Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Sound of Music - Percussion 2
Non classifié
1 039
Piano & claviers
Piano seul
684
Piano Facile
663
Piano, Voix
123
Piano, Voix et Guitare
89
Orgue
42
Instruments en Do
42
Accompagnement Piano
27
Piano grosses notes
20
1 Piano, 4 mains
19
2 Pianos, 4 mains
14
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
2 Pianos, 8 mains
3
Clavecin
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
Clavier
1
Accordéon, Voix
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
805
Ukulele
177
Guitare
78
Ligne De Mélodie, (Paroles) et Accords
23
2 Guitares (duo)
18
Guitare (partie séparée)
14
Basse electrique
8
Mandoline
6
3 Guitares (trio)
5
Paroles et Accords
5
Piano, Guitare (duo)
4
Dulcimer
4
4 Guitares (Quatuor)
3
Banjo
2
2 Ukuleles
1
Ukulele Baryton
1
2 Dulcimers (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale 2 parties
259
Chorale SATB
164
Chorale 3 parties
77
Chorale TTBB
30
Chorale Unison
25
Voix duo, Piano
18
Chorale SSAA
13
Voix duo
11
Chorale
7
Voix Soprano, Piano
4
Chorale SSATTB
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
112
2 Saxophones (duo)
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Quatuor de Saxophones: 4 saxophones
107
Saxophone (partie séparée)
84
Quintette de Saxophone: 5 saxophones
83
2 Flûtes traversières (duo)
69
Flûte traversière
55
2 Clarinettes (duo)
50
Flûte traversière et Piano
50
Clarinette et Piano
43
Hautbois, Piano (duo)
40
Clarinette
34
Hautbois (partie séparée)
31
Saxophone Alto et Piano
30
Clarinette (partie séparée)
28
Saxophone Tenor et Piano
27
Quatuor de Flûtes : 4 flûtes
26
Flûte, Violon, Piano
25
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Alto
24
2 Flûte à bec (duo)
22
Saxophone Tenor
21
Saxophone Soprano et Piano
20
Flute (partie séparée)
18
Ocarina
15
3 Clarinettes (trio)
15
2 Hautbois (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
Ensemble de Flûtes
13
Flûte à bec Soprano
12
Ensemble de Clarinettes
11
Trio de Flûtes: 3 flûtes
10
Harmonica
10
Flûte et Guitare
10
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Alto
8
Flûte, Clarinette (duo)
8
Clarinette, Basson (duo)
8
Saxophone Baryton, Piano
7
Flûte à Bec
7
Hautbois, Basson (duo)
7
3 Saxophones (trio)
7
Hautbois, Violoncelle
6
Hautbois
6
Saxophone, Clarinette (duo)
6
Flûte, Violoncelle
6
Ensemble de saxophones
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
4
Flûte, Violon
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
3
Flûte, Clarinette et Basson
3
Quatuor de Flûtes à bec
3
Clarinette Basse, Piano
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Flûte, Trompette (duo)
2
Hautbois, Guitare (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Cor anglais, Piano
2
Flûte, Saxophone (duo)
2
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
1
Flûte irlandaise
1
Saxophone et Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Harpe (duo)
1
Flûte et Trio à cordes
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Harpe
1
Cornemuse
1
2 Flûtes traversières, Harpe
1
Flûte, Alto (duo)
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
231
Trombone (partie séparée)
86
Trompette (partie séparée)
75
Quatuor de Cuivres
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Trompette
48
Trompette, Piano
40
2 Trombones (duo)
31
2 Trompettes (duo)
30
Trombone et Piano
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Trombone
26
Cor (partie séparée)
23
Cor et Piano
20
Cor
16
Tuba (partie séparée)
14
Tuba
13
Euphonium, Piano (duo)
13
Tuba et Piano
12
Trompette, Trombone (duo)
10
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
8
2 Euphoniums et 2 Tubas
8
2 Tubas (duo)
7
Ensemble de Trombones
6
3 Trombones (trio)
6
Trompette, Violoncelle (duo)
5
Trio de Cuivres
4
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
Euphonium
3
Trompette, Basson (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Cor, Violoncelle (duo)
2
4 Tubas
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Harpe
1
Ensemble de Cors
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor et Harpe
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
480
Quintette à cordes: 2 violons, alto, violoncelle, basse
95
