen Martianov
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SheetMusicPlus
Always On My Mind
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger Young. 20th Century,Pop,Rock. Score and parts. 39 pages. Roger Young #698011. Published by Roger Young (A0.1093914). This is an instrumental chamber orchestra arrangement of Always on my mind which works equally well with single strings as it does with a string section. Melodies are passed throughout the sections for musical interest and enjoyment for the musicians.
$49.99
44.78 €
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Orchestre de chambre
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Elvis Presley
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Roger Young
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Always On My Mind
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Roger Young
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