Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Father
Non classifié
2 337
Piano & claviers
Piano seul
1 126
Piano, Voix
537
Piano, Voix et Guitare
352
Piano Facile
240
Orgue
182
Instruments en Do
83
Accompagnement Piano
52
Piano grosses notes
26
Accordéon
24
Piano Trio: piano, violon, violoncelle
17
1 Piano, 4 mains
17
Orgue, Piano (duo)
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Trompette (duo)
5
Accordéon, Voix
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
166
Ligne De Mélodie, (Paroles) et Accords
128
Guitare
62
Ukulele
44
Paroles et Accords
31
Basse electrique
15
2 Guitares (duo)
12
Mandoline
7
Dulcimer
5
Ukulele Baryton
4
Ensemble de guitares
3
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
1
Ensemble de Ukulélés
1
Banjo
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
746
Chorale 3 parties
150
Chorale 2 parties
131
Pack Instrumental pour Chorale
122
Chorale Unison
89
Chorale TTBB
72
Voix Alto, Piano
55
Voix duo, Piano
43
Voix Soprano, Piano
41
Voix duo
33
Voix Tenor, Piano
29
Chorale
23
Voix seule
22
Voix moyenne, Piano
15
Voix haute
9
Chorale SSAA
9
Voix basse, Piano
4
Voix Baryton, Piano
4
Voix Soprano
3
Voix, Guitare
2
Voix Baryton
2
Voix basse
2
Chorale SSAATTBB
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Chorale SSAATB
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
122
Clarinette et Piano
77
Flûte traversière
76
Clarinette
72
Saxophone Alto et Piano
59
Quatuor de Saxophones: 4 saxophones
56
Hautbois, Piano (duo)
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Saxophone (partie séparée)
51
Saxophone Alto
50
2 Saxophones (duo)
48
Quatuor de Clarinettes: 4 clarinettes
38
Saxophone
36
Saxophone Tenor
35
Flûte, Hautbois, Clarinette, Basson
34
2 Flûtes traversières (duo)
34
Saxophone Tenor et Piano
32
2 Clarinettes (duo)
28
Clarinette (partie séparée)
28
Saxophone Soprano et Piano
27
Hautbois (partie séparée)
26
Flute (partie séparée)
22
3 Clarinettes (trio)
22
Quatuor de Flûtes : 4 flûtes
18
3 Saxophones (trio)
16
Harmonica
15
Saxophone Baryton, Piano
15
Trio de Flûtes: 3 flûtes
13
Clarinette Basse, Piano
11
Hautbois, Basson (duo)
11
Flûte, Clarinette (duo)
11
Ensemble de Clarinettes
11
Flûte à Bec
10
Cor anglais, Piano
10
Clarinette, Basson (duo)
10
Clarinette, Violon (duo)
10
Quintette de Saxophone: 5 saxophones
10
Hautbois
9
Flûte et Guitare
8
Ensemble de Flûtes
7
Flûte, Violon, Piano
7
Flûte, Hautbois (duo)
6
2 Hautbois (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Clarinette (duo)
6
2 Clarinettes, Piano
6
Ensemble de saxophones
6
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
5
Flûte, Violon
5
Flûte, Trompette (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone et Piano
4
Hautbois, Flûte
4
Clarinette et Alto
4
2 Flûte à bec (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Alto et Piano
3
Hautbois, Guitare (duo)
3
Ocarina
3
Flûte, Violoncelle
3
Cor Anglais
2
Saxophone Soprano
2
Flûte, Saxophone (duo)
2
Flûte, Alto (duo)
2
Saxophone et Guitare
2
3 Hautbois
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Violon
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette et Basson
2
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
4 Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo
1
2 Flûtes traversières, Harpe
1
Clarinette Basse
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
Clarinette, Basson, Piano (trio)
1
Instruments en Mib
1
Flute, harpe et violon
1
Flûte irlandaise
1
Cor anglais, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Saxophone Baryton
1
Quatuor de Flûtes à bec
1
+ 91 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
78
Trompette
72
Trombone
46
Trompette, Piano
46
Trombone et Piano
44
Trompette (partie séparée)
35
Trombone (partie séparée)
31
Cor et Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Cor
20
Quatuor de cuivres: 4 trombones
17
Tuba et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
2 Cors (duo)
14
Quatuor de Cuivres
12
Euphonium, Piano (duo)
11
Cor (partie séparée)
11
2 Trompettes (duo)
11
Cor anglais, Piano
10
2 Trombones (duo)
10
Tuba
10
Quatuor de cuivres: 4 cors
9
Tuba (partie séparée)
6
2 Euphoniums et 2 Tubas
5
Euphonium
4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
4
Trio de Cuivres
4
3 Trombones (trio)
4
Trompette, Trombone (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Tuba (duo)
3
Ensemble de Cors
3
Trompette, Cor (duo)
3
Cor Anglais
2
4 Tubas
2
2 Euphoniums (duo)
2
2 Cors Anglais Et Pianoforte
