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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way Back
Non classifié
504
Piano & claviers
Piano seul
636
Piano, Voix et Guitare
386
Piano, Voix
292
Piano Facile
96
Instruments en Do
63
Accordéon
58
1 Piano, 4 mains
12
Accompagnement Piano
12
Orgue
8
Piano grosses notes
5
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
112
Basse electrique
88
Guitare
87
Ligne De Mélodie, (Paroles) et Accords
43
Ukulele
25
Paroles et Accords
6
Mandoline
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Banjo
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Dulcimer
1
+ 10 instrumentations
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Voix
Chorale SATB
178
Chorale 3 parties
83
Voix seule
44
Chorale 2 parties
39
Chorale TTBB
32
Pack Instrumental pour Chorale
18
Chorale SSAA
12
Chorale Unison
12
Voix duo
10
Voix duo, Piano
7
Voix Alto, Piano
4
Voix haute
3
Chorale
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
328
Flûte traversière
155
Clarinette
153
Flûte à Bec
56
Saxophone Alto
45
Flûte traversière et Piano
43
Saxophone Tenor
37
Saxophone Alto et Piano
30
Hautbois
30
Quatuor de Saxophones: 4 saxophones
28
Saxophone Tenor et Piano
27
Clarinette et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Piano (duo)
24
2 Flûtes traversières (duo)
21
Saxophone Soprano
18
Saxophone (partie séparée)
18
Ensemble de Flûtes
14
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Soprano et Piano
11
2 Saxophones (duo)
10
Quatuor de Clarinettes: 4 clarinettes
8
Ocarina
8
Ensemble de saxophones
8
Hautbois (partie séparée)
8
Flûte à bec Soprano
7
Harmonica
6
Saxophone Baryton, Piano
6
Ensemble de Clarinettes
6
Flûte à bec Alto
5
2 Clarinettes (duo)
5
Clarinette (partie séparée)
5
Cor anglais, Piano
5
Flûte et Guitare
4
Cor anglais, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Guitare (duo)
3
Flûte, Violon, Piano
3
3 Saxophones (trio)
3
Flûte, Alto et Piano
2
Flûte, Saxophone (duo)
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
2
Instruments en Mib
2
Hautbois, Flûte
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
+ 65 instrumentations
Retracter
Cuivres
Trompette
158
Trombone
147
Cor
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Euphonium
21
Trombone et Piano
20
Trompette, Piano
20
Tuba
18
Cor et Piano
13
Trompette (partie séparée)
11
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
6
Cor anglais, Piano
5
2 Trompettes (duo)
5
Tuba et Piano
4
Cor anglais, Guitare (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Cor Anglais
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Instruments en Fa
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
239
Violon
194
Violon, Violoncelle (duo)
153
Trio à Cordes: violon, alto, violoncelle
130
Violoncelle
83
Violon et Piano
77
Alto seul
63
Alto, Piano
37
Violoncelle, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
Contre Basse
11
Harpe
10
2 Violons (duo)
7
2 Altos (duo)
6
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contrebasse, Piano (duo)
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 violins
4
4 Violoncelles
3
Violon (partie séparée)
2
Alto, Orgue
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
221
Orchestre à Cordes
124
Orchestre
60
Ensemble Jazz
55
Batterie
52
Ensemble de cuivres
19
Jazz combo
16
Orchestre de chambre
15
Cloches
8
Xylophone, Piano
6
Fanfare
5
Ensemble de Percussions
4
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Instrumentation Flexible
1
Percussion
1
Vibraphone et Marimba
1
Xylophone
1
Voix et Orchestre
1
+ 14 instrumentations
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COR ANGLAIS
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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Vous avez sélectionné:
The Way Back
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
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1
Away In a Manger (SCORCHIO! Orchestral Set)
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Orchestre de chambre
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Noël
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Anon
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Tim Crooks
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Away In a Manger
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SCORCHIO! Orchestral Music UK
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SheetMusicPlus
Chamber Orchestra - SKU: A0.501795 Composed by Anon. Arranged by Tim Crooks. Christmas. Score and parts. 28 pages. Published by SCORCHIO! Orchestral Mus...
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Chamber Orchestra - SKU: A0.501795 Composed by Anon. Arranged by Tim Crooks. Christmas. Score and parts. 28 pages. Published by SCORCHIO! Orchestral Music UK (A0.501795). Away In a Manger, arranged by Tim Crooks for Orchestra with optional SATB choir. 1111, 2230, timp, glock, harp & strings This download is Score and Parts (multiple string copies can be printed) Duration 3', level: (ABRSM Grade 4+) This traditional carol can be performed by orchestra, choir or combined. A compatible SATB choir part is available separately at Sheet Music plus: https://www.sheetmusicplus.com/title/away-in-a-manger-str-uk-strings-version-choir-melody-part-digital-sheet-music/22120613 SCORCHIO! Orchestral Music - made in the UK We'd love to hear your feedback: strukstrings@gmail.com Facebook / Twitter @strukstrings.
