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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The Woman in Red
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Partitions à imprimer
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Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.8 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Druantia's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Sm…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
9.16 €
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Orchestre de chambre
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
27.52 €
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Orchestre de chambre
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
95.34 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18.3 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ophélie, String Parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Multicultural,World. Score and parts. 8 pages. Christopher Benfield #4292989. Published by Christopher Benfield (A0.909884). This is an arrangement of the incredibly famous piano piece Arabesque No. 1 by Claude Debussy for string quartet and soprano soloist. Inspired by the works of Heitor Villa Lobos in his work Bachianas Brasileiras, the piece draws from the evocative poetry of Arthur Rimbaud and brings to mind the images of nature shown through a woman's body. Ophélie is great for a recital of new music, or arrangements of old music! This piece should be performed by advanced singers and string players. These are the parts for the individual string instruments only.
$2.99
2.74 €
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Orchestre de chambre
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Claude Debussy
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Christopher Benfield
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Ophélie, String Parts
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Christopher Benfield
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SheetMusicPlus
La Donna È Mobile (for String Quartet and Piano)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.611513 Composed by Giuseppe …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.611513 Composed by Giuseppe Verdi. Arranged by Stephen DeCesare. Film/TV,Opera,Romantic Period,Standards. Score and parts. 14 pages. Exultet Music #1909651. Published by Exultet Music (A0.611513). 2016 Arrangement New Release. Translated (A Woman Is Fickle). One of the most popular tenor arias ever written has now been arranged for String Quartet with an exciting end that will definitely bring any audience members to its feet in raucous applause. Scored for Violin 1 and 2, Viola, Cello, Flute, and Piano.
$12.95
11.88 €
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Orchestre de chambre
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Giuseppe Verdi
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Stephen DeCesare
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La Donna È Mobile
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Exultet Music
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SheetMusicPlus
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