English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Script
Non classifié
2 538
Piano & claviers
Piano seul
1 648
Piano Facile
756
Piano, Voix
383
Piano, Voix et Guitare
362
Orgue
111
Instruments en Do
111
1 Piano, 4 mains
52
2 Pianos, 4 mains
18
Accordéon
17
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
7
Orgue, Piano (duo)
4
Piano grosses notes
2
1 Piano, 6 mains
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 431
Basse electrique
1 253
Guitare
213
Ligne De Mélodie, (Paroles) et Accords
40
Ukulele
24
Paroles et Accords
16
2 Guitares (duo)
11
4 Guitares (Quatuor)
8
Guitare (partie séparée)
7
Piano, Guitare (duo)
6
Banjo
5
Dulcimer
4
Mandoline
3
+ 8 instrumentations
Retracter
Voix
Chorale SATB
445
Chorale Unison
124
Chorale 3 parties
78
Chorale 2 parties
38
Chorale TTBB
30
Voix haute
30
Voix seule
18
Voix duo
18
Voix Soprano, Piano
17
Voix duo, Piano
12
Chorale SSAA
11
Voix Alto, Piano
8
Pack Instrumental pour Chorale
5
Voix Baryton, Piano
5
Voix Tenor
4
Voix Tenor, Piano
4
Voix basse
4
Voix moyenne, Piano
3
Chorale
3
Voix Soprano
2
Voix, Guitare
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 215
Saxophone Tenor
954
Saxophone Alto
930
Hautbois (partie séparée)
600
Clarinette
529
Flûte traversière
508
Quatuor de Saxophones: 4 saxophones
266
Flûte, Hautbois, Clarinette, Basson
252
Quatuor de Clarinettes: 4 clarinettes
231
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
212
Quintette de Saxophone: 5 saxophones
158
Flûte traversière et Piano
128
Saxophone Alto et Piano
102
Clarinette et Piano
92
2 Saxophones (duo)
71
Hautbois, Piano (duo)
58
Ensemble de Clarinettes
45
Saxophone Tenor et Piano
44
Cor Anglais
38
Quatuor de Flûtes : 4 flûtes
35
2 Flûtes traversières (duo)
34
Saxophone Soprano et Piano
30
2 Clarinettes (duo)
27
Saxophone
26
3 Saxophones (trio)
23
Saxophone Soprano
19
Saxophone Baryton, Piano
17
3 Clarinettes (trio)
13
Ensemble de Flûtes
13
Flûte et Guitare
13
Flûte, Violon, Piano
13
Hautbois
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Clarinette (duo)
12
Cor anglais, Piano
10
Quatuor de Flûtes à bec
10
2 Flûte à bec (duo)
10
2 Hautbois (duo)
8
Flûte à bec Alto
8
Quintette de Flûte : 5 flûtes
7
Clarinette Basse, Piano
7
Ensemble de saxophones
7
Hautbois, Guitare (duo)
6
Saxophone et Guitare
6
Trio de Flûtes: 3 flûtes
6
Clarinette (partie séparée)
5
Clarinette, Violon (duo)
5
Flûte, Violon
5
3 Flûtes à bec (trio)
5
Saxophone Baryton
5
Saxophone, Clarinette (duo)
4
Flute (partie séparée)
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle
3
Flûte à Bec
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Saxophones, Piano
2
Clarinette, Trompette (duo)
2
Harmonica
2
Clarinette Basse
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, violon (duo)
1
Clarinette, Violoncelle (duo)
1
4 Hautbois
1
Flûte, Alto et Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Hautbois, Flûte
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Instruments en Mib
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
+ 84 instrumentations
Retracter
Cuivres
Trompette
537
Trombone
528
Cor
404
Tuba
349
Euphonium
333
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
177
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
Trompette (partie séparée)
80
Trompette, Piano
58
Cor Anglais
38
Trombone et Piano
34
Tuba et Piano
31
Cor et Piano
31
Quatuor de Cuivres
27
Trombone (partie séparée)
24
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
11
Ensemble de Trombones
11
Cor anglais, Piano
10
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
4 Tubas
7
3 Euphoniums
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
Ensemble de Cors
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 cors
3
3 Tubas (trio)
3
Trompette, violon (duo)
3
Trompette, Cor (duo)
3
Tuba (partie séparée)
3
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
2 Cors Anglais Et Pianoforte
2
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Instruments en Sib
1
Trompette, Euphonium (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon
961
Violoncelle
599
Quatuor à cordes: 2 violons, alto, violoncelle
391
Alto seul
357
Alto (partie séparée)
219
Violon et Piano
216
Alto, Piano
115
Violoncelle, Piano
101
Trio à Cordes: violon, alto, violoncelle
67
Violon, Violoncelle (duo)
56
2 Violons (duo)
44
Violon, Alto (duo)
39
Contre Basse
35
2 Altos (duo)
34
Trio à cordes
30
2 Violoncelles (duo)
28
Harpe, Violon (duo)
16
Contrebasse, Piano (duo)
15
Violon (partie séparée)
14
Violon, Guitare (duo)
14
Quatuor à cordes: 4 violons