1
4 Euphoniums
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Instruments en Sib
1
Instruments en Fa
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon et Piano
119
Violon
77
Violoncelle, Piano
74
Trio à Cordes: violon, alto, violoncelle
61
Alto, Piano
56
Violoncelle
52
Harpe
52
Violon, Violoncelle (duo)
33
Alto seul
31
Violon, Alto (duo)
28
2 Violoncelles (duo)
21
2 Violons (duo)
16
Alto, Violoncelle (duo)
16
Violon (partie séparée)
16
2 Harpes (duo)
14
2 Altos (duo)
11
Alto (partie séparée)
11
Contre Basse
10
Trio à Cordes: 2 violons, violoncelle
10
Piano Trio: Violon, Alto, Piano
8
Harpe, Voix
8
Harpe, Flûte (duo)
8
Trio à cordes: 3 violins
7
Violoncelle (partie séparée)
7
Violoncelle , Guitare (duo)
6
Alto, Guitare (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
5
Harpe, Violon (duo)
5
4 Violoncelles
5
Trio à Cordes: 2 violons, alto
4
Violon, Guitare (duo)
4
Quatuor à cordes: 4 violons
3
Trio à cordes
3
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violoncelle (duo)
2
Ensemble de Violoncelles
2
2 Violons, Piano
2
3 Harpes
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Violoncelle, Orgue
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
183
Orchestre
90
Cloches
83
Ensemble Jazz
60
Orchestre à Cordes
58
Ensemble de cuivres
43
Orchestre de chambre
25
Jazz combo
14
Batterie
13
Percussion (partie séparée)
12
Fanfare
4
Marimba
3
Timbales (partie séparée)
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Ensemble de Percussions
1
Timbales
1
Percussion
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 770
Partitions Numériques
25
Librairie Musicale
0
Matériel de Musique
10
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Father
Orchestre de chambre
Partitions à imprimer
25 partitions trouvées
<
1
When I Survey the Wondrous Cross - Orchestration
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Gloria Patri (Glory Be to the Father)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Charles Meineke
#
D
#
Gloria Patri
#
Tully Road Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,S...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score and Parts. 25 pages. Tully Road Music #735183. Published by Tully Road Music (A0.1135140). This is an orchestration by D. Jason Bishop of the 1844 Gloria Patri (Glory Be to the Father) by Charles Meineke, as printed in The United Methodist Hymnal (page 70) and in 174 other hymnals. Instrumentation is 2.2.2.2 - 2.3.3.0 - timp/perc - org - strings - choir. PDF includes full score and all parts.
$10.00
Variations on a Rossini Theme op.Posth
#
Orchestre de chambre
#
Classique
#
Frederik François Chopin
#
James Strauss
#
Variations on a Rossini Theme
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
(+)
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Bi Baba Ati Omo - (Como pai e Filho) (As father and son)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
GILSON SANTOS
#
Bi Baba Ati Omo -
#
Gilson Santos
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 17 pag...
(+)
Chamber Orchestra - Level 3 - SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 17 pages. Gilson Santos #6360557. Published by Gilson Santos (A0.836815). Horn octet dedicated to Professor Philip Doyle, in honor of Professors Antonio Augusto and Daniel Havens. Antonio and Daniel were great musicians and teachers of tormpa in Brazil. They left an important legacy for the instrument.
$14.99
[Eaton] The End of It
#
Orchestre de chambre
#
Contemporain
#
John Eaton
#
[Eaton] The End of It
#
American Composers Alliance Inc.
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published...
(+)
Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published by American Composers Alliance Inc. (A0.952949). Seven songs for soprano with flute (doubling piccolo, alto flute, and bass flute), clarinet, percussion, harp, piano, and strings, sectioned as a pierrot+ ensemble, string quartet, soprano, and harp. Includes: Holy Sonnet V (John Donne), Leaving the Party (Karen Swenson), Holy Sonnet III (John Donne), Styx Pier (Karen Swenson), Circumambulating Mount Kailash (Karen Swenson), Father Death (Frederick Borsch), Excerpt from Paradiso (Dante).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
Story No. 2, for narrator and chamber orchestra
#
Orchestre de chambre
#
Contemporain
#
Music by Ofer Ben-Amots, Story
#
Story No. 2, for narrator and
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's...