Violon
83
Violoncelle, Piano
68
2 Violons (duo)
60
Violon et Piano
58
2 Harpes (duo)
57
Violoncelle
56
Alto, Piano
48
Violon (partie séparée)
45
2 Violoncelles (duo)
43
Harpe
32
Alto seul
31
Trio à Cordes: 2 violons, violoncelle
30
Contrebasse (partie séparée)
25
Violon, Violoncelle (duo)
24
Trio à Cordes: violon, alto, violoncelle
22
Contre Basse
21
2 Altos (duo)
21
Alto (partie séparée)
15
Violoncelle (partie séparée)
14
Contrebasse, Piano (duo)
12
Violon, Alto (duo)
10
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, alto
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Basson (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
2
Alto et Basson
2
2 Violons, Piano
2
4 Violoncelles
2
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 violins
2
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Alto et Harpe
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
970
Orchestre à Cordes
208
Fanfare
100
Ensemble Jazz
97
Orchestre
55
Cloches
43
Ensemble de cuivres
37
Orchestre de chambre
22
Batterie (partie séparée)
12
Batterie
7
Jazz combo
4
Timbales (partie séparée)
2
Vibraphone
2
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
490
Partitions Numériques
22
Librairie Musicale
0
Matériel de Musique
1 613
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Sound of Music - Percussion 2
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
<
1
The Joyce Cycle, for voice and orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
the turbulent sea, the loved o
#
Music and James Joyce, Ofer Be
#
The Joyce Cycle, for voice and
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
(+)
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
2 Part Invention in Dm ( for 3 keyboards)
#
Orchestre de chambre
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
Shay Hovell
#
2 Part Invention in Dm
#
Hauteville Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.909381 Composed by Johann Sebastian Bach. Arranged by Shay Hovell. Baroque,Instructional,Standards. Score and part...
(+)
Chamber Orchestra - Level 2 - SKU: A0.909381 Composed by Johann Sebastian Bach. Arranged by Shay Hovell. Baroque,Instructional,Standards. Score and parts. 12 pages. Hauteville Publishing #3570295. Published by Hauteville Publishing (A0.909381). Students learn to play as a group- (mastering timing and volume of their individual part) A basic MIDI keyboard is all that is required of each student/musician. Most arrangements in my keyboard series allow players of different levels to play together. Great source for teachers looking for group lessons. Students who have not enjoyed individual lessons can thrive in the group environment- simple arrangements make for a big group sound.
$4.50
Concertino - for clarinet, mandolin and symphony orchestra
#
Orchestre de chambre
#
Klezmer
#
Ofer Ben-Amots
#
praise Him in the heights
#
Concertino - for clarinet, man
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
(+)
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Edelweiss
#
Orchestre de chambre
#
FACILE
#
Comédie Musicale
#
Film/TV
#
Richard Rodgers
#
Joshua S Kim
#
Edelweiss
#
Joshua S. Kim
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.835978 Composed by Richard Rodgers. Arranged by Joshua S Kim. Broadway,Film/TV. Score and parts. 40 pages. Joshua ...
(+)
Chamber Orchestra - Level 2 - SKU: A0.835978 Composed by Richard Rodgers. Arranged by Joshua S Kim. Broadway,Film/TV. Score and parts. 40 pages. Joshua S. Kim #3079205. Published by Joshua S. Kim (A0.835978). Richard Rodger's one of the most loved melodies from The Sound of Music. Edelweiss for Ensemble of 12-18 instruments*. Contains a full score, a set of parts plus string score and woodwind-brass score.*violin 2-3, viola 1, cello 1, contrabass 1, flute 1, saxophone (alto) 1, clarinet (B flat) 1, trumpet (B flat) 1-2,horn in f 1, bassoon 1
$19.99
Climb Ev'ry Mountain
#
Orchestre de chambre
#
Contemporain
#
Margery McKay
#
Suraj Nagaraj
#
Climb Ev'ry Mountain
#
Suraj Nagaraj
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.946729 By Margery McKay. By Richard Rodgers. Arranged by Suraj Nagaraj. Contemporary. Score and parts. 9 pages. Suraj Nagara...
