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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The East Is Red
Non classifié
2 393
Piano & claviers
Piano seul
1 545
Piano, Voix
584
Orgue
536
Accompagnement Piano
329
Piano Facile
173
Piano, Voix et Guitare
140
Piano Trio: piano, violon, violoncelle
62
Instruments en Do
26
Orgue, Trompette (duo)
24
Piano grosses notes
23
1 Piano, 4 mains
20
Orgue, Piano (duo)
19
Piano Quatuor: piano, 2 violons, violoncelle
19
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
10
1 Piano, 6 mains
2
Piano (partie séparée)
2
Clavecin
2
Clavier
1
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Guitare
31
Ligne De Mélodie, (Paroles) et Accords
19
Piano, Guitare (duo)
18
Ukulele
11
Mandoline
3
Ensemble de guitares
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
Paroles et Accords
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Basse electrique
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
1 309
Chorale 2 parties
749
Chorale 3 parties
458
Voix duo, Piano
333
Chorale Unison
321
Voix duo
183
Pack Instrumental pour Chorale
86
Chorale TTBB
59
Voix Soprano, Piano
43
Voix Alto, Piano
34
Voix Tenor, Piano
33
Voix basse, Piano
29
Chorale SSAA
20
Voix moyenne, Piano
18
Voix haute
15
Voix seule
15
Voix basse
8
Voix Baryton, Piano
6
Chorale
2
Chorale SSATB
2
Chorale SSATTB
1
Voix Tenor
1
Chorale SSAB, Piano
1
Chorale SATTBB A Cappella
1
Chorale SSAATTBB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
433
Hautbois, Piano (duo)
306
Clarinette et Piano
194
Saxophone Alto et Piano
184
Flûte, Hautbois, Clarinette, Basson
144
Saxophone Tenor et Piano
131
Quatuor de Saxophones: 4 saxophones
127
Saxophone Soprano et Piano
125
2 Saxophones (duo)
124
Flûte, Clarinette (duo)
81
2 Flûtes traversières (duo)
75
2 Clarinettes (duo)
72
Quatuor de Clarinettes: 4 clarinettes
68
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Cor anglais, Piano
56
Clarinette
49
Flûte traversière
48
Saxophone Alto
39
Saxophone Baryton, Piano
38
Quatuor de Flûtes : 4 flûtes
31
3 Saxophones (trio)
28
Quintette de Saxophone: 5 saxophones
27
Clarinette, Violon (duo)
26
Saxophone (partie séparée)
26
Ensemble de Flûtes
25
Hautbois (partie séparée)
23
Trio de Flûtes: 3 flûtes
21
Flûte, Violon, Piano
21
Saxophone, Clarinette (duo)
20
3 Clarinettes (trio)
20
Saxophone et Orgue
19
Saxophone Tenor
19
Ensemble de Clarinettes
18
Hautbois, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
17
Hautbois, Basson (duo)
16
Clarinette, Basson (duo)
16
Flûte, Violon
15
Flûte, Alto (duo)
14
Clarinette Basse, Piano
14
2 Clarinettes, Piano
13
Flûte à bec Soprano
13
2 Hautbois (duo)
13
Clarinette, Trompette (duo)
13
Flûte, Violoncelle
12
Clarinette et Alto
12
Quatuor de Flûtes à bec
12
2 Flûtes traversières, Piano
11
Clarinette, Violoncelle (duo)
11
2 Flûte à bec (duo)
11
Flûte, Alto et Piano
11
Quintette de Flûte : 5 flûtes
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Violoncelle
9
Flûte, Clarinette et Basson
8
Flûte, trombone et piano
8
Flûte, Trombone (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Basson et Piano
8
Flûte à Bec
8
Hautbois et alto (duo)
8
2 Saxophones, Piano
8
Flûte, Tuba (duo)
7
Hautbois, Flûte
7
Flûte, Violon, Violoncelle et Piano
7
Flûte, Saxophone (duo)
7
Clarinette (partie séparée)
7
Ensemble de saxophones
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violoncelle, Piano (trio)
7
3 Flûtes à bec (trio)
6
Flûte, Violon et Violoncelle
6
Flûte, Trompette (duo)
6
Clarinette, Tuba
5
Hautbois
5
Clarinette, Violoncelle, Piano (trio)
5
Piccolo, Piano
5
Flûte, Hautbois, Piano (trio)
4
Flûte traversière, Orgue (duo)
4
Flute, Cor (duo)
4
Flûte à bec Alto, Piano
4
Hautbois, trombone (duo)
4
Flute (partie séparée)
4
Flûte à bec Tenor
4
Ocarina
3
4 Hautbois
3
5 Flûtes à bec
3
Clarinette, trompette et piano
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Alto
3
Flûte à bec Soprano, Piano
2
Saxophone et Harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte et Guitare
2
Flûte, Hautbois, Violon
2
Saxophone Soprano
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Saxophone
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
Harmonica
1
Flûte à Bec, Piano
1
Hautbois, violon (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Trio à cordes
1
+ 105 instrumentations
Retracter
Cuivres
Trombone et Piano
163
Trompette, Piano
140
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
123
Cor et Piano
100
Trompette
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Quatuor de Cuivres: 2 trompettes, Cor, trombone
64
Cor anglais, Piano
56
2 Trombones (duo)
50
Trompette, Trombone (duo)