13
Alto, Violoncelle (duo)
12
Harpe
12
Trio à cordes: 3 altos
9
4 Violoncelles
9
Contrebasse (partie séparée)
9
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle , Guitare (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Alto, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
5
Harpe, Quatuor à cordes
4
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
3
Ensemble de Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles, Piano
2
Violoncelle, Orgue
1
4 Contrebasses
1
Harpe, Voix
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Batterie
856
Orchestre d'harmonie
579
Orchestre
205
Ensemble Jazz
94
Orchestre à Cordes
89
Jazz combo
61
Ensemble de cuivres
59
Orchestre de chambre
49
Cloches
46
Big band
8
Fanfare
7
Batterie (partie séparée)
6
Marimba
5
Percussion (partie séparée)
3
Vibraphone
2
Ensemble de Percussions
2
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
712
Partitions Numériques
49
Librairie Musicale
0
Matériel de Musique
360
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Script
Orchestre de chambre
Partitions à imprimer
49 partitions trouvées
<
1
26
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.22 €
#
Orchestre de chambre
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cross - Orchestration
#
WheatMyer Music
#
SheetMusicPlus
Dance of the Heavens
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.938095 Composed by Bruce J. …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.938095 Composed by Bruce J. Patterson. Baroque,Contemporary,Film/TV,Sacred. Score and parts. 10 pages. In His Name Music/SESAC #49555. Published by In His Name Music/SESAC (A0.938095). Dance of the Heavens is from my Classical Works project. This piece is musically based on Psalm 19 where the scripture says, the heavens declare the glory of God. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473.
$6.99
6.43 €
#
Orchestre de chambre
#
Bruce J
#
Dance of the Heavens
#
In His Name Music/SESAC
#
SheetMusicPlus
The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.61 €
#
Orchestre de chambre
#
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
The Fallen – Flute Concerto (flute part – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.8 €
#
Orchestre de chambre
#
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
The Fallen – Flute Concerto (string parts – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.61 €
#
Orchestre de chambre
#
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Intermezzo from Cavalleria Rusticana; transcription for string quartet with harp
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.875786 Composed by Pietro Ma…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.875786 Composed by Pietro Mascagni. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 8 pages. IStrings #3875553. Published by iStrings (A0.875786). This amazing music from Cavalleria Rusticana by P. Mascagni is one of the most beautiful music gems ever. It is transcribed for string quartet with the original harp part, a great piece for an encore, or in a program with small pieces put together. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale.
$10.00
9.2 €
#
Orchestre de chambre
#
Pietro Mascagni
#
N
#
Intermezzo from Cavalleria Rusticana; transcription for string quartet with harp
#
iStrings
#
SheetMusicPlus
This is the record of John for clarinet and string quartet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579763 Composed by Orlando G…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579763 Composed by Orlando Gibbons. Arranged by David Warin Solomons. Renaissance,Sacred. Score and parts. 15 pages. David Warin Solomons #3379409. Published by David Warin Solomons (A0.579763). Transcription for instrumental ensemble of the anthem by Orlando Gibbons celebrating John the Baptist.
$10.00
9.2 €
#
Orchestre de chambre
#
Orlando Gibbons
#
David Warin Solomons
#
This is the record of John for clarinet and string quartet
#
David Warin Solomons
#
SheetMusicPlus
This is the record of John for cor anglais and string quartet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579765 Composed by Orlando G…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579765 Composed by Orlando Gibbons. Arranged by David Warin Solomons. Christian,Christmas,Renaissance. Score and parts. 15 pages. David Warin Solomons #3379803. Published by David Warin Solomons (A0.579765). Transcription for instrumental ensemble of the anthem by Orlando Gibbons celebrating John the Baptist.