$29.99
Over The Rainbow
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Orchestre de chambre
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INTERMÉDIAIRE
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Comédie Musicale
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Film/TV
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Judy Garland
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John C Skillman
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Over The Rainbow
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John Curtis Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1126265 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John C Skillman. Broadway,Film/TV,Jazz,...
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Chamber Orchestra - Level 3 - SKU: A0.1126265 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John C Skillman. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 37 pages. John Curtis Music #726967. Published by John Curtis Music (A0.1126265). This arrangement of Harold Arlen's classic song is an adaptation of Ariana Grande's performance and 2017 single, Somewhere over the rainbow (live From Manchester). The chart features a near-full string section, with Electric bass covering the low end. This version brings back the song's original introduction and uses a combo-style horn section to highlight the gospel and jazz-influenced harmony and phrasing.
$49.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Ever Forward
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Orchestre de chambre
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INTERMÉDIAIRE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contempora...
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Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Drive
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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The Cars
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Ryan Harrison Ellis
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Drive
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rebottled music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1435776 By The Cars. By Ric Ocasek. Arranged by Ryan Harrison Ellis. Pop,Rock. 14 pages. Rebottled music #1015868....
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Chamber Orchestra - Level 3 - SKU: A0.1435776 By The Cars. By Ric Ocasek. Arranged by Ryan Harrison Ellis. Pop,Rock. 14 pages. Rebottled music #1015868. Published by rebottled music (A0.1435776). Bring Back the 80s with this heartfelt classic arranged for orchestra, piano/bass/drum combo, solo voice and background chorus.A great way to show off a lead vocalist and have the SATB choir participate in the background vocals.Transport your audience back in time and wow them with the powerful ending!
$49.99
Concerto for Flute & String Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Concerto for Flute & Strin
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Mr Malcolm D Robertson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. ...
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Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. Published by Mr Malcolm D Robertson (A0.927989). Composed during April & May 2020, and completed on the 6th May 2020. In three movements, it is among my most lyrical and relaxed works. I hope it provides a sense of optimism in these strange times. The writing for Flute & Strings is very straightforward. The main theme of the central Intermezzo is taken from a piano piece I composed back in February 1987. I've always like the tune and didn't want it to end up among my forgotten manuscripts. Parts are available upon request.
$15.59
Concerto in E flat for Trumpet and Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Vincenzo Bellini
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David Watson
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Concerto in E flat for Trumpet
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David E. Watson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E...
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Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
Concerto in D minor for Trumpet and Strings
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Orchestre de chambre
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AVANCÉ
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Classique
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Allessandro Marcello
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David Watson
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Concerto in D minor for Trumpe
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David E. Watson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Wa...
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Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
Svendsen Romance Op. 26 Cello and String Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johan Svendsen
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Paul Wood
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Svendsen Romance Op. 26 Cello
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MyMusicScores.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1120645 Composed by Johan Svendsen. Arranged by Paul Wood. Romantic Period. Score and parts. 34 pages. MyMusicScor...
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Chamber Orchestra - Level 4 - SKU: A0.1120645 Composed by Johan Svendsen. Arranged by Paul Wood. Romantic Period. Score and parts. 34 pages. MyMusicScores.com #721892. Published by MyMusicScores.com (A0.1120645). Svendsen composed his Romance for violin and Orchestra Op.26 in G major, in 1881. He had been working in Leipzip for a few years and had just returned back to Norway. Apart from being a composer Svendsen was a violinist and had studied under Ferdinand David at the Leipzig Conservatory. This work is a beautiful piece of music fully of lush melodies and fab to play. Here is a version for cello and string orchestra The PDF file contains the score and all parts for printing.
$19.99
Fum, Fum, Fum
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Orchestre de chambre
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INTERMÉDIAIRE
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ASCAP, Evelyn R, and Larter
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Evelyn Larter Music
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Fum, Fum, Fum
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Evelyn R Larter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.749837 Composed by ASCAP, Evelyn R, and Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Scor...
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Chamber Orchestra - Level 3 - SKU: A0.749837 Composed by ASCAP, Evelyn R, and Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 14 pages. Evelyn R Larter #3691993. Published by Evelyn R Larter (A0.749837). This is a fun, accessible arrangement of the traditional Spanish carol, originally part of the clarinet collection, Carols For The King From Around The World, (also at SMP Press) and now available for the first time for solo flute, string quartet and piano. It is suitable for any occasion during the Christmas season. See also the newly published version for solo flute and piano. Contact me if interested in a recorded piano accompaniment. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome! .
$9.99
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