46
2 Trompettes (duo)
44
Trompette, Cor (duo)
41
Trombone
36
Trompette (partie séparée)
31
Quatuor de cuivres: 4 trombones
29
Euphonium, Piano (duo)
29
Quatuor de Cuivres
27
Cor
21
Tuba
19
Tuba et Piano
18
2 Cors (duo)
18
Quatuor de cuivres: 4 trompettes
17
Trombone, Orgue
16
Quatuor de cuivres: 4 cors
15
Trombone (partie séparée)
13
3 Trompettes (trio)
12
Trompette, Saxophone (duo)
12
Trompette, Tuba (duo)
9
Trombone, Violon (duo)
7
Ensemble de Trompettes
7
Cor et Orgue
6
Trompette, Violoncelle et Piano
6
3 Trombones (trio)
6
Ensemble de Cors
6
Trompette, Trombone, Piano
5
2 Trompettes, Clavier (piano ou orgue)
5
4 Tubas
5
Ensemble de Trombones
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone, Tuba (duo)
4
3 Tubas (trio)
4
3 Cors (trio)
4
Cor (partie séparée)
3
2 Tubas (duo)
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
Trombone, Cor (duo)
2
Clarinette, Cor (duo)
2
Cor et Harpe
1
Ensemble de Tubas
1
Trombone basse
1
4 Euphoniums
1
Trombone basse et Piano
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
550
Violoncelle, Piano
245
Quatuor à cordes: 2 violons, alto, violoncelle
232
Alto, Piano
226
Violon, Violoncelle (duo)
92
2 Violons (duo)
83
Violon
78
Harpe
68
Trio à Cordes: violon, alto, violoncelle
64
Violon, Alto (duo)
48
Violoncelle
45
Piano Trio: Violon, Alto, Piano
42
2 Altos (duo)
40
Trio à Cordes: 2 violons, violoncelle
39
2 Violoncelles (duo)
37
Alto seul
29
2 Harpes (duo)
15
Trio à cordes: 3 violins
14
Alto (partie séparée)
13
Contrebasse, Piano (duo)
13
Alto, Violoncelle (duo)
12
4 Violoncelles
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Quatuor à cordes: 4 violons
12
Violon (partie séparée)
11
Trio à Cordes: 2 violons, alto
9
Trio à cordes: 3 altos
9
Violon, Basson (duo)
9
Contre Basse
8
Violoncelle, Orgue
8
Harpe, Voix
7
Violon, Tuba (duo)
6
Harpe, Flûte (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Violoncelle (duo)
5
2 Violons, Piano
5
Contrebasse (partie séparée)
5
Trio à Cordes: 3 violoncelles
4
Harpe, Trombone (duo)
3
Violon, Clarinette, Piano (trio)
3
Harpe, Violon (duo)
3
Trio à cordes
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
Alto et Harpe
2
Harpe, Violon, Violoncelle
2
4 Harpes
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Flûte, Contrebasse (duo)
1
Violon, Orgue
1
Violon, Trompette et Piano
1
Ensemble de Violons
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
293
Cloches
190
Orchestre
114
Ensemble de cuivres
76
Orchestre à Cordes
64
Orchestre de chambre
49
Jazz combo
33
Ensemble Jazz
17
Marimba
8
Percussion (partie séparée)
4
Batterie
2
Xylophone, Piano
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Timbales
1
Ensemble de Percussions
1
Xylophone
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Fanfare
1
Vibraphone
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
+ 17 instrumentations
Retracter
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BALALAIKA
BANJO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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MARIAGE - AMOUR - BA…
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POP ROCK - ROCK CLAS…
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The East Is Red
Orchestre de chambre
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26
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
#
AVANCÉ
#
Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
The Baden-Baden Idyll
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Chris Gordon - Johannes Brahms
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Chris Gordon
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The Baden-Baden Idyll
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Cool Wind Music Digital
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Score and parts. 112 pages. Cool Wind Music Digital #3038341. Published by Cool Wind Music Digital (A0.841253). Full set of parts: Please contact Chris Gordon at cgordoncwm@gmail.com or coolwindmusic@gmail.com for further information..'The Baden-Baden Idyll' is scored for chamber or small orchestra. It requires divisi strings, at least 2 players per part, plus oboe, clarinet in B flat and A, bassoon and french horn in F. I wrote it to 'accompany' a story I have been writing about the French-Spanish opera diva and composer, Pauline Viardot-GarcÃa, and her brilliant circle of musician, artist, and writer friends in Baden-Baden in the 1860s which included Klara Schumann and Johannes Brahms. Pauline first performed Brahms' Alto Rhapsody which gives an indication of how much the composer admired and respected her as a singer.