(+)
Chamber Orchestra - SKU: A0.946729 By Margery McKay. By Richard Rodgers. Arranged by Suraj Nagaraj. Contemporary. Score and parts. 9 pages. Suraj Nagaraj #6384903. Published by Suraj Nagaraj (A0.946729). Arrangement of Climb Ev'ry Mountain from the Sound of Music. The arrangement is for solo voice and accompanying string quartet. Perfect for weddings, recitals, concerts, etc. Arranged by Suraj Nagaraj, composed by Richard Rodgers, lyricist - Oscar Hammerstein. Score and Parts are provided.Duration: 2:30.
$12.99
Amigos
#
Orchestre de chambre
#
FACILE
#
Matthew Sear
#
Matthew Sear
#
Amigos
#
Matthew Seat
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1399456 By Matthew Sear. By Matthew Sear. Arranged by Matthew Sear. 21st Century,Broadway,Children,Mariachi,Musica...
(+)
Chamber Orchestra - Level 2 - SKU: A0.1399456 By Matthew Sear. By Matthew Sear. Arranged by Matthew Sear. 21st Century,Broadway,Children,Mariachi,Musical/Show,Pop. 74 pages. Matthew Seat #982745. Published by Matthew Seat (A0.1399456). Amigos is a large scale work about friendship and overcoming adveristy. Written in a a style that alludes to flamecnco and the sounds of Disney's Encanto, it includes parts for chiildren whop have had only a term's tuition, as well as parts written for an advanced house band.The piece is lively, interactive and lots of fun!
$9.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
God's Grandeur
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Stefano Maria Torchio: En Archè en o Logos - Double bass part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Backwards Decade
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Stanley M
#
Backwards Decade
#
stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3...
(+)
Chamber Orchestra - Level 3 - SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich Händel, Ali
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35:
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Vasilis Tsiatsianis
#
W.A.Mozart - O Isis und Osiris
#
Arcadia Verlag
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
Pifilka - for Guitar and String Quintet
#
Orchestre de chambre
#
Rodrigo Guzmán
#
Pifilka - for Guitar and Strin
#
Rodrigo Guzmán
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.897893 Composed by Rodrigo Guzmán. Folk,World. Score and parts. 28 pages. Rodrigo Guzmán #6403201. Published by Rodrig...
(+)
Chamber Orchestra - SKU: A0.897893 Composed by Rodrigo Guzmán. Folk,World. Score and parts. 28 pages. Rodrigo Guzmán #6403201. Published by Rodrigo Guzmán (A0.897893). Pifilka is the name of a Mapuche musical instrument that imitates the sound of birds. It can produce a max. of 2 sounds and for this reason it has a rhythmic function in Mapuche music. In this piece allusion is made to this instrument in an attempt to reproduce sonorities of Mapuche rituals that make a contrast within a peaceful Chilean Tonada.
$12.00
Sunrise, Sunset
#
Orchestre de chambre
#
FACILE
#
Contemporain
#
Jerry Bock
#
Shay Hovell
#
Sunrise, Sunset
#
Hauteville Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.909376 Composed by Jerry Bock. Arranged by Shay Hovell. Contemporary. Score and parts. 22 pages. Hauteville Publis...