$10.00
9.2 €
#
Orchestre de chambre
#
Orlando Gibbons
#
David Warin Solomons
#
This is the record of John for cor anglais and string quartet
#
David Warin Solomons
#
SheetMusicPlus
Arcane Aldébaran pour 2 pianos et cordes with The Public Studio Vimeo pro video
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014391 Composed by Julien B…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014391 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 35 pages. Julien Boulier #4601431. Published by Julien Boulier (A0.1014391). Vimeo pro video The Public Studio :https://vimeo.com/82255166Fin de la retranscription à partir de la maquette (1 ère étape avant corrections et ajouts par des instrumentistes / signes d'expression, d'articulation...) de Arcane Aldébaran pour 2 pianos et cordes :- code oeuvre Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 3450428911 - numéro Sacem du score pdf 150 à la noire de Arcane Aldébaran pour 2 pianos et cordes : 1252520Arcane Aldébaran morceau maquette mp3 déposé Sacem Code ISWC : T-703.547.656.5 /morceau qui avait été utilisé dans ce court métrage de The Public Studio https://vimeo.com/82255166, court métrage réalisé par Ming-Zhu Hii & Nicholas Coghlan. Il faudra dans un deuxième temps compléter avec plusieurs violons, altos, violoncelles et contrebasses. Violons1-2;3-4,... altos1-2;3-4...; Violoncelle 1-2; 3-4; Contrebasses 1-2;3-4 En amplifiant certains instruments, et d'autres non.
$15.00
13.8 €
#
Orchestre de chambre
#
Julien Boulier
#
Julien Boulier
#
Nicholas Coghlan
#
Arcane Aldébaran pour 2 pianos et cordes with The Public Studio Vimeo pro video
#
Julien Boulier
#
SheetMusicPlus
The Arrival of the Queen of Sheba for 2 D Trumpets & Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.872280 By Keith Terrett. By …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.872280 By Keith Terrett. By George Frideric Handel. Arranged by Keith Terrett. Baroque,Chamber,Classical,Historic,Wedding. 18 pages. Keith Terrett #478726. Published by Keith Terrett (A0.872280). A transcription of Handel's The Arrival of the Queen of Sheba for 2 D Trumpets & Orchestra. The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively “The Arrival of the Queen of Sheba†interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.
$15.99
14.72 €
#
Orchestre de chambre
#
Keith Terrett
#
Keith Terrett
#
The Arrival of the Queen of Sheba for 2 D Trumpets & Orchestra
#
Keith Terrett
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
#
Orchestre de chambre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Fitch Overture for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
9.2 €
#
Orchestre de chambre
#
Joseph Dillon Ford
#
Fitch Overture for chamber orchestra
#
David Warin Solomons2
#
SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.35 €
#
Orchestre de chambre
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Guido Menestrina
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.03 €
#
Orchestre de chambre
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
Concerto Grosso Opus 6 No 1 HWV 319
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
46.02 €
#
Orchestre de chambre
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto Grosso Opus 6 No 1 HWV 319
#
Arte Nova Music Lab
#
SheetMusicPlus
Vivaldi - Six Double Concertos Book 2 for Two Violins, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517529 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517529 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 426 pages. Santino Cara #6064471. Published by Santino Cara (A0.517529). Complete scores and parts of the 2nd book of Six Double Concertos for Two Violins concertanti, Cello concertante, Strings and Harpsichord, composed between 1711 and 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copies of the manuscripts kept in the Hall of the Manuscripts of the University Library of Turin.
$64.40
59.27 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Six Double Concertos Book 2 for Two Violins, Strings and Cembalo - Scores and Parts
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Six Double Concertos Book 1 for Two Violins, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517528 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517528 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 417 pages. Santino Cara #6064377. Published by Santino Cara (A0.517528). Complete scores and parts of Six Double Concertos for Two Violins concertanti, Strings and Harpsichord, composed between 1722 and 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copies of the manuscripts kept in the Hall of the Manuscripts of the University Library of Turin.
$60.40
55.59 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Six Double Concertos Book 1 for Two Violins, Strings and Cembalo - Scores and Parts
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Violin Concerto No.6 in G minor Op.4 RV 316 for Violin solo, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.516888 Composed by Antonio V…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.516888 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 54 pages. Santino Cara #2949571. Published by Santino Cara (A0.516888). Violin Concerto in G minor RV 316 for Violin and Strings of Antonio Vivaldi. Dedicated to Signor Vettor Delfino and published in 1716 in La Stravaganza Op.4 No.6. Movements: 1. Allegro, 2. Largo cantabile, 3. Allegro. Along with the complete score of the concert, they are inserted separately all the instrumental parts.This concerto is a personal reconstruction made by Santino Cara viewing the manuscript kept at the National Library of Turin and cataloged in the transcriptions of Santino Cara with the code: CS2142.