$45.00
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Andrei-Lucian Dragoi
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Via Crucis
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Andrei-Lucian Dragoi
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian D...
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Chamber Orchestra - Level 3 - SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
$3.00
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flávio Régis Cunha
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Händel: Basss Aria "
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest...
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Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Hail To The Lord's Anointed (String Quartet with Organ accompaniment)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.628818 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and ...
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Chamber Orchestra - Level 2 - SKU: A0.628818 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 19 pages. Exultet Music #6232281. Published by Exultet Music (A0.628818). One of the most widely used hymns in the Christian hymnal has now been freshly arranged and scored for a String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Accessible and appropriate for any church setting. Can be used at various times throughout the liturgical year but especially during Lent. An accompaniment track is also available.
$12.99
What Wondrous Love is This - Mary's Love (Christmas song) - Strings and piano
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Orchestre de chambre
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FACILE
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Connie Boss
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What Wondrous Love is This - M
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6051913....
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Chamber Orchestra - Level 2 - SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6051913. Published by Connie Boss (A0.801501). This arrangement is for strings and piano. It has a lot of moving parts which makes it very pretty. The lyrics are included and for Christmas but could be used at any time. cdboss@cvalley.net
$5.00
The Day Of Resurrection (String Quartet and Organ)
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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The Day Of Resurrection
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.631531 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and ...
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Chamber Orchestra - Level 2 - SKU: A0.631531 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 18 pages. Exultet Music #6617163. Published by Exultet Music (A0.631531). The powerful hymn about the Resurrection of Jesus Christ has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$12.99
I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
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Orchestre de chambre
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INTERMÉDIAIRE
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C
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Jae H Park
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I'm Pressing on the Upward Way
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Jae Park
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. J...
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Chamber Orchestra - Level 3 - SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. Jae Park #4319869. Published by Jae Park (A0.891524). Hymn titleI'm Pressing on the Upward Way Chamber arrangement.찬송가 543장 ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬ ì±”ë²„ë²„ì „ìž…ë‹ˆë‹¤. This music is for Piano, Strings(Violin1, 2, Viola, Cello). You can use this music as a overture or offering song.ì´ ê³¡ì€ í”¼ì•„ë…¸ì™€ 스트ë§(ë°”ì´ì˜¬ë¦°, 비올ë¼, 첼로)를 위한 곡입니다. ì´ ìŒì•…ì„ ì„œê³¡ í˜¹ì€ ë´‰í—Œì†¡ìœ¼ë¡œ ì‚¬ìš©í• ìˆ˜ 있습니다.
$50.99
I Heard the Voice of Jesus Say Strings quartet and piano
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Orchestre de chambre
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FACILE
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score and p...
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Chamber Orchestra - Level 2 - SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score and parts. 10 pages. Connie Boss #6718273. Published by Connie Boss (A0.801777). This wonderful song is for a strings quartet - 3 violins and cello and piano. It has Lenten lyrics included, but it can be played for the traditional song as well. questions or requests, email me at cdboss@cvalley.net.
$5.50
Au Moment... (score)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Drake Mabry
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Au Moment...
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799459 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 48 pages. Drake Mabry #1966929. P...