(+)
Chamber Orchestra - Level 2 - SKU: A0.909376 Composed by Jerry Bock. Arranged by Shay Hovell. Contemporary. Score and parts. 22 pages. Hauteville Publishing #3569725. Published by Hauteville Publishing (A0.909376). Scored for 7 keyboards- students of different levels can play together as a groupStudents learn to play as a group- price covers all the individual parts and score (mastering timing and volume of their individual part) A basic MIDI keyboard is all that is required of each student/musician. Most arrangements in my keyboard series allow players of different levels to play together. Great source for teachers looking for group lessons. Students who have not enjoyed individual lessons can thrive in the group environment- simple arrangements make for a big group sound.
$12.99
Annie's Song
#
Orchestre de chambre
#
FACILE
#
Rock
#
John Denver
#
Shay Hovell
#
Annie's Song
#
Hauteville Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.909382 By John Denver. By John Denver. Arranged by Shay Hovell. Rock. Score and parts. 17 pages. Hauteville Publis...
(+)
Chamber Orchestra - Level 2 - SKU: A0.909382 By John Denver. By John Denver. Arranged by Shay Hovell. Rock. Score and parts. 17 pages. Hauteville Publishing #3570879. Published by Hauteville Publishing (A0.909382). Students learn to play as a group- price covers all the individual parts and score (mastering timing and volume of their individual part) A basic MIDI keyboard is all that is required of each student/musician. Most arrangements in my keyboard series allow players of different levels to play together. Great source for teachers looking for group lessons. Students who have not enjoyed individual lessons can thrive in the group environment- simple arrangements make for a big group sound.
$12.99
To Christ Crown 41 Christian Harp - Score Only
#
Orchestre de chambre
#
FACILE
#
Musique Sacrée
#
Charles John Vicent, G
#
Wesley S Silva
#
To Christ Crown 41 Christian H
#
Wesley S. Silva
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.894875 Composed by Charles John Vicent, G. Thring, and Mathew Bridges. Arranged by Wesley S Silva. Christian,Prais...
(+)
Chamber Orchestra - Level 2 - SKU: A0.894875 Composed by Charles John Vicent, G. Thring, and Mathew Bridges. Arranged by Wesley S Silva. Christian,Praise & Worship,Sacred. 29 pages. Wesley S. Silva #4633955. Published by Wesley S. Silva (A0.894875). Hymn of the Brazilian Christian harp, used to accompany singers in evangelical services. This arrangement was written for a specific musical background. Easy level musical arrangement, but with a pleasant sound result.
$4.99
Flying South Oboe Solo with Orchestra Score and Parts PDF
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Brendan Elliget MAGA 537
#
Flying South Oboe Solo with Or
#
BJE Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Pu...
(+)
Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Published by BJE Music (A0.750876). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 certainly gives a better idea of how the piece should sound! Grade = 3.5 Duration 3 mins. .
$20.00
＜EZ Clarinet/Woodwind Sextet＞Sakura★Hira-jyoushi
#
Orchestre de chambre
#
DÉBUTANT
#
Tsuyoshi Yoroiguma
#
＜EZ Clarinet/Woodwind Sex
#
Tsuyoshi Yoroiguma
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.711280 Composed by (Japanese Traditional Song). Arranged by Tsuyoshi Yoroiguma. Classical,Instructional,Standards,...
(+)
Chamber Orchestra - Level 1 - SKU: A0.711280 Composed by (Japanese Traditional Song). Arranged by Tsuyoshi Yoroiguma. Classical,Instructional,Standards,World. Score and parts. 6 pages. Tsuyoshi Yoroiguma #4360227. Published by Tsuyoshi Yoroiguma (A0.711280). Welcome to TOKYO 2020 Olympic Games !Sakura(Cherry blossom) is a Japanese traditional song.And Hira-jyoushi is a name of basic tuning of Koto.Koto is a Japanese traditional instrument with 13 strings.In the beginning each player sound Hira-jyoushi scale, and song of Sakura start.This is good for school band or music class education.All players use this score.(no part sheet included)Instrumentation:6 Bb Clarinets or 4 Clarinets / Alto Sax / Tenor SaxPlaying time is 2min 05sec.PDF file includes 6 pages(3pages×2) of score.
$8.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Sound of Music - Percussion 2