(+)
Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
The Godfather Waltz - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Film/TV
#
Nino Rota
#
The Godfather Waltz - Score On
#
SheetMusicPlus
Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing ...
(+)
Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing #6795023. Published by Chris Siddall Music Publishing
$4.99
Cappuccino Concertino
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
David Rubinstein
#
Cappuccino Concertino
#
David Rubinstein
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Published by David Rubinstein (A0.1387444). This baroque operetta (composed 2000) was inspired by the “Coffee Cantata†by J.S. Bach, wherein the father tells his daughter to stop drinking coffee. In this work the roles are reversed: the daughter tells her father to quit cappuccino. Text in English. Premiered October, 2001 at Church of the Lighted Window, La Canada, California. The entire score and parts are available here on one pdf. To obtain them as separate files contact me here: rubinsteinway@gmail.com.
$39.00
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia
#
Guido Menestrina
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
In Memoriam - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Robert A
#
In Memoriam - Score Only
#
Robert A. Howard
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
(+)
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Parla Piu Piano
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Film/TV
#
Giandomenico Boncompagni, Lawr
#
Marek Czekala
#
Parla Piu Piano
#
Marek Czekala
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. S...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. Score and parts. 29 pages. Marek Czekala #702226. Published by Marek Czekala (A0.1098364). Love Theme from The Godfather is an instrumental theme from the 1972 film The Godfather, composed by Nino Rota.
$49.99
Zemira
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jose Mauricio Nunes Garcia
#
Steven Nunes
#
Zemira
#
Nagamon Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamo...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
Fitch Overture for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Joseph Dillon Ford
#
Fitch Overture for chamber orc
#
David Warin Solomons2
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
(+)
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Oboe Concerto in C minor
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Benedetto Marcello
#
Arte Nova Music Lab
#
Oboe Concerto in C minor
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Sc...
(+)
Chamber Orchestra - Level 4 - SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 43 pages. Arte Nova Music Lab #4602679. Published by Arte Nova Music Lab (A0.742476). Benedetto Giacomo Marcello (Italian: [beneˈdetto marˈtʃɛllo]; (31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto. Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor). Due to his health having been impaired by the climate of Istria, Marcello retired after eight years in the capacity of Camerlengo to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony. However, as a nobleman his marriage to a commoner was unlawful and after Marcello's death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedetto's brother Alessandro Marcello, seeking financial support. Taken from https://en.wikipedia.org/wiki/Benedetto_Marcello Cover Image by https://commons.wikimedia.org/w/index.php?curid=11552469
$25.00
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Clémence de Grandval
#
Clémence de Grandval: R
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Clémence de Grandval
#
Clémence de Grandval: R
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
MY DEAR PARENTS
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Do Kien Cuong
#
MY DEAR PARENTS
#
Do Kien Cuong
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
Guitar and Orchestra Suite 1st movement (with added spoken words - Dreaming)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Guitar and Orchestra Suite 1st
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomon...
(+)
Chamber Orchestra - Level 4 - SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomons #419559. Published by David Warin Solomons (A0.576763). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$12.00
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gioachino Rossini, Frederic Ch
#
Yoon Jae Lee
#
Variations on "Non piu me
#
Ondine Press
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Peri...
(+)
Chamber Orchestra - Level 4 - SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gioachino Rossini, Frederic Ch
#
Yoon Jae Lee
#
Variations on 'Non piu mesta'
#
Ondine Press
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Peri...
(+)
Chamber Orchestra - Level 4 - SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
O du Fröhliche - Full Score
#
Orchestre de chambre
#
FACILE
#
N
#
O du Fröhliche - Full Sco
#
Pubblicato da Nicola Marasco
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola ...
(+)
Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
O du fröhliche - Orchestral parts set
#
Orchestre de chambre
#
FACILE
#
N
#
O du fröhliche - Orchestr
#
Pubblicato da Nicola Marasco
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola...
(+)
Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
Where am I? for string quartet and flute
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Where am I? for string quartet
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomon...
(+)
Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
Ophelia for string quartet and guitar
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Ophelia for string quartet and
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomon...
(+)
Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomons #3479241. Published by David Warin Solomons (A0.577982). Based on my song setting of the scene in Shakespeare's play Hamlet in which Ophelia is losing her mind out of grief for her murdered father.
$14.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Father