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Chamber Orchestra - Level 4 - SKU: A0.799459 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 48 pages. Drake Mabry #1966929. Published by Drake Mabry (A0.799459). Au Moment… is for improviser(s) and chamber orchestra and was a commissioned from Gérard and Nicole Gouye for the multi-instrumental Resonance Duo. The work is dedicated to the conductor, Paul Méfano. The duration is about 20'. The part of the improviser(s) is entirely improvised while the orchestra plays from a written score which includes an open architecture that can be altered to create a different performing and listening experience each time. Any instrument may be used by the soloist(s). For the premiere of this piece, Resonance Duo played the following instruments: Drake Mabry – oboe with a small miniature saxophone mouthpiece, a wooden soprano saxophone and soprano to contrabass bamboo clarinets. Catherine Schneider played piano both on the keyboard and inside along with percussion instruments from Africa and the Middle East. The work, in three movements was premiered by Resonance Duo with the Ensemble 2e2m conducted by Paul Méfano at the Pompidou Center in Paris on January 29, 1996.
$9.99
Au Moment... (parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Drake Mabry
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Au Moment...
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799460 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 34 pages. Drake Mabry #1966931. P...
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Chamber Orchestra - Level 4 - SKU: A0.799460 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 34 pages. Drake Mabry #1966931. Published by Drake Mabry (A0.799460). Au Moment… is for improviser(s) and chamber orchestra and was a commissioned from Gérard and Nicole Gouye for the multi-instrumental Resonance Duo. The work is dedicated to the conductor, Paul Méfano. The duration is about 20'. The part of the improviser(s) is entirely improvised while the orchestra plays from a written score which includes an open architecture that can be altered to create a different performing and listening experience each time. Any instrument may be used by the soloist(s). For the premiere of this piece, Resonance Duo played the following instruments: Drake Mabry – oboe with a small miniature saxophone mouthpiece, a wooden soprano saxophone and soprano to contrabass bamboo clarinets. Catherine Schneider played piano both on the keyboard and inside along with percussion instruments from Africa and the Middle East. The work, in three movements was premiered by Resonance Duo with the Ensemble 2e2m conducted by Paul Méfano at the Pompidou Center in Paris on January 29, 1996.
$7.99
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Pathos Chorodia
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Hans Leo Hassler
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Robert Myers
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Pathos Chorodia
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Sco...
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Chamber Orchestra - Level 4 - SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Score and parts. 25 pages. WheatMyer Music #4766879. Published by WheatMyer Music (A0.976709). PASSION CHORALE is the name given to a 1656 German tune which accompanies the words of the ancient hymn, O Sacred Head Now Wounded. This tune is clearly heard throughout this instrumental arrangement called Pathos Chorodia, which is a transliteration of the Greek for 'passion chorale.' I chose the Greek due to it being the common language of the First Century Near East with which the early Church was fluent. Although the familiar melody is heard clearly throughout, the setting will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism, and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, the anguish of the crucifixion's witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its shocking horror.The music may be successfully performed with advanced high school or later musicians. It is not excessively technically demanding but will require artistic taste and expressiveness. It is good selection for chamber ensemble concerts and suited for either secular or sacred venues.
$19.99
Brand New World
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Orchestre de chambre
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INTERMÉDIAIRE
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Charles Strouse and Stephen Sc
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Stephen W
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Brand New World
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BurchMusic
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broad...
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Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broadway,Chamber,Musical/Show. 73 pages. BurchMusic #1003494. Published by BurchMusic (A0.1422148). This is an arrangement for a small orchestra of the song Brand New World from the musical Rags. The song tells of the strange new sights and sounds of the lower east side of Manhatten as seen by a mother (Rebecca) and her young son (David), recent immigrants to America. It is scored for flute, clarinet, trumpets 1 & 2, trombone, tuba, drumset, aux. percussion, piano, and string quartet, plus female singer and young boy singer.
$49.99
Aria: 'Kommt, ihr angefochtnen Sünder' (from Cantata No. 30 - 'Freue dich, erlöste Schar', BWV 30)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: 'Kommt, ihr angefochtnen
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,Sacred,Wedding. S...
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Chamber Orchestra - Level 4 - SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,Sacred,Wedding. Score and parts. 36 pages. Flavio Regis Cunha #5316987. Published by Flavio Regis Cunha (A0.597312). New edition with clean ornament indications and Alto Solo part was written for Oboe Solo.Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach. It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier. Christian Friedrich Henrici (Picander), the librettist of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text. Composition
$18.49
Double Bass Concerto
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Orchestre de chambre
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chambe...
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
$16.99
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The East Is Red