$16.40
15.09 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Violin Concerto No.6 in G minor Op.4 RV 316 for Violin solo, Strings and Cembalo
#
Santino Cara
#
SheetMusicPlus
Vivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517080 Composed by Antonio V…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517080 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 638 pages. Santino Cara #3408245. Published by Santino Cara (A0.517080). Complete scores and parts of the “12 Violin Concertos - La Cetra Op.9 by Antonio Vivaldi†for Violin solo, Strings and Cembalo. Reconstructed and elaborated over the last 20 years by Santino Cara.Source: All the concerts included in this book have been reconstructed from the manuscripts deposited at the National Library of Turin, the Italian Institute Antonio Vivaldi, and from the Library of the State of Saxony in Dresden.Concertos: 1. Violin Concerto in C major, RV 181, 2. Violin Concerto in A major, RV 345, 3. Violin Concerto in G minor, RV 334, 4. Violin Concerto in E major, RV 263, 5. Violin Concerto in A minor, RV 358, 6. Violin Concerto in A major, RV 348, 7. Violin Concerto in B-flat major, RV 359, 8. Violin Concerto in D minor, RV 238, 9. Violin Concerto for 2 Violins in B-flat major, RV 530, 10. Violin Concerto in G major, RV 300, 11. Violin Concerto in C minor, RV 198, 12. Violin Concerto in B minor, RV 391
$74.00
68.1 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and Parts
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Six Viola Concertos for Viola concertante, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1112583 By Santino Cara. By Antonio Vi…
(+)
Chamber Orchestra - Digital Download SKU: A0.1112583 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 476 pages. Santino Cara #714591. Published by Santino Cara (A0.1112583). Complete Scores and Parts of Six Viola Concertos for Viola concertante, Strings and Cembalo. Composed in Venice between 1720 and 1724. Reconstructed and elaborated in Rome in 2019 by Santino Cara. Single PDF file with the complete scores of the concerts and the separate parts of all the instruments. Concertos: Concerto No.1 in G major - RV 392 Concerto No.2 in F minor - RV 393 Concerto No.3 in F sharp minor - RV 394 Concerto No.4 in F sharp minor - RV 395 Concerto No.5 in C major - RV 396 Concerto No.6 in D minor - RV 397 Source: The six reconstructed concerts are taken from the manuscripts of the Mauro Foà collection kept at the National Library of Turin.
$80.00
73.62 €
#
Orchestre de chambre
#
Santino Cara
#
Santino Cara
#
Vivaldi - Six Viola Concertos for Viola concertante, Strings and Cembalo - Scores and Parts
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Double Concerto in D major RV 512 for Flute, Violin, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517526 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517526 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 62 pages. Santino Cara #6062271. Published by Santino Cara (A0.517526). Complete score and parts of the Double Concerto in D major RV 512 for Flute or Violin I concertanti, Violin II concertante, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$18.60
17.12 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Double Concerto in D major RV 512 for Flute, Violin, Strings and Cembalo
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Six Flute Concertos Op.10 for Flute, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517094 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517094 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 270 pages. Santino Cara #3421267. Published by Santino Cara (A0.517094). Complete scores and parts, of the Six Flute Concertos Op.10 Composed by Antonio Vivaldi between 1718 and 1720. Reconstructed and elaborated by Santino Cara during the last 10 years from the manuscripts of the Michel-Charles Le Cène edition of 1729 and kept at the National Library of Turin.
$52.20
48.04 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Six Flute Concertos Op.10 for Flute, Strings and Cembalo - Scores and Parts
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Double Concerto in D minor RV 514 for Two Violins, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517524 Composed by Antonio V…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517524 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 98 pages. Santino Cara #6052375. Published by Santino Cara (A0.517524). Complete score and parts of the Double Concerto in D minor RV 514 for Two violins concertanti, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$20.40
18.77 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Double Concerto in D minor RV 514 for Two Violins, Strings and Cembalo
#
Santino Cara
#
SheetMusicPlus
Vivaldi - Double Concerto in A minor RV 523 for Two Violins, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517522 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517522 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 84 pages. Santino Cara #6047969. Published by Santino Cara (A0.517522). Complete score and parts of the Double Concerto in A minor RV 523 for Two violins concertanti, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$18.80
17.3 €
#
Orchestre de chambre
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Double Concerto in A minor RV 523 for Two Violins, Strings and Cembalo
#
Santino Cara
#
SheetMusicPlus
Concerto For Clarinet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Ar…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
184.06 €
#
Orchestre de chambre
#
Artie Shaw
#
Edited Robert C
#
Concerto For Clarinet
#
Robert C. Olivia
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale