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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The End Of The World
Non classifié
1 935
Piano & claviers
Piano seul
1 046
Piano, Voix
454
Piano Facile
443
Instruments en Do
285
Piano, Voix et Guitare
263
Orgue
89
Piano grosses notes
71
2 Pianos, 4 mains
38
1 Piano, 4 mains
37
Accompagnement Piano
31
Piano Trio: piano, violon, violoncelle
28
Accordéon
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Accordéon, Piano
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
2 Accordéons
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
234
Guitare
122
Ukulele
64
Ligne De Mélodie, (Paroles) et Accords
27
Basse electrique
26
2 Guitares (duo)
18
Mandoline
11
Paroles et Accords
9
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
6
Dulcimer
6
Banjo
5
Mandoline, Guitare (duo)
4
3 Guitares (trio)
4
Ensemble de guitares
3
2 Dulcimers (duo)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
540
Chorale 3 parties
146
Chorale 2 parties
138
Chorale TTBB
62
Voix duo, Piano
58
Chorale Unison
54
Chorale SSAA
45
Pack Instrumental pour Chorale
26
Voix Soprano, Piano
21
Voix duo
10
Chorale
9
Voix Alto, Piano
8
Voix haute
6
Voix moyenne, Piano
5
Voix basse, Piano
4
Voix Tenor, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Baryton, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Voix seule
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Quatuor de Saxophones: 4 saxophones
172
Quintette de Saxophone: 5 saxophones
143
Flûte traversière et Piano
134
Clarinette et Piano
124
Flûte, Hautbois, Clarinette, Basson
115
Hautbois, Piano (duo)
115
Ocarina
115
Clarinette
111
Flûte traversière
108
2 Saxophones (duo)
92
Saxophone Alto
75
2 Flûtes traversières (duo)
74
Saxophone Tenor et Piano
69
Saxophone Alto et Piano
66
Ensemble de saxophones
58
Saxophone Tenor
57
Saxophone Soprano et Piano
51
Saxophone (partie séparée)
49
2 Clarinettes (duo)
47
Hautbois (partie séparée)
45
Flûte à bec Soprano
43
Quatuor de Clarinettes: 4 clarinettes
43
Flûte, Clarinette (duo)
41
Quatuor de Flûtes : 4 flûtes
39
Hautbois
35
Ensemble de Clarinettes
31
Saxophone Baryton, Piano
29
3 Saxophones (trio)
28
3 Clarinettes (trio)
26
Quintette de Clarinettes: 5 clarinettes
23
Hautbois, Basson (duo)
22
2 Hautbois (duo)
20
Cor anglais, Piano
20
Clarinette Basse, Piano
19
Trio de Flûtes: 3 flûtes
18
Ensemble de Flûtes
17
Clarinette, Basson (duo)
16
Saxophone Soprano
16
Clarinette, Violon (duo)
16
Quintette de Flûte : 5 flûtes
15
Hautbois, Clarinette (duo)
15
2 Flûte à bec (duo)
14
Clarinette (partie séparée)
13
Flute (partie séparée)
13
Saxophone, Clarinette (duo)
13
Clarinette, Violoncelle (duo)
11
Hautbois, Violoncelle
11
Flûte, Violoncelle
9
Flûte et Guitare
9
2 Flûtes traversières, Piano
8
Clarinette, Trompette (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Cor Anglais
8
Flûte, Violon
8
Flûte, Hautbois, Piano (trio)
7
Flûte à Bec
7
Saxophone
7
Hautbois, Flûte
7
Flûte à bec Alto
7
Flûte, Basson et Piano
7
3 Hautbois
7
Flûte, Hautbois, Basson
6
Flûte, Clarinette, Piano (trio)
6
Saxophone Baryton
6
Harmonica
6
2 Clarinettes, Piano
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Flûte, Violon, Piano
6
Flûte, Hautbois (duo)
5
Flûte à bec Tenor
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette, Harpe (duo)
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Quatuor de Flûtes à bec
3
Hautbois et alto (duo)
3
Flute, harpe et violon
3
Clarinette, Guitare (duo)
3
Clarinette Basse
3
Hautbois, violon (duo)
3
Flûte, trombone et piano
3
Ensemble de Hautbois
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
4 Hautbois
2
Flûte, Violon et Violoncelle
2
Flûte, Harpe et Violoncelle
2
3 Flûtes à bec (trio)
2
Piccolo, Piano
2
Ensemble De Flûte à bec
2
Flûte, Alto et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, Clarinette, Violon (trio)
1
2 Flûtes traversières, Harpe
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Clarinette, Contrebasse (duo)
1
Harmonica, Piano
1
Clarinette, Saxophone, Piano
1
Cornemuse
1
2 Hautbois, Piano
1
Flûte, Violon, Violoncelle et Piano
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Quatuor de Cuivres
132
Trompette
111
Trompette, Piano
90
Trombone et Piano
81
Trombone
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
69
Cor et Piano
68
Cor
51
Tuba
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Tuba et Piano
38
Trombone (partie séparée)
29
Euphonium, Piano (duo)
27
2 Trompettes (duo)
25
2 Trombones (duo)
25
Trompette (partie séparée)
22
Trompette, Trombone (duo)
20
Cor anglais, Piano
20
Ensemble de Trompettes
19
2 Cors (duo)
16
Quatuor de cuivres: 4 trombones
16
Trompette, Cor (duo)
13
Ensemble de Trombones
12
3 Trompettes (trio)
10
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 cors
8
Cor Anglais
8
Trio de Cuivres
8
Cor (partie séparée)
7
Tuba (partie séparée)
7
Euphonium
7
Trompette, Violoncelle (duo)
6
Cor, Violoncelle (duo)
6
2 Tubas (duo)
6
Tuba et Orgue
6
3 Trombones (trio)
6
Cor et Basson (duo)
5
Quatuor de cuivres: 4 trompettes
5
Cor et Harpe
4
Trompette, Basson (duo)
3
Trombone, Cor (duo)
3
Ensemble de Cors
3
Trompette, Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Trombone basse
1
3 Tubas (trio)
1
Trombone basse et Piano
1
2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
370
Violon et Piano
191
Violon
161
Violon, Violoncelle (duo)
156
Violoncelle
136
Alto, Piano
125
Violoncelle, Piano
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
Alto seul
94
Trio à Cordes: 2 violons, violoncelle
77
2 Violons (duo)
67
Trio à Cordes: violon, alto, violoncelle
59
Violon, Alto (duo)
54
Harpe
52
2 Violoncelles (duo)
52
Contre Basse
37
Contrebasse, Piano (duo)
29
2 Altos (duo)
29
Alto (partie séparée)
22
2 Harpes (duo)
21
Alto, Violoncelle (duo)
16
Violon (partie séparée)
14
Trio à cordes: 3 violins
13
Quatuor à cordes : 4 altos
11
4 Violoncelles
11
Trio à Cordes: 3 violoncelles
10
Violon, Basson (duo)
10
Trio à cordes: 3 altos
7
Ensemble d'Altos
7
Harpe, Flûte (duo)
7
Piano Trio: Violon, Alto, Piano
7
Contrebasse (partie séparée)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Ensemble de Violons
6
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
4
Alto et Harpe
4
Alto et Basson
4
Violoncelle (partie séparée)
4
Violoncelle , Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Harpe, Violoncelle (duo)
3
3 Contrebasses
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Harpe et Piano
2
Harpe et mandoline
1
Alto et orchestre
1
Violon, Orgue
1
Harpe, Trombone (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 060
Orchestre
209
Orchestre à Cordes
123
Ensemble Jazz
55
Orchestre de chambre
49
Ensemble de cuivres
47
Cloches
31
Jazz combo
24
Marimba
22
Fanfare
19
Xylophone
13
Ensemble de Percussions
12
Percussion (partie séparée)
10
Xylophone, Piano
7
2 Xylophones
6
Batterie
5
Vibraphone
4
Timbales (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
1
3 Percussions
1
Vibraphone et Marimba
1
Ensemble d'École
1
Percussion
1
2 Marimbas
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
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CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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FLUTE TRAVERSI…
FORMATION MUSI…
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Crtitères actifs :
The End Of The World
Orchestre de chambre
Partitions à imprimer
49 partitions trouvées
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1
26
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Syzygy | Ethereal Chamber Orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Fiona Cork
#
N/A
#
Syzygy | Ethereal Chamber Orch
#
Fiona Cork
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World....
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Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Galadriel's Song of Eldamar, Orchestral Version
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Orchestre de chambre
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DÉBUTANT
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Charles McCreery
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Galadriel's Song of Eldamar, O
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St Maur Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music...
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Chamber Orchestra - Level 1 - SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
THEATRICASUALTIES
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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THEATRICASUALTIES
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Lee Johnson Music (A0.1314415). THEATRICASUALTIESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Orchestre de chambre
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
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Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Theme and Variations for Er Hu and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Theme and Variations for Er Hu
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published b...
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Chamber Orchestra - Level 4 - SKU: A0.889885 Composed by Gary Friedman. Contemporary,World. Score and parts. 55 pages. Gary Friedman #13585. Published by Gary Friedman (A0.889885). Theme and Variations for Er Hu and Orchestra The er hu is a two-string Chinese violin, which I heard during a visit to China in August 2006. I liked the bold tone very much and decided to compose a piece for it. The theme and ending are written in Chinese style using the pentatonic or five-tone scale. The six variations move into Western harmonies and a variety of rhythms. The world premier was held on February 10, 2008. Matt Springer was soloist with the San Francisco Civic Symphony. The second performance by Matt was with the San Francisco Composers Chamber Orchestra on June 7, 2008, John Kendall Bailey, conductor.. The audio clip is a recording of that performance. Duration: About 11 minutes Year: 2007.
$40.00
The Other World
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Rosie Sheldon
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The Other World
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Rosie Sheldon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1286380 Composed by Rosie Sheldon. Classical,Contemporary,Film/TV. Score and Parts. 63 pages. Rosie Sheldon #87743...
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Chamber Orchestra - Level 4 - SKU: A0.1286380 Composed by Rosie Sheldon. Classical,Contemporary,Film/TV. Score and Parts. 63 pages. Rosie Sheldon #877430. Published by Rosie Sheldon (A0.1286380). The Other World was written in late 2021, rearranged for and performed by the Sinfonia 941 ensemble and conducted by me at the Resonans Festival on 27th March 2022. Part of my composition course at Luleå Tekniska Universitet's school of music in Piteå, Sweden, for my international study abroad year.The composition uses various extended and unconventional techniques, such as blowing air through wind instruments without a specific pitch and independent tempo changes.Inspired by many film and TV soundtracks, this piece evokes the fantasy of transportation to an ethereal, mysterious other world.
$4.99
Mysteries of the Macabre
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Orchestre de chambre
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AVANCÉ
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by G...
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99
The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Banshee and the Wish, An O
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. J...
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Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. James Nathaniel Holland #6295581. Published by James Nathaniel Holland (A0.730528). FULL SCORE AND INDIVIDUAL INSTRUMENT PARTS. Vocal Piano Score sold separately. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$25.95
THE PRINCE and the FIREBIRD for Baritone and instruments.
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Alan Edgar
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THE PRINCE and the FIREBIRD fo
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Alan Edgar Ted Moon
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted ...
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Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
Suspended Hyperdrive
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Orchestre de chambre
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AVANCÉ
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Vincent Nguyen
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Suspended Hyperdrive
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Vincent Nguyen
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1007326 Composed by Vincent Nguyen. Contemporary,Graduation,World. Score and parts. 58 pages. Vincent Nguyen #3134...
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Chamber Orchestra - Level 5 - SKU: A0.1007326 Composed by Vincent Nguyen. Contemporary,Graduation,World. Score and parts. 58 pages. Vincent Nguyen #3134993. Published by Vincent Nguyen (A0.1007326). Suspended Hyperdrive is a combination of other impossible works that were watered down from 30 parts to 8 parts, including harp. As noted, the piece is very challenging to play and can be simplified from jumping thirds to arpeggios. The piece is very fast and intense, and requires lots of communication between all sections including sensitivity to dynamics, and lots of individual practice with a metronome.
$9.99
Sunrise Upon The Mojave River
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Patrick Wells
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Sunrise Upon The Mojave River
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Patrick Wells
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1028209 Composed by Patrick Wells. Contemporary,World. Score and parts. 18 pages. Patrick Wells #4634823. Publishe...
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Chamber Orchestra - Level 4 - SKU: A0.1028209 Composed by Patrick Wells. Contemporary,World. Score and parts. 18 pages. Patrick Wells #4634823. Published by Patrick Wells (A0.1028209). This is a beautiful work. It describes a sunrise over a mountain range overlooking the Mojave River. The beautiful opening melody in the cello sets the mood for the rest of the music. Pizzicato strings and flowing woodwind passages gives the feeling of gentle rippling water gently drifting towards shore. It ends peacefully with an orchestral tutti of long held notes. .
$4.00
Joy to the World
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Moses Sun
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Moses Sun
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Joy to the World
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MSUNMUSIC
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1310451 By Moses Sun. By Isaac Watts. Arranged by Moses Sun. Christmas,Holiday,Pop,Praise & Worship,Rock. 24 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1310451 By Moses Sun. By Isaac Watts. Arranged by Moses Sun. Christmas,Holiday,Pop,Praise & Worship,Rock. 24 pages. MSUNMUSIC #899507. Published by MSUNMUSIC (A0.1310451). Roadmap:- verse 1- verse 2- verse 4- instrumental break- verse 1NOTE: this arrangement includes WAV files of stems for original synth parts and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- rhythm section (suggested: EP, electric guitar, bass, drums - includes just one master rhythm chart for all).
$59.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Guitar Concerto No 1 (Score only)
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Orchestre de chambre
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Apostolos Paraskevas
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Guitar Concerto No 1
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Silver Sickle Publications
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SheetMusicPlus
Chamber Orchestra - SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver Sickle Publicat...
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Chamber Orchestra - SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver Sickle Publications #6082737. Published by Silver Sickle Publications (A0.942093). The guitar concerto Phygein Adynaton (Impossible to Escape) calls for a guitarist with two classical guitars (one of which is prepared with paper-clips) and orchestra. The work is in one movement throughout but essentially has two parts divided in half by the guitar Cadenza at the end of the first part. The first part is evocative and stochastic. This invocation is around a tonal center where guitar and orchestra coexist in equal terms. In the second part the orchestra takes a different, more dynamic part. The prepared guitar sounds almost distorted, like a new instrument melodic and percussive at the same time. This part of the concerto is darker in the mood and of a philosophical point of view is trying to give a direction in the battle between life and death.
$35.00
H.M.S. Surprise
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
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Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Companionship Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Companionship Full Score - Sco
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published b...
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Chamber Orchestra - Level 4 - SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and children’s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
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The End Of The